¶§&*†-~...                                          ...~-†*&§¶
#¶§&*†-~..                                          ..~-†*&§¶#
##¶§&*†-~.                                          .~-†*&§¶##
#¶§&*†-~..                                          ..~-†*&§¶#
¶§&*†-~...                                          ...~-†*&§¶
§&*†-~....                                          ....~-†*&§
¶§&*†-~...                ..&@#@&..                 ...~-†*&§¶
#¶§&*†-~..       ~~ pittsburgh electronics ~~       ..~-†*&§¶#
##¶§&*†-~.             -- lifeforms --              .~-†*&§¶##
#¶§&*†-~..               †† sv one ††               ..~-†*&§¶#
¶§&*†-~...                                          ...~-†*&§¶
§&*†-~.... this  is  a eurorack module but i bought ....~-†*&§
¶§&*†-~... the  blackbox  one  so  it's  also  not. ...~-†*&§¶
#¶§&*†-~..                                          ..~-†*&§¶#
##¶§&*†-~. it  ships  with  too  few patch  cables. .~-†*&§¶##
#¶§&*†-~..                                          ..~-†*&§¶#
¶§&*†-~...             .*¶ contains ¶*.             ...~-†*&§¶
§&*†-~....           midi to cv converter           ....~-†*&§
¶§&*†-~...                two vco's                 ...~-†*&§¶
#¶§&*†-~.. four channel or two  x two channel mixer ..~-†*&§¶#
##¶§&*†-~.        two sub oscillators i think       .~-†*&§¶##
#¶§&*†-~..         two one to two splitters         ..~-†*&§¶#
¶§&*†-~...          white noise generator           ...~-†*&§¶
§&*†-~....              sample and hold             ....~-†*&§
¶§&*†-~...          lfo plus a digital lfo          ...~-†*&§¶
#¶§&*†-~..   filter (lowpass, bandpass, highpass)   ..~-†*&§¶#
##¶§&*†-~.              adsr envelope               .~-†*&§¶##
#¶§&*†-~..                  one vca                 ..~-†*&§¶#
¶§&*†-~...              headphone amp               ...~-†*&§¶
§&*†-~....         fourty nine patchpoints!         ....~-†*&§
¶§&*†-~...                                          ...~-†*&§¶
#¶§&*†-~..                  .~@#@~.                 ..~-†*&§¶#
##¶§&*†-~.           -** so what now **-            .~-†*&§¶##
#¶§&*†-~..                 .~@#@~.                  ..~-†*&§¶#
¶§&*†-~...                                          ...~-†*&§¶
§&*†-~.... clock io goes  to  asdr  in  i think and ....~-†*&§
¶§&*†-~... maybe  also to the  sample and hold. put ...~-†*&§¶
#¶§&*†-~.. subbase and noise in  channel three  and ..~-†*&§¶#
##¶§&*†-~. four.  oscillator  one  saw  to  channel .~-†*&§¶##
#¶§&*†-~.. two,  and oscillator two  saw to channel ..~-†*&§¶#
¶§&*†-~... one.   sample  and   hold   out  to  the ...~-†*&§¶
§&*†-~....   filter... maybe... resonance at half.  ....~-†*&§
¶§&*†-~... some  frequency  in the first oscillator ...~-†*&§¶
#¶§&*†-~.. and  then the  second osc four semitones ..~-†*&§¶#
##¶§&*†-~.                  higher.                 .~-†*&§¶##
#¶§&*†-~..                                          ..~-†*&§¶#
¶§&*†-~...                 ~-§¶§-~                  ...~-†*&§¶
§&*†-~....           †&& desktop synth &&†          ....~-†*&§
¶§&*†-~...                  ~-§¶§-~                 ...~-†*&§¶
#¶§&*†-~..                                          ..~-†*&§¶#
##¶§&*†-~.                                          .~-†*&§¶##
#¶§&*†-~..                                          ..~-†*&§¶#
¶§&*†-~...                                          ...~-†*&§¶
§&*†-~....                                          ....~-†*&§
¶§&*†-~...                                          ...~-†*&§¶