..##.#..##                                          #.##..####
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.#.#.#.#.#                                          #.##.#..##
.#.#.#.#.#                                          #..#.#.#.#
.#.#.#.#.#                                          #.##.#.#.#
.#.#.#.#.#             £ DREAM PALACE £             #..#.#.#.#
.#.#.#.#.#             - ----- ------ -             #.##.#.#.#
.#.#.#.#.#             £ ..... ...... £             #..#.#.#.#
.#.#.#.#.#             ; ..... ...... ;             #.##.#.#.#
.#.#.#.#.#             - ..... ...... -             #..#.#.#.#
.#.#.#.#.#             - ..... ...... -             #.##.#.#.#
.#.#.#.#.#             . ..... ...... .             #..#.#.#.#
.#.#.#.#.#                                          #.##.#.#.#
.#.#.#.#.#                                          #..#.#.#.#
.#.#.#.#.# NOT ACTUALLY A PALACE.  A COTTAGE IN THE #.##.#.#.#
.#.#.#.#.#  WOODS (TEMPERATE CLIMATE, RAINS EVERY   #..#.#.#.#
.#.#.#.#.# OTHER  DAY,  SPRINGS  AND   STREAMS  AND #.##.#.#.#
.#.#.#.#.#   MYSTERIOUS IRON AND STONE ARTIFACTS,   #..#.#.#.#
.#.#.#.#.#    BIRDLAND-ISH ETERNAL SPRING (LATE     #.##.#.#.#
.#.#.#.#.#                 SPRING))                 #..#.#.#.#
.#.#.#.#.#                                          #.##.#.#.#
.#.#.#.#.#                     =                    #..#.#.#.#
.#.#.#.#.#                                          #.##.#.#.#
.#.#.#.#.# I WAKE UP EVERY MORNING AT SIX AM.  IT'S #..#.#.#.#
.#.#.#.#.# DARK,  AND  THE STARS  ARE OUT, BUT  THE #.##.#.#.#
.#.#.#.#.# SUN IS ABOUT TO  RISE.  ITS  A LONG DAY, #..#.#.#.#
.#.#.#.#.# BEFORE  IT FADES  TO  NIGHT  AGAIN,  AND #.##.#.#.#
.#.#.#.#.# THEN  IT  STAYS SO UNTIL I FALL  ASLEEP. #..#.#.#.#
.#.#.#.#.# IT  DOESN'T  RISE  UNLESS  I'VE  HAD  MY #.##.#.#.#
.#.#.#.#.#                 DREAMS.                  #..#.#.#.#
.#.#.#.#.#                                          #.##.#.#.#
.#.#.#.#.#                    =                     #..#.#.#.#
.#.#.#.#.#                                          #.##.#.#.#
.#.#.#.#.# IN  THIS COTTAGE  THERE'S A LOT OF RADIO #..#.#.#.#
.#.#.#.#.#   EQUIPMENT, SOUND STUFF, SYNTHS, TAPE   #.##.#.#.#
.#.#.#.#.# PLAYERS. PEN  AND PAPER, BOOKS, CAMERAS, #..#.#.#.#
.#.#.#.#.# MIRRORS,  PRISMS, AND VARIOUS THINGS  TO #.##.#.#.#
.#.#.#.#.# DO  ART WITH.  THE FRIDGE IS FILLED WITH #..#.#.#.#
.#.#.#.#.# DIFFERET FOODS, ALL OF  THEM INTRIGUING, #.##.#.#.#
.#.#.#.#.#              SLIGHTLY WEIRD.             #..#.#.#.#
