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* the glass factory. *
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.,=:*¤#£## several centuries after it had last ##£#¤*:=,.
..,=:*¤#£# belonged to us, we went on an outing to #£#¤*:=,..
...,=:*¤#£ the glass factory that bore our family £#¤*:=,...
....,=:*¤# name. it had changed owners many times #¤*:=,....
.....,=:*¤ since our ancestors death, and then ¤*:=,.....
....,=:*¤# stood abandoned for a long while. #¤*:=,....
...,=:*¤#£ finally, the natural end station for £#¤*:=,...
..,=:*¤#£# the buildings that survive: a museum, #£#¤*:=,..
.,=:*¤#£## and a gift shop. ##£#¤*:=,.
..,=:*¤#£# #£#¤*:=,..
...,=:*¤#£ there's a long time since my family £#¤*:=,...
....,=:*¤# made anything. by many, we would be #¤*:=,....
.....,=:*¤ considered poor. ¤*:=,.....
....,=:*¤# #¤*:=,....
...,=:*¤#£ there are two main factory buildings, £#¤*:=,...
..,=:*¤#£# domed things of several floors, made in #£#¤*:=,..
.,=:*¤#£## yellow brick. large but narrow windows, ##£#¤*:=,.
..,=:*¤#£# reminescent of some cathedral. #£#¤*:=,..
...,=:*¤#£ custom-made glass, of course, large and £#¤*:=,...
....,=:*¤# leaded, and ashen. a bit too dark to be #¤*:=,....
.....,=:*¤ practical. on the eastern building, ¤*:=,.....
....,=:*¤# some are shattered. #¤*:=,....
...,=:*¤#£ £#¤*:=,...
..,=:*¤#£# the other one is publicly open. there's #£#¤*:=,..
.,=:*¤#£## a museum, with wax figures of my great ##£#¤*:=,.
..,=:*¤#£# great great grandfather, or something. #£#¤*:=,..
...,=:*¤#£ various tools (or replicas) laid out on £#¤*:=,...
....,=:*¤# tables, with explaining texts. a lot of #¤*:=,....
.....,=:*¤ glass of varying thickness. ¤*:=,.....
....,=:*¤# #¤*:=,....
...,=:*¤#£ ** £#¤*:=,...
..,=:*¤#£# ** ** #£#¤*:=,..
.,=:*¤#£## ======= * * ======= ##£#¤*:=,.
..,=:*¤#£# ** ** #£#¤*:=,..
...,=:*¤#£ ** £#¤*:=,...
....,=:*¤# #¤*:=,....
.....,=:*¤ i quickly sneak out, and climb into the ¤*:=,.....
....,=:*¤# other building. the contrast is #¤*:=,....
...,=:*¤#£ overwhelming. it must have stood £#¤*:=,...
..,=:*¤#£# derelict for a long time, windows #£#¤*:=,..
.,=:*¤#£## broken, metallic trash and pools of ##£#¤*:=,.
..,=:*¤#£# dark glass all over the floor. no #£#¤*:=,..
...,=:*¤#£ electric lights, but i can see by the £#¤*:=,...
....,=:*¤# light that shines in wherever the dark #¤*:=,....
.....,=:*¤ windows are missing a pane. ¤*:=,.....
....,=:*¤# #¤*:=,....
...,=:*¤#£ however, the greatest difference is the £#¤*:=,...
..,=:*¤#£# higher floors: this building has none. #£#¤*:=,..
.,=:*¤#£## it is one massive hall, stretching away ##£#¤*:=,.
..,=:*¤#£# infinitely above me. somewhere up there #£#¤*:=,..
...,=:*¤#£ is some great iron latticework, from £#¤*:=,...
....,=:*¤# where chains are suspended, and parts #¤*:=,....
.....,=:*¤ of machinery has been falling down. ¤*:=,.....
....,=:*¤# #¤*:=,....
...,=:*¤#£ there is, in the middle of the great £#¤*:=,...
..,=:*¤#£# hall, a thin spiral staircase that #£#¤*:=,..
.,=:*¤#£## leads up there. i sneak over there, and ##£#¤*:=,.
..,=:*¤#£# take a few reluctant steps. after just #£#¤*:=,..
...,=:*¤#£ a revolution, i notice that for each £#¤*:=,...
....,=:*¤# step the building starts to glow, the #¤*:=,....
.....,=:*¤ bricks turning a dark red, and then ¤*:=,.....
....,=:*¤# orange, all the piled up debree being #¤*:=,....
...,=:*¤#£ lit from behind. £#¤*:=,...
..,=:*¤#£# #£#¤*:=,..
.,=:*¤#£## i stop ready to run down and out, but ##£#¤*:=,.
..,=:*¤#£# there's someone else on the staircase #£#¤*:=,..
...,=:*¤#£ with me now, pressed close. he's £#¤*:=,...
....,=:*¤# looking like me, short hair and thin #¤*:=,....
.....,=:*¤ arms, but with ears from some animal, ¤*:=,.....
....,=:*¤# and more disturbingly, completely made #¤*:=,....
...,=:*¤#£ of dark liquid glass. £#¤*:=,...
..,=:*¤#£# #£#¤*:=,..
.,=:*¤#£## ** ##£#¤*:=,.
..,=:*¤#£# ** ** #£#¤*:=,..
...,=:*¤#£ ======= * * ======= £#¤*:=,...
