¨,,-\*¤£## ##£¤*\-,,¨
¨,,:«;^£§@ @§£^;«:,,¨
...=*$§#£# #£#§$*=...
.,~†$*£@## ##@£*$†~,.
.,.~*§%¤## ##¤%§*~.,.
..¨:»*^£§£ statuette £§£^*»:¨..
¨.:-;=££@# #@££=;-:.¨
¨^«==££@## @££%$$$*&¤£¤£¤£%==-==~=-*$&§@$£¤@§&¤$@&* ##@££==«^¨
,.~~†$$@¶# %%%*£§£££ #¶@$$†~~.,
..¨,=;*£@# #@£*;=,¨..
¨¨.«/%££## forests around my childhood home. thick ##££%/«.¨¨
,^«=^££### pine arcades that were planted and ###££^=«^,
¨..~*^*£@# forgotten. wild boars roaming #@£*^*~..¨
¨,,.~==%@# underneath, sniffing at the ground. it #@%==~.,,¨
¨.~~^*&&£# is dark and moist, the canopy having #£&&*^~~.¨
.,=†*£@@## already soaked up all the sun. ##@@£*†=,.
¨,,=;§¤£@# #@£¤§;=,,¨
¨.,~-\$§£@ there's a river passing by, from east @£§$\-~,.¨
¨¨^-†*$### to west, getting broader and deeper and ###$*†-^¨¨
.:-^%$#£## slower as it goes. equisetum grow just ##£#$%^-:.
.,,~†%£### where the pine hands start to let ###£%†~,,.
...,«^$$¤£ through light, horsemint on the rocky £¤$$^«,...
.,~»=$£@## river bed. ##@£$=»~,.
¨-~^*$&¶## ##¶&$*^~-¨
¨¨,«;*@¤£# : #£¤@*;«,¨¨
¨.¨:~==@££ ££@==~:¨.¨
,¨.-=^%§£# the riverbanks reek of magic. tonight #£§%^=-.¨,
.,~\%¤§@## they had been a swampworld with sylvan ##@§¤%\~,.
..^-*^£§£# water, stone rings and floating moss. #£§£^*-^..
.,¨:«\§¤#¶ you could've found me wallowing around ¶#¤§\«:¨,.
¨¨-~/$*@@# on the southern shores until i got #@@*$/~-¨¨
,~-^†$&¶## bitten. ##¶&$†^-~,
¨.:~/^§@£# #£@§^/~:.¨
¨¨.:~:^%@# but now i'm further back, on solid #@%^:~:.¨¨
.¨,=†§*££# ground, in shoulder-high grass, with an #££*§†=,¨.
,.«;^§#### orange tin radio and a translucent ####§^;«.,
¨¨^-**£@¶# umbrella which i'm sitting on. #¶@£**-^¨¨
¨,.~=\*£&@ @&£*\=~.,¨
,.-=\§%£@# * #@£%§\=-.,
,^»=*%§@## ##@§%*=»^,
,¨,~/%@@## somethings moving in the grass. it's ##@@%/~,¨,
¨.¨.~†%$&@ invisible to my eyes but i can feel @&$%†~.¨.¨
,¨-=^†$£## through the ground just how large it is. ##£$†^=-¨,
¨-»=%§£### ###£§%=»-¨
.¨^-:*$¤£# the soil is muddy. i slip when trying #£¤$*:-^¨.
...,~/%$#£ to get up, still looking at the £#$%/~,...
.¨,~;$%§## direction of sound rather than at my ##§%$;~,¨.
¨:»==*£### hands, who are busy putting things in ###£*==»:¨
,,,«/$£# my pockets. #£#&$/«,,,
,,¨.=;^*§¶ ¶§*^;=.¨,,
...~††£@£# then i run east toward my home. #£@£††~...
,,~\§$§@## ##@§$§\~,,
¨,.~=$%¤£# / #£¤%$=~.,¨
¨¨¨.»:**#£ £#**:».¨¨¨
¨¨-«;=@### i am not followed, and slow down in the ###@=;«-¨¨
¨~»\*£&£## clearing where you at first can spot ##£&£*\»~¨
,¨,~=%§¤## the house, not yet really in the ##¤§%=~,¨,
,¨¨^~==%&£ backyard. from my pockets i retrieve my £&%==~^¨¨,
¨,.~:%&¤¶# radio (now dented) but also a small #¶¤&%:~.,¨
¨,-=†§@### clay figure i've never seen before. it ###@§†=-,¨
¨¨:~/§££## must have been laying in the wet dirt, ##££§/~:¨¨
,.,,=*%&@£ and i must've picked it up with my £@&%*=,,.,
,..-**&£¶# other belongings. #¶£&**-..,
¨,=*†@¤£## ##£¤@†*=,¨
,,:-\=%&£# it's a statuette of a girl laying naked #£&%=\-:,,
,,.:«\=$¤¶ on her stomach, feet in the air, ¶¤$=\«:.,,
,¨^~:†%£## roughly seven centimeters long. it's ##£%†:~^¨,
.:=††$&@## freshly made, not yet completely dried. ##@&$††=:.
¨¨-=†*£¤@# #@¤£*†=-¨¨
¨¨.,=/*%#@ my mom is here now. i ask her for some @#%*/=,.¨¨
¨,~-:*@### particle board for it to dry on, but ###@*:-~,¨
,,-\§¤£¶## she is worried and wants me to ##¶£¤§\-,,
,.:-=†%¤## throw it away. ##¤%†=-:.,
.¨¨:«\*@¤@ @¤@*\«:¨¨.
,.,-†§£# ##&£§†-,.,
,.~*†@£### ###£@†*~.,
.,-«\^@&@# #@&@^\«-,.
¨.¨:~^%$#£ £#$%^~:¨.¨
.,.~\†$#£# #£#$†\~.,.