,,@@@@,,,,                                          @@,,@@@,@,
,,@,,,@,,,                                          ,,@,@,,@@@
@,@@,,@@,,                                          @,@@@@,@,,
@@@,@,@,@,                                          @@@,,,@@@,
@,,@@@@@@@                                          @,,@,,@,,@
,@,@,,,,,,                                          ,@,@@,@@,@
@@@@@,,,,,                 ,,$@#@$,,                ,@@@,@@,@@
,,,,,@,,,,       .. PITTSBURGH ELECTRONICS ..       @@,,@@,@@,
,,,,,@@,,,              -- LIFEFORMS --             @,@,@,@@,@
@,,,,@,@,,               †† SV ONE ††               @@@@@@@,@@
,@,,,@@@@,                                          @,,,,,,@@,
,@@,,@,,,@ THIS IS  A EURORACK MODULE BUT  I BOUGHT ,@,,,,,@,@
@@,@,@@,,@ THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. ,@@,,,,@@@
,,@@@@,@,@                                          @@,@,,,@,,
,,@,,,@@@@ IT SHIPS  WITH  TOO  FEW  PATCH  CABLES. ,,@@@,,@@,
,,@@,,@,,,                                          ,,@,,@,@,@
@,@,@,@@,,             ,§@ CONTAINS @§,             @,@@,@@@@@
,@@@@@@,@,           MIDI TO CV CONVERTER           ,@@,@@,,,,
,@,,,,,@@@                TWO VCO'S                 ,@,@@,@,,,
,@@,,,,@,, FOUR CHANNEL OR TWO  X TWO CHANNEL MIXER ,@@@,@@@,,
,@,@,,,@@,       TWO SUB OSCILLATORS I THINK        @@,,@@,,@,
,@@@@,,@,@         TWO ONE TO TWO SPLITTERS         @,@,@,@,@@
@@,,,@,@@@           WHITE NOISE GENERATOR          @@@@@@@@@,
@,@,,@@@,,              SAMPLE AND HOLD             @,,,,,,,,@
,@@@,@,,@,          LFO PLUS A DIGITAL LFO          ,@,,,,,,,@
@@,,@@@,@@   FILTER (LOWPASS, BANDPASS, HIGHPASS)   @@@,,,,,,@
,,@,@,,@@,              ADSR ENVELOPE               @,,@,,,,,@
@,@@@@,@,@                 ONE VCA                  ,@,@@,,,,@
,@@,,,@@@@               HEADPHONE AMP              @@@@,@,,,@
@@,@,,@,,,         FOURTY NINE PATCHPOINTS!         ,,,,@@@,,@
,,@@@,@@,,                                          @,,,@,,@,@
@,@,,@@,@,                  ,.@#@.,                 @@,,@@,@@@
,@@@,@,@@@            -§§ SO WHAT NOW §§-           @,@,@,@@,,
,@,,@@@@,,                 ,.@#@.,                  @@@@@@@,@,
,@@,@,,,@,                                          ,,,,,,,@@@
@@,@@@,,@@ CLOCK IO  GOES  TO ASDR  IN I THINK  AND @,,,,,,@,,
@,@@,,@,@, MAYBE ALSO TO  THE SAMPLE AND  HOLD. PUT @@,,,,,@@,
@@@,@,@@@@ SUBBASE  AND NOISE IN CHANNEL THREE  AND @,@,,,,@,@
,,,@@@@,,, FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL ,@@@,,,@@@
@,,@,,,@,, TWO, AND OSCILLATOR TWO  SAW  TO CHANNEL @@,,@,,@,,
@@,@@,,@@, ONE.   SAMPLE   AND  HOLD  OUT  TO   THE ,,@,@@,@@,
@,@@,@,@,@   FILTER... MAYBE... RESONANCE AT HALF.  @,@@@,@@,@
,@@,@@@@@@ SOME FREQUENCY  IN  THE FIRST OSCILLATOR ,@@,,@@,@@
@@,@@,,,,, AND THEN THE SECOND OSC  FOUR  SEMITONES ,@,@,@,@@,
@,@@,@,,,,                  HIGHER.                 @@@@@@@@,@
,@@,@@@,,,                                          @,,,,,,,@@
@@,@@,,@,,                 .-@@@-.                  ,@,,,,,,@,
@,@@,@,@@,          †$$ DESKTOP SYNTH $$†           @@@,,,,,@@
,@@,@@@@,@                 .-@@@-.                  ,,,@,,,,@,
,@,@@,,,@@                                          @,,@@,,,@@
@@@@,@,,@,                                          @@,@,@,,@,
@,,,@@@,@@                                          @,@@@@@,@@
,@,,@,,@@,                                          ,@@,,,,@@,
,@@,@@,@,@                                          ,@,@,,,@,@
@@,@@,@@@@                                          ,@@@@,,@@@