,.~/†$#### ####$†/~.,
.,¨,/^†@#¶ ¶#@†^/,¨,.
..»\**§### ###§**\»..
.,,¨¨¨:†§# #§†:¨¨¨,,.
.¨¨.¨~§@#@ @#@§~¨.¨¨.
¨¨.¨«=§$§¤ statuette ¤§$§=«¨.¨¨
,,~^†$§@## ##@§$†^~,,
..,¨,~%¤¤§ §@%£$%£%£$@*£££%-~-«~=~~%$£@$£*%&¤@%§£*§ §¤¤%~,¨,..
¨.,.,~=¤#@ %£¤$$%%$£ @#¤=~,.,.¨
.,,¨,,-*§¤ ¤§*-,,¨,,.
¨,»†*%¤£## forests around my childhood home. thick ##£¤%*†»,¨
,¨::~†%%%£ pine arcades that were planted and £%%%†~::¨,
,:~;$*§@@# forgotten. wild boars roaming #@@§*$;~:,
¨...,^-%&¤ underneath, sniffing at the ground. it ¤&%-^,...¨
.¨¨=~*%¤*§ is dark and moist, the canopy having §*¤%*~=¨¨.
.,-:;:§%%@ already soaked up all the sun. @%%§:;:-,.
,.¨.¨-^$££ ££$^-¨.¨.,
..~;**££## there's a river passing by, from east ##££**;~..
,..,,^$&¤§ to west, getting broader and deeper and §¤&$^,,..,
,...«~=†££ slower as it goes. equisetum grow just ££†=~«...,
¨^«\*£#### where the pine hands start to let ####£*\«^¨
.,«*%*§### through light, horsemint on the rocky ###§*%*«,.
¨^«†$£@### river bed. ###@£$†«^¨
.~=†*$#@@# #@@#$*†=~.
.,¨.,.-=$§ † §$=-.,.¨,.
.,=**&@##@ @##@&**=,.
..~=^&&¶## the riverbanks reek of magic. tonight ##¶&&^=~..
,^«\=##### they had been a swampworld with sylvan #####=\«^,
,.,,¨-;* water, stone rings and floating moss. #&*;-¨,,.,
..»*†&&¶## you could've found me wallowing around ##¶&&†*»..
,¨,,:«-*§¤ on the southern shores until i got ¤§*-«:,,¨,
..-^**†*¤@ bitten. @¤*†**^-..
,-«\^£§@## ##@§£^\«-,
,,==%£¤@## but now i'm further back, on solid ##@¤£%==,,
,,.,~~†§ ground, in shoulder-high grass, with an #&§†~~,.,,
.~=^$@§### orange tin radio and a translucent ###§@$^=~.
¨~~=§*£### umbrella which i'm sitting on. ###£*§=~~¨
¨,¨..=§%*£ £*%§=..¨,¨
.,¨:»\§¤@§ ^ §@¤§\»:¨,.
¨¨.,.*†/†§ §†/†*.,.¨¨
...¨~:=*@£ somethings moving in the grass. it's £@*=:~¨...
¨,»/§*#@## invisible to my eyes but i can feel ##@#*§/»,¨
,:«=$$##@# through the ground just how large it is. #@##$$=«:,
,,~/^@## ##@#&^/~,,
,-=:*£##£@ the soil is muddy. i slip when trying @£##£*:=-,
,.,^:=*§§# to get up, still looking at the #§§*=:^,.,
¨,»\†££### direction of sound rather than at my ###££†\»,¨
¨,»:%@## hands, who are busy putting things in ###&@%:»,¨
¨--~=*§¤## my pockets. ##¤§*=~--¨
¨,~*†@££#@ @#££@†*~,¨
¨-~$¤&@@## then i run east toward my home. ##@@&¤$~-¨
.,¨-*^§&@£ £@&§^*-¨,.
,.~=%£#@## ; ##@#£%=~.,
¨.,»=\£#@# #@#£\=»,.¨
,,-††£@@## i am not followed, and slow down in the ##@@£††-,,
,^»\^†§*=# clearing where you at first can spot #=*§†^\»^,
¨:«^^*###@ the house, not yet really in the @###*^^«:¨
,,:~~-/%§# backyard. from my pockets i retrieve my #§%/-~~:,,
.¨,¨¨===@# radio (now dented) but also a small #@===¨¨,¨.
.-=;%£¤@## clay figure i've never seen before. it ##@¤£%;=-.
.,~:§$££## must have been laying in the wet dirt, ##££$§:~,.
¨-~=%&&@¶£ and i must've picked it up with my £¶@&&%=~-¨
¨-~=%¤@£## other belongings. ##£@¤%=~-¨
,,«;$%#@## ##@#%$;«,,
.¨..~^%@£# it's a statuette of a girl laying naked #£@%^~..¨.
.~»/^£§### on her stomach, feet in the air, ###§£^/»~.
,,~/%§§@£# roughly seven centimeters long. it's #£@§§%/~,,
¨^-;†$#### freshly made, not yet completely dried. ####$†;-^¨
.,~:%$#@## ##@#$%:~,.
¨.«†*¤£@## my mom is here now. i ask her for some ##@£¤*†«.¨
¨..,,-\\@& particle board for it to dry on, but &@\\-,,..¨
,,..¨,.**£ she is worried and wants me to £**.,¨..,,
,.--~†§£#@ throw it away. @#£§†~--.,
...,.»/^^@ @^^/».,...
,¨,»†;*†*@ @*†*;†»,¨,
,¨..,^*†§§ §§†*^,..¨,
¨.,,,,^†## ##†^,,,,.¨
.:--*^*%¤@ @¤%*^*--:.
,,«^^&@@## ##@@&^^«,,