.,~†%$¤¶## ##¶¤$%†~,.
¨,,¨.~-^@£ £@^-~.¨,,¨
¨,=\%¤&@## ##@&¤%\=,¨
¨.,,¨-:%§@ @§%:-¨,,.¨
.^«†^£¤¶## ##¶¤£^†«^.
.,»==%@¶@@ statuette @@¶@%==»,.
,,,¨^^:*%¤ ¤%*:^^¨,,,
,-.-«**$£@ £@*&&£&¤§$¤$&$$$~=«=-=-»£$@£@£§$*%%%*%*$ @£$**«-.-,
.,~††¤#@## £&££%%%$@ ##@#¤††~,.
.,=**@#### ####@**=,.
..~†§$#### forests around my childhood home. thick ####$§†~..
,~~.==*£## pine arcades that were planted and ##£*==.~~,
,-=††£¤### forgotten. wild boars roaming ###¤£††=-,
.:»/†£@@## underneath, sniffing at the ground. it ##@@£†/»:.
¨.-:*¤£@ is dark and moist, the canopy having @£#&¤*:-.¨
.^«*†@@@## already soaked up all the sun. ##@@@†*«^.
.^=††£§£ #&£§£††=^.
.,==%@@@## there's a river passing by, from east ##@@@%==,.
,.=:^$#### to west, getting broader and deeper and ####$^:=.,
.,~/%$@@ slower as it goes. equisetum grow just @@#&$%/~,.
.~«:=¤#### where the pine hands start to let ####¤=:«~.
,,-\\/=†%§ through light, horsemint on the rocky §%†=/\\-,,
.¨~,»==»=@ river bed. @=»==»,~¨.
..-;*@@£## ##£@@*;-..
,-«=*£¤@## = ##@¤£*=«-,
.,¨.,¨.=%¤ ¤%=.¨,.¨,.
,,~/^@@@## the riverbanks reek of magic. tonight ##@@@^/~,,
,,¨,.-=:*@ they had been a swampworld with sylvan @*:=-.,¨,,
,,«†=$££## water, stone rings and floating moss. ##££$=†«,,
,.:-;/*£&& you could've found me wallowing around &&£*/;-:.,
¨.¨.,=-\=@ on the southern shores until i got @=\-=,.¨.¨
.,«\%££@## bitten. ##@££%\«,.
.--:$§#££# #££#§$:--.
.~»=§£#### but now i'm further back, on solid ####£§=»~.
,~«==$*@#@ ground, in shoulder-high grass, with an @#@*$==«~,
,.,.,,;†£# orange tin radio and a translucent #£†;,,.,.,
,.,.,.~**# umbrella which i'm sitting on. #**~.,.,.,
....,^-^^§ §^^-^,....
..¨.=†=%%@ † @%%=†=.¨..
¨-»/¤#@@## ##@@#¤/»-¨
,-~~»:@*§£ somethings moving in the grass. it's £§*@:»~~-,
.,~:§££### invisible to my eyes but i can feel ###££§:~,.
,¨,¨.,\$¤£ through the ground just how large it is. £¤$\,.¨,¨,
.~-^†£§§@@ @@§§£†^-~.
,.»†§@#### the soil is muddy. i slip when trying ####@§†».,
,,.~^:=# to get up, still looking at the ##&=:^~.,,
,.«=$£§@## direction of sound rather than at my ##@§£$=«.,
.-==§$&¶## hands, who are busy putting things in ##¶&$§==-.
,,~^^@## my pockets. ##@#&^^~,,
,~~*^*%£*@ @*£%*^*~~,
.^~=%§#### then i run east toward my home. ####§%=~^.
¨...=»:^§£ £§^:»=...¨
¨:»*$¤&&&£ ; £&&&¤$*»:¨
¨,=:^§&¶## ##¶&§^:=,¨
¨..»;/^=#§ i am not followed, and slow down in the §#=^/;»..¨
.,=*=@§### clearing where you at first can spot ###§@=*=,.
,^~:$$£#@# the house, not yet really in the #@#£$$:~^,
¨^«^$%&@## backyard. from my pockets i retrieve my ##@&%$^«^¨
..^~-/%&@@ radio (now dented) but also a small @@&%/-~^..
,:»:$%§£#@ clay figure i've never seen before. it @#£§%$:»:,
¨:»=*$¤@@¶ must have been laying in the wet dirt, ¶@@¤$*=»:¨
..,..:^@££ and i must've picked it up with my ££@^:..,..
¨.¨¨,¨¨«%& other belongings. &%«¨¨,¨¨.¨
,,=**$&£## ##£&$**=,,
¨¨,,-*&¤@£ it's a statuette of a girl laying naked £@¤&*-,,¨¨
.¨¨¨.=*&@@ on her stomach, feet in the air, @@&*=.¨¨¨.
.,«*^*£¶## roughly seven centimeters long. it's ##¶£*^*«,.
,^«\^£#@## freshly made, not yet completely dried. ##@#£^\«^,
,¨.¨.^^£§# #§£^^.¨.¨,
.¨,¨¨¨,«*# my mom is here now. i ask her for some #*«,¨¨¨,¨.
..¨..--\*§ particle board for it to dry on, but §*\--..¨..
.,---~%%¤& she is worried and wants me to &¤%%~---,.
¨¨,¨-†;§*¤ throw it away. ¤*§;†-¨,¨¨
,-«:†%#@## ##@#%†:«-,
.,¨..~~=^@ @^=~~..¨,.
,,.¨.=†*£@ @£*†=.¨.,,
¨.,~~^%£@# #@£%^~~,.¨
¨^»†$*&@## ##@&*$†»^¨
.~»^$@## ##@#&$^»~.