..~-*§$&@# #@&$§*-~..
.~-*§$&@## ##@&$§*-~.
..~-*§$&@# #@&$§*-~..
...~-*§$&@ @&$§*-~...
..~-*§$&@# #@&$§*-~..
.~-*§$&@## TRAIN DREAM ##@&$§*-~.
..~-*§$&@# ######....~-~~..##################### #@&$§*-~..
...~-*§$&@ *** @&$§*-~...
..~-*§$&@# - #@&$§*-~..
.~-*§$&@## - ##@&$§*-~.
..~-*§$&@# #@&$§*-~..
...~-*§$&@ (SITUATION) @&$§*-~...
..~-*§$&@# #@&$§*-~..
.~-*§$&@## YOU FIND YOURSELF IN A RIFT - A ##@&$§*-~.
..~-*§$&@# CLEARING, NARROW BUT IMMEASURABLY LONG. #@&$§*-~..
...~-*§$&@ TO YOUR SIDES ARE WALLS MADE OF TREES, @&$§*-~...
..~-*§$&@# THICK AND READY TO SWALLOW YOU. THE SUN #@&$§*-~..
.~-*§$&@## IS NOWHERE TO BE SEEN, BUT NONTHELESS ##@&$§*-~.
..~-*§$&@# IT IS VERY BRIGHT - THE AIR FEELS LIGHT #@&$§*-~..
...~-*§$&@ BLUE, ALMOST WHITE. @&$§*-~...
..~-*§$&@# #@&$§*-~..
.~-*§$&@## ALONG THE SPAN OF THE CLEARING LAY TWO ##@&$§*-~.
..~-*§$&@# PARALLEL SILVERY LINES, DARK HARD #@&$§*-~..
...~-*§$&@ METAL. SOMEHOW YOU CAN SEE HOW HEAVY @&$§*-~...
..~-*§$&@# THEY ARE. #@&$§*-~..
.~-*§$&@## ##@&$§*-~.
..~-*§$&@# THEY EMIT A HIGH PITCHED WHINE... #@&$§*-~..
...~-*§$&@ @&$§*-~...
..~-*§$&@# - #@&$§*-~..
.~-*§$&@## ..§.. ##@&$§*-~.
..~-*§$&@# - #@&$§*-~..
...~-*§$&@ @&$§*-~...
..~-*§$&@# (SITUATION) #@&$§*-~..
.~-*§$&@## ##@&$§*-~.
..~-*§$&@# YOURE AT THE TRAIN STATION, ON A #@&$§*-~..
...~-*§$&@ CATWALK ABOVE THE RAILS. YOUR TRAIN IS @&$§*-~...
..~-*§$&@# LATE, OR YOU ARE LATE TO THE TRAIN. #@&$§*-~..
.~-*§$&@## IT'S A SUMMER AFTERNOON AND THE STATION ##@&$§*-~.
..~-*§$&@# IS BUSY, FULL OF RELAXED CONFIDENCE. #@&$§*-~..
...~-*§$&@ @&$§*-~...
..~-*§$&@# YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT #@&$§*-~..
.~-*§$&@## STRESSED ABOUT THE TIME, WHILE MOVING ##@&$§*-~.
..~-*§$&@# UP THE STAIRS TO YOUR PLATFORM. THE #@&$§*-~..
...~-*§$&@ STATION IS IN SEVERAL LEVELS, ALL @&$§*-~...
..~-*§$&@# PLACED WITHIN EACHOTHER BY SOME #@&$§*-~..
.~-*§$&@## INTELLIGENT DESIGNER, AND FULL OF ##@&$§*-~.
..~-*§$&@# STAIRS, ELEVATORS, SHORTCUTS, #@&$§*-~..
...~-*§$&@ BAZAARS... YOU SIGHT YOUR TRAIN THROUGH @&$§*-~...
..~-*§$&@# SOME GLASS WINDOWS. IT'S... NOT WHERE #@&$§*-~..
.~-*§$&@## IT'S SUPPOSED TO BE? ##@&$§*-~.
..~-*§$&@# #@&$§*-~..
...~-*§$&@ - @&$§*-~...
..~-*§$&@# ~~$~~ #@&$§*-~..
.~-*§$&@## - ##@&$§*-~.
..~-*§$&@# #@&$§*-~..
...~-*§$&@ (SITUATION) @&$§*-~...
..~-*§$&@# #@&$§*-~..
.~-*§$&@## YOU'RE FINALLY ENTERING THE CITY. WHILE ##@&$§*-~.
..~-*§$&@# IT IS INDEED A VERY HIGH SPEED TRAIN #@&$§*-~..
...~-*§$&@ YOU'RE TRAVELING IN, THE JOURNEY HAS @&$§*-~...
..~-*§$&@# BEEN LONG. BUT IT'S ABOUT TO END! #@&$§*-~..
.~-*§$&@## ##@&$§*-~.
..~-*§$&@# SOCIETY IS GROWING DENSER AROUND YOU, #@&$§*-~..
...~-*§$&@ THROUGH THE WINDOWS YOU SEE FIRST SMALL @&$§*-~...
..~-*§$&@# SHACKS, BUILT OF METAL AND STONE, THEN #@&$§*-~..
.~-*§$&@## PROPER HOUSES WITH MORTAR TO KEEP THEM ##@&$§*-~.
..~-*§$&@# TOGETHER... WHO IN TURN MAKE WAY FOR #@&$§*-~..
...~-*§$&@ THE INDUSTRIAL BUILDINGS, THE URBAN @&$§*-~...
..~-*§$&@# MAZE, PROTECTIVE WALLS, JUNGLE #@&$§*-~..
.~-*§$&@## NETWORK... ##@&$§*-~.
..~-*§$&@# #@&$§*-~..
...~-*§$&@ THE TRACKS LEAVE THE GROUND, WHICH IS @&$§*-~...
..~-*§$&@# NEEDED FOR OTHER PURPOSES. YOU ARE #@&$§*-~..
.~-*§$&@## CARRIED GENTLY, CURVING UPWARDS UNTIL ##@&$§*-~.
..~-*§$&@# YOU'RE MOVING UPWARD ALONG THE WALL OF #@&$§*-~..
...~-*§$&@ A BUILDING. IT'S MADE OF SLABBY STONE, @&$§*-~...
..~-*§$&@# WITH GREAT GLASSLESS WINDOW HOLES #@&$§*-~..
.~-*§$&@## LOOKING OUT THE WAY YOU CAME. IT IS ##@&$§*-~.
..~-*§$&@# PITCH BLACK INSIDE. #@&$§*-~..
...~-*§$&@ @&$§*-~...
..~-*§$&@# #@&$§*-~..
.~-*§$&@## ##@&$§*-~.
..~-*§$&@# #@&$§*-~..
...~-*§$&@ @&$§*-~...