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@,@,@,,@,@    #                                     @,@,@,@,@,
@,@,@,@@,,              ,LIZARDRY                   @,@,@,@,@,
@,@,@,,@,@ ~           @ #@ ###  ################## @,@,@,@,@,
@,@,@,@@,, ##      THE ART OF C-NNECTING            @,@,@,@,@,
@,@,@,,@,@        ,    WITH THE OLD MIND            @,@,@,@,@,
@,@,@,@@,,                                          @,@,@,@,@,
@,@,@,,@,@             MY MIND IS BEING SKEWED. MI  @,@,@,@,@,
@,@,@,@@,,  SKELETON IS STRINGY AND OLD AND ALIEN   @,@,@,@,@,
@,@,@,,@,@             THE SITUATION IS LITERALLY   @,@,@,@,@,
@,@,@,@@,, PRESSED OUT THROUGH MY EYES, IT'S        @,@,@,@,@,
@,@,@,,@,@ ECHOING LIKE                             @,@,@,@,@,
@,@,@,@@,,             THE SUNSET OF THE ETERNAL    @,@,@,@,@,
@,@,@,,@,@ OCEAN                                    @,@,@,@,@,
@,@,@,@@,,         PERSISTENTLY AGAINST MY EMULSION @,@,@,@,@,
@,@,@,,@,@                                          @,@,@,@,@,
@,@,@,@@,,    IT'S UNGRASPABLE TO ME, WHAT OTHER    @,@,@,@,@,
@,@,@,,@,@   HUMANS ARE DOING AND ABSTRACTING,      @,@,@,@,@,
@,@,@,@@,,  AND ABOVE ALL ELSE, WHAT TIME THEY USE? @,@,@,@,@,
@,@,@,,@,@ HOW LONG A TIME HAS PASSED, FOR THEM?    @,@,@,@,@,
@,@,@,@@,,                                     ,    @,@,@,@,@,
@,@,@,,@,@  , ,,, ,  ,,,,,,,,,,,,,,,,   @@@@@@@     @,@,@,@,@,
@,@,@,@@,,   CONTINUOUSLY I'M CROWDING THROUGH      @,@,@,@,@,
@,@,@,,@,@ , THE FOURTH WALL  -OUTWARDS IS WHAT   , @,@,@,@,@,
@,@,@,@@,, ,, I'M THINKING BUT IT'S WRONG.. A NEW   @,@,@,@,@,
@,@,@,,@,@ , , NARRATOR IS INTRODUCED, OCCASIONALLY @,@,@,@,@,
@,@,@,@@,, -  - AWARE OF THE PREVIOUS ONE, DEEPER , @,@,@,@,@,
@,@,@,,@,@ -   - DOWN IN THE DRAGONS THROAT.        @,@,@,@,@,
@,@,@,@@,,      -                                   @,@,@,@,@,
@,@,@,,@,@       -                                  @,@,@,@,@,
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