@@#&$§†«~,                                          ,~«†§$&#@@
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&$$§««~,,,                                          ,,,~««§$$&
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###&$§†«~,                ,,$@#@$,,                 ,~«†§$&###
&$§«,,,,,,       ~~ PITTSBURGH ELECTRONICS ~~       ,,,,,,«§$&
#@#&$§†«~,             «« LIFEFORMS ««              ,~«†§$&#@#
##&&$§†«~,               †† SV ONE ††               ,~«†§$&&##
###&$§†«~,                                          ,~«†§$&###
@&$†«««,,, THIS  IS A EURORACK MODULE BUT I  BOUGHT ,,,«««†$&@
##@&$§†«~, THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. ,~«†§$&@##
##@#&$†«~,                                          ,~«†$&#@##
@#&§«,,,,, IT  SHIPS  WITH  TOO  FEW  PATCH CABLES. ,,,,,«§&#@
@##&$§†«~,                                          ,~«†§$&##@
#$§§†«,,,,             ,§# CONTAINS #§,             ,,,,«†§§$#
#@#&$§†«~,           MIDI TO CV CONVERTER           ,~«†§$&#@#
&$§«,,,,,,                TWO VCO'S                 ,,,,,,«§$&
#@#&$§†«~, FOUR  CHANNEL OR TWO X TWO CHANNEL MIXER ,~«†§$&#@#
##@&$§†«~,       TWO SUB OSCILLATORS I THINK        ,~«†§$&@##
@@#&$§†«~,         TWO ONE TO TWO SPLITTERS         ,~«†§$&#@@
@@#&$§†«~,          WHITE NOISE GENERATOR           ,~«†§$&#@@
#@#&$§†«~,              SAMPLE AND HOLD             ,~«†§$&#@#
#@#&$§†«~,          LFO PLUS A DIGITAL LFO          ,~«†§$&#@#
##@#&$†«~,   FILTER (LOWPASS, BANDPASS, HIGHPASS)   ,~«†$&#@##
&§§†«~,,,,              ADSR ENVELOPE               ,,,,~«†§§&
&&$†~,,,,,                  ONE VCA                 ,,,,,~†$&&
##&&$§†«~,               HEADPHONE AMP              ,~«†§$&&##
@#&&$§†«~,         FOURTY NINE PATCHPOINTS!         ,~«†§$&&#@
&&&§§††«~,                                          ,~«††§§&&&
#@#&$§†«~,                 ,~@#@~,                  ,~«†§$&#@#
&§†~,,,,,,           «§§ SO WHAT NOW §§«            ,,,,,,~†§&
@@#&$§†«~,                 ,~@#@~,                  ,~«†§$&#@@
&§†~,,,,,,                                          ,,,,,,~†§&
##@#&$†«~, CLOCK IO GOES  TO  ASDR IN  I  THINK AND ,~«†$&#@##
&§†««~,,,, MAYBE ALSO  TO  THE SAMPLE AND HOLD. PUT ,,,,~««†§&
@&&§««,,,, SUBBASE AND NOISE IN  CHANNEL THREE  AND ,,,,««§&&@
#&§†~,,,,, FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL ,,,,,~†§&#
###&$§†«~, TWO,  AND OSCILLATOR TWO  SAW TO CHANNEL ,~«†§$&###
&&&§††~,,, ONE.  SAMPLE  AND   HOLD   OUT   TO  THE ,,,~††§&&&
#@#&$§†«~,  FILTER... MAYBE... RESONANCE AT HALF.   ,~«†§$&#@#
#$§§†«~,,, SOME  FREQUENCY IN THE FIRST  OSCILLATOR ,,,~«†§§$#
&§§«~,,,,, AND  THEN THE SECOND OSC  FOUR SEMITONES ,,,,,~«§§&
&$$$†††«~,                  HIGHER.                 ,~«†††$$$&
&&&&$§†«~,                                          ,~«†§$&&&&
&§†«,,,,,,                 ~«&#&«~                  ,,,,,,«†§&
@@#&$§†«~,          †$$ DESKTOP SYNTH $$†           ,~«†§$&#@@
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