¨,~†%@£@## ##@£@%†~,¨
¨¨,~†%@£@# #@£@%†~,¨¨
¨¨¨,~†%@£@ @£@%†~,¨¨¨
¨¨¨¨,~†%@£ £@%†~,¨¨¨¨
¨¨¨,~†%@£@ @£@%†~,¨¨¨
¨¨,~†%@£@# train dream #@£@%†~,¨¨
¨,~†%@£@## ######¨¨¨¨,~,,¨¨##################### ##@£@%†~,¨
¨¨,~†%@£@# ††† #@£@%†~,¨¨
¨¨¨,~†%@£@ ~ @£@%†~,¨¨¨
¨¨¨¨,~†%@£ ~ £@%†~,¨¨¨¨
¨¨¨,~†%@£@ @£@%†~,¨¨¨
¨¨,~†%@£@# (situation) #@£@%†~,¨¨
¨,~†%@£@## ##@£@%†~,¨
¨¨,~†%@£@# you find yourself in a rift - a #@£@%†~,¨¨
¨¨¨,~†%@£@ clearing, narrow but immeasurably long. @£@%†~,¨¨¨
¨¨¨¨,~†%@£ to your sides are walls made of trees, £@%†~,¨¨¨¨
¨¨¨,~†%@£@ thick and ready to swallow you. the sun @£@%†~,¨¨¨
¨¨,~†%@£@# is nowhere to be seen, but nontheless #@£@%†~,¨¨
¨,~†%@£@## it is very bright - the air feels light ##@£@%†~,¨
¨¨,~†%@£@# blue, almost white. #@£@%†~,¨¨
¨¨¨,~†%@£@ @£@%†~,¨¨¨
¨¨¨¨,~†%@£ along the span of the clearing lay two £@%†~,¨¨¨¨
¨¨¨,~†%@£@ parallel silvery lines, dark hard @£@%†~,¨¨¨
¨¨,~†%@£@# metal. somehow you can see how heavy #@£@%†~,¨¨
¨,~†%@£@## they are. ##@£@%†~,¨
¨¨,~†%@£@# #@£@%†~,¨¨
¨¨¨,~†%@£@ they emit a high pitched whine... @£@%†~,¨¨¨
¨¨¨¨,~†%@£ £@%†~,¨¨¨¨
¨¨¨,~†%@£@ ~ @£@%†~,¨¨¨
¨¨,~†%@£@# ¨¨%¨¨ #@£@%†~,¨¨
¨,~†%@£@## ~ ##@£@%†~,¨
¨¨,~†%@£@# #@£@%†~,¨¨
¨¨¨,~†%@£@ (situation) @£@%†~,¨¨¨
¨¨¨¨,~†%@£ £@%†~,¨¨¨¨
¨¨¨,~†%@£@ youre at the train station, on a @£@%†~,¨¨¨
¨¨,~†%@£@# catwalk above the rails. your train is #@£@%†~,¨¨
¨,~†%@£@## late, or you are late to the train. ##@£@%†~,¨
¨¨,~†%@£@# it's a summer afternoon and the station #@£@%†~,¨¨
¨¨¨,~†%@£@ is busy, full of relaxed confidence. @£@%†~,¨¨¨
¨¨¨¨,~†%@£ £@%†~,¨¨¨¨
¨¨¨,~†%@£@ you're in high spirits, although a bit @£@%†~,¨¨¨
¨¨,~†%@£@# stressed about the time, while moving #@£@%†~,¨¨
¨,~†%@£@## up the stairs to your platform. the ##@£@%†~,¨
¨¨,~†%@£@# station is in several levels, all #@£@%†~,¨¨
¨¨¨,~†%@£@ placed within eachother by some @£@%†~,¨¨¨
¨¨¨¨,~†%@£ intelligent designer, and full of £@%†~,¨¨¨¨
¨¨¨,~†%@£@ stairs, elevators, shortcuts, @£@%†~,¨¨¨
¨¨,~†%@£@# bazaars... you sight your train through #@£@%†~,¨¨
¨,~†%@£@## some glass windows. it's... not where ##@£@%†~,¨
¨¨,~†%@£@# it's supposed to be? #@£@%†~,¨¨
¨¨¨,~†%@£@ @£@%†~,¨¨¨
¨¨¨¨,~†%@£ ~ £@%†~,¨¨¨¨
¨¨¨,~†%@£@ ,,@,, @£@%†~,¨¨¨
¨¨,~†%@£@# ~ #@£@%†~,¨¨
¨,~†%@£@## ##@£@%†~,¨
¨¨,~†%@£@# (situation) #@£@%†~,¨¨
¨¨¨,~†%@£@ @£@%†~,¨¨¨
¨¨¨¨,~†%@£ you're finally entering the city. while £@%†~,¨¨¨¨
¨¨¨,~†%@£@ it is indeed a very high speed train @£@%†~,¨¨¨
¨¨,~†%@£@# you're traveling in, the journey has #@£@%†~,¨¨
¨,~†%@£@## been long. but it's about to end! ##@£@%†~,¨
¨¨,~†%@£@# #@£@%†~,¨¨
¨¨¨,~†%@£@ society is growing denser around you, @£@%†~,¨¨¨
¨¨¨¨,~†%@£ through the windows you see first small £@%†~,¨¨¨¨
¨¨¨,~†%@£@ shacks, built of metal and stone, then @£@%†~,¨¨¨
¨¨,~†%@£@# proper houses with mortar to keep them #@£@%†~,¨¨
¨,~†%@£@## together... who in turn make way for ##@£@%†~,¨
¨¨,~†%@£@# the industrial buildings, the urban #@£@%†~,¨¨
¨¨¨,~†%@£@ maze, protective walls, jungle @£@%†~,¨¨¨
¨¨¨¨,~†%@£ network... £@%†~,¨¨¨¨
¨¨¨,~†%@£@ @£@%†~,¨¨¨
¨¨,~†%@£@# the tracks leave the ground, which is #@£@%†~,¨¨
¨,~†%@£@## needed for other purposes. you are ##@£@%†~,¨
¨¨,~†%@£@# carried gently, curving upwards until #@£@%†~,¨¨
¨¨¨,~†%@£@ you're moving upward along the wall of @£@%†~,¨¨¨
¨¨¨¨,~†%@£ a building. it's made of slabby stone, £@%†~,¨¨¨¨
¨¨¨,~†%@£@ with great glassless window holes @£@%†~,¨¨¨
¨¨,~†%@£@# looking out the way you came. it is #@£@%†~,¨¨
¨,~†%@£@## pitch black inside. ##@£@%†~,¨
¨¨,~†%@£@# #@£@%†~,¨¨
¨¨¨,~†%@£@ @£@%†~,¨¨¨
¨¨¨¨,~†%@£ £@%†~,¨¨¨¨
¨¨¨,~†%@£@ @£@%†~,¨¨¨
¨¨,~†%@£@# #@£@%†~,¨¨