,,.=/†§&@# #@&§†/=.,,
,,,.=/†§&@ @&§†/=.,,,
,,.=/†§&@# #@&§†/=.,,
,.=/†§&@## ##@&§†/=.,
,,.=/†§&@# #@&§†/=.,,
,,,.=/†§&@ †††††††††† @&§†/=.,,,
,,.=/†§&@# #@&§†/=.,,
,.=/†§&@## lyra eight ##@&§†/=.,
,,.=/†§&@# #@&§†/=.,,
,,,.=/†§&@ ,, @&§†/=.,,,
,,.=/†§&@# . . #@&§†/=.,,
,.=/†§&@## = = ##@&§†/=.,
,,.=/†§&@# / / #@&§†/=.,,
,,,.=/†§&@ † † @&§†/=.,,,
,,.=/†§&@# #@&§†/=.,,
,.=/†§&@## cave sculpter ##@&§†/=.,
,,.=/†§&@# dream to chord translator #@&§†/=.,,
,,,.=/†§&@ @&§†/=.,,,
,,.=/†§&@# eight voiced bleeding fortune teller #@&§†/=.,,
,.=/†§&@## ##@&§†/=.,
,,.=/†§&@# dual self-modulating delay line #@&§†/=.,,
,,,.=/†§&@ switch for "total feedback" @&§†/=.,,,
,,.=/†§&@# #@&§†/=.,,
,.=/†§&@## lick the contact pads ##@&§†/=.,
,,.=/†§&@# #@&§†/=.,,
,,,.=/†§&@ † † @&§†/=.,,,
,,.=/†§&@# / / #@&§†/=.,,
,.=/†§&@## = = ##@&§†/=.,
,,.=/†§&@# . . #@&§†/=.,,
,,,.=/†§&@ ,, @&§†/=.,,,
,,.=/†§&@# #@&§†/=.,,
,.=/†§&@## gearlist , another synth ##@&§†/=.,
,,.=/†§&@# #@&§†/=.,,
,,,.=/†§&@ ††††††††††††††††††††††††† @&§†/=.,,,
,,.=/†§&@# #@&§†/=.,,
,.=/†§&@## ##@&§†/=.,
,,.=/†§&@# #@&§†/=.,,
,,,.=/†§&@ @&§†/=.,,,
,,.=/†§&@# #@&§†/=.,,