..«:§%&@@# #@@&%§:«..
,,:«/%$¤¶@ @¶¤$%/«:,,
,-~;*@¤£## ##£¤@*;~-,
¨,:=**%§@@ @@§%**=:,¨
¨-«†*&@¶@# #@¶@&*†«-¨
¨..-/*$@ statuette @#&$*/-..¨
..-††*@@## ##@@*††-..
,.,»\§$@ @@$§*¤$£§££%%%@%»~=~~~~-$*%§*£@§$&£§$¤%% @#&$§\»,.,
.~-:%$¤@## ¤@@@£**@$ ##@¤$%:-~.
¨,:=\$£¤## ##¤£$\=:,¨
,^-;=£#£## forests around my childhood home. thick ##£#£=;-^,
,.^-:%¤@£# pine arcades that were planted and #£@¤%:-^.,
,,«†^%¤### forgotten. wild boars roaming ###¤%^†«,,
¨,,»†*%§@# underneath, sniffing at the ground. it #@§%*†»,,¨
,:«^*%#### is dark and moist, the canopy having ####%*^«:,
,,^-\†$§@# already soaked up all the sun. #@§$†\-^,,
¨~~;%&£@## ##@£&%;~~¨
.¨^-\%£# there's a river passing by, from east ##&£%\-^¨.
,~-:†££### to west, getting broader and deeper and ###££†:-~,
..^«**%# slower as it goes. equisetum grow just ##&%**«^..
..=*^$§£## where the pine hands start to let ##£§$^*=..
.,:~/$£§@@ through light, horsemint on the rocky @@§£$/~:,.
.,~;*%§@## river bed. ##@§%*;~,.
,,:~==$&@# #@&$==~:,,
.~=/=&¤¶## \ ##¶¤&=/=~.
¨.,~:$§£@# #@£§$:~,.¨
,-~:%&§£## the riverbanks reek of magic. tonight ##£§&%:~-,
¨.:«;^¤££@ they had been a swampworld with sylvan @££¤^;«:.¨
.~»*§&£¶## water, stone rings and floating moss. ##¶£&§*»~.
,.^~\†%¤#@ you could've found me wallowing around @#¤%†\~^.,
.:»/*&&¶@# on the southern shores until i got #@¶&&*/»:.
¨¨~~:*§¤#@ bitten. @#¤§*:~~¨¨
¨,~*=¤#@@# #@@#¤=*~,¨
.,.»;%§### but now i'm further back, on solid ###§%;».,.
¨^~††¤#£## ground, in shoulder-high grass, with an ##£#¤††~^¨
.,^-;^£@@# orange tin radio and a translucent #@@£^;-^,.
.,«:†@£¶@# umbrella which i'm sitting on. #@¶£@†:«,.
,¨^~=$$££# #££$$=~^¨,
,,«=†§@¶## † ##¶@§†=«,,
.,,»†=£#@# #@#£=†»,,.
¨--\§£@#@# somethings moving in the grass. it's #@#@£§\--¨
¨.,-\=£¤## invisible to my eyes but i can feel ##¤£=\-,.¨
¨,=†%%£### through the ground just how large it is. ###£%%†=,¨
,,-»\*%#@# #@#%*\»-,,
¨:=:^¤£@## the soil is muddy. i slip when trying ##@£¤^:=:¨
¨,,-\$%§## to get up, still looking at the ##§%$\-,,¨
,^-\%£@# direction of sound rather than at my #@#&£%\-^,
¨¨.-=§££¶# hands, who are busy putting things in #¶££§=-.¨¨
,:~:§£&£## my pockets. ##£&£§:~:,
.,,»*§$@¶# #¶@$§*»,,.
.^-^^£¤£## then i run east toward my home. ##£¤£^^-^.
,¨~=*^*£@@ @@£*^*=~¨,
,^»*§@@@## * ##@@@§*»^,
,¨,~†§¤@## ##@¤§†~,¨,
.,~;%*§@## i am not followed, and slow down in the ##@§*%;~,.
¨.^»\§&&£# clearing where you at first can spot #£&&§\»^.¨
,,~/=*## the house, not yet really in the ###&*=/~,,
,,~»\†&@¶# backyard. from my pockets i retrieve my #¶@&†\»~,,
¨:»^*¤¤### radio (now dented) but also a small ###¤¤*^»:¨
..^=;$%#¶# clay figure i've never seen before. it #¶#%$;=^..
,--/**&@@# must have been laying in the wet dirt, #@@&**/--,
¨¨:~:§£#@@ and i must've picked it up with my @@#£§:~:¨¨
.-=*§*@¶@# other belongings. #@¶@*§*=-.
,.,«**@@@@ @@@@**«,.,
.,«†*§&@@# it's a statuette of a girl laying naked #@@&§*†«,.
.¨^«;%*#@# on her stomach, feet in the air, #@#*%;«^¨.
.:~/%%@¶## roughly seven centimeters long. it's ##¶@%%/~:.
,..~*=@§£# freshly made, not yet completely dried. #£§@=*~..,
¨~=:%%£@## ##@£%%:=~¨
¨,-~/^£§@@ my mom is here now. i ask her for some @@§£^/~-,¨
,,~/†*§¶## particle board for it to dry on, but ##¶§*†/~,,
.¨.»†^$¤@# she is worried and wants me to #@¤$^†».¨.
.:~=*§¤¶## throw it away. ##¶¤§*=~:.
.,-~:%££#@ @#££%:~-,.
,,~;%£##@# #@##£%;~,,
¨.^~\^£&@# #@&£^\~^.¨
.,-=**££## ##££**=-,.
.,^=/*$§#@ @#§$*/=^,.
¨:~††%@£@# #@£@%††~:¨