...@@@.@@. .@.@@.@@.@
..@..@@.@@ @@@.@@.@@@
.@@.@.@@.. ..@@.@@..@
@.@@@@.@.. .@.@@.@.@@
@@...@@@.. @@@.@@@@..
.@..@..@.. TRAIN DREAM ..@@...@.@
@@.@@.@@.. ######....:-::..##################### .@.@..@@@@
.@@.@@.@.@ ^^^ @@@@.@....
@.@@.@@@@@ - ...@@@....
@@.@@..... - ..@..@...@
.@@.@..... .@@.@@..@.
@.@@@....@ (SITUATION) @.@@.@.@@.
@@..@...@. @@.@@@@.@@
.@.@@..@@@ YOU FIND YOURSELF IN A RIFT - A .@@...@@..
@@@.@.@..@ CLEARING, NARROW BUT IMMEASURABLY LONG. @.@..@.@..
..@@@@@.@@ TO YOUR SIDES ARE WALLS MADE OF TREES, @@@.@@@@.@
.@....@@.@ THICK AND READY TO SWALLOW YOU. THE SUN ..@@...@@@
@@...@.@@@ IS NOWHERE TO BE SEEN, BUT NONTHELESS .@.@..@..@
.@..@@@... IT IS VERY BRIGHT - THE AIR FEELS LIGHT @@@@.@@.@.
@@.@..@..@ BLUE, ALMOST WHITE. ...@@.@@@.
.@@@.@@.@@ ..@.@@..@@
@..@@.@@.@ ALONG THE SPAN OF THE CLEARING LAY TWO .@@@.@.@.@
@.@.@@.@@. PARALLEL SILVERY LINES, DARK HARD @..@@@@@@.
@@@@.@@.@@ METAL. SOMEHOW YOU CAN SEE HOW HEAVY @.@.....@@
...@@.@@.@ THEY ARE. @@@....@..
..@.@@.@@. ..@...@@..
.@@@.@@.@. THEY EMIT A HIGH PITCHED WHINE... .@@..@.@..
@..@@.@@@. @.@.@@@@..
@.@.@@..@. - @@@@...@.@
@@@@.@.@@@ ..*.. ...@..@@@.
...@@@@... - ..@@.@..@@
..@...@..@ .@.@@@.@.@
.@@..@@.@@ (SITUATION) @@@..@@@@@
@.@.@.@@.@ ..@.@....@
@@@@@@.@@@ YOURE AT THE TRAIN STATION, ON A .@@@@...@.
.....@@..@ CATWALK ABOVE THE RAILS. YOUR TRAIN IS @...@..@@@
....@.@.@. LATE, OR YOU ARE LATE TO THE TRAIN. @..@@.@..@
...@@@@@@. IT'S A SUMMER AFTERNOON AND THE STATION @.@.@@@.@@
..@.....@@ IS BUSY, FULL OF RELAXED CONFIDENCE. @@@@..@@.@
.@@....@.. ...@.@.@@@
@.@...@@.. YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT ..@@@@@..@
@@@..@.@.@ STRESSED ABOUT THE TIME, WHILE MOVING .@....@.@.
..@.@@@@@@ UP THE STAIRS TO YOUR PLATFORM. THE @@...@@@@@
.@@@.....@ STATION IS IN SEVERAL LEVELS, ALL .@..@....@
@..@....@@ PLACED WITHIN EACHOTHER BY SOME @@.@@...@@
@.@@...@.@ INTELLIGENT DESIGNER, AND FULL OF .@@.@..@..
@@.@..@@@. STAIRS, ELEVATORS, SHORTCUTS, @.@@@.@@.@
.@@@.@..@. BAZAARS... YOU SIGHT YOUR TRAIN THROUGH @@..@@.@@.
@..@@@.@@. SOME GLASS WINDOWS. IT'S... NOT WHERE .@.@.@@.@.
@.@..@@.@. IT'S SUPPOSED TO BE? @@@@@.@@@@
@@@.@.@@@. ....@@....
..@@@@..@. - ...@.@...@
.@...@.@@. ::ยค:: ..@@@@..@@
@@..@@@.@@ - .@...@.@.@
.@.@..@@.@ @@..@@@@@.
@@@@.@.@@@ (SITUATION) .@.@....@.
...@@@@..@ @@@@...@@@
..@...@.@. YOU'RE FINALLY ENTERING THE CITY. WHILE ...@..@..@
.@@..@@@@. IT IS INDEED A VERY HIGH SPEED TRAIN ..@@.@@.@@
@.@.@...@@ YOU'RE TRAVELING IN, THE JOURNEY HAS .@.@@.@@.@
@@@@@..@.. BEEN LONG. BUT IT'S ABOUT TO END! @@@.@@.@@.
....@.@@.@ ..@@.@@.@@
...@@@.@@. SOCIETY IS GROWING DENSER AROUND YOU, .@.@@.@@.@
..@..@@.@@ THROUGH THE WINDOWS YOU SEE FIRST SMALL @@@.@@.@@@
.@@.@.@@.. SHACKS, BUILT OF METAL AND STONE, THEN ..@@.@@..@
@.@@@@.@.. PROPER HOUSES WITH MORTAR TO KEEP THEM .@.@@.@.@@
@@...@@@.. TOGETHER... WHO IN TURN MAKE WAY FOR @@@.@@@@..
.@..@..@.. THE INDUSTRIAL BUILDINGS, THE URBAN ..@@...@.@
@@.@@.@@.. MAZE, PROTECTIVE WALLS, JUNGLE .@.@..@@@@
.@@.@@.@.@ NETWORK... @@@@.@....
@.@@.@@@@@ ...@@@....
@@.@@..... THE TRACKS LEAVE THE GROUND, WHICH IS ..@..@...@
.@@.@..... NEEDED FOR OTHER PURPOSES. YOU ARE .@@.@@..@.
@.@@@....@ CARRIED GENTLY, CURVING UPWARDS UNTIL @.@@.@.@@.
@@..@...@. YOU'RE MOVING UPWARD ALONG THE WALL OF @@.@@@@.@@
.@.@@..@@@ A BUILDING. IT'S MADE OF SLABBY STONE, .@@...@@..
@@@.@.@..@ WITH GREAT GLASSLESS WINDOW HOLES @.@..@.@..
..@@@@@.@@ LOOKING OUT THE WAY YOU CAME. IT IS @@@.@@@@.@
.@....@@.@ PITCH BLACK INSIDE. ..@@...@@@
@@...@.@@@ .@.@..@..@
.@..@@@... @@@@.@@.@.
@@.@..@..@ ...@@.@@@.
.@@@.@@.@@ ..@.@@..@@
@..@@.@@.@ .@@@.@.@.@