.@..@@.@@@ .@@@..@@@.
.@@.@.@@.. .@..@.@..@
@@.@@@@.@. .@@.@@@@.@
..@@...@@@ .@.@@...@@
@.@.@..@.. @@@@.@..@.
@@@@@@.@@. TRAIN DREAM @...@@@.@@
......@@.@ ######....:»::..##################### @@..@..@@.
......@.@@ *** ..@.@@.@.@
@.....@@@. » ..@@@.@@@@
.@....@..@ » ..@..@@...
.@@...@@.@ ..@@.@.@..
.@.@..@.@@ (SITUATION) @.@.@@@@@.
.@@@@.@@@. @@@@@....@
@@...@@..@ YOU FIND YOURSELF IN A RIFT - A @....@...@
..@..@.@.@ CLEARING, NARROW BUT IMMEASURABLY LONG. .@...@@..@
@.@@.@@@@@ TO YOUR SIDES ARE WALLS MADE OF TREES, .@@..@.@.@
.@@.@@.... THICK AND READY TO SWALLOW YOU. THE SUN @@.@.@@@@@
@@.@@.@... IS NOWHERE TO BE SEEN, BUT NONTHELESS ..@@@@....
@.@@.@@@.. IT IS VERY BRIGHT - THE AIR FEELS LIGHT @.@...@...
@@@.@@..@. BLUE, ALMOST WHITE. .@@@..@@..
@..@@.@.@@ @@..@.@.@.
@@.@.@@@@. ALONG THE SPAN OF THE CLEARING LAY TWO @.@.@@@@@@
..@@@@...@ PARALLEL SILVERY LINES, DARK HARD @@@@@.....
..@...@..@ METAL. SOMEHOW YOU CAN SEE HOW HEAVY @....@....
..@@..@@.@ THEY ARE. @@...@@...
..@.@.@.@@ @.@..@.@..
..@@@@@@@. THEY EMIT A HIGH PITCHED WHINE... @@@@.@@@@.
..@......@ @...@@...@
@.@@.....@ » @@..@.@..@
.@@.@....@ ..§.. @.@.@@@@.@
@@.@@@...@ » @@@@@...@@
..@@..@..@ .....@..@.
..@.@.@@.@ (SITUATION) .....@@.@@
@.@@@@@.@@ .....@.@@.
@@@....@@. YOURE AT THE TRAIN STATION, ON A .....@@@.@
...@...@.@ CATWALK ABOVE THE RAILS. YOUR TRAIN IS .....@..@@
@..@@..@@@ LATE, OR YOU ARE LATE TO THE TRAIN. .....@@.@.
@@.@.@.@.. IT'S A SUMMER AFTERNOON AND THE STATION @....@.@@@
..@@@@@@@. IS BUSY, FULL OF RELAXED CONFIDENCE. .@...@@@..
..@......@ @@@..@..@.
..@@.....@ YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT @..@.@@.@@
@.@.@....@ STRESSED ABOUT THE TIME, WHILE MOVING @@.@@@.@@.
@@@@@@...@ UP THE STAIRS TO YOUR PLATFORM. THE @.@@..@@.@
......@..@ STATION IS IN SEVERAL LEVELS, ALL @@@.@.@.@@
@.....@@.@ PLACED WITHIN EACHOTHER BY SOME ...@@@@@@.
@@....@.@@ INTELLIGENT DESIGNER, AND FULL OF ...@.....@
..@...@@@. STAIRS, ELEVATORS, SHORTCUTS, @..@@....@
@.@@..@..@ BAZAARS... YOU SIGHT YOUR TRAIN THROUGH .@.@.@...@
.@@.@.@@.@ SOME GLASS WINDOWS. IT'S... NOT WHERE .@@@@@@..@
@@.@@@@.@@ IT'S SUPPOSED TO BE? @@.....@.@
..@@...@@. ..@....@@@
@.@.@..@.@ » ..@@...@..
@@@@@@.@@@ ::&:: @.@.@..@@.
@.....@@.. » .@@@@@.@.@
.@....@.@. .@....@@@@
@@@...@@@@ (SITUATION) .@@...@...
@..@..@... .@.@..@@..
@@.@@.@@.. YOU'RE FINALLY ENTERING THE CITY. WHILE .@@@@.@.@.
@.@@.@@.@. IT IS INDEED A VERY HIGH SPEED TRAIN .@...@@@@@
.@@.@@.@@@ YOU'RE TRAVELING IN, THE JOURNEY HAS @@@..@....
.@.@@.@@.. BEEN LONG. BUT IT'S ABOUT TO END! @..@.@@...
.@@@.@@.@. .@.@@@.@..
.@..@@.@@@ SOCIETY IS GROWING DENSER AROUND YOU, .@@@..@@@.
.@@.@.@@.. THROUGH THE WINDOWS YOU SEE FIRST SMALL .@..@.@..@
@@.@@@@.@. SHACKS, BUILT OF METAL AND STONE, THEN .@@.@@@@.@
..@@...@@@ PROPER HOUSES WITH MORTAR TO KEEP THEM .@.@@...@@
@.@.@..@.. TOGETHER... WHO IN TURN MAKE WAY FOR @@@@.@..@.
@@@@@@.@@. THE INDUSTRIAL BUILDINGS, THE URBAN @...@@@.@@
......@@.@ MAZE, PROTECTIVE WALLS, JUNGLE @@..@..@@.
......@.@@ NETWORK... ..@.@@.@.@
@.....@@@. ..@@@.@@@@
.@....@..@ THE TRACKS LEAVE THE GROUND, WHICH IS ..@..@@...
.@@...@@.@ NEEDED FOR OTHER PURPOSES. YOU ARE ..@@.@.@..
.@.@..@.@@ CARRIED GENTLY, CURVING UPWARDS UNTIL @.@.@@@@@.
.@@@@.@@@. YOU'RE MOVING UPWARD ALONG THE WALL OF @@@@@....@
@@...@@..@ A BUILDING. IT'S MADE OF SLABBY STONE, @....@...@
..@..@.@.@ WITH GREAT GLASSLESS WINDOW HOLES .@...@@..@
@.@@.@@@@@ LOOKING OUT THE WAY YOU CAME. IT IS .@@..@.@.@
.@@.@@.... PITCH BLACK INSIDE. @@.@.@@@@@
@@.@@.@... ..@@@@....
@.@@.@@@.. @.@...@...
@@@.@@..@. .@@@..@@..
@..@@.@.@@ @@..@.@.@.
@@.@.@@@@. @.@.@@@@@@