¨¨¨¨¨=%%%@                                          @%%%=¨¨¨¨¨
¨¨¨~~~^%&#                                          #&%^~~~¨¨¨
¨¨¨¨~^%@@@                                          @@@%^~¨¨¨¨
¨¨¨~==%&&#                                          #&&%==~¨¨¨
¨¨¨¨~^%%@#                                          #@%%^~¨¨¨¨
¨~=^%&@###                                          ###@&%^=~¨
¨¨¨¨==%@@@                ¨¨&###&¨¨                 @@@%==¨¨¨¨
¨~===^&@##       ~~ Pittsburgh Electronics ~~       ##@&^===~¨
¨¨¨==%&@##             == Lifeforms ==              ##@&%==¨¨¨
¨~=^%&&@@#               ^^ Sv One ^^               #@@&&%^=~¨
¨¨¨¨¨=^&@@                                          @@&^=¨¨¨¨¨
¨~=^%&@### This  Is A Eurorack Module But  I Bought ###@&%^=~¨
¨~=^%&@### The  Blackbox  One  So  It'S  Also  Not. ###@&%^=~¨
¨~=^%&@###                                          ###@&%^=~¨
¨~=^%&@### It Ships  With  Too  Few  Patch  Cables. ###@&%^=~¨
¨¨~~=^%%@@                                          @@%%^=~~¨¨
¨¨¨====^&#             ¨%# Contains #%¨             #&^====¨¨¨
¨¨¨~~^^%&#           Midi To Cv Converter           #&%^^~~¨¨¨
¨~=^%&@###                Two Vco'S                 ###@&%^=~¨
¨¨¨¨~~=^&@ Four Channel Or Two X  Two Channel Mixer @&^=~~¨¨¨¨
¨~=^%&@###        Two Sub Oscillators I Think       ###@&%^=~¨
¨¨¨¨¨=^&@@         Two One To Two Splitters         @@&^=¨¨¨¨¨
¨~=^%&@@@#          White Noise Generator           #@@@&%^=~¨
¨¨¨¨¨=^%@#              Sample And Hold             #@%^=¨¨¨¨¨
¨~=^%&@###          Lfo Plus A Digital Lfo          ###@&%^=~¨
¨~=^%&@###   Filter (Lowpass, Bandpass, Highpass)   ###@&%^=~¨
¨~=^%&@###              Adsr Envelope               ###@&%^=~¨
¨~=^%&@###                  One Vca                 ###@&%^=~¨
¨~=^%&@###              Headphone Amp               ###@&%^=~¨
¨¨¨~~=^%@#         Fourty Nine Patchpoints!         #@%^=~~¨¨¨
¨~=^%&####                                          ####&%^=~¨
¨~=^%&@###                 ¨~###~¨                  ###@&%^=~¨
¨~=^%&@###            =%% So What Now %%=           ###@&%^=~¨
¨~=^%&@###                  ¨~###~¨                 ###@&%^=~¨
¨~=^%&@###                                          ###@&%^=~¨
¨~=^%&@### Clock  Io Goes To  Asdr  In I  Think And ###@&%^=~¨
¨~=^%&@@## Maybe Also  To The Sample And  Hold. Put ##@@&%^=~¨
¨¨~~=^^&@@ Subbase And  Noise  In Channel Three And @@&^^=~~¨¨
¨~=^%&@### Four.  Oscillator  One  Saw  To  Channel ###@&%^=~¨
¨~=^%&@### Two,  And Oscillator Two Saw  To Channel ###@&%^=~¨
¨~=^%&@### One.   Sample  And  Hold   Out  To   The ###@&%^=~¨
¨~===^%&##  Filter... Maybe... Resonance At Half.   ##&%^===~¨
¨~=^%&@### Some Frequency  In The  First Oscillator ###@&%^=~¨
¨¨¨¨==^&&@ And Then The Second  Osc  Four Semitones @&&^==¨¨¨¨
¨¨¨~^^^^%@                 Higher.                  @%^^^^~¨¨¨
¨~=^%&@###                                          ###@&%^=~¨
¨~=^%&&@@#                 ~=@#@=~                  #@@&&%^=~¨
¨~^%&@####          ^&& Desktop Synth &&^           ####@&%^~¨
¨~=^%&&&##                 ~=@#@=~                  ##&&&%^=~¨
¨~=^%&@###                                          ###@&%^=~¨
¨¨¨~=%&&&#                                          #&&&%=~¨¨¨
¨¨¨¨~~^%@#                                          #@%^~~¨¨¨¨
¨~=^%&@###                                          ###@&%^=~¨
¨~=^%&@###                                          ###@&%^=~¨
¨¨¨¨~~=^&#                                          #&^=~~¨¨¨¨