##@#¤**--¨ ¨--**¤#@##
#@#¤**--¨¨ ¨¨--**¤#@#
@#¤**--¨¨¨ ¨¨¨--**¤#@
#¤**--¨¨¨¨ ¨¨¨¨--**¤#
@#¤**--¨¨¨ ¨¨¨--**¤#@
#@#¤**--¨¨ TRAIN DREAM ¨¨--**¤#@#
##@#¤**--¨ ######¨¨¨¨----¨¨##################### ¨--**¤#@##
#@#¤**--¨¨ *** ¨¨--**¤#@#
@#¤**--¨¨¨ - ¨¨¨--**¤#@
#¤**--¨¨¨¨ - ¨¨¨¨--**¤#
@#¤**--¨¨¨ ¨¨¨--**¤#@
#@#¤**--¨¨ (SITUATION) ¨¨--**¤#@#
##@#¤**--¨ ¨--**¤#@##
#@#¤**--¨¨ YOU FIND YOURSELF IN A RIFT - A ¨¨--**¤#@#
@#¤**--¨¨¨ CLEARING, NARROW BUT IMMEASURABLY LONG. ¨¨¨--**¤#@
#¤**--¨¨¨¨ TO YOUR SIDES ARE WALLS MADE OF TREES, ¨¨¨¨--**¤#
@#¤**--¨¨¨ THICK AND READY TO SWALLOW YOU. THE SUN ¨¨¨--**¤#@
#@#¤**--¨¨ IS NOWHERE TO BE SEEN, BUT NONTHELESS ¨¨--**¤#@#
##@#¤**--¨ IT IS VERY BRIGHT - THE AIR FEELS LIGHT ¨--**¤#@##
#@#¤**--¨¨ BLUE, ALMOST WHITE. ¨¨--**¤#@#
@#¤**--¨¨¨ ¨¨¨--**¤#@
#¤**--¨¨¨¨ ALONG THE SPAN OF THE CLEARING LAY TWO ¨¨¨¨--**¤#
@#¤**--¨¨¨ PARALLEL SILVERY LINES, DARK HARD ¨¨¨--**¤#@
#@#¤**--¨¨ METAL. SOMEHOW YOU CAN SEE HOW HEAVY ¨¨--**¤#@#
##@#¤**--¨ THEY ARE. ¨--**¤#@##
#@#¤**--¨¨ ¨¨--**¤#@#
@#¤**--¨¨¨ THEY EMIT A HIGH PITCHED WHINE... ¨¨¨--**¤#@
#¤**--¨¨¨¨ ¨¨¨¨--**¤#
@#¤**--¨¨¨ - ¨¨¨--**¤#@
#@#¤**--¨¨ ¨¨*¨¨ ¨¨--**¤#@#
##@#¤**--¨ - ¨--**¤#@##
#@#¤**--¨¨ ¨¨--**¤#@#
@#¤**--¨¨¨ (SITUATION) ¨¨¨--**¤#@
#¤**--¨¨¨¨ ¨¨¨¨--**¤#
@#¤**--¨¨¨ YOURE AT THE TRAIN STATION, ON A ¨¨¨--**¤#@
#@#¤**--¨¨ CATWALK ABOVE THE RAILS. YOUR TRAIN IS ¨¨--**¤#@#
##@#¤**--¨ LATE, OR YOU ARE LATE TO THE TRAIN. ¨--**¤#@##
#@#¤**--¨¨ IT'S A SUMMER AFTERNOON AND THE STATION ¨¨--**¤#@#
@#¤**--¨¨¨ IS BUSY, FULL OF RELAXED CONFIDENCE. ¨¨¨--**¤#@
#¤**--¨¨¨¨ ¨¨¨¨--**¤#
@#¤**--¨¨¨ YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT ¨¨¨--**¤#@
#@#¤**--¨¨ STRESSED ABOUT THE TIME, WHILE MOVING ¨¨--**¤#@#
##@#¤**--¨ UP THE STAIRS TO YOUR PLATFORM. THE ¨--**¤#@##
#@#¤**--¨¨ STATION IS IN SEVERAL LEVELS, ALL ¨¨--**¤#@#