....,=:*¤# ** ** #¤*:=,....
.....,=:*¤ ** ¤*:=,.....
....,=:*¤# #¤*:=,....
...,=:*¤#£ my fear holds me in place while he £#¤*:=,...
..,=:*¤#£# starts operating levers and dials set #£#¤*:=,..
.,=:*¤#£## in the center of the staircase. slowly, ##£#¤*:=,.
..,=:*¤#£# it starts spinning, circling upwards. #£#¤*:=,..
...,=:*¤#£ it's an elevator! i start to run £#¤*:=,...
....,=:*¤# downwards, but now the liquid boy #¤*:=,....
.....,=:*¤ creature grabs hold of me. i try to ¤*:=,.....
....,=:*¤# shake him off, but he's too strong, and #¤*:=,....
...,=:*¤#£ pulls me back up beside him. £#¤*:=,...
..,=:*¤#£# #£#¤*:=,..
.,=:*¤#£## this time, i turn angry instead. what ##£#¤*:=,.
..,=:*¤#£# the hell? who is this guy, acting like #£#¤*:=,..
...,=:*¤#£ this? i reach out my free arm and slam £#¤*:=,...
....,=:*¤# a random lever. some metal bar is #¤*:=,....
.....,=:*¤ suddenly released between us, hitting ¤*:=,.....
....,=:*¤# him on the arm, forcing my release. i #¤*:=,....
...,=:*¤#£ shove him off of me, and he falls into £#¤*:=,...
..,=:*¤#£# the levers, messing them up. #£#¤*:=,..
.,=:*¤#£## immediately, a thin rusty chainmail ##£#¤*:=,.
..,=:*¤#£# curtain is dropped around me. but the #£#¤*:=,..
...,=:*¤#£ elevator also speeds up significantly. £#¤*:=,...
....,=:*¤# #¤*:=,....
.....,=:*¤ the walls are flaring now, yellow, ¤*:=,.....
....,=:*¤# white, almost blue. i close my eyes and #¤*:=,....
...,=:*¤#£ curl into a ball. but then, the glass £#¤*:=,...
..,=:*¤#£# boy screams, a piercing sound that #£#¤*:=,..
.,=:*¤#£## forces my eyes back open. i watch as he ##£#¤*:=,.
..,=:*¤#£# becomes too liquid, his body pooling #£#¤*:=,..
...,=:*¤#£ down in his now massive tail, and the £#¤*:=,...
....,=:*¤# tip of it suddenly breaks of in a glass #¤*:=,....
.....,=:*¤ drop that falls toward the factory ¤*:=,.....
....,=:*¤# floor. #¤*:=,....
...,=:*¤#£ £#¤*:=,...
..,=:*¤#£# he's crawling on the stairs, unable to #£#¤*:=,..
.,=:*¤#£## keep his body upright. can't reach the ##£#¤*:=,.
..,=:*¤#£# levers, claws at my chainmail cage, #£#¤*:=,..
...,=:*¤#£ while his body is turning into dark £#¤*:=,...
....,=:*¤# pearls. finally, he's lost too much of #¤*:=,....
.....,=:*¤ himself and the scream is cut short. ¤*:=,.....
....,=:*¤# the last of him rains down. #¤*:=,....
...,=:*¤#£ £#¤*:=,...
..,=:*¤#£# i still can't reach the levers from #£#¤*:=,..
.,=:*¤#£## within my cage. looking up, i try to ##£#¤*:=,.
..,=:*¤#£# make out the ceiling, but it's all a #£#¤*:=,..
...,=:*¤#£ whirling sea of colours. below me glows £#¤*:=,...
....,=:*¤# the hellfire of the factory walls, but #¤*:=,....
.....,=:*¤ very faint. i sit down, curl back up, ¤*:=,.....
....,=:*¤# become still. #¤*:=,....
...,=:*¤#£ £#¤*:=,...
..,=:*¤#£# ** #£#¤*:=,..
.,=:*¤#£## ** ** ##£#¤*:=,.
..,=:*¤#£# ======= * * ======= #£#¤*:=,..
...,=:*¤#£ ** ** £#¤*:=,...
....,=:*¤# ** #¤*:=,....
.....,=:*¤ ¤*:=,.....
....,=:*¤# a large clunk shakes my entire body, #¤*:=,....
...,=:*¤#£ and snaps me back into reality. i'm £#¤*:=,...
..,=:*¤#£# back at the factory floor, but the #£#¤*:=,..
.,=:*¤#£## stairs are still moving slightly, ##£#¤*:=,.
..,=:*¤#£# clicking in place, carrying me the last #£#¤*:=,..
...,=:*¤#£ few centimeters. i came from below, £#¤*:=,...
....,=:*¤# somehow. the chainmail is retracted, #¤*:=,....
.....,=:*¤ and i slowly dismount the stairs. ¤*:=,.....
....,=:*¤# #¤*:=,....
...,=:*¤#£ shaking and crying, i make my way over £#¤*:=,...
..,=:*¤#£# the factory floor, wading through dark #£#¤*:=,..
.,=:*¤#£## glass marbles. a quick glance down, and ##£#¤*:=,.
..,=:*¤#£# i see there's something faint inside #£#¤*:=,..
...,=:*¤#£ them. embryos? are these eggs? £#¤*:=,...
....,=:*¤# #¤*:=,....
.....,=:*¤ i shudder, and climb back out. ¤*:=,.....
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