.--%%@@@## ##@@@%%--.
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..-*%@#### ####@%*-..
¨¨^~*£#£## ##£#£*~^¨¨
,~»*£@¶### ###¶@£*»~,
¨.^«§$#@@# statuette #@@#$§«^.¨
.^~†£§#@## ##@#§£†~^.
,¨^-*¤#@@# *§£%$@*$$%$%%**@-=--»~~-¤@§@¤&@%¤**§&*%$ #@@#¤*-^¨,
¨:~§$#¶### £%$%§£&££ ###¶#$§~:¨
,.:«=£&£## ##£&£=«:.,
,~~=@@£@## forests around my childhood home. thick ##@£@@=~~,
,.:-*%#### pine arcades that were planted and ####%*-:.,
.:~*%&£### forgotten. wild boars roaming ###£&%*~:.
¨.,«=£§@## underneath, sniffing at the ground. it ##@§£=«,.¨
,~»%$§@### is dark and moist, the canopy having ###@§$%»~,
.,^«%§§¶## already soaked up all the sun. ##¶§§%«^,.
¨-~§*¤£### ###£¤*§~-¨
¨,:=§§&£## there's a river passing by, from east ##£&§§=:,¨
¨,»^%¤#### to west, getting broader and deeper and ####¤%^»,¨
.,~~*%¤@## slower as it goes. equisetum grow just ##@¤%*~~,.
.,»$%@£@## where the pine hands start to let ##@£@%$»,.
.¨.«†*¤@## through light, horsemint on the rocky ##@¤*†«.¨.
.^=§*@¶### river bed. ###¶@*§=^.
¨¨:-*£&### ###&£*-:¨¨
¨.-§%#¶@## ; ##@¶#%§-.¨
,¨,~†*¤@## ##@¤*†~,¨,
¨,«=§#¶@## the riverbanks reek of magic. tonight ##@¶#§=«,¨
.¨:~%£#¶## they had been a swampworld with sylvan ##¶#£%~:¨.
,~»*%£@### water, stone rings and floating moss. ###@£%*»~,
,,.«%§#@## you could've found me wallowing around ##@#§%«.,,
¨~==%@#### on the southern shores until i got ####@%==~¨
,.--=%@£## bitten. ##£@%=--.,
..-$£¤¶### ###¶¤£$-..
,,^~$&@@## but now i'm further back, on solid ##@@&$~^,,
.:»%¤££@## ground, in shoulder-high grass, with an ##@££¤%»:.
,,,~=&¤¶## orange tin radio and a translucent ##¶¤&=~,,,
,:~=$§@### umbrella which i'm sitting on. ###@§$=~:,
,,~~^%@#@# #@#@%^~~,,
¨^=*&¤#@## * ##@#¤&*=^¨
.,~~*¤§@## ##@§¤*~~,.
,,~§$##@## somethings moving in the grass. it's ##@##$§~,,
,.^=^*¤£## invisible to my eyes but i can feel ##£¤*^=^.,
..~=§&#### through the ground just how large it is. ####&§=~..
,¨^~*@§@## ##@§@*~^¨,
¨.=%§@@### the soil is muddy. i slip when trying ###@@§%=.¨
..~~*£¤@@# to get up, still looking at the #@@¤£*~~..
,,~=§§#### direction of sound rather than at my ####§§=~,,
,¨,~*%@£## hands, who are busy putting things in ##£@%*~,¨,
,:»§§&#### my pockets. ####&§§»:,
,¨.-†£§### ###§£†-.¨,
¨-=$@§£### then i run east toward my home. ###£§@$=-¨
,.^=%&&#@# #@#&&%=^.,
,~~$@££### * ###££@$~~,
.¨:~^%@¶@# #@¶@%^~:¨.
¨-=%£&#@## i am not followed, and slow down in the ##@#&£%=-¨
¨.^~*£§### clearing where you at first can spot ###§£*~^.¨
.^»%&&¶### the house, not yet really in the ###¶&&%»^.
,,--%¤§### backyard. from my pockets i retrieve my ###§¤%--,,
,,=†&¤#### radio (now dented) but also a small ####¤&†=,,
.,~«^*£#@# clay figure i've never seen before. it #@#£*^«~,.
¨~~$£&£### must have been laying in the wet dirt, ###£&£$~~¨
¨,~=*¤&£## and i must've picked it up with my ##£&¤*=~,¨
¨,-^%¤#### other belongings. ####¤%^-,¨
¨.,»=¤§#@# #@#§¤=»,.¨
,^~§£¤¶@## it's a statuette of a girl laying naked ##@¶¤£§~^,
,.~-†$§### on her stomach, feet in the air, ###§$†-~.,
¨,-*§£#@## roughly seven centimeters long. it's ##@#£§*-,¨
.,:«*££@@# freshly made, not yet completely dried. #@@££*«:,.
¨.»**@£### ###£@**».¨
¨¨.~%$¤@## my mom is here now. i ask her for some ##@¤$%~.¨¨
,,~%&£¶### particle board for it to dry on, but ###¶£&%~,,
,¨,»*%£### she is worried and wants me to ###£%*»,¨,
¨:»*%@#### throw it away. ####@%*»:¨
,,:»*$&@## ##@&$*»:,,
,,«*$@#@## ##@#@$*«,,
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,^~*£¤#@## ##@#¤£*~^,
¨,~«%&&@## ##@&&%«~,¨
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