¨¨.-^*&@@# #@@&*^-.¨¨
¨¨¨.-^*&@@ @@&*^-.¨¨¨
¨¨.-^*&@@# #@@&*^-.¨¨
¨.-^*&@@## ##@@&*^-.¨
¨¨.-^*&@@# #@@&*^-.¨¨
¨¨¨.-^*&@@ TRAIN DREAM @@&*^-.¨¨¨
¨¨.-^*&@@# ######¨¨¨¨.-..¨¨##################### #@@&*^-.¨¨
¨.-^*&@@## ^^^ ##@@&*^-.¨
¨¨.-^*&@@# - #@@&*^-.¨¨
¨¨¨.-^*&@@ - @@&*^-.¨¨¨
¨¨.-^*&@@# #@@&*^-.¨¨
¨.-^*&@@## (SITUATION) ##@@&*^-.¨
¨¨.-^*&@@# #@@&*^-.¨¨
¨¨¨.-^*&@@ YOU FIND YOURSELF IN A RIFT - A @@&*^-.¨¨¨
¨¨.-^*&@@# CLEARING, NARROW BUT IMMEASURABLY LONG. #@@&*^-.¨¨
¨.-^*&@@## TO YOUR SIDES ARE WALLS MADE OF TREES, ##@@&*^-.¨
¨¨.-^*&@@# THICK AND READY TO SWALLOW YOU. THE SUN #@@&*^-.¨¨
¨¨¨.-^*&@@ IS NOWHERE TO BE SEEN, BUT NONTHELESS @@&*^-.¨¨¨
¨¨.-^*&@@# IT IS VERY BRIGHT - THE AIR FEELS LIGHT #@@&*^-.¨¨
¨.-^*&@@## BLUE, ALMOST WHITE. ##@@&*^-.¨
¨¨.-^*&@@# #@@&*^-.¨¨
¨¨¨.-^*&@@ ALONG THE SPAN OF THE CLEARING LAY TWO @@&*^-.¨¨¨
¨¨.-^*&@@# PARALLEL SILVERY LINES, DARK HARD #@@&*^-.¨¨
¨.-^*&@@## METAL. SOMEHOW YOU CAN SEE HOW HEAVY ##@@&*^-.¨
¨¨.-^*&@@# THEY ARE. #@@&*^-.¨¨
¨¨¨.-^*&@@ @@&*^-.¨¨¨
¨¨.-^*&@@# THEY EMIT A HIGH PITCHED WHINE... #@@&*^-.¨¨
¨.-^*&@@## ##@@&*^-.¨
¨¨.-^*&@@# - #@@&*^-.¨¨
¨¨¨.-^*&@@ ¨¨*¨¨ @@&*^-.¨¨¨
¨¨.-^*&@@# - #@@&*^-.¨¨
¨.-^*&@@## ##@@&*^-.¨
¨¨.-^*&@@# (SITUATION) #@@&*^-.¨¨
¨¨¨.-^*&@@ @@&*^-.¨¨¨
¨¨.-^*&@@# YOURE AT THE TRAIN STATION, ON A #@@&*^-.¨¨
¨.-^*&@@## CATWALK ABOVE THE RAILS. YOUR TRAIN IS ##@@&*^-.¨
¨¨.-^*&@@# LATE, OR YOU ARE LATE TO THE TRAIN. #@@&*^-.¨¨
¨¨¨.-^*&@@ IT'S A SUMMER AFTERNOON AND THE STATION @@&*^-.¨¨¨
¨¨.-^*&@@# IS BUSY, FULL OF RELAXED CONFIDENCE. #@@&*^-.¨¨
¨.-^*&@@## ##@@&*^-.¨
¨¨.-^*&@@# YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT #@@&*^-.¨¨
¨¨¨.-^*&@@ STRESSED ABOUT THE TIME, WHILE MOVING @@&*^-.¨¨¨
¨¨.-^*&@@# UP THE STAIRS TO YOUR PLATFORM. THE #@@&*^-.¨¨
¨.-^*&@@## STATION IS IN SEVERAL LEVELS, ALL ##@@&*^-.¨
