..~-:*¤#¶# #¶#¤*:-~..
.~-:*¤#¶## ##¶#¤*:-~.
..~-:*¤#¶# #¶#¤*:-~..
...~-:*¤#¶ ¶#¤*:-~...
....~-:*¤# #¤*:-~....
...~-:*¤#¶ TRAIN DREAM ¶#¤*:-~...
..~-:*¤#¶# ######....~-~~..##################### #¶#¤*:-~..
.~-:*¤#¶## ::: ##¶#¤*:-~.
..~-:*¤#¶# - #¶#¤*:-~..
...~-:*¤#¶ - ¶#¤*:-~...
....~-:*¤# #¤*:-~....
...~-:*¤#¶ (SITUATION) ¶#¤*:-~...
..~-:*¤#¶# #¶#¤*:-~..
.~-:*¤#¶## YOU FIND YOURSELF IN A RIFT - A ##¶#¤*:-~.
..~-:*¤#¶# CLEARING, NARROW BUT IMMEASURABLY LONG. #¶#¤*:-~..
...~-:*¤#¶ TO YOUR SIDES ARE WALLS MADE OF TREES, ¶#¤*:-~...
....~-:*¤# THICK AND READY TO SWALLOW YOU. THE SUN #¤*:-~....
...~-:*¤#¶ IS NOWHERE TO BE SEEN, BUT NONTHELESS ¶#¤*:-~...
..~-:*¤#¶# IT IS VERY BRIGHT - THE AIR FEELS LIGHT #¶#¤*:-~..
.~-:*¤#¶## BLUE, ALMOST WHITE. ##¶#¤*:-~.
..~-:*¤#¶# #¶#¤*:-~..
...~-:*¤#¶ ALONG THE SPAN OF THE CLEARING LAY TWO ¶#¤*:-~...
....~-:*¤# PARALLEL SILVERY LINES, DARK HARD #¤*:-~....
...~-:*¤#¶ METAL. SOMEHOW YOU CAN SEE HOW HEAVY ¶#¤*:-~...
..~-:*¤#¶# THEY ARE. #¶#¤*:-~..
.~-:*¤#¶## ##¶#¤*:-~.
..~-:*¤#¶# THEY EMIT A HIGH PITCHED WHINE... #¶#¤*:-~..
...~-:*¤#¶ ¶#¤*:-~...
....~-:*¤# - #¤*:-~....
...~-:*¤#¶ ..*.. ¶#¤*:-~...
..~-:*¤#¶# - #¶#¤*:-~..
.~-:*¤#¶## ##¶#¤*:-~.
..~-:*¤#¶# (SITUATION) #¶#¤*:-~..
...~-:*¤#¶ ¶#¤*:-~...
....~-:*¤# YOURE AT THE TRAIN STATION, ON A #¤*:-~....
...~-:*¤#¶ CATWALK ABOVE THE RAILS. YOUR TRAIN IS ¶#¤*:-~...
..~-:*¤#¶# LATE, OR YOU ARE LATE TO THE TRAIN. #¶#¤*:-~..
.~-:*¤#¶## IT'S A SUMMER AFTERNOON AND THE STATION ##¶#¤*:-~.
..~-:*¤#¶# IS BUSY, FULL OF RELAXED CONFIDENCE. #¶#¤*:-~..
...~-:*¤#¶ ¶#¤*:-~...
....~-:*¤# YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT #¤*:-~....
...~-:*¤#¶ STRESSED ABOUT THE TIME, WHILE MOVING ¶#¤*:-~...
..~-:*¤#¶# UP THE STAIRS TO YOUR PLATFORM. THE #¶#¤*:-~..
.~-:*¤#¶## STATION IS IN SEVERAL LEVELS, ALL ##¶#¤*:-~.
..~-:*¤#¶# PLACED WITHIN EACHOTHER BY SOME #¶#¤*:-~..
...~-:*¤#¶ INTELLIGENT DESIGNER, AND FULL OF ¶#¤*:-~...
....~-:*¤# STAIRS, ELEVATORS, SHORTCUTS, #¤*:-~....
...~-:*¤#¶ BAZAARS... YOU SIGHT YOUR TRAIN THROUGH ¶#¤*:-~...
..~-:*¤#¶# SOME GLASS WINDOWS. IT'S... NOT WHERE #¶#¤*:-~..
.~-:*¤#¶## IT'S SUPPOSED TO BE? ##¶#¤*:-~.
..~-:*¤#¶# #¶#¤*:-~..
...~-:*¤#¶ - ¶#¤*:-~...
....~-:*¤# ~~¤~~ #¤*:-~....
...~-:*¤#¶ - ¶#¤*:-~...
..~-:*¤#¶# #¶#¤*:-~..
.~-:*¤#¶## (SITUATION) ##¶#¤*:-~.
..~-:*¤#¶# #¶#¤*:-~..
...~-:*¤#¶ YOU'RE FINALLY ENTERING THE CITY. WHILE ¶#¤*:-~...
....~-:*¤# IT IS INDEED A VERY HIGH SPEED TRAIN #¤*:-~....
...~-:*¤#¶ YOU'RE TRAVELING IN, THE JOURNEY HAS ¶#¤*:-~...
..~-:*¤#¶# BEEN LONG. BUT IT'S ABOUT TO END! #¶#¤*:-~..
.~-:*¤#¶## ##¶#¤*:-~.
..~-:*¤#¶# SOCIETY IS GROWING DENSER AROUND YOU, #¶#¤*:-~..
...~-:*¤#¶ THROUGH THE WINDOWS YOU SEE FIRST SMALL ¶#¤*:-~...
....~-:*¤# SHACKS, BUILT OF METAL AND STONE, THEN #¤*:-~....
...~-:*¤#¶ PROPER HOUSES WITH MORTAR TO KEEP THEM ¶#¤*:-~...
..~-:*¤#¶# TOGETHER... WHO IN TURN MAKE WAY FOR #¶#¤*:-~..
.~-:*¤#¶## THE INDUSTRIAL BUILDINGS, THE URBAN ##¶#¤*:-~.
..~-:*¤#¶# MAZE, PROTECTIVE WALLS, JUNGLE #¶#¤*:-~..
...~-:*¤#¶ NETWORK... ¶#¤*:-~...
....~-:*¤# #¤*:-~....
...~-:*¤#¶ THE TRACKS LEAVE THE GROUND, WHICH IS ¶#¤*:-~...
..~-:*¤#¶# NEEDED FOR OTHER PURPOSES. YOU ARE #¶#¤*:-~..
.~-:*¤#¶## CARRIED GENTLY, CURVING UPWARDS UNTIL ##¶#¤*:-~.
..~-:*¤#¶# YOU'RE MOVING UPWARD ALONG THE WALL OF #¶#¤*:-~..
...~-:*¤#¶ A BUILDING. IT'S MADE OF SLABBY STONE, ¶#¤*:-~...
....~-:*¤# WITH GREAT GLASSLESS WINDOW HOLES #¤*:-~....
...~-:*¤#¶ LOOKING OUT THE WAY YOU CAME. IT IS ¶#¤*:-~...
..~-:*¤#¶# PITCH BLACK INSIDE. #¶#¤*:-~..
.~-:*¤#¶## ##¶#¤*:-~.
..~-:*¤#¶# #¶#¤*:-~..
...~-:*¤#¶ ¶#¤*:-~...
....~-:*¤# #¤*:-~....
...~-:*¤#¶ ¶#¤*:-~...