.,,~;*$### ###$*;~,,.
..-\=££@## ##@££=\-..
.,,-^†@£## ##£@†^-,,.
.¨¨,~**¤£# #£¤**~,¨¨.
,.-»:^$¤## ##¤$^:»-.,
,:«^†&¤@## statuette ##@¤&†^«:,
¨.,==^%¤@# #@¤%^==,.¨
..,~~/^% $§§£$%¤&%§$%£¤&&»~~=~«~»%§@*$£**§%*@¤@$¤ #&%^/~~,..
¨.,~==%£## %$$&%££@* ##£%==~,.¨
,-»†$$#### ####$$†»-,
,¨:«=$£# forests around my childhood home. thick ##&£$=«:¨,
.¨,.=*$$¤# pine arcades that were planted and #¤$$*=.,¨.
.,~«\$%¤## forgotten. wild boars roaming ##¤%$\«~,.
,^-^†§§### underneath, sniffing at the ground. it ###§§†^-^,
,¨,»/%$### is dark and moist, the canopy having ###$%/»,¨,
¨¨.~~*$¤#@ already soaked up all the sun. @#¤$*~~.¨¨
.,.»:^£¤@# #@¤£^:».,.
¨.-;*$£### there's a river passing by, from east ###£$*;-.¨
..,=;^%@@# to west, getting broader and deeper and #@@%^;=,..
,,¨~-^%£§# slower as it goes. equisetum grow just #§£%^-~¨,,
¨.~~=$££## where the pine hands start to let ##££$=~~.¨
,,~:%§£@## through light, horsemint on the rocky ##@£§%:~,,
¨.~«;%*@## river bed. ##@*%;«~.¨
¨,.~»==$§# #§$==»~.,¨
...-==@¤## \ ##¤@==-...
¨.~=^$£### ###£$^=~.¨
...=^*$@## the riverbanks reek of magic. tonight ##@$*^=...
¨¨,^=\*&¤@ they had been a swampworld with sylvan @¤&*\=^,¨¨
.,:~*%*@## water, stone rings and floating moss. ##@*%*~:,.
.-=/*%#### you could've found me wallowing around ####%*/=-.
¨,-~\%$### on the southern shores until i got ###$%\~-,¨
...,~*%%@# bitten. #@%%*~,...
,,^~\§£§## ##§£§\~^,,
,.-^§¤¤@## but now i'm further back, on solid ##@¤¤§^-.,
¨.,«^**@@# ground, in shoulder-high grass, with an #@@**^«,.¨
¨.¨-~:$@£# orange tin radio and a translucent #£@$:~-¨.¨
..,~\*¤¤## umbrella which i'm sitting on. ##¤¤*\~,..
,,=/%£## ###&£%/=,,
,,:~**$@@# = #@@$**~:,,
¨.,.»/*%#@ @#%*/».,.¨
¨,.«\%£### somethings moving in the grass. it's ###£%\«.,¨
,.»†*%¤### invisible to my eyes but i can feel ###¤%*†».,
,,,=:%££## through the ground just how large it is. ##££%:=,,,
.¨,^~†%%§@ @§%%†~^,¨.
¨.^=\$%### the soil is muddy. i slip when trying ###%$\=^.¨
¨,=†$$¤### to get up, still looking at the ###¤$$†=,¨
..^»:%*@@# direction of sound rather than at my #@@*%:»^..
¨¨.,=/%$¤@ hands, who are busy putting things in @¤$%/=,.¨¨
,.^-*§§@## my pockets. ##@§§*-^.,
.:»*†*#@## ##@#*†*»:.
,.-~=$%£## then i run east toward my home. ##£%$=~-.,
,¨,~«/%£¤@ @¤£%/«~,¨,
..,~/^£§@# ; #@§£^/~,..
.,~;§$¤### ###¤$§;~,.
,.,»\^%§## i am not followed, and slow down in the ##§%^\»,.,
,.¨:-^^%§@ clearing where you at first can spot @§%^^-:¨.,
,.-=†%%£@# the house, not yet really in the #@£%%†=-.,
,,»^†£&@## backyard. from my pockets i retrieve my ##@&£†^»,,
¨,^=\†%# radio (now dented) but also a small ##&%†\=^,¨
,¨.,«/%§## clay figure i've never seen before. it ##§%/«,.¨,
¨,~~*%¤# must have been laying in the wet dirt, ##&¤%*~~,¨
,~-;†%@### and i must've picked it up with my ###@%†;-~,
...«/=¤¤@# other belongings. #@¤¤=/«...
,,,,~*§&@@ @@&§*~,,,,
,,~«:†%¤## it's a statuette of a girl laying naked ##¤%†:«~,,
.~»;*£@### on her stomach, feet in the air, ###@£*;»~.
..^=/%$### roughly seven centimeters long. it's ###$%/=^..
,¨¨-«;**## freshly made, not yet completely dried. ##**;«-¨¨,
,.:-;$&# ##&&$;-:.,
.,~†$£§@## my mom is here now. i ask her for some ##@§£$†~,.
¨.,~;$£# particle board for it to dry on, but ##&£$;~,.¨
..¨,«††@@# she is worried and wants me to #@@††«,¨..
¨¨,»*=¤@## throw it away. ##@¤=*»,¨¨
¨-~*$@§### ###§@$*~-¨
,¨,-:§$#@# #@#$§:-,¨,
..¨--;*%¤# #¤%*;--¨..
,,,-†§£#@# #@#£§†-,,,
,^~*%$¤### ###¤$%*~^,
..~~;$$@## ##@$$;~~..