.@@@@.@... @.@@@.@...
.@...@@@.. .@@..@@@..
.@@..@..@. .@.@.@..@.
.@.@.@@.@@ .@@@@@@.@@
@@@@@@.@@. @@.....@@.
@.....@@.@ TRAIN DREAM ..@....@.@
.@....@.@@ ######....----..##################### ..@@...@@@
@@@...@@@. /// @.@.@..@..
@..@..@..@ - .@@@@@.@@.
@@.@@.@@.@ - .@....@@.@
..@@.@@.@@ .@@...@.@@
@.@.@@.@@. (SITUATION) @@.@..@@@.
@@@@@.@@.@ ..@@@.@..@
.....@@.@@ YOU FIND YOURSELF IN A RIFT - A ..@..@@@.@
@....@.@@. CLEARING, NARROW BUT IMMEASURABLY LONG. @.@@.@..@@
.@...@@@.@ TO YOUR SIDES ARE WALLS MADE OF TREES, @@@.@@@.@.
.@@..@..@@ THICK AND READY TO SWALLOW YOU. THE SUN ...@@..@@@
@@.@.@@.@. IS NOWHERE TO BE SEEN, BUT NONTHELESS ...@.@.@..
@.@@@@.@@@ IT IS VERY BRIGHT - THE AIR FEELS LIGHT @..@@@@@@.
@@@...@@.. BLUE, ALMOST WHITE. @@.@.....@
...@..@.@. ..@@@....@
@..@@.@@@@ ALONG THE SPAN OF THE CLEARING LAY TWO @.@..@...@
.@.@.@@... PARALLEL SILVERY LINES, DARK HARD .@@@.@@..@
@@@@@@.@.. METAL. SOMEHOW YOU CAN SEE HOW HEAVY @@..@@.@.@
......@@@. THEY ARE. ..@.@.@@@@
@.....@..@ ..@@@@@...
@@....@@.@ THEY EMIT A HIGH PITCHED WHINE... @.@....@..
@.@...@.@@ .@@@...@@.
@@@@..@@@. - .@..@..@.@
....@.@..@ ..*.. .@@.@@.@@@
@...@@@@.@ - @@.@@.@@..
@@..@...@@ ..@@.@@.@.
@.@.@@..@. (SITUATION) @.@.@@.@@@
.@@@@.@.@@ @@@@@.@@..
.@...@@@@. YOURE AT THE TRAIN STATION, ON A .....@@.@.
.@@..@...@ CATWALK ABOVE THE RAILS. YOUR TRAIN IS @....@.@@@
@@.@.@@..@ LATE, OR YOU ARE LATE TO THE TRAIN. @@...@@@..
@.@@@@.@.@ IT'S A SUMMER AFTERNOON AND THE STATION @.@..@..@.
@@@...@@@@ IS BUSY, FULL OF RELAXED CONFIDENCE. .@@@.@@.@@
...@..@... .@..@@.@@.
...@@.@@.. YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT @@@.@.@@.@
@..@.@@.@. STRESSED ABOUT THE TIME, WHILE MOVING ...@@@@.@@
.@.@@@.@@@ UP THE STAIRS TO YOUR PLATFORM. THE ...@...@@.
.@@@..@@.. STATION IS IN SEVERAL LEVELS, ALL ...@@..@.@
@@..@.@.@. PLACED WITHIN EACHOTHER BY SOME @..@.@.@@@
..@.@@@@@@ INTELLIGENT DESIGNER, AND FULL OF .@.@@@@@..
..@@@..... STAIRS, ELEVATORS, SHORTCUTS, .@@@....@.
..@..@.... BAZAARS... YOU SIGHT YOUR TRAIN THROUGH @@..@...@@
@.@@.@@... SOME GLASS WINDOWS. IT'S... NOT WHERE @.@.@@..@.
@@@.@@.@.. IT'S SUPPOSED TO BE? @@@@@.@.@@
...@@.@@@. @....@@@@.
...@.@@..@ - .@...@...@
@..@@@.@.@ --ยค-- @@@..@@..@
.@.@..@@@@ - ...@.@.@.@
@@@@@.@... ...@@@@@@@
.....@@@.. (SITUATION) ...@......
.....@..@. @..@@.....
.....@@.@@ YOU'RE FINALLY ENTERING THE CITY. WHILE @@.@.@....
.....@.@@. IT IS INDEED A VERY HIGH SPEED TRAIN @.@@@@@...
.....@@@.@ YOU'RE TRAVELING IN, THE JOURNEY HAS .@@....@..
.....@..@@ BEEN LONG. BUT IT'S ABOUT TO END! .@.@...@@.
.....@@.@. .@@@@..@.@
@....@.@@@ SOCIETY IS GROWING DENSER AROUND YOU, .@...@.@@@
.@...@@@.. THROUGH THE WINDOWS YOU SEE FIRST SMALL .@@..@@@..
.@@..@..@. SHACKS, BUILT OF METAL AND STONE, THEN .@.@.@..@.
.@.@.@@.@@ PROPER HOUSES WITH MORTAR TO KEEP THEM .@@@@@@.@@
@@@@@@.@@. TOGETHER... WHO IN TURN MAKE WAY FOR @@.....@@.
@.....@@.@ THE INDUSTRIAL BUILDINGS, THE URBAN ..@....@.@
.@....@.@@ MAZE, PROTECTIVE WALLS, JUNGLE ..@@...@@@
@@@...@@@. NETWORK... @.@.@..@..
@..@..@..@ .@@@@@.@@.
@@.@@.@@.@ THE TRACKS LEAVE THE GROUND, WHICH IS .@....@@.@
..@@.@@.@@ NEEDED FOR OTHER PURPOSES. YOU ARE .@@...@.@@
@.@.@@.@@. CARRIED GENTLY, CURVING UPWARDS UNTIL @@.@..@@@.
@@@@@.@@.@ YOU'RE MOVING UPWARD ALONG THE WALL OF ..@@@.@..@
.....@@.@@ A BUILDING. IT'S MADE OF SLABBY STONE, ..@..@@@.@
@....@.@@. WITH GREAT GLASSLESS WINDOW HOLES @.@@.@..@@
.@...@@@.@ LOOKING OUT THE WAY YOU CAME. IT IS @@@.@@@.@.
.@@..@..@@ PITCH BLACK INSIDE. ...@@..@@@
@@.@.@@.@. ...@.@.@..
@.@@@@.@@@ @..@@@@@@.
@@@...@@.. @@.@.....@
...@..@.@. ..@@@....@
@..@@.@@@@ @.@..@...@