@,@@,@,@,@                                          ,,,@,@@,,,
@,,@,@,@,@                                          ,,@@,,@,,@
@,@@,@,@,@                                          ,@,@,@@,@,
@,,@,@,@,@                                          @@,@,,@,@,
@,@@,@,@,@                                          ,@,@,@@,@,
@,,@,@,@,@                                          @@,@,,@,@,
@,@@,@,@,@                 ,,$@#@$,,                ,@,@,@@,@,
@,,@,@,@,@       -- Pittsburgh Electronics --       @@,@,,@,@,
@,@@,@,@,@              «« Lifeforms ««             ,@,@,@@,@,
@,,@,@,@,@               == Sv One ==               @@,@,,@,@,
@,@@,@,@,@                                          ,@,@,@@,@,
@,,@,@,@,@ This  Is A Eurorack Module But  I Bought @@,@,,@,@,
@,@@,@,@,@ The  Blackbox  One  So  It'S  Also  Not. ,@,@,@@,@,
@,,@,@,@,@                                          @@,@,,@,@,
@,@@,@,@,@ It  Ships  With  Too  Few  Patch Cables. ,@,@,@@,@,
@,,@,@,@,@                                          @@,@,,@,@,
@,@@,@,@,@             ,%£ Contains £%,             ,@,@,@@,@,
@,,@,@,@,@           Midi To Cv Converter           @@,@,,@,@,
@,@@,@,@,@                 Two Vco'S                ,@,@,@@,@,
@,,@,@,@,@ Four Channel Or Two X Two Channel  Mixer @@,@,,@,@,
@,@@,@,@,@        Two Sub Oscillators I Think       ,@,@,@@,@,
@,,@,@,@,@         Two One To Two Splitters         @@,@,,@,@,
@,@@,@,@,@           White Noise Generator          ,@,@,@@,@,
@,,@,@,@,@             Sample And Hold              @@,@,,@,@,
@,@@,@,@,@          Lfo Plus A Digital Lfo          ,@,@,@@,@,
@,,@,@,@,@   Filter (Lowpass, Bandpass, Highpass)   @@,@,,@,@,
@,@@,@,@,@              Adsr Envelope               ,@,@,@@,@,
@,,@,@,@,@                 One Vca                  @@,@,,@,@,
@,@@,@,@,@              Headphone Amp               ,@,@,@@,@,
@,,@,@,@,@         Fourty Nine Patchpoints!         @@,@,,@,@,
@,@@,@,@,@                                          ,@,@,@@,@,
@,,@,@,@,@                  ,-@#@-,                 @@,@,,@,@,
@,@@,@,@,@            «%% So What Now %%«           ,@,@,@@,@,
@,,@,@,@,@                 ,-@#@-,                  @@,@,,@,@,
@,@@,@,@,@                                          ,@,@,@@,@,
@,,@,@,@,@ Clock  Io Goes  To Asdr In  I Think  And @@,@,,@,@,
@,@@,@,@,@ Maybe Also  To The Sample And  Hold. Put ,@,@,@@,@,
@,,@,@,@,@ Subbase And Noise In Channel  Three  And @@,@,,@,@,
@,@@,@,@,@ Four.  Oscillator  One  Saw  To  Channel ,@,@,@@,@,
@,,@,@,@,@ Two,  And Oscillator Two Saw  To Channel @@,@,,@,@,
@,@@,@,@,@ One.  Sample  And   Hold   Out  To   The ,@,@,@@,@,
@,,@,@,@,@   Filter... Maybe... Resonance At Half.  @@,@,,@,@,
@,@@,@,@,@ Some Frequency In  The First  Oscillator ,@,@,@@,@,
@,,@,@,@,@ And Then The Second Osc  Four  Semitones @@,@,,@,@,
@,@@,@,@,@                  Higher.                 ,@,@,@@,@,
@,,@,@,@,@                                          @@,@,,@,@,
@,@@,@,@,@                  -«@£@«-                 ,@,@,@@,@,
@,,@,@,@,@          =$$ Desktop Synth $$=           @@,@,,@,@,
@,@@,@,@,@                 -«@£@«-                  ,@,@,@@,@,
@,,@,@,@,@                                          @@,@,,@,@,
@,@@,@,@,@                                          ,@,@,@@,@,
@,,@,@,@,@                                          @@,@,,@,@,
@,@@,@,@,@                                          ,@,@,@@,@,
@,,@,@,@,@                                          @@,@,,@,@,
@,@@,@,@,@                                          ,@,@,@@,@,