...--\\@¤# #¤@\\--...
.--\=@¤£## ##£¤@=\--.
..--\\=¤¤£ £¤¤=\\--..
.--\=@¤£## ##£¤@=\--.
.--\=@¤£## ##£¤@=\--.
.---\\@@¤£ TRAIN DREAM £¤@@\\---.
.--\=@¤£## ######....----..##################### ##£¤@=\--.
.....-\@¤¤ \\\ ¤¤@\-.....
......-\=¤ - ¤=\-......
.--\=@¤£## - ##£¤@=\--.
.--\=@¤£## ##£¤@=\--.
.....-\==¤ (SITUATION) ¤==\-.....
.--\=@¤£## ##£¤@=\--.
..-----\=¤ YOU FIND YOURSELF IN A RIFT - A ¤=\-----..
.--\=@¤£## CLEARING, NARROW BUT IMMEASURABLY LONG. ##£¤@=\--.
.--\=@¤£## TO YOUR SIDES ARE WALLS MADE OF TREES, ##£¤@=\--.
....-\\=¤# THICK AND READY TO SWALLOW YOU. THE SUN #¤=\\-....
.--\====@£ IS NOWHERE TO BE SEEN, BUT NONTHELESS £@====\--.
.--\=@¤£## IT IS VERY BRIGHT - THE AIR FEELS LIGHT ##£¤@=\--.
.--\=@¤£## BLUE, ALMOST WHITE. ##£¤@=\--.
....-\=@@¤ ¤@@=\-....
.--\=@¤£## ALONG THE SPAN OF THE CLEARING LAY TWO ##£¤@=\--.
.--\=@¤¤¤£ PARALLEL SILVERY LINES, DARK HARD £¤¤¤@=\--.
.--\=@¤£## METAL. SOMEHOW YOU CAN SEE HOW HEAVY ##£¤@=\--.
......--=¤ THEY ARE. ¤=--......
...--\@@£# #£@@\--...
.....-\@@¤ THEY EMIT A HIGH PITCHED WHINE... ¤@@\-.....
.--\=@¤£## ##£¤@=\--.
.--\=@¤£## - ##£¤@=\--.
.--\=@¤£## ..=.. ##£¤@=\--.
...---=@¤# - #¤@=---...
.--\=@¤£## ##£¤@=\--.
...--\=¤£# (SITUATION) #£¤=\--...
.--\=@¤£## ##£¤@=\--.
.--\=@¤£## YOURE AT THE TRAIN STATION, ON A ##£¤@=\--.
.--\=@¤£## CATWALK ABOVE THE RAILS. YOUR TRAIN IS ##£¤@=\--.
......--=¤ LATE, OR YOU ARE LATE TO THE TRAIN. ¤=--......
...---\\@£ IT'S A SUMMER AFTERNOON AND THE STATION £@\\---...
......-=¤£ IS BUSY, FULL OF RELAXED CONFIDENCE. £¤=-......
....--\\=¤ ¤=\\--....
.--\=¤£### YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT ###£¤=\--.
.--\=@¤£## STRESSED ABOUT THE TIME, WHILE MOVING ##£¤@=\--.
....-=@@£# UP THE STAIRS TO YOUR PLATFORM. THE #£@@=-....
.....---=¤ STATION IS IN SEVERAL LEVELS, ALL ¤=---.....
.--\\\\@@£ PLACED WITHIN EACHOTHER BY SOME £@@\\\\--.
.--\=@¤### INTELLIGENT DESIGNER, AND FULL OF ###¤@=\--.
.--\=@¤£## STAIRS, ELEVATORS, SHORTCUTS, ##£¤@=\--.
.--\\\=@@£ BAZAARS... YOU SIGHT YOUR TRAIN THROUGH £@@=\\\--.
..----\@@¤ SOME GLASS WINDOWS. IT'S... NOT WHERE ¤@@\----..
.--\=@¤### IT'S SUPPOSED TO BE? ###¤@=\--.
.--\=@¤£## ##£¤@=\--.
.--\=@¤£## - ##£¤@=\--.
.--\=@¤£## --@-- ##£¤@=\--.
.....-\@@¤ - ¤@@\-.....
.--\=@¤£## ##£¤@=\--.
...---\=¤£ (SITUATION) £¤=\---...
....--=¤¤# #¤¤=--....
......-\@£ YOU'RE FINALLY ENTERING THE CITY. WHILE £@\-......
.--\=@¤¤¤# IT IS INDEED A VERY HIGH SPEED TRAIN #¤¤¤@=\--.
...--\\\@¤ YOU'RE TRAVELING IN, THE JOURNEY HAS ¤@\\\--...
.--\=@¤£## BEEN LONG. BUT IT'S ABOUT TO END! ##£¤@=\--.
...--\\\@¤ ¤@\\\--...
.--\==@@¤# SOCIETY IS GROWING DENSER AROUND YOU, #¤@@==\--.
.....-\@@¤ THROUGH THE WINDOWS YOU SEE FIRST SMALL ¤@@\-.....
.--\=@¤### SHACKS, BUILT OF METAL AND STONE, THEN ###¤@=\--.
.--\=@¤£## PROPER HOUSES WITH MORTAR TO KEEP THEM ##£¤@=\--.
.--\=@¤£## TOGETHER... WHO IN TURN MAKE WAY FOR ##£¤@=\--.
.--\==@@¤# THE INDUSTRIAL BUILDINGS, THE URBAN #¤@@==\--.
.----\@@@¤ MAZE, PROTECTIVE WALLS, JUNGLE ¤@@@\----.
....-\@@¤£ NETWORK... £¤@@\-....
.--\=@¤£## ##£¤@=\--.
...--\\\@¤ THE TRACKS LEAVE THE GROUND, WHICH IS ¤@\\\--...
.--\=@¤£## NEEDED FOR OTHER PURPOSES. YOU ARE ##£¤@=\--.
....-==¤¤# CARRIED GENTLY, CURVING UPWARDS UNTIL #¤¤==-....
...----\@¤ YOU'RE MOVING UPWARD ALONG THE WALL OF ¤@\----...
.------=@¤ A BUILDING. IT'S MADE OF SLABBY STONE, ¤@=------.
.--\=@¤£## WITH GREAT GLASSLESS WINDOW HOLES ##£¤@=\--.
.--\=@¤£## LOOKING OUT THE WAY YOU CAME. IT IS ##£¤@=\--.
.--\=@¤### PITCH BLACK INSIDE. ###¤@=\--.
....--=@¤£ £¤@=--....
.--\=@¤£## ##£¤@=\--.
...--=@¤¤# #¤¤@=--...
.--\=@¤### ###¤@=\--.
...-\\=¤£# #£¤=\\-...