£#£..,.,., &£&.¨¨.#
#¤¨,££§§#& @£¤§.¨§§¨,
,¨.¨¨§££ ¨§§.¨,,,,¨
@£§&.,&§¤§ ¨,.¨@@§£&&
#&&¨,,.@#¤ ¨#£,¨£¤¤@£
#@.,£&¨.@¨ statuette ¨.¨.¨¨¤@@¤
§,,.,,¨.¨. ,#&@£¨¨&§#
,¨#@¤##£¤. $$*&$££@££$@%¤$%«~-«»-~~*$&$£*@£$@&%¤£££ .¨#¤.¨¨.#£
,¨,&@¤§#¨¨ $¤¤£§@£$¤ £,.¨¨@#..,
@&,.&¤&,,. ,.&&,.¨¨@§
#¨,¨,£,.§@ forests around my childhood home. thick ¤,,.¨@§,¨@
..¤&¨,.,.¤ pine arcades that were planted and ¨¨#£,¨¨,.,
@,.,,§#¤.. forgotten. wild boars roaming ¤¨...#¤£&&
¨.#§¨,¤¨¨¨ underneath, sniffing at the ground. it ,¨#@.¨¤#§&
.¨.,¨¨..¤@ is dark and moist, the canopy having .,¨,¨¨.#&.
£¤¤&£¨.@ already soaked up all the sun. ¤@#§#§¨,¨.
,&£#&£.¨¨. #£@¤§,¨§§,
.,£¤§¨.¨ there's a river passing by, from east ¤§§#...,.¨
&.,#,¨,¨¨¨ to west, getting broader and deeper and ¨¤&.,@¤&&£
,..¨,¤£@£. slower as it goes. equisetum grow just ...,¨,¤@¤#
¨&@¤,¨@#¨, where the pine hands start to let ,¤#&§,¨@§.
,.£,¨,.,.§ through light, horsemint on the rocky ¨.&¤,¨,¨.¨
¤,.,¤£§#¨¨ river bed. ,,¨,¨&&§££
.¨§.,¨,@ §§£§,¨#&£#
..,.¨.,,.. ^ .#@.¨.¨#&¨
&&@¤#¤£§#, ¨.¨.##¨,.¨
¨&&§#£,¨ the riverbanks reek of magic. tonight #@@¨¨¨.££.
,,&¤££@.,& they had been a swampworld with sylvan £&¨.@&¨¨,.
@.,#&@..¨¨ water, stone rings and floating moss. §¨..¨..@£#
.,,,¤¨,¤#. you could've found me wallowing around ¨.@##§..¤&
,@§¨,,¨..¨ on the southern shores until i got @¨,¤¤¨,,¨¨
¨¨¨,¤@§#@¤ bitten. ¨¨.¨¨.¤§§£
¨#§¨.¤@@ ##&¤§¨,¤&¨
.,.,.,§&¤, but now i'm further back, on solid @@§£,..¨.¨
§@&¤#.¨¤,, ground, in shoulder-high grass, with an ,¤@.,¤§#£§
£¤¨,¨,¨, orange tin radio and a translucent .,.¨.¨@£¤#
¤¤@¨¨£##£& umbrella which i'm sitting on. #£#@&..&§&
£#,.¨¨@&¤¨ &@£¤¨...@£
&,¨£&,¨#¨. * .¤£¨.#§..@
,,,,,.,,., ¨,¨..¨..¨,
@§#¤@¤¤@#& somethings moving in the grass. it's @§&¤&§#¤@£
@&&&£&§@@§ invisible to my eyes but i can feel ¤¤@¤&@£@¤¤
£##&¤@@§#@ through the ground just how large it is. §¤#£§§£&¤£
£@£&§#§£&& §¤#&§£&¤@@
#&£#@§#£@& the soil is muddy. i slip when trying &@¤§£¤§#§¤
§&§§#&¤@ to get up, still looking at the &¤&&£&¤&§&
#&¤&£&&£@# direction of sound rather than at my ¤&¤&£@¤&@£
¤£#££&@§@# hands, who are busy putting things in £&£¤§¤¤@£¤
@@&&@#¤##£ my pockets. £&@#§&§§¤#
§¤@¤@@@&&& ¤§@@££¤##£
¤£¤§§@£§¤§ then i run east toward my home. §¤£&@§&§
#@§£&@&¤@£ ##§§¤@@&§£
£¤¤£&¤#¤#£ : #¤&§¤¤&¤¤&
§££§¤&£¤¤@ &¤§@¤¤&@¤&
@£¤@#@¤£¤£ i am not followed, and slow down in the §£#§@¤@&¤§
#§@£#¤#¤#§ clearing where you at first can spot £#££@¤¤&§¤
#@£§@&&£§& the house, not yet really in the £¤¤&@¤§§¤¤
@@@¤@##@ backyard. from my pockets i retrieve my ¤¤¤#§¤£@@&
#§¤#@@£¤£& radio (now dented) but also a small &&¤#£§§§&&
¤¤##¤#@&&@ clay figure i've never seen before. it ¤#@##£§#@#
§££@£@@& must have been laying in the wet dirt, §&§#¤§##¤§
#§£@@&@&¤& and i must've picked it up with my ¤§£@¤££¤¤§
§&£@£@¤£ other belongings. &¤#§§¤#£#§
#§§&@@¤#¤@ @§@¤£@&£§§
#§#£#§&§&& it's a statuette of a girl laying naked £#@@#£#¤#@
££¤@¤@£@££ on her stomach, feet in the air, §§@#¤¤§£
§&#£#@&¤ roughly seven centimeters long. it's ¤£&¤@¤¤@&&
#@#&&&§§#& freshly made, not yet completely dried. #£@&&¤#@¤@
¤¤#£#&§££& #@¤§@¤&¤&§
¤£@¤@¤§@ my mom is here now. i ask her for some @&&¤&££#&§
&&¤£§§@¤#& particle board for it to dry on, but @&@@£#&&¤&
@@@&£&¤§¤# she is worried and wants me to §¤#££¤£§£#
@#££#@¤¤&& throw it away. @&££#&££§@
¤&@¤@¤§@@& ¤§§£§&@¤¤#
§§§#£§@#§§ @££@@@§§¤@
¤@#¤£@@£¤¤ £#§&&£§@&¤
££@#££¤§#& £¤#£@@§£
¤§§§§§¤&¤£ @£¤£§@&@£@
#&&¤&££&§§ §££§§@¤@§&