¨.,-=**¤#§ §#¤**=-,.¨
¨.~~««%&£@ @£&%««~~.¨
,-=%¤##@## ##@##¤%=-,
¨¨.,«\££@# #@££\«,.¨¨
-~^^£#£@## ##@£#£^^~-
,.~\**@£## statuette ##£@**\~.,
.:-;$$¤#@# #@#¤$$;-:.
..~**%#@## ¤*¤&££§¤¤&%£&%£%-«~-~«~«£$$%¤%$£&$$&$%£¤ ##@#%**~..
,~«^$*§@## *£*£££$%$ ##@§*$^«~,
..,.:=£%&@ @&%£=:.,..
¨.~=*§£@#@ forests around my childhood home. thick @#@£§*=~.¨
¨~«\%%£### pine arcades that were planted and ###£%%\«~¨
.¨.,,.-;^¤ forgotten. wild boars roaming ¤^;-.,,.¨.
¨-»**£@### underneath, sniffing at the ground. it ###@£**»-¨
.~~;^=&@&@ is dark and moist, the canopy having @&@&=^;~~.
.:=*%$£¶## already soaked up all the sun. ##¶£$%*=:.
,:-=$$£### ###£$$=-:,
,..¨^~**@¶ there's a river passing by, from east ¶@**~^¨..,
,.=^*&## to west, getting broader and deeper and ###&&*^=.,
..»:$*@@@# slower as it goes. equisetum grow just #@@@*$:»..
..,,:,†£#@ where the pine hands start to let @#£†,:,,..
¨,«;$§#### through light, horsemint on the rocky ####§$;«,¨
.:»\;%*£§# river bed. #§£*%;\»:.
,:»=%§¶### ###¶§%=»:,
.,~;$@## * ##@#&$;~,.
.,¨.-=$*£¶ ¶£*$=-.¨,.
.,¨,=%¤@§@ the riverbanks reek of magic. tonight @§@¤%=,¨,.
,-~;†@## they had been a swampworld with sylvan ###&@†;~-,
,:==§$#@## water, stone rings and floating moss. ##@#$§==:,
-===*§¶### you could've found me wallowing around ###¶§*===-
¨,«;*§§@@# on the southern shores until i got #@@§§*;«,¨
¨-=^†£#### bitten. ####£†^=-¨
,-«**%&¶@# #@¶&%**«-,
.:«:%@¤#@# but now i'm further back, on solid #@#¤@%:«:.
,^=††§#@#@ ground, in shoulder-high grass, with an @#@#§††=^,
.¨::=*^$^@ orange tin radio and a translucent @^$^*=::¨.
¨,,::*=/^£ umbrella which i'm sitting on. £^/=*::,,¨
¨,»/%*§££# #££§*%/»,¨
¨..¨,.~:%¤ / ¤%:~.,¨..¨
¨,-\%¤§¶## ##¶§¤%\-,¨
.-~^%£&@## somethings moving in the grass. it's ##@&£%^~-.
¨~»:%§¤### invisible to my eyes but i can feel ###¤§%:»~¨
¨,~;*£§@@# through the ground just how large it is. #@@§£*;~,¨
.¨..¨¨.-=# #=-.¨¨..¨.
.,~-=*%=@¤ the soil is muddy. i slip when trying ¤@=%*=-~,.
,:~^=$&£@# to get up, still looking at the #@£&$=^~:,
..»\*££##@ direction of sound rather than at my @##££*\»..
.~~*^$#@## hands, who are busy putting things in ##@#$^*~~.
.,.^,/$£@£ my pockets. £@£$/,^.,.
.,=^=%£### ###£%=^=,.
,^=**&§#@# then i run east toward my home. #@#§&**=^,
¨¨..-«$%§& &§%$«-..¨¨
,,»=%£¤#@# : #@#¤£%=»,,
,,-†=$¤¶## ##¶¤$=†-,,
,¨,,,,=§@@ i am not followed, and slow down in the @@§=,,,,¨,
.::«\=$### clearing where you at first can spot ###$=\«::.
.-=«»^£¤£# the house, not yet really in the #£¤£^»«=-.
¨.¨,-%=§£@ backyard. from my pockets i retrieve my @£§=%-,¨.¨
.-~^*¤£@## radio (now dented) but also a small ##@£¤*^~-.
.,.,,~/=££ clay figure i've never seen before. it ££=/~,,.,.
,-~=%*¤¤#@ must have been laying in the wet dirt, @#¤¤*%=~-,
,-==*§£@## and i must've picked it up with my ##@£§*==-,
¨,~**£&£## other belongings. ##£&£**~,¨
..~%@@¶### ###¶@@%~..
,-,~~*^$ it's a statuette of a girl laying naked #&$^*~~,-,
.,==%§£### on her stomach, feet in the air, ###£§%==,.
.,~;^%#¶## roughly seven centimeters long. it's ##¶#%^;~,.
,¨,.-~§@@@ freshly made, not yet completely dried. @@@§~-.,¨,
¨,¨.,~§*§# #§*§~,.¨,¨
,,¨.-:@&@@ my mom is here now. i ask her for some @@&@:-.¨,,
..«**§§¶@# particle board for it to dry on, but #@¶§§**«..
,,~†%$£¶## she is worried and wants me to ##¶£$%†~,,
¨,,»†=%#¶# throw it away. #¶#%=†»,,¨
¨¨,~^*$£%£ £%£$*^~,¨¨
.-~\§¤@@## ##@@¤§\~-.
,^~^=%£¶## ##¶£%=^~^,
¨,=\%%@### ###@%%\=,¨
¨,¨¨,¨=-*# #*-=¨,¨¨,¨
.,¨.¨~%¤ #&¤%~¨.¨,.