¨¨¨~»††%§@                                          @§%††»~¨¨¨
¨¨~»††%§@#                                          #@§%††»~¨¨
¨~»††%§@##                                          ##@§%††»~¨
¨¨~»††%§@#                                          #@§%††»~¨¨
¨¨¨~»††%§@                                          @§%††»~¨¨¨
¨¨¨¨~»††%§ #†»»»»»»»                      »»»»»»»†# §%††»~¨¨¨¨
¨¨¨~»††%§@ #                                      # @§%††»~¨¨¨
¨¨~»††%§@# # list  of strategic  and/or magically # #@§%††»~¨¨
¨~»††%§@## #    important   musical    devices    # ##@§%††»~¨
¨¨~»††%§@# #                                      # #@§%††»~¨¨
¨¨¨~»††%§@ #†»»»»»»»                      »»»»»»»†# @§%††»~¨¨¨
¨¨¨¨~»††%§                                          §%††»~¨¨¨¨
¨¨¨~»††%§@                                          @§%††»~¨¨¨
¨¨~»††%§@# ¨¨¨¨¨¨  in  sanctioned posession  ¨¨¨¨¨¨ #@§%††»~¨¨
¨~»††%§@##                                          ##@§%††»~¨
¨¨~»††%§@# [question box   eurorack]    [volca keys #@§%††»~¨¨
¨¨¨~»††%§@ pocket                           meower] @§%††»~¨¨¨
¨¨¨¨~»††%§ [handysound hs twohundred        weather §%††»~¨¨¨¨
¨¨¨~»††%§@ maker]   [lyra eight   hypnotic   visor] @§%††»~¨¨¨
¨¨~»††%§@# [tcm twenty   journaller]  [tcm onefifty #@§%††»~¨¨
¨~»††%§@## journaller]  [dmg one  folk  instrument] ##@§%††»~¨
¨¨~»††%§@# [x fifteen                 input/output] #@§%††»~¨¨
¨¨¨~»††%§@                                          @§%††»~¨¨¨
¨¨¨¨~»††%§                                          §%††»~¨¨¨¨
¨¨¨~»††%§@ ¨¨¨¨¨¨  recommended yet  dropped  ¨¨¨¨¨¨ @§%††»~¨¨¨
¨¨~»††%§@#                                          #@§%††»~¨¨
¨~»††%§@## [tr oh eight     anchor]    [dr oneforty ##@§%††»~¨
¨¨~»††%§@# digital                      journaller] #@§%††»~¨¨
¨¨¨~»††%§@                                          @§%††»~¨¨¨
¨¨¨¨~»††%§                                          §%††»~¨¨¨¨
¨¨¨~»††%§@ ¨¨¨¨¨¨  unermarkable.  flairless  ¨¨¨¨¨¨ @§%††»~¨¨¨
¨¨~»††%§@#                                          #@§%††»~¨¨
¨~»††%§@## [po twelve      limited]     [stylophone ##@§%††»~¨
¨¨~»††%§@# limited]       [po sixteen      strange] #@§%††»~¨¨
¨¨¨~»††%§@ [hme sixtysix                    common] @§%††»~¨¨¨
¨¨¨¨~»††%§ [wm exoneseventytwo   common]  [wm exten §%††»~¨¨¨¨
¨¨¨~»††%§@ common]       [beatstep pro      opaque] @§%††»~¨¨¨
¨¨~»††%§@#                                          #@§%††»~¨¨
¨~»††%§@##                                          ##@§%††»~¨
¨¨~»††%§@# ¨¨¨¨¨¨   dark   shoutout    to:   ¨¨¨¨¨¨ #@§%††»~¨¨
¨¨¨~»††%§@                                          @§%††»~¨¨¨
¨¨¨¨~»††%§ [volca fm     difficult]      [otamatone §%††»~¨¨¨¨
¨¨¨~»††%§@ absolutely wonderful  little  annoyance] @§%††»~¨¨¨
¨¨~»††%§@#                                          #@§%††»~¨¨
¨~»††%§@##                                          ##@§%††»~¨
¨¨~»††%§@# ¨¨¨¨¨¨         beguiling          ¨¨¨¨¨¨ #@§%††»~¨¨
¨¨¨~»††%§@                                          @§%††»~¨¨¨
¨¨¨¨~»††%§ [tb o three   for   acids]   [ge fastrac §%††»~¨¨¨¨
¨¨¨~»††%§@ pitch+speed]     [teac    open cassette, @§%††»~¨¨¨
¨¨~»††%§@# dubious]  [volca modular   solid  dream] #@§%††»~¨¨
¨~»††%§@##                                          ##@§%††»~¨
¨¨~»††%§@#                                          #@§%††»~¨¨
¨¨¨~»††%§@                                          @§%††»~¨¨¨
¨¨¨¨~»††%§                                          §%††»~¨¨¨¨
¨¨¨~»††%§@                                          @§%††»~¨¨¨