THE GLASS FACTORY.           
                                        
                                        
                                      
                                  
                                  
                                          
 SEVERAL  CENTURIES  AFTER  IT  HAD  LAST 
 BELONGED TO  US, WE WENT ON AN OUTING TO 
 THE GLASS  FACTORY THAT BORE OUR  FAMILY 
 NAME.  IT HAD CHANGED  OWNERS MANY TIMES 
 SINCE  OUR  ANCESTORS  DEATH,  AND  THEN 
 STOOD  ABANDONED  FOR   A  LONG   WHILE. 
 FINALLY,  THE NATURAL  END  STATION  FOR 
 THE  BUILDINGS THAT  SURVIVE: A  MUSEUM, 
 AND A GIFT SHOP.                         
                                          
 THERE'S  A  LONG TIME  SINCE  MY  FAMILY 
 MADE  ANYTHING. BY  MANY,  WE  WOULD  BE 
 CONSIDERED POOR.                         
                                          
 THERE  ARE  TWO MAIN FACTORY  BUILDINGS, 
 DOMED THINGS OF SEVERAL FLOORS, MADE  IN 
 YELLOW BRICK. LARGE  BUT NARROW WINDOWS, 
 REMINESCENT     OF    SOME    CATHEDRAL. 
 CUSTOM-MADE GLASS, OF COURSE,  LARGE AND 
 LEADED, AND  ASHEN. A BIT TOO DARK TO BE 
 PRACTICAL.  ON   THE  EASTERN  BUILDING, 
 SOME ARE SHATTERED.                      
                                          
 THE OTHER  ONE IS PUBLICLY OPEN. THERE'S 
 A MUSEUM,  WITH WAX  FIGURES OF MY GREAT 
 GREAT GREAT  GRANDFATHER, OR  SOMETHING. 
 VARIOUS TOOLS  (OR REPLICAS) LAID OUT ON 
 TABLES, WITH EXPLAINING TEXTS. A LOT  OF 
 GLASS     OF      VARYING     THICKNESS. 
                                          
                                        
                                      
                          
                                      
                                        
                                          
 I QUICKLY SNEAK OUT, AND CLIMB INTO  THE 
 OTHER   BUILDING.    THE   CONTRAST   IS 
 OVERWHELMING.   IT   MUST   HAVE   STOOD 
 DERELICT   FOR  A   LONG  TIME,  WINDOWS 
 BROKEN,  METALLIC  TRASH  AND  POOLS  OF 
 DARK  GLASS  ALL   OVER  THE  FLOOR.  NO 
 ELECTRIC LIGHTS, BUT  I CAN  SEE  BY THE 
 LIGHT  THAT  SHINES IN WHEREVER THE DARK 
 WINDOWS    ARE    MISSING    A     PANE. 
                                          
 HOWEVER, THE GREATEST DIFFERENCE IS  THE 
 HIGHER FLOORS: THIS BUILDING  HAS  NONE. 
 IT IS ONE  MASSIVE HALL, STRETCHING AWAY 
 INFINITELY  ABOVE ME. SOMEWHERE UP THERE 
 IS  SOME GREAT  IRON  LATTICEWORK,  FROM 
 WHERE  CHAINS  ARE SUSPENDED, AND  PARTS 
 OF  MACHINERY  HAS  BEEN  FALLING  DOWN. 
                                          
 THERE  IS,  IN  THE MIDDLE OF THE  GREAT 
 HALL,  A  THIN   SPIRAL  STAIRCASE  THAT 
 LEADS UP THERE.  I SNEAK OVER THERE, AND 
 TAKE A FEW RELUCTANT  STEPS. AFTER  JUST 
 A  REVOLUTION,  I  NOTICE THAT  FOR EACH 
 STEP THE BUILDING  STARTS  TO GLOW,  THE 
 BRICKS  TURNING  A  DARK  RED,  AND THEN 
 ORANGE, ALL  THE  PILED UP DEBREE  BEING 
 LIT FROM BEHIND.                         
                                          
 I STOP READY  TO RUN DOWN  AND  OUT, BUT 
 THERE'S  SOMEONE ELSE  ON  THE STAIRCASE 
 WITH   ME   NOW,   PRESSED  CLOSE.  HE'S 
 LOOKING  LIKE  ME,  SHORT  HAIR AND THIN 
 ARMS,  BUT  WITH EARS FROM  SOME ANIMAL, 
 AND  MORE  DISTURBINGLY, COMPLETELY MADE 
 OF DARK LIQUID GLASS.                    
                                          
                                        
                                      
                          
                                      
                                        
                                          
