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##£%*-^,,,                ,,£###£,,                 ,,,^-*%£##
#£%*-^,,,,       ^^ PITTSBURGH ELECTRONICS ^^       ,,,,^-*%£#
£%*-^,,,,,             -- LIFEFORMS --              ,,,,,^-*%£
%*-^,,,,,,               ** SV ONE **               ,,,,,,^-*%
*-^,,,,,,,                                          ,,,,,,,^-*
%*-^,,,,,, THIS IS A  EURORACK MODULE BUT  I BOUGHT ,,,,,,^-*%
£%*-^,,,,, THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. ,,,,,^-*%£
#£%*-^,,,,                                          ,,,,^-*%£#
##£%*-^,,, IT SHIPS  WITH  TOO  FEW  PATCH  CABLES. ,,,^-*%£##
###£%*-^,,                                          ,,^-*%£###
####£%*-^,             ,%# CONTAINS #%,             ,^-*%£####
###£%*-^,,           MIDI TO CV CONVERTER           ,,^-*%£###
##£%*-^,,,                 TWO VCO'S                ,,,^-*%£##
#£%*-^,,,, FOUR CHANNEL OR TWO  X TWO CHANNEL MIXER ,,,,^-*%£#
£%*-^,,,,,        TWO SUB OSCILLATORS I THINK       ,,,,,^-*%£
%*-^,,,,,,         TWO ONE TO TWO SPLITTERS         ,,,,,,^-*%
*-^,,,,,,,          WHITE NOISE GENERATOR           ,,,,,,,^-*
%*-^,,,,,,              SAMPLE AND HOLD             ,,,,,,^-*%
£%*-^,,,,,          LFO PLUS A DIGITAL LFO          ,,,,,^-*%£
#£%*-^,,,,   FILTER (LOWPASS, BANDPASS, HIGHPASS)   ,,,,^-*%£#
##£%*-^,,,               ADSR ENVELOPE              ,,,^-*%£##
###£%*-^,,                  ONE VCA                 ,,^-*%£###
####£%*-^,              HEADPHONE AMP               ,^-*%£####
###£%*-^,,         FOURTY NINE PATCHPOINTS!         ,,^-*%£###
##£%*-^,,,                                          ,,,^-*%£##
#£%*-^,,,,                  ,^###^,                 ,,,,^-*%£#
£%*-^,,,,,            -%% SO WHAT NOW %%-           ,,,,,^-*%£
%*-^,,,,,,                 ,^###^,                  ,,,,,,^-*%
*-^,,,,,,,                                          ,,,,,,,^-*
%*-^,,,,,, CLOCK IO  GOES  TO ASDR  IN I THINK  AND ,,,,,,^-*%
£%*-^,,,,, MAYBE ALSO  TO THE  SAMPLE AND HOLD. PUT ,,,,,^-*%£
#£%*-^,,,, SUBBASE AND NOISE IN CHANNEL  THREE  AND ,,,,^-*%£#
##£%*-^,,, FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL ,,,^-*%£##
###£%*-^,, TWO, AND OSCILLATOR  TWO  SAW TO CHANNEL ,,^-*%£###
####£%*-^, ONE.   SAMPLE   AND   HOLD  OUT  TO  THE ,^-*%£####
###£%*-^,,   FILTER... MAYBE... RESONANCE AT HALF.  ,,^-*%£###
##£%*-^,,, SOME  FREQUENCY IN THE FIRST  OSCILLATOR ,,,^-*%£##
#£%*-^,,,, AND  THEN THE SECOND  OSC FOUR SEMITONES ,,,,^-*%£#
£%*-^,,,,,                 HIGHER.                  ,,,,,^-*%£
%*-^,,,,,,                                          ,,,,,,^-*%
*-^,,,,,,,                 ^-###-^                  ,,,,,,,^-*
%*-^,,,,,,           *££ DESKTOP SYNTH ££*          ,,,,,,^-*%
£%*-^,,,,,                  ^-###-^                 ,,,,,^-*%£
#£%*-^,,,,                                          ,,,,^-*%£#
##£%*-^,,,                                          ,,,^-*%£##
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