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,.»=%%¤¤#£ £#¤¤%%=».,
.,-=^%¤£¤@ statuette @¤£¤%^=-,.
,,¨.=^*#@@ @@#*^=.¨,,
.,,¨.¨,«$§ $@*&%@*%*@%£§%%$=~=»=»»»£%@%£££$¤*@¤$%%& §$«,¨.¨,,.
.,=**&§¶## £$£$¤@%$£ ##¶§&**=,.
,.-**#@### ###@#**-.,
,^=^*¤§### forests around my childhood home. thick ###§¤*^=^,
..,,=«\£@@ pine arcades that were planted and @@£\«=,,..
.,~†$$&£## forgotten. wild boars roaming ##£&$$†~,.
..»^*£#¶## underneath, sniffing at the ground. it ##¶#£*^»..
¨,~\*%@¶## is dark and moist, the canopy having ##¶@%*\~,¨
.,«†=$&@@# already soaked up all the sun. #@@&$=†«,.
¨~=/%¤¤¶## ##¶¤¤%/=~¨
.^»/**§¶@# there's a river passing by, from east #@¶§**/»^.
¨¨,.,::†££ to west, getting broader and deeper and ££†::,.,¨¨
..¨¨,,:&£@ slower as it goes. equisetum grow just @£&:,,¨¨..
.^=:$£¤### where the pine hands start to let ###¤£$:=^.
¨,,:^~*¤¶# through light, horsemint on the rocky #¶¤*~^:,,¨
,~»^†*$§&@ river bed. @&§$*†^»~,
.¨¨-:*%$&¤ ¤&$%*:-¨¨.
,.¨¨¨¨¨-*@ ^ @*-¨¨¨¨¨.,
¨,-*%£&@## ##@&£%*-,¨
,^~;^£##@# the riverbanks reek of magic. tonight #@##£^;~^,
¨~=:=&*@#@ they had been a swampworld with sylvan @#@*&=:=~¨
.:-**£&@## water, stone rings and floating moss. ##@&£**-:.
,,»*%§&£## you could've found me wallowing around ##£&§%*»,,
,^«\^%#### on the southern shores until i got ####%^\«^,
¨,¨¨¨.=££¤ bitten. ¤££=.¨¨¨,¨
,¨.,=§^%*§ §*%^§=,.¨,
.,»%&§@### but now i'm further back, on solid ###@§&%»,.
.,:«~^*%§£ ground, in shoulder-high grass, with an £§%*^~«:,.
..¨,¨,,†=§ orange tin radio and a translucent §=†,,¨,¨..
,,-\$§£@@¶ umbrella which i'm sitting on. ¶@@£§$\-,,
¨--*=£§@## ##@§£=*--¨
.-«;†£#### = ####£†;«-.
..«/*¤§¶## ##¶§¤*/«..
¨,,--«*%£¤ somethings moving in the grass. it's ¤£%*«--,,¨
,,,,-=%&£@ invisible to my eyes but i can feel @£&%=-,,,,
..~/=;@%*£ through the ground just how large it is. £*%@;=/~..
¨^-*^$¤#@# #@#¤$^*-^¨
¨¨¨,»\&§*£ the soil is muddy. i slip when trying £*§&\»,¨¨¨
¨-=^$*£@## to get up, still looking at the ##@£*$^=-¨
,:-*%$&£## direction of sound rather than at my ##£&$%*-:,
¨-~:*¤§#§# hands, who are busy putting things in #§#§¤*:~-¨
,~-=$%£@## my pockets. ##@£%$=-~,
.~»***£### ###£***»~.
,,~/*£## then i run east toward my home. ##£#&*/~,,
,,~:**¤### ###¤**:~,,
¨,«\%%§§§¤ ; ¤§§§%%\«,¨
....-/;$%@ @%$;/-....
,^~\$%¤£££ i am not followed, and slow down in the £££¤%$\~^,
.-=/*$#££@ clearing where you at first can spot @££#$*/=-.
.¨~,=*%£§¤ the house, not yet really in the ¤§£%*=,~¨.
¨-«†$&£@@# backyard. from my pockets i retrieve my #@@£&$†«-¨
,¨.¨¨:=\%& radio (now dented) but also a small &%\=:¨¨.¨,
¨,«†%££@## clay figure i've never seen before. it ##@££%†«,¨
¨:»†*=$$@# must have been laying in the wet dirt, #@$$=*†»:¨
¨--;*%¶@## and i must've picked it up with my ##@¶%*;--¨
,,«^%@&&¶£ other belongings. £¶&&@%^«,,
¨,...«**¤@ @¤**«...,¨
,,=%*&¶### it's a statuette of a girl laying naked ###¶&*%=,,
.¨.,,~/^ on her stomach, feet in the air, #&^/~,,.¨.
.,«:$$§£## roughly seven centimeters long. it's ##£§$$:«,.
,.=:§&£#@# freshly made, not yet completely dried. #@#£&§:=.,
¨.¨..:«^## ##^«:..¨.¨
.¨¨,,-~†%¤ my mom is here now. i ask her for some ¤%†~-,,¨¨.
¨¨,.¨.«:*# particle board for it to dry on, but #*:«.¨.,¨¨
.,=~~-*£@# she is worried and wants me to #@£*-~~=,.
.^»\/*§£@@ throw it away. @@£§*/\»^.
¨,»=%£¤@@# #@@¤£%=»,¨
.,-^**£#@# #@#£**^-,.
¨,~;$%†*$§ §$*†%$;~,¨
¨:«\%%§@## ##@§%%\«:¨
.:~/*£&@## ##@&£*/~:.
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