@#¤**--¨¨¨ PLACED WITHIN EACHOTHER BY SOME ¨¨¨--**¤#@
#¤**--¨¨¨¨ INTELLIGENT DESIGNER, AND FULL OF ¨¨¨¨--**¤#
@#¤**--¨¨¨ STAIRS, ELEVATORS, SHORTCUTS, ¨¨¨--**¤#@
#@#¤**--¨¨ BAZAARS... YOU SIGHT YOUR TRAIN THROUGH ¨¨--**¤#@#
##@#¤**--¨ SOME GLASS WINDOWS. IT'S... NOT WHERE ¨--**¤#@##
#@#¤**--¨¨ IT'S SUPPOSED TO BE? ¨¨--**¤#@#
@#¤**--¨¨¨ ¨¨¨--**¤#@
#¤**--¨¨¨¨ - ¨¨¨¨--**¤#
@#¤**--¨¨¨ --*-- ¨¨¨--**¤#@
#@#¤**--¨¨ - ¨¨--**¤#@#
##@#¤**--¨ ¨--**¤#@##
#@#¤**--¨¨ (SITUATION) ¨¨--**¤#@#
@#¤**--¨¨¨ ¨¨¨--**¤#@
#¤**--¨¨¨¨ YOU'RE FINALLY ENTERING THE CITY. WHILE ¨¨¨¨--**¤#
@#¤**--¨¨¨ IT IS INDEED A VERY HIGH SPEED TRAIN ¨¨¨--**¤#@
#@#¤**--¨¨ YOU'RE TRAVELING IN, THE JOURNEY HAS ¨¨--**¤#@#
##@#¤**--¨ BEEN LONG. BUT IT'S ABOUT TO END! ¨--**¤#@##
#@#¤**--¨¨ ¨¨--**¤#@#
@#¤**--¨¨¨ SOCIETY IS GROWING DENSER AROUND YOU, ¨¨¨--**¤#@
#¤**--¨¨¨¨ THROUGH THE WINDOWS YOU SEE FIRST SMALL ¨¨¨¨--**¤#
@#¤**--¨¨¨ SHACKS, BUILT OF METAL AND STONE, THEN ¨¨¨--**¤#@
#@#¤**--¨¨ PROPER HOUSES WITH MORTAR TO KEEP THEM ¨¨--**¤#@#
##@#¤**--¨ TOGETHER... WHO IN TURN MAKE WAY FOR ¨--**¤#@##
#@#¤**--¨¨ THE INDUSTRIAL BUILDINGS, THE URBAN ¨¨--**¤#@#
@#¤**--¨¨¨ MAZE, PROTECTIVE WALLS, JUNGLE ¨¨¨--**¤#@
#¤**--¨¨¨¨ NETWORK... ¨¨¨¨--**¤#
@#¤**--¨¨¨ ¨¨¨--**¤#@
#@#¤**--¨¨ THE TRACKS LEAVE THE GROUND, WHICH IS ¨¨--**¤#@#
##@#¤**--¨ NEEDED FOR OTHER PURPOSES. YOU ARE ¨--**¤#@##
#@#¤**--¨¨ CARRIED GENTLY, CURVING UPWARDS UNTIL ¨¨--**¤#@#
@#¤**--¨¨¨ YOU'RE MOVING UPWARD ALONG THE WALL OF ¨¨¨--**¤#@
#¤**--¨¨¨¨ A BUILDING. IT'S MADE OF SLABBY STONE, ¨¨¨¨--**¤#
@#¤**--¨¨¨ WITH GREAT GLASSLESS WINDOW HOLES ¨¨¨--**¤#@
#@#¤**--¨¨ LOOKING OUT THE WAY YOU CAME. IT IS ¨¨--**¤#@#
##@#¤**--¨ PITCH BLACK INSIDE. ¨--**¤#@##
#@#¤**--¨¨ ¨¨--**¤#@#
@#¤**--¨¨¨ ¨¨¨--**¤#@
#¤**--¨¨¨¨ ¨¨¨¨--**¤#
@#¤**--¨¨¨ ¨¨¨--**¤#@
#@#¤**--¨¨ ¨¨--**¤#@#