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.^««/^§@£#           #%†¨¨,¨..¨...¨.¨.*=#           #£@§^/««^.
.^~:=%@###          #^%  "DIGITALITY"  †^#          ###@%=:~^.
¨.«^$%@###           #$=¨¨¨.,.¨.¨..¨,.%*#           ###@%$^«.¨
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...«**¤§#@ DIGITAL, THE  DIGITAL, TO BECOME DIGITAL @#§¤**«...
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¨^»*†¤£@##                     =                    ##@£¤†*»^¨
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¨,:%§¤#@##   ANCIENT (MESOPOTHAMIA) KNOT MADE OF    ##@#¤§%:,¨
,.,-~»*&@#   SYMBOLS. THE ENGLISH TRANSLATION IS    #@&*»~-,.,
¨-=^*%£###   "THROUGH NUMBERS". YOU CAN USE THIS    ###£%*^=-¨
..~††£##@#  MACHINE TO REMEMBER, PREDICT, OR HIDE.  #@##£††~..
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,,.,†$¤¤##  THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,   ##¤¤$†,.,,
,:=;§%&#@# THE GIFTED CAN TURN ANALOG SIGNALS INTO  #@#&%§;=:,
.¨..~~\$@£   DIGITAL - THE ANALOG IS IN ITSELF A    £@$\~~..¨.
.,.,,«=¤##  REPRESENTATION OF THE WORLD INSIDE THE  ##¤=«,,.,.
,¨¨.=†£§@#   WORLD, WHICH IS FURTHER ENCODED INTO   #@§£†=.¨¨,
¨^«:^£§£##  DIGITAL (ENCODED IN THE LITERAL SENSE;  ##£§£^:«^¨
.,,~^†\£§#  THE NUMBERS ARE SYMBOLS WHO CARRY THE   #§£\†^~,,.
,,.,,==¤&¤   MEANING SEMANTICALLY AND NOT IN THEIR  ¤&¤==,,.,,
¨:~;%&@### SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) ###@&%;~:¨
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,:-\*$@@@#     VARIOUS SCHEMES EXIST FOR HOW TO     #@@@$*\-:,
,:-\*$@@@@   INTERPRET AND WORK FURTHER WITH THESE  @@@@$*\-:,
,:-\*$@@##   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   ##@@$*\-:,
,,,,,,,-*@  VOR, HYP, MKV). GETTING FAMILIAR WITH   @*-,,,,,,,
,:-\*$@@##  THESE IS A GOOD START ON YOUR JOURNEY,  ##@@$*\-:,
,:--\\\*@@     ALTHOUGH EVEN A WIZARD MIGHT ONLY    @@*\\\--:,
,:-\*$@@@@    -REALLY- KNOW TWO OR THREE IN THEIR   @@@@$*\-:,
,:-\*$@@##                LIFETIME.                 ##@@$*\-:,
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.~-/%£#@##  SOME PITFALLS INCLUDE THAT EVEN IF YOU  ##@#£%/-~.
,~-†^%£¶##      CAN ENCODE THE DIGITAL SYMBOLS      ##¶£%^†-~,
,~-:†¤§£#@  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  @#£§¤†:-~,
..-~*†*§*£   TERMINATE IN THE ANALOG; IF KNOWLEDGE  £*§*†*~-..
,,-†§@£###  IS LOST, YOU CAN HAVE SYMBOLS WITH NO   ###£@§†-,,
¨^-†^£@¶@#   ROUTE TO THEIR ORIGINAL MEANING, AND   #@¶@£^†-^¨
.^~=%%£§@¤  THAT WITH THE RIGHT SPELLS AND METHODS  ¤@§£%%=~^.
¨~-;§&££##  YOU CAN USE DIGITAL REPRESENTATION FOR  ##££&§;-~¨
,~~*=@$§§&   ANALYSIS (MUST BE COMBATTED AT EVERY   &§§$@=*~~,
,:«;†*¤@##               OPPORTUNITY)               ##@¤*†;«:,
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