.#.#.#.#.#                                          #.##.#.#.#
.#.#.#.#.#                     #                    #..#.#.#.#
.#.#.#.#.#                                          #.##.#.#.#
.#.#.#.#.# I HAVE  FRIENDS  - THERE'S A  CAT, AND A #..#.#.#.#
.#.#.#.#.# DOG  (WHO  IS  RIDICOLOUSLY   LARGE  AND #.##.#.#.#
.#.#.#.#.# WANTS  TO BE THE BIG SPOON). I LISTEN TO #..#.#.#.#
.#.#.#.#.# THE SHORTWAVE RADIO, AND  TRANSMIT A BIT #.##.#.#.#
.#.#.#.#.# MYSELF,  SONGS  AND  POETRY,  AND  FOUND #..#.#.#.#
.#.#.#.#.# SOUNDS  FROM THE FOREST. THE OTHERS TELL #.##.#.#.#
.#.#.#.#.# OF  THEIR LIVES, PLAY THE GUITAR FOR ME, #..#.#.#.#
.#.#.#.#.# AND  TELL TALES  OF  THE  OLD  WORLD.  I #.##.#.#.#
.#.#.#.#.#      CONSIDER THEM FRIENDS AS WELL.      #..#.#.#.#
.#.#.#.#.#                                          #.##.#.#.#
.#.#.#.#.#                    ¶                     #..#.#.#.#
.#.#.#.#.#                                          #.##.#.#.#
.#.#.#.#.# MOST  IMPORTANTLY, THERE'S A  TWO SQUARE #..#.#.#.#
.#.#.#.#.# METER  AREA  ON THE FLOOR  WHERE  I  CAN #.##.#.#.#
.#.#.#.#.# "SAVE" THINGS. WHATEVER  I  PUT  IN HERE #..#.#.#.#
.#.#.#.#.# WILL  NOT  BE  AFFECTED  BY THE  NIGHTLY #.##.#.#.#
.#.#.#.#.#    RESET. EVERYTHING ELSE, HOWEVER, IS   #..#.#.#.#
.#.#.#.#.#     COMPLETELY RESET OVERNIGHT: SYNTH    #.##.#.#.#
.#.#.#.#.#  PATCHES REMOVED, FOOD UNEATEN, WOUNDS   #..#.#.#.#
.#.#.#.#.# HEALED,  AND WHEREVER  AND  WHENEVER I'D #.##.#.#.#
.#.#.#.#.# FALL  ASLEEP I'D  ALWAYS WAKE  UP  FULLY #..#.#.#.#
.#.#.#.#.# RESTED  IN  MY  BED.  SOMETIMES  THERE'S #.##.#.#.#
.#.#.#.#.# ACCIDENTS   WHERE   I   LOSE   STUFF  BY #..#.#.#.#
.#.#.#.#.# FORGETTING  TO PUT  THEM  IN THE SQUARE. #.##.#.#.#
.#.#.#.#.#                                          #..#.#.#.#
.#.#.#.#.#                     .                    #.##.#.#.#
.#.#.#.#.#                                          #..#.#.#.#
.#.#.#.#.# AT  NIGHT,  I   HAVE  DEMI-LUCID  DREAMS #.##.#.#.#
.#.#.#.#.# WHERE  THE SPIRITS OF THE FOREST  AROUND #..#.#.#.#
.#.#.#.#.# THE  COTTAGE TRIES TO COMMUNICATE. HERE, #.##.#.#.#
.#.#.#.#.# IT'S  NOT  ENDLESS  BUT CONNECTED  TO  A #..#.#.#.#
.#.#.#.#.# LARGE  SPRAWLING  CITY, WHERE  MY  RADIO #.##.#.#.#
.#.#.#.#.# FRIENDS LIVE. WE  GO  EXPLORING TOGETHER #..#.#.#.#
.#.#.#.#.# - THINGS ARE  DEEP AND DARK - BUT UNLIKE #.##.#.#.#
.#.#.#.#.# ME, THEY NEVER  REMEMBER DURING THE DAY. #..#.#.#.#
.#.#.#.#.# THIS  IS  A  MYSTERY  WE  OFTEN DISCUSS. #.##.#.#.#
.#.#.#.#.#                                          #..#.#.#.#
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