,,=:$*@@@#                                          #@@@*$:=,,
,,=:*@@@##                                          ##@@@*:=,,
,,,==:$*@@                                          @@*$:==,,,
,,=:$*@@@#                                          #@@@*$:=,,
,,=:$*@@@#                                          #@@@*$:=,,
,,,,,,==$@                                          @$==,,,,,,
,,=:$*@@@@                 ,,*@#@*,,                @@@@*$:=,,
,,,,,:::$@       ,, PITTSBURGH ELECTRONICS ,,       @$:::,,,,,
,,=:$*@@@@             == LIFEFORMS ==              @@@@*$:=,,
,,=:$*@@@#               :: SV ONE ::               #@@@*$:=,,
,,=:$**@@@                                          @@@**$:=,,
,,,,,=$$@@ THIS  IS A  EURORACK MODULE BUT I BOUGHT @@$$=,,,,,
,,,,,,=:*@ THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. @*:=,,,,,,
,,=:$*@@@#                                          #@@@*$:=,,
,,=:$*@@@@ IT  SHIPS  WITH  TOO  FEW PATCH  CABLES. @@@@*$:=,,
,,=:$*@@@#                                          #@@@*$:=,,
,,=:$*@@##             ,$@ CONTAINS @$,             ##@@*$:=,,
,,,,,,:*@@           MIDI TO CV CONVERTER           @@*:,,,,,,
,,=:$*@@@#                TWO VCO'S                 #@@@*$:=,,
,,=:$*@@@@ FOUR CHANNEL OR TWO  X TWO CHANNEL MIXER @@@@*$:=,,
,,,,=$$$*@        TWO SUB OSCILLATORS I THINK       @*$$$=,,,,
,,=:$*@@##         TWO ONE TO TWO SPLITTERS         ##@@*$:=,,
,,=:$*@@@@           WHITE NOISE GENERATOR          @@@@*$:=,,
,,,,,,=:$@              SAMPLE AND HOLD             @$:=,,,,,,
,,=:$*@@@@          LFO PLUS A DIGITAL LFO          @@@@*$:=,,
,,=:$*@@@#   FILTER (LOWPASS, BANDPASS, HIGHPASS)   #@@@*$:=,,
,,=:$*@@@#               ADSR ENVELOPE              #@@@*$:=,,
,,,,::$*@@                  ONE VCA                 @@*$::,,,,
,,,,,,,:*@              HEADPHONE AMP               @*:,,,,,,,
,,=:$$**@@         FOURTY NINE PATCHPOINTS!         @@**$$:=,,
,,,==$*@@@                                          @@@*$==,,,
,,=:$*@@@@                  ,,@#@,,                 @@@@*$:=,,
,,,,,=$*@@           =$$ SO WHAT NOW $$=            @@*$=,,,,,
,,,,,,=$*@                  ,,@#@,,                 @*$=,,,,,,
,,,,,,,=$@                                          @$=,,,,,,,
,,=:$*@@## CLOCK  IO  GOES TO  ASDR IN  I THINK AND ##@@*$:=,,
,,=:$*@@@@ MAYBE ALSO  TO THE  SAMPLE AND HOLD. PUT @@@@*$:=,,
,,=:$*@@@@ SUBBASE AND NOISE  IN  CHANNEL THREE AND @@@@*$:=,,
,,=:$*@@@# FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL #@@@*$:=,,
,,=:$*@@@# TWO, AND OSCILLATOR TWO  SAW TO  CHANNEL #@@@*$:=,,
,,=:$*@@@# ONE.  SAMPLE   AND   HOLD  OUT   TO  THE #@@@*$:=,,
,,,,,,,:*@  FILTER... MAYBE... RESONANCE AT HALF.   @*:,,,,,,,
,,=:$*@@@# SOME FREQUENCY IN  THE FIRST  OSCILLATOR #@@@*$:=,,
,,=:$*@@@# AND  THEN  THE SECOND OSC FOUR SEMITONES #@@@*$:=,,
,,=:$*@@@@                  HIGHER.                 @@@@*$:=,,
,,,,,=$$@@                                          @@$$=,,,,,
,,=:*@@@##                  ,=@@@=,                 ##@@@*:=,,
,,,,,,,:$@           :** DESKTOP SYNTH **:          @$:,,,,,,,
,,=:$*@@@#                 ,=@@@=,                  #@@@*$:=,,
,,=::$*@@@                                          @@@*$::=,,
,,=:$*@@@#                                          #@@@*$:=,,
,,,,==$$*@                                          @*$$==,,,,
,,=:$*@@@#                                          #@@@*$:=,,
,,=:$*@@@#                                          #@@@*$:=,,
,,,,,==$@@                                          @@$==,,,,,