,-»;†$##@# #@##$†;»-,
,,,,-;$$## ##$$;-,,,,
,--»»;†##@ @##†;»»--,
,,,,-»;$$# #$$;»-,,,,
,-»;$##@## ##@##$;»-,
,,,,,»†### train dream ###†»,,,,,
,,,,--»†$# ######,,,,-»--,,##################### #$†»--,,,,
,-»;†$#@## ;;; ##@#$†;»-,
,-»;†$##@# » #@##$†;»-,
,,,»»»†### » ###†»»»,,,
,,,,,--;†# #†;--,,,,,
,-»;†$###@ (situation) @###$†;»-,
,-»;†$##@@ @@##$†;»-,
,-»;†$#@## you find yourself in a rift - a ##@#$†;»-,
,,,,,,,»†# clearing, narrow but immeasurably long. #†»,,,,,,,
,,,,-»†$$# to your sides are walls made of trees, #$$†»-,,,,
,-»;†$$$## thick and ready to swallow you. the sun ##$$$†;»-,
,-»;†$##@# is nowhere to be seen, but nontheless #@##$†;»-,
,-»;†$##@# it is very bright - the air feels light #@##$†;»-,
,,,,,,»†$# blue, almost white. #$†»,,,,,,
,-»;†$##@# #@##$†;»-,
,,-»»†$$## along the span of the clearing lay two ##$$†»»-,,
,,,-»;$##@ parallel silvery lines, dark hard @##$;»-,,,
,,,,,,-»†# metal. somehow you can see how heavy #†»-,,,,,,
,-»;†$##@# they are. #@##$†;»-,
,-»;$##@## ##@##$;»-,
,,--»;$##@ they emit a high pitched whine... @##$;»--,,
,-»;†$##@# #@##$†;»-,
,-»;†$##@@ » @@##$†;»-,
,-»;†$##@# ,,†,, #@##$†;»-,
,,,,,-;$$# » #$$;-,,,,,
,,,,-;†$$# #$$†;-,,,,
,-»;†$#### (situation) ####$†;»-,
,,,,,,-;$# #$;-,,,,,,
,-»;†$$$$# youre at the train station, on a #$$$$†;»-,
,-»;††††## catwalk above the rails. your train is ##††††;»-,
,-»;;;$$#@ late, or you are late to the train. @#$$;;;»-,
,-»;†$##@# it's a summer afternoon and the station #@##$†;»-,
,-»;††††## is busy, full of relaxed confidence. ##††††;»-,
,-»;†$$$$# #$$$$†;»-,
,,,»;††††# you're in high spirits, although a bit #††††;»,,,
,-»;;††$## stressed about the time, while moving ##$††;;»-,
,,,-»;†### up the stairs to your platform. the ###†;»-,,,
,,,,,»;$#@ station is in several levels, all @#$;»,,,,,
,-»;†$##@@ placed within eachother by some @@##$†;»-,
,-»;†$#@## intelligent designer, and full of ##@#$†;»-,
,-»;†$##@@ stairs, elevators, shortcuts, @@##$†;»-,
,,,,»†$$## bazaars... you sight your train through ##$$†»,,,,
,,,,---»†# some glass windows. it's... not where #†»---,,,,
,-»;†##@## it's supposed to be? ##@##†;»-,
,,,,,»;$$# #$$;»,,,,,
,-»†$##@## » ##@##$†»-,
,-»;†$##@# --$-- #@##$†;»-,
,,,,--»††# » #††»--,,,,
,-»;†$##@# #@##$†;»-,
,-»;†$##@# (situation) #@##$†;»-,
,-»;†$##@# #@##$†;»-,
,-»;†$#@## you're finally entering the city. while ##@#$†;»-,
,-»;†$###@ it is indeed a very high speed train @###$†;»-,
,-»;†$##@@ you're traveling in, the journey has @@##$†;»-,
,,-»»;†##@ been long. but it's about to end! @##†;»»-,,
,-»;†$##@# #@##$†;»-,
,-»;†$##@# society is growing denser around you, #@##$†;»-,
,-;†$##@## through the windows you see first small ##@##$†;-,
,,,,,»»†$# shacks, built of metal and stone, then #$†»»,,,,,
,-»;†$#### proper houses with mortar to keep them ####$†;»-,
,-»;†$$$## together... who in turn make way for ##$$$†;»-,
,-»;†$###@ the industrial buildings, the urban @###$†;»-,
,-»;†$##@# maze, protective walls, jungle #@##$†;»-,
,,,,-»»†#@ network... @#†»»-,,,,
,,,,,-»††# #††»-,,,,,
,-»;†$##@# the tracks leave the ground, which is #@##$†;»-,
,-»;†$##@@ needed for other purposes. you are @@##$†;»-,
,,,,--»†## carried gently, curving upwards until ##†»--,,,,
,-»;;;††## you're moving upward along the wall of ##††;;;»-,
,,,,,»†### a building. it's made of slabby stone, ###†»,,,,,
,,,»;;;$$# with great glassless window holes #$$;;;»,,,
,-»;†$##@# looking out the way you came. it is #@##$†;»-,
,-»;†$##@@ pitch black inside. @@##$†;»-,
,,,,--;$## ##$;--,,,,
,-»;†$##@# #@##$†;»-,
,-»;†$##@# #@##$†;»-,
,-»;$##@## ##@##$;»-,
,,,,,-;$## ##$;-,,,,,