¨¨.-^*&@@# PLACED WITHIN EACHOTHER BY SOME #@@&*^-.¨¨
¨¨¨.-^*&@@ INTELLIGENT DESIGNER, AND FULL OF @@&*^-.¨¨¨
¨¨.-^*&@@# STAIRS, ELEVATORS, SHORTCUTS, #@@&*^-.¨¨
¨.-^*&@@## BAZAARS... YOU SIGHT YOUR TRAIN THROUGH ##@@&*^-.¨
¨¨.-^*&@@# SOME GLASS WINDOWS. IT'S... NOT WHERE #@@&*^-.¨¨
¨¨¨.-^*&@@ IT'S SUPPOSED TO BE? @@&*^-.¨¨¨
¨¨.-^*&@@# #@@&*^-.¨¨
¨.-^*&@@## - ##@@&*^-.¨
¨¨.-^*&@@# ..&.. #@@&*^-.¨¨
¨¨¨.-^*&@@ - @@&*^-.¨¨¨
¨¨.-^*&@@# #@@&*^-.¨¨
¨.-^*&@@## (SITUATION) ##@@&*^-.¨
¨¨.-^*&@@# #@@&*^-.¨¨
¨¨¨.-^*&@@ YOU'RE FINALLY ENTERING THE CITY. WHILE @@&*^-.¨¨¨
¨¨.-^*&@@# IT IS INDEED A VERY HIGH SPEED TRAIN #@@&*^-.¨¨
¨.-^*&@@## YOU'RE TRAVELING IN, THE JOURNEY HAS ##@@&*^-.¨
¨¨.-^*&@@# BEEN LONG. BUT IT'S ABOUT TO END! #@@&*^-.¨¨
¨¨¨.-^*&@@ @@&*^-.¨¨¨
¨¨.-^*&@@# SOCIETY IS GROWING DENSER AROUND YOU, #@@&*^-.¨¨
¨.-^*&@@## THROUGH THE WINDOWS YOU SEE FIRST SMALL ##@@&*^-.¨
¨¨.-^*&@@# SHACKS, BUILT OF METAL AND STONE, THEN #@@&*^-.¨¨
¨¨¨.-^*&@@ PROPER HOUSES WITH MORTAR TO KEEP THEM @@&*^-.¨¨¨
¨¨.-^*&@@# TOGETHER... WHO IN TURN MAKE WAY FOR #@@&*^-.¨¨
¨.-^*&@@## THE INDUSTRIAL BUILDINGS, THE URBAN ##@@&*^-.¨
¨¨.-^*&@@# MAZE, PROTECTIVE WALLS, JUNGLE #@@&*^-.¨¨
¨¨¨.-^*&@@ NETWORK... @@&*^-.¨¨¨
¨¨.-^*&@@# #@@&*^-.¨¨
¨.-^*&@@## THE TRACKS LEAVE THE GROUND, WHICH IS ##@@&*^-.¨
¨¨.-^*&@@# NEEDED FOR OTHER PURPOSES. YOU ARE #@@&*^-.¨¨
¨¨¨.-^*&@@ CARRIED GENTLY, CURVING UPWARDS UNTIL @@&*^-.¨¨¨
¨¨.-^*&@@# YOU'RE MOVING UPWARD ALONG THE WALL OF #@@&*^-.¨¨
¨.-^*&@@## A BUILDING. IT'S MADE OF SLABBY STONE, ##@@&*^-.¨
¨¨.-^*&@@# WITH GREAT GLASSLESS WINDOW HOLES #@@&*^-.¨¨
¨¨¨.-^*&@@ LOOKING OUT THE WAY YOU CAME. IT IS @@&*^-.¨¨¨
¨¨.-^*&@@# PITCH BLACK INSIDE. #@@&*^-.¨¨
¨.-^*&@@## ##@@&*^-.¨
¨¨.-^*&@@# #@@&*^-.¨¨
¨¨¨.-^*&@@ @@&*^-.¨¨¨
¨¨.-^*&@@# #@@&*^-.¨¨
¨.-^*&@@## ##@@&*^-.¨