,,«*%££@@#                                          #@@££%*«,,
,,,«*%££@@                                          @@££%*«,,,
,,«*%££@@#                                          #@@££%*«,,
,,,«*%££@@                                          @@££%*«,,,
,,«*%££@@#                                          #@@££%*«,,
,,,«*%££@@                                          @@££%*«,,,
,,«*%££@@#                ,,£@#@£,,                 #@@££%*«,,
,,,«*%££@@       ,, pittsburgh electronics ,,       @@££%*«,,,
,,«*%££@@#              «« lifeforms ««             #@@££%*«,,
,,,«*%££@@               ** sv one **               @@££%*«,,,
,,«*%££@@#                                          #@@££%*«,,
,,,«*%££@@ this  is a eurorack module but i  bought @@££%*«,,,
,,«*%££@@# the  blackbox  one  so  it's  also  not. #@@££%*«,,
,,,«*%££@@                                          @@££%*«,,,
,,«*%££@@# it  ships with  too  few  patch  cables. #@@££%*«,,
,,,«*%££@@                                          @@££%*«,,,
,,«*%££@@#             ,%@ contains @%,             #@@££%*«,,
,,,«*%££@@           midi to cv converter           @@££%*«,,,
,,«*%££@@#                 two vco's                #@@££%*«,,
,,,«*%££@@ four channel or two x  two channel mixer @@££%*«,,,
,,«*%££@@#        two sub oscillators i think       #@@££%*«,,
,,,«*%££@@         two one to two splitters         @@££%*«,,,
,,«*%££@@#          white noise generator           #@@££%*«,,
,,,«*%££@@             sample and hold              @@££%*«,,,
,,«*%££@@#          lfo plus a digital lfo          #@@££%*«,,
,,,«*%££@@   filter (lowpass, bandpass, highpass)   @@££%*«,,,
,,«*%££@@#              adsr envelope               #@@££%*«,,
,,,«*%££@@                  one vca                 @@££%*«,,,
,,«*%££@@#               headphone amp              #@@££%*«,,
,,,«*%££@@         fourty nine patchpoints!         @@££%*«,,,
,,«*%££@@#                                          #@@££%*«,,
,,,«*%££@@                 ,,@#@,,                  @@££%*«,,,
,,«*%££@@#            «%% so what now %%«           #@@££%*«,,
,,,«*%££@@                  ,,@#@,,                 @@££%*«,,,
,,«*%££@@#                                          #@@££%*«,,
,,,«*%££@@ clock io  goes  to asdr in  i think  and @@££%*«,,,
,,«*%££@@# maybe also to  the sample  and hold. put #@@££%*«,,
,,,«*%££@@ subbase and  noise in channel  three and @@££%*«,,,
,,«*%££@@# four.  oscillator  one  saw  to  channel #@@££%*«,,
,,,«*%££@@ two, and oscillator two saw  to  channel @@££%*«,,,
,,«*%££@@# one.   sample   and  hold  out  to   the #@@££%*«,,
,,,«*%££@@  filter... maybe... resonance at half.   @@££%*«,,,
,,«*%££@@# some frequency  in  the first oscillator #@@££%*«,,
,,,«*%££@@ and then  the second  osc four semitones @@££%*«,,,
,,«*%££@@#                  higher.                 #@@££%*«,,
,,,«*%££@@                                          @@££%*«,,,
,,«*%££@@#                  ,«£@£«,                 #@@££%*«,,
,,,«*%££@@          *££ desktop synth ££*           @@££%*«,,,
,,«*%££@@#                  ,«£@£«,                 #@@££%*«,,
,,,«*%££@@                                          @@££%*«,,,
,,«*%££@@#                                          #@@££%*«,,
,,,«*%££@@                                          @@££%*«,,,
,,«*%££@@#                                          #@@££%*«,,
,,,«*%££@@                                          @@££%*«,,,
,,«*%££@@#                                          #@@££%*«,,