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&.&.&.&.&&    #                                     &&.&.&..&.
&.&.&.&..&              .LIZARDRY                   .&.&.&.&&.
&.&.&.&.&& =           ¶ #¶ ###  ################## &&.&.&..&.
&.&.&.&..& ##      THE ART OF C,NNECTING            .&.&.&.&&.
&.&.&.&.&&        .    WITH THE OLD MIND            &&.&.&..&.
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&.&.&.&.&&             MY MIND IS BEING SKEWED. MI  &&.&.&..&.
&.&.&.&..&  SKELETON IS STRINGY AND OLD AND ALIEN   .&.&.&.&&.
&.&.&.&.&&             THE SITUATION IS LITERALLY   &&.&.&..&.
&.&.&.&..& PRESSED OUT THROUGH MY EYES, IT'S        .&.&.&.&&.
&.&.&.&.&& ECHOING LIKE                             &&.&.&..&.
&.&.&.&..&             THE SUNSET OF THE ETERNAL    .&.&.&.&&.
&.&.&.&.&& OCEAN                                    &&.&.&..&.
&.&.&.&..&         PERSISTENTLY AGAINST MY EMULSION .&.&.&.&&.
&.&.&.&.&&                                          &&.&.&..&.
&.&.&.&..&    IT'S UNGRASPABLE TO ME, WHAT OTHER    .&.&.&.&&.
&.&.&.&.&&   HUMANS ARE DOING AND ABSTRACTING,      &&.&.&..&.
&.&.&.&..&  AND ABOVE ALL ELSE, WHAT TIME THEY USE? .&.&.&.&&.
&.&.&.&.&& HOW LONG A TIME HAS PASSED, FOR THEM?    &&.&.&..&.
&.&.&.&..&                                     .    .&.&.&.&&.
&.&.&.&.&&  . ... .  ................   ¶¶¶¶¶¶¶     &&.&.&..&.
&.&.&.&..&   CONTINUOUSLY I'M CROWDING THROUGH      .&.&.&.&&.
&.&.&.&.&& . THE FOURTH WALL  ,OUTWARDS IS WHAT   . &&.&.&..&.
&.&.&.&..& .. I'M THINKING BUT IT'S WRONG.. A NEW   .&.&.&.&&.
&.&.&.&.&& . . NARRATOR IS INTRODUCED, OCCASIONALLY &&.&.&..&.
&.&.&.&..& ,  , AWARE OF THE PREVIOUS ONE, DEEPER . .&.&.&.&&.
&.&.&.&.&& ,   , DOWN IN THE DRAGONS THROAT.        &&.&.&..&.
&.&.&.&..&      ,                                   .&.&.&.&&.
&.&.&.&.&&       ,                                  &&.&.&..&.
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