,-«\*%@@##                                          ##@@%*\«-,
,-«\*%%@@@                                          @@@%%*\«-,
,-«\*%@###                                          ###@%*\«-,
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,-«\*%@@##                                          ##@@%*\«-,
,-«\****%@                    --                    @%****\«-,
,-«\*%@@##                   -%%-                   ##@@%*\«-,
,-«\*%@@##                  -%##%-                  ##@@%*\«-,
,-«\*%@@@@                   -%%-                   @@@@%*\«-,
,,,,«\\%@#                    --                    #@%\\«,,,,
,-«\*%@@##                                          ##@@%*\«-,
,-«\*%@@##                                          ##@@%*\«-,
,,,,,,«\%@   \\\ TEENAGE ENGINEERING PRESENTS \\\   @%\«,,,,,,
,-«\*%@@## #%««««««  THE POCKET OPERATORS  ««««««%# ##@@%*\«-,
,-«\*%@@##           --- ------ ---------           ##@@%*\«-,
,-«\*%@@##                                          ##@@%*\«-,
,-«\\\\**@             THEY BREAK EASILY            @**\\\\«-,
,,,,,-«\%@ FOR EXAMPLE IF  YOU WOULD BE TO PUT THEM @%\«-,,,,,
,-«\*%@@##              IN YOUR POCKET              ##@@%*\«-,
,-«\*%@###                                          ###@%*\«-,
,,,,,,-\%@                  ,*###*,                 @%\-,,,,,,
,-«\*%@@## HERE PRESENTED IN  AN  ASCENDING FASHION ##@@%*\«-,
,-«\*%@@##                  ,*###*,                 ##@@%*\«-,
,,,,,,-\*@                                          @*\-,,,,,,
,,,,,,-\*@                                          @*\-,,,,,,
,,,,---«*@              %% PO TWELVE %%             @*«---,,,,
,-«\*%%@@@      (DRUM MACHINE, SEE PO TWELVE)       @@@%%*\«-,
,,,,-\\*%@                                          @%*\\-,,,,
,,,,«**%@#                                          #@%**«,,,,
,-«\*%%%@@             %% PO FOURTEEN %%            @@%%%*\«-,
,-«\*%@@@# LAME   BASE   SYNTH   I   HAD  AND  SOLD #@@@%*\«-,
,-«\*%@@@@                                          @@@@%*\«-,
,-«\*%%@@#                                          #@@%%*\«-,
,-«\*%@@##             %% PO SIXTEEN %%             ##@@%*\«-,
,,---««\*@    (MELODY AND STUFF, SEE PO SIXTEEN)    @*\««---,,
,-«\*%@@##                                          ##@@%*\«-,
,-«\*%@###                                          ###@%*\«-,
,,----\\%@              %% PO TWENTY %%             @%\\----,,
,-«\*%@@##  A CHIPTUNE-SOUNDING BLIP BLOP MACHINE   ##@@%*\«-,
,-«\*%@@## GOOD FOR CHORDS AND STUFF. NEVER USED IT ##@@%*\«-,
,,,««***@@                                          @@***««,,,
,-«\*%@@##                                          ##@@%*\«-,
,-«\*%@@##            %% PO TWENTYFOUR %%           ##@@%*\«-,
,-«\*%@@##     OFFICE ROMPLER? FOR WHAT REASON?     ##@@%*\«-,
,,,-\\**%@                                          @%**\\-,,,
,-«\*%@@@#                                          #@@@%*\«-,
,,,,-«*@@@           %% PO TWENTYEIGHT %%           @@@*«-,,,,
,,,--\\*%@         MELODY AND STUFF MARK TWO        @%*\\--,,,
,,---\*%@@         (ONLY MELODIES THIS TIME)        @@%*\---,,
,,,,,«*@@@                                          @@@*«,,,,,
,-«\*%@@##                                          ##@@%*\«-,
,-«\*%@@##            %% PO THIRTYTWO %%            ##@@%*\«-,
,,----«**@           DRUM MACHINE MARK TWO          @**«----,,
,,,,,,-\%@ RUNS ON SOME COMPUTER  SOFTWARE  TO MAKE @%\-,,,,,,
,-«\*%@### YOUR  OWN DRUMS AND WHATNOT. BUT  IT  IS ###@%*\«-,
,,,,,-\\%@            EXPENSIVE THIS ONE            @%\\-,,,,,
,-«\*%@@##                                          ##@@%*\«-,
,,-«\\%@@@                                          @@@%\\«-,,
,-«\*%@@##                                          ##@@%*\«-,
,-«\*%@@##                                          ##@@%*\«-,
,-«\*%@@##                                          ##@@%*\«-,