.,~^^£&¶## ##¶&£^^~,.
,¨:~*†$¤£# #£¤$†*~:¨,
.^-††%§¶## ##¶§%††-^.
¨.^-:†*@## ##@*†:-^.¨
.:»/%§@@## ##@@§%/»:.
,,-=†%$¤¶# statuette #¶¤$%†=-,,
.,~\†£&@## ##@&£†\~,.
.,-~**$£¶# ££%$¤¤%$¤%$¤$¤%%=~~=~~«=%£&§$*@%§&@%@&£$ #¶£$**~-,.
¨-»\=%£### $$£&$&@¤% ###£%=\»-¨
.¨-~;§$&@# #@&$§;~-¨.
..»:*$## forests around my childhood home. thick ###&$*:»..
¨,.«/$¤&£# pine arcades that were planted and #£&¤$/«.,¨
¨.~^$£#¶## forgotten. wild boars roaming ##¶#£$^~.¨
.,-»^^§¤¶# underneath, sniffing at the ground. it #¶¤§^^»-,.
¨,~/§%#@## is dark and moist, the canopy having ##@#%§/~,¨
¨.,»/%$# already soaked up all the sun. ##&$%/»,.¨
¨,»=*&@@## ##@@&*=»,¨
.¨,»/%&££# there's a river passing by, from east #££&%/»,¨.
,,~††$@@## to west, getting broader and deeper and ##@@$††~,,
¨¨^~^%£#@# slower as it goes. equisetum grow just #@#£%^~^¨¨
.-«=§$## where the pine hands start to let ###&$§=«-.
,,.«;*@£@# through light, horsemint on the rocky #@£@*;«.,,
,.~=*§#¶## river bed. ##¶#§*=~.,
¨,^~:*£§## ##§£*:~^,¨
.,=;**@@## : ##@@**;=,.
.¨,«:*$¤¶# #¶¤$*:«,¨.
¨,«†*%@### the riverbanks reek of magic. tonight ###@%*†«,¨
.¨:~†*£§## they had been a swampworld with sylvan ##§£*†~:¨.
¨,«;*£¤### water, stone rings and floating moss. ###¤£*;«,¨
..^»^=£@@# you could've found me wallowing around #@@£=^»^..
¨^«/=$§¶## on the southern shores until i got ##¶§$=/«^¨
.¨,-**$#£# bitten. #£#$**-,¨.
,:=:%&£¶## ##¶£&%:=:,
.¨,=***#@# but now i'm further back, on solid #@#***=,¨.
¨,=:=%£@## ground, in shoulder-high grass, with an ##@£%=:=,¨
,¨.«;$§£@# orange tin radio and a translucent #@£§$;«.¨,
¨.~\%£#@## umbrella which i'm sitting on. ##@#£%\~.¨
,..«;†%@@# #@@%†;«..,
¨~=*%¤@### * ###@¤%*=~¨
..,=\=£### ###£=\=,..
.^==%&## somethings moving in the grass. it's ###&&%==^.
,¨^»;$£@## invisible to my eyes but i can feel ##@£$;»^¨,
,~«:§¤¤¶## through the ground just how large it is. ##¶¤¤§:«~,
.¨^~^^%# ##&%^^~^¨.
.,-;=%#### the soil is muddy. i slip when trying ####%=;-,.
...~†^£@¶# to get up, still looking at the #¶@£^†~...
¨,«;§£¤### direction of sound rather than at my ###¤£§;«,¨
¨¨~~†^$&£# hands, who are busy putting things in #£&$^†~~¨¨
..»/%*## my pockets. ###&*%/»..
,,-~=%%&@# #@&%%=~-,,
.-~^*£#¶## then i run east toward my home. ##¶#£*^~-.
¨¨,=^$&¤£# #£¤&$^=,¨¨
¨^~=^§@¶## † ##¶@§^=~^¨
,¨-~;=*£@# #@£*=;~-¨,
..~=*%@¶## i am not followed, and slow down in the ##¶@%*=~..
..:-;=&£@# clearing where you at first can spot #@£&=;-:..
¨~~^§%£### the house, not yet really in the ###£%§^~~¨
¨¨.~^%&¤## backyard. from my pockets i retrieve my ##¤&%^~.¨¨
¨.-*§&&¶## radio (now dented) but also a small ##¶&&§*-.¨
¨.,=^%§§£# clay figure i've never seen before. it #£§§%^=,.¨
¨.~*§*&¶## must have been laying in the wet dirt, ##¶&*§*~.¨
¨.,=^^¤£¶# and i must've picked it up with my #¶£¤^^=,.¨
,^~=$%@### other belongings. ###@%$=~^,
¨¨^~=†$@£# #£@$†=~^¨¨
,-~;%$@£## it's a statuette of a girl laying naked ##£@$%;~-,
¨,^»;§¤&¶# on her stomach, feet in the air, #¶&¤§;»^,¨
,-==*¶## roughly seven centimeters long. it's ##¶#&*==-,
,..»:*@££# freshly made, not yet completely dried. #££@*:»..,
¨.~/§££@## ##@££§/~.¨
¨,-«/$@### my mom is here now. i ask her for some ###@$/«-,¨
,,»\%¤¤@## particle board for it to dry on, but ##@¤¤%\»,,
.¨:~/%@¤@# she is worried and wants me to #@¤@%/~:¨.
,.»^$§££## throw it away. ##££§$^».,
.¨-~:$%¤## ##¤%$:~-¨.
..-\†*¤£## ##£¤*†\-..
¨,:~*†%# ##&%†*~:,¨
,,~;$%£@## ##@£%$;~,,
,.--;%&@## ##@&%;--.,
,,~;$$@¶## ##¶@$$;~,,