...^-\§*§@                                          @§*§\-^...
....^-\§*§                                          §*§\-^....
...^-\§*§@                                          @§*§\-^...
..^-\§*§@#                                          #@§*§\-^..
.^-\§*§@##                                          ##@§*§\-^.
..^-\§*§@# #\-------                      -------\# #@§*§\-^..
...^-\§*§@ #                                      # @§*§\-^...
....^-\§*§ #  list of strategic  and/or magically # §*§\-^....
...^-\§*§@ #   important    musical    devices    # @§*§\-^...
..^-\§*§@# #                                      # #@§*§\-^..
.^-\§*§@## #\-------                      -------\# ##@§*§\-^.
..^-\§*§@#                                          #@§*§\-^..
...^-\§*§@                                          @§*§\-^...
....^-\§*§ ......  in sanctioned  posession  ...... §*§\-^....
...^-\§*§@                                          @§*§\-^...
..^-\§*§@# [question box    eurorack]   [volca keys #@§*§\-^..
.^-\§*§@## pocket                           meower] ##@§*§\-^.
..^-\§*§@# [handysound hs twohundred        weather #@§*§\-^..
...^-\§*§@ maker]   [lyra eight   hypnotic   visor] @§*§\-^...
....^-\§*§ [tcm twenty   journaller]  [tcm onefifty §*§\-^....
...^-\§*§@ journaller]  [dmg one  folk  instrument] @§*§\-^...
..^-\§*§@# [x fifteen                 input/output] #@§*§\-^..
.^-\§*§@##                                          ##@§*§\-^.
..^-\§*§@#                                          #@§*§\-^..
...^-\§*§@ ...... recommended  yet  dropped  ...... @§*§\-^...
....^-\§*§                                          §*§\-^....
...^-\§*§@ [tr oh eight     anchor]    [dr oneforty @§*§\-^...
..^-\§*§@# digital                      journaller] #@§*§\-^..
.^-\§*§@##                                          ##@§*§\-^.
..^-\§*§@#                                          #@§*§\-^..
...^-\§*§@ ......  unermarkable.  flairless  ...... @§*§\-^...
....^-\§*§                                          §*§\-^....
...^-\§*§@ [po twelve      limited]     [stylophone @§*§\-^...
..^-\§*§@# limited]       [po sixteen      strange] #@§*§\-^..
.^-\§*§@## [hme sixtysix                    common] ##@§*§\-^.
..^-\§*§@# [wm exoneseventytwo  common]   [wm exten #@§*§\-^..
...^-\§*§@ common]      [beatstep pro       opaque] @§*§\-^...
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...^-\§*§@                                          @§*§\-^...
..^-\§*§@# ......   dark   shoutout    to:   ...... #@§*§\-^..
.^-\§*§@##                                          ##@§*§\-^.
..^-\§*§@# [volca fm      difficult]     [otamatone #@§*§\-^..
...^-\§*§@ absolutely wonderful  little  annoyance] @§*§\-^...
....^-\§*§                                          §*§\-^....
...^-\§*§@                                          @§*§\-^...
..^-\§*§@# ......         beguiling          ...... #@§*§\-^..
.^-\§*§@##                                          ##@§*§\-^.
..^-\§*§@# [tb o three   for   acids]   [ge fastrac #@§*§\-^..
...^-\§*§@ pitch+speed]    [teac     open cassette, @§*§\-^...
....^-\§*§ dubious]  [volca modular  solid   dream] §*§\-^....
...^-\§*§@                                          @§*§\-^...
..^-\§*§@#                                          #@§*§\-^..
.^-\§*§@##                                          ##@§*§\-^.
..^-\§*§@#                                          #@§*§\-^..
...^-\§*§@                                          @§*§\-^...