###£*%:~^,                                          ,^~:%*£###
£££%~~~^,,                                          ,,^~~~%£££
##***%:~^,                                          ,^~:%***##
###£*%:~^,                                          ,^~:%*£###
###£*%:~^,                                          ,^~:%*£###
###£*%:~^,                                          ,^~:%*£###
####£*%:^,                ,,*###*,,                 ,^:%*£####
###£*%:~^,       ^^ PITTSBURGH ELECTRONICS ^^       ,^~:%*£###
###£*%:~^,             ~~ LIFEFORMS ~~              ,^~:%*£###
###£*%:~^,               :: SV ONE ::               ,^~:%*£###
###£*%:~^,                                          ,^~:%*£###
###£*%:~^, THIS IS A  EURORACK MODULE BUT I  BOUGHT ,^~:%*£###
##££*%:~^, THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. ,^~:%*££##
###£*%:~^,                                          ,^~:%*£###
###£*%:~^, IT SHIPS  WITH  TOO  FEW  PATCH  CABLES. ,^~:%*£###
###£*%:~^,                                          ,^~:%*£###
##£%:^,,,,             ,%# CONTAINS #%,             ,,,,^:%£##
####£*%~^,           MIDI TO CV CONVERTER           ,^~%*£####
###£*%:~^,                TWO VCO'S                 ,^~:%*£###
###£*%:~^, FOUR CHANNEL OR TWO  X TWO CHANNEL MIXER ,^~:%*£###
#£*%~~~~^,        TWO SUB OSCILLATORS I THINK       ,^~~~~%*£#
###£*%:~^,         TWO ONE TO TWO SPLITTERS         ,^~:%*£###
£*:~^,,,,,           WHITE NOISE GENERATOR          ,,,,,^~:*£
£*%::^,,,,             SAMPLE AND HOLD              ,,,,^::%*£
####£*%~^,          LFO PLUS A DIGITAL LFO          ,^~%*£####
#£%%%%:~^,   FILTER (LOWPASS, BANDPASS, HIGHPASS)   ,^~:%%%%£#
#£*%:::~^,               ADSR ENVELOPE              ,^~:::%*£#
####£%:~^,                 ONE VCA                  ,^~:%£####
#£*:::~^,,               HEADPHONE AMP              ,,^~:::*£#
####£*%~^,         FOURTY NINE PATCHPOINTS!         ,^~%*£####
###£*%:~^,                                          ,^~:%*£###
##**:~~~^,                 ,^###^,                  ,^~~~:**##
££***%:~^,            ~%% SO WHAT NOW %%~           ,^~:%***££
££*:~,,,,,                  ,^###^,                 ,,,,,~:*££
#£%%%~,,,,                                          ,,,,~%%%£#
###£*%:~^, CLOCK IO GOES  TO ASDR  IN  I  THINK AND ,^~:%*£###
£%~,,,,,,, MAYBE  ALSO TO THE SAMPLE AND HOLD.  PUT ,,,,,,,~%£
#£***%:~^, SUBBASE AND NOISE IN CHANNEL  THREE  AND ,^~:%***£#
#£%%::^^^, FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL ,^^^::%%£#
#££**%:~^, TWO,  AND OSCILLATOR  TWO SAW TO CHANNEL ,^~:%**££#
###£*%:~^, ONE.   SAMPLE   AND  HOLD  OUT   TO  THE ,^~:%*£###
###£*%:~^,   FILTER... MAYBE... RESONANCE AT HALF.  ,^~:%*£###
###£*%:~^, SOME FREQUENCY  IN THE  FIRST OSCILLATOR ,^~:%*£###
#*%%:~^,,, AND THEN  THE SECOND OSC  FOUR SEMITONES ,,,^~:%%*#
###£*%:~^,                  HIGHER.                 ,^~:%*£###
###£*%:~^,                                          ,^~:%*£###
####*%:~^,                 ^~£#£~^                  ,^~:%*####
#£*%%%:~^,          :** DESKTOP SYNTH **:           ,^~:%%%*£#
###£*%:~^,                  ^~£#£~^                 ,^~:%*£###
#£%~,,,,,,                                          ,,,,,,~%£#
###£*%:~^,                                          ,^~:%*£###
###£*%:~^,                                          ,^~:%*£###
#£**::~~^,                                          ,^~~::**£#
£*::^,,,,,                                          ,,,,,^::*£
###£*%:~^,                                          ,^~:%*£###