##$\^.....                                          .....^\$##
&$$$\\\=^.                                          .^=\\\$$$&
&&$$$\\=^.                                          .^=\\$$$&&
###&$$\=^.                                          .^=\$$&###
###&$$\=^.                                          .^=\$$&###
&$\=^^^...                                          ...^^^=\$&
###&$$\=^.                ..$###$..                 .^=\$$&###
###&$$\=^.       ^^ PITTSBURGH ELECTRONICS ^^       .^=\$$&###
###&$$\=^.              == LIFEFORMS ==             .^=\$$&###
###&$$\=^.               \\ SV ONE \\               .^=\$$&###
###&$$\=^.                                          .^=\$$&###
###&$$\=^. THIS  IS A EURORACK MODULE BUT  I BOUGHT .^=\$$&###
&$\=...... THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. ......=\$&
###&$$\=^.                                          .^=\$$&###
###&$$\=^. IT  SHIPS WITH  TOO  FEW  PATCH  CABLES. .^=\$$&###
#&$=^^^^..                                          ..^^^^=$&#
#$$=......             .$# CONTAINS #$.             ......=$$#
###&$$\=^.           MIDI TO CV CONVERTER           .^=\$$&###
###&$$\=^.                TWO VCO'S                 .^=\$$&###
###&$$\=^. FOUR  CHANNEL OR TWO X TWO CHANNEL MIXER .^=\$$&###
&$$\=.....        TWO SUB OSCILLATORS I THINK       .....=\$$&
#$\=......         TWO ONE TO TWO SPLITTERS         ......=\$#
###&$$\=^.          WHITE NOISE GENERATOR           .^=\$$&###
###&$$\=^.             SAMPLE AND HOLD              .^=\$$&###
##$\\==^^.          LFO PLUS A DIGITAL LFO          .^^==\\$##
#&$$=.....   FILTER (LOWPASS, BANDPASS, HIGHPASS)   .....=$$&#
###&$$\=^.              ADSR ENVELOPE               .^=\$$&###
###&$$\=^.                 ONE VCA                  .^=\$$&###
###&$$\=^.               HEADPHONE AMP              .^=\$$&###
#&&$$$\=^.         FOURTY NINE PATCHPOINTS!         .^=\$$$&&#
&$==......                                          ......==$&
###&$$\=^.                  .^###^.                 .^=\$$&###
#&&$\\==^.            =$$ SO WHAT NOW $$=           .^==\\$&&#
#$\=^.....                 .^###^.                  .....^=\$#
###&$$\=^.                                          .^=\$$&###
&$====^... CLOCK  IO  GOES  TO ASDR IN I  THINK AND ...^====$&
####&$\=^. MAYBE ALSO TO  THE SAMPLE  AND HOLD. PUT .^=\$&####
#$$$$$\=^. SUBBASE AND NOISE  IN CHANNEL THREE  AND .^=\$$$$$#
###&$$\=^. FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL .^=\$$&###
###&$$\=^. TWO,  AND OSCILLATOR TWO SAW  TO CHANNEL .^=\$$&###
###&$$\=^. ONE.   SAMPLE  AND   HOLD  OUT  TO   THE .^=\$$&###
##$$=.....  FILTER... MAYBE... RESONANCE AT HALF.   .....=$$##
#$$=...... SOME FREQUENCY  IN THE FIRST  OSCILLATOR ......=$$#
###&$$\=^. AND THEN THE SECOND  OSC FOUR  SEMITONES .^=\$$&###
###&$$\=^.                 HIGHER.                  .^=\$$&###
###&$$\=^.                                          .^=\$$&###
###&$$\=^.                  ^=&#&=^                 .^=\$$&###
###&$$\=^.           \$$ DESKTOP SYNTH $$\          .^=\$$&###
###&$$\=^.                  ^=&#&=^                 .^=\$$&###
#$$$\==^..                                          ..^==\$$$#
###&$$\=^.                                          .^=\$$&###
###&$$\=^.                                          .^=\$$&###
###&$$\=^.                                          .^=\$$&###
####&$$\=.                                          .=\$$&####
&&&&$$\=^.                                          .^=\$$&&&&