,,,,,,=†%¤ ¤%†=,,,,,,
,.=†%%¤@## ##@¤%%†=.,
,.=†%%¤@## ##@¤%%†=.,
,.=†%¤@### ###@¤%†=.,
,.=†%%¤@## ##@¤%%†=.,
,.=†%%¤@## #### ##### ##@¤%%†=.,
,,,,,=††%¤ TAPE DREAM ¤%††=,,,,,
,,,...††%¤ #### ##### ¤%††...,,,
,,,,,.=%¤¤ ¤¤%=.,,,,,
,,,,,=%%¤@ FOR STORING MUSIC ON. ALSO DATA BUT @¤%%=,,,,,
,,.====%%¤ AT THIS POINT IN TIME THAT'S NOT ¤%%====.,,
,,,==%%%¤# REALLY IMPORTANT I THINK. #¤%%%==,,,
,.=†%¤@### ###@¤%†=.,
,.=††%%¤@@ @@¤%%††=.,
,.=†%%¤@## †††††††† TYPES OF TAPE †††††††† ##@¤%%†=.,
,.=†%%¤@## ##@¤%%†=.,
,,,,.††%@@ CLASS I - "BAD" IRON @@%††.,,,,
,,,,,=†%¤¤ CLASS II - GOOD CHROMIUM ¤¤%†=,,,,,
,.=†%%¤@## CLASS III - BAD IRON PART TWO ##@¤%%†=.,
,,,,=†%%¤@ CLASS IV - DANGEROUS METALS @¤%%†=,,,,
,.=†%%¤@## ##@¤%%†=.,
,,,,,,.†%¤ RUMORS EXIST ABOUT A SECRET CLASS V TAPE ¤%†.,,,,,,
,,,,,.=†%¤ THAT IS ACTUALLY USEFUL. ¤%†=.,,,,,
,,,,,=†%%¤ ¤%%†=,,,,,
,.=%%¤@### †† BIAS †† ###@¤%%=.,
,.=†%%¤@## ##@¤%%†=.,
,.=†%%¤@## CLASS I USES ONE HUNDRED AND TWENTY ##@¤%%†=.,
,.=†%%¤¤¤¤ MICRO-SOMETHING WHILE THE OTHERS ALL ¤¤¤¤%%†=.,
,.=†%%¤### USE SEVENTY OF THE SAME UNIT. ###¤%%†=.,
,.=†%%¤@## ##@¤%%†=.,
,.=†%%¤@## ##@¤%%†=.,
,,,,,,.†%¤ %%%%%%%%% AHA AND %%%%%%%%% ¤%†.,,,,,,
,,,.=†%%¤¤ ¤¤%%†=.,,,
,,,,.†%¤@@ CLASS IV IS APPARENTLY TOO STRONG TO @@¤%†.,,,,
,.=†%%¤@## BE USED ON CLASS I PLAYERS. IT WILL ##@¤%%†=.,
,.=†%%¤@## SOUND TOO LOUND AND IT CANNOT BE ##@¤%%†=.,
,.=†%%¤@## COMPLETELY ERASED. THIS IS VERY WELL. ##@¤%%†=.,
,.=†%%¤¤@# MAYBE SOME WONDERFUL BLENDING EFFECTS #@¤¤%%†=.,
,,,.===†%@ COULD BE ACHIEVED? @%†===.,,,
,.=†%%¤@## ##@¤%%†=.,
,,,,,.=%¤# THEY ALSO GNAW AT THE TAPE HEADS A BIT #¤%=.,,,,,
.=†%%¤@### BETTER THAN EARLIER TAPE TYPES. ###@¤%%†=.
,,,,,,=†%¤ ¤%†=,,,,,,
,.=†%%%¤¤# #¤¤%%%†=.,
,,,,.†%%%@ †††††††† ARTIFACTS †††††††† @%%%†.,,,,
,.=†%%¤### ###¤%%†=.,
,,.=====%¤ GOOD TAPES ARE DECENT AND HAVE A GOOD ¤%=====.,,
,.=†%%¤@## HIGH FREQUENCY PRESENCE, BAD TAPES ARE ##@¤%%†=.,
,.=†%%¤@## LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA ##@¤%%†=.,
,,,,=†††%¤ LIKE IT. ¤%†††=,,,,
,.=†%%¤@## ##@¤%%†=.,
,...=†%¤¤@ BIAS LOSS: IF YOU FORGET THE BIAS WHO @¤¤%†=...,
,.=†%%¤@## KNOWS WHATS EVEN ON THERE ANYMORE ##@¤%%†=.,
,.=†%%¤@## ##@¤%%†=.,
,.=†%%¤@## FLUTTER: KINDA QUICK PITCH VARIATIONS. ##@¤%%†=.,
,.=†%%%¤¤¤ BEAUTIFUL, WONDERFUL, EXTRAORDINARY. ¤¤¤%%%†=.,
,.=†%%¤@## ##@¤%%†=.,
,,,,.†%¤¤# WOW: A SLOWER FLUTTER, USUALLY SEVERAL #¤¤%†.,,,,
,,,,.††%%¤ SECONDS LONG. WHAT UP. BOTH OF THESE ¤%%††.,,,,
,.=†%%¤@@@ INCREASE WHEN TAPE SPEED DECREASES. @@@¤%%†=.,
,.=†%%%%%¤ ¤%%%%%†=.,
,.=†%%¤¤¤# PRINT THROUGH: TAPES RUB SOUND ON EACH #¤¤¤%%†=.,
,.=†%%¤@## OTHER IF THEYRE ALONE FOR TOO LONG ##@¤%%†=.,
,,,..==%¤@ @¤%==..,,,
,,,,,=%¤@@ @@¤%=,,,,,
,.==†%%¤¤@ @¤¤%%†==.,
,.=†%%¤@## ##@¤%%†=.,
,.=†††%%¤@ @¤%%†††=.,
,.=†%%¤@@# #@@¤%%†=.,