.¨.,--†**& &**†--,.¨.
,¨,^«:=%&£ £&%=:«^,¨,
.,,~^^¤¤@# #@¤¤^^~,,.
¨^=;*@#£## ##£#@*;=^¨
.,-~/†£§£# #£§£†/~-,.
,.¨,-:%£§# statuette #§£%:-,¨.,
.¨..:~*§$# #$§*~:..¨.
¨..¨¨,~*†& *@&¤£*§*%%£*£%@&-~«»~«-~%£@££*§§£¤@%$@£§ &†*~,¨¨..¨
¨,..,=;%$£ $§£%¤&@¤% £$%;=,..,¨
.,.~»†=¤¤£ £¤¤=†»~.,.
.¨-=/*&&¶# forests around my childhood home. thick #¶&&*/=-¨.
,,-;%%£@## pine arcades that were planted and ##@£%%;-,,
,,:«†%%#@# forgotten. wild boars roaming #@#%%†«:,,
,¨.^=/*£## underneath, sniffing at the ground. it ##£*/=^.¨,
..,,.~=^$£ is dark and moist, the canopy having £$^=~.,,..
¨¨.¨.-»\*$ already soaked up all the sun. $*\»-.¨.¨¨
,¨¨¨~-**$£ £$**-~¨¨¨,
¨,,,»*=$@# there's a river passing by, from east #@$=*»,,,¨
¨,:~;%%# to west, getting broader and deeper and ##&%%;~:,¨
.-~:%%@@## slower as it goes. equisetum grow just ##@@%%:~-.
.,~«^=@# where the pine hands start to let ##&@=^«~,.
..¨~~/%¤§@ through light, horsemint on the rocky @§¤%/~~¨..
,¨¨,,~\†¤# river bed. #¤†\~,,¨¨,
¨..,.,~^%$ $%^~,.,..¨
,¨.¨,=\=£@ : @£=\=,¨.¨,
,¨¨:-/=¤&@ @&¤=/-:¨¨,
.¨,«=*§&@# the riverbanks reek of magic. tonight #@&§*=«,¨.
¨~~\=§§£## they had been a swampworld with sylvan ##£§§=\~~¨
¨¨:~=^¤¤£# water, stone rings and floating moss. #£¤¤^=~:¨¨
¨..-«:*£¤# you could've found me wallowing around #¤£*:«-..¨
.,.¨,»=%%¤ on the southern shores until i got ¤%%=»,¨.,.
¨.¨,..»*$§ bitten. §$*»..,¨.¨
.¨¨,,~;%§& &§%;~,,¨¨.
,.,,«^§@£¶ but now i'm further back, on solid ¶£@§^«,,.,
,¨~~/%£#@# ground, in shoulder-high grass, with an #@#£%/~~¨,
.,=;^*&@## orange tin radio and a translucent ##@&*^;=,.
¨¨-«^=@@## umbrella which i'm sitting on. ##@@=^«-¨¨
.¨.,-;=@£@ @£@=;-,.¨.
,.,¨,=*%$& † &$%*=,¨,.,
,.¨.,.«††% %††«.,.¨.,
,...:-=*$¤ somethings moving in the grass. it's ¤$*=-:...,
...^=^†$¤@ invisible to my eyes but i can feel @¤$†^=^...
¨..-^%£¤¶# through the ground just how large it is. #¶¤£%^-..¨
,:~^†££### ###££†^~:,
,,~~^*&¤## the soil is muddy. i slip when trying ##¤&*^~~,,
,¨,,=\§¤## to get up, still looking at the ##¤§\=,,¨,
.,,¨~-^%%# direction of sound rather than at my #%%^-~¨,,.
,¨,.,:=;%% hands, who are busy putting things in %%;=:,.,¨,
,...^«/$$@ my pockets. @$$/«^...,
...^-^*$§# #§$*^-^...
.¨.==§$&@# then i run east toward my home. #@&$§==.¨.
¨^«\*@¤@## ##@¤@*\«^¨
,¨,~†%$¤¶# ; #¶¤$%†~,¨,
¨¨.,-/^$£@ @£$^/-,.¨¨
¨,.¨-«\$@& i am not followed, and slow down in the &@$\«-¨.,¨
¨,.,,-=†$£ clearing where you at first can spot £$†=-,,.,¨
.,.,^-:*$# the house, not yet really in the #$*:-^,.,.
,,.:~;$§§@ backyard. from my pockets i retrieve my @§§$;~:.,,
¨¨-«*%£££# radio (now dented) but also a small #£££%*«-¨¨
,.~^=¤@@## clay figure i've never seen before. it ##@@¤=^~.,
,¨.«/%§&¶# must have been laying in the wet dirt, #¶&§%/«.¨,
¨,¨.~;=$£@ and i must've picked it up with my @£$=;~.¨,¨
....,«=*&@ other belongings. @&*=«,....
,,,,,.»:=$ $=:».,,,,,
¨,,¨:»†%£& it's a statuette of a girl laying naked &£%†»:¨,,¨
,...«**$&£ on her stomach, feet in the air, £&$**«...,
¨,.~*§*££# roughly seven centimeters long. it's #££*§*~.,¨
,.~=%£## freshly made, not yet completely dried. ###&£%=~.,
..:-\^§£@# #@£§^\-:..
,¨.:~/†§ my mom is here now. i ask her for some #&§†/~:.¨,
.,,..-^$%£ particle board for it to dry on, but £%$^-..,,.
¨.¨.¨-«**@ she is worried and wants me to @**«-¨.¨.¨
¨..,~=:^$# throw it away. #$^:=~,..¨
¨.¨,=\$*££ ££*$\=,¨.¨
,.^=^%£@£# #£@£%^=^.,
.,~:^§£@## ##@£§^:~,.
,¨~~:$£&¶# #¶&£$:~~¨,
¨..,=^*$£@ @£$*^=,..¨
¨¨¨.-=;%&& &&%;=-.¨¨¨