 MY  FEAR  HOLDS  ME IN  PLACE  WHILE  HE 
 STARTS OPERATING  LEVERS  AND DIALS  SET 
 IN THE CENTER OF THE STAIRCASE.  SLOWLY, 
 IT  STARTS  SPINNING,  CIRCLING UPWARDS. 
 IT'S   AN  ELEVATOR!   I  START  TO  RUN 
 DOWNWARDS,   BUT  NOW  THE   LIQUID  BOY 
 CREATURE  GRABS  HOLD  OF ME. I  TRY  TO 
 SHAKE  HIM OFF, BUT HE'S TOO STRONG, AND 
 PULLS   ME   BACK   UP    BESIDE    HIM. 
                                          
 THIS  TIME,  I TURN  ANGRY INSTEAD. WHAT 
 THE HELL? WHO  IS THIS GUY,  ACTING LIKE 
 THIS? I REACH OUT MY  FREE ARM  AND SLAM 
 A  RANDOM  LEVER.   SOME  METAL  BAR  IS 
 SUDDENLY  RELEASED  BETWEEN US,  HITTING 
 HIM  ON THE  ARM, FORCING MY  RELEASE. I 
 SHOVE  HIM OFF OF ME, AND HE FALLS  INTO 
 THE    LEVERS,    MESSING    THEM    UP. 
 IMMEDIATELY,  A  THIN   RUSTY  CHAINMAIL 
 CURTAIN IS  DROPPED AROUND  ME.  BUT THE 
 ELEVATOR  ALSO SPEEDS  UP SIGNIFICANTLY. 
                                          
 THE  WALLS  ARE  FLARING  NOW,   YELLOW, 
 WHITE, ALMOST BLUE. I CLOSE  MY EYES AND 
 CURL INTO  A BALL. BUT  THEN,  THE GLASS 
 BOY  SCREAMS,  A  PIERCING  SOUND   THAT 
 FORCES MY EYES BACK  OPEN. I WATCH AS HE 
 BECOMES  TOO  LIQUID, HIS  BODY  POOLING 
 DOWN  IN  HIS  NOW MASSIVE TAIL, AND THE 
 TIP OF IT SUDDENLY BREAKS OF IN A  GLASS 
 DROP  THAT  FALLS  TOWARD  THE   FACTORY 
 FLOOR.                                   
                                          
 HE'S CRAWLING  ON  THE STAIRS, UNABLE TO 
 KEEP  HIS BODY UPRIGHT. CAN'T  REACH THE 
 LEVERS,  CLAWS  AT  MY  CHAINMAIL  CAGE, 
 WHILE  HIS  BODY  IS TURNING  INTO  DARK 
 PEARLS.  FINALLY, HE'S LOST TOO  MUCH OF 
 HIMSELF  AND THE SCREAM  IS  CUT  SHORT. 
 THE   LAST    OF   HIM    RAINS    DOWN. 
                                          
 I  STILL  CAN'T REACH  THE  LEVERS  FROM 
 WITHIN MY CAGE.  LOOKING  UP, I  TRY  TO 
 MAKE  OUT  THE CEILING,  BUT  IT'S ALL A 
 WHIRLING SEA OF  COLOURS. BELOW ME GLOWS 
 THE HELLFIRE OF  THE FACTORY  WALLS, BUT 
 VERY FAINT. I  SIT  DOWN, CURL BACK  UP, 
 BECOME STILL.                            
                                          
                                        
                                      
                          
                                      
                                        
                                          
 A  LARGE CLUNK  SHAKES  MY ENTIRE  BODY, 
 AND  SNAPS ME  BACK  INTO  REALITY.  I'M 
 BACK  AT  THE  FACTORY  FLOOR,  BUT  THE 
 STAIRS   ARE   STILL   MOVING  SLIGHTLY, 
 CLICKING  IN PLACE, CARRYING ME THE LAST 
 FEW  CENTIMETERS.  I  CAME  FROM  BELOW, 
 SOMEHOW.  THE  CHAINMAIL  IS  RETRACTED, 
 AND  I  SLOWLY  DISMOUNT   THE   STAIRS. 
                                          
 SHAKING AND  CRYING, I MAKE MY WAY  OVER 
 THE FACTORY FLOOR, WADING  THROUGH  DARK 
 GLASS MARBLES.  A QUICK GLANCE DOWN, AND 
 I  SEE  THERE'S  SOMETHING  FAINT INSIDE 
 THEM.   EMBRYOS?   ARE    THESE    EGGS? 
                                          
 I   SHUDDER,   AND   CLIMB   BACK   OUT.