##@&*†==~,                                          ,~==†*&@##
#@&*†==~,,                                          ,,~==†*&@#
##@&*†==~,                                          ,~==†*&@##
#@&*†==~,,                                          ,,~==†*&@#
##@&*†==~,                                          ,~==†*&@##
#@&*†==~,,                                          ,,~==†*&@#
##@&*†==~,                ,,*###*,,                 ,~==†*&@##
#@&*†==~,,       ~~ PITTSBURGH ELECTRONICS ~~       ,,~==†*&@#
##@&*†==~,              == LIFEFORMS ==             ,~==†*&@##
#@&*†==~,,               == SV ONE ==               ,,~==†*&@#
##@&*†==~,                                          ,~==†*&@##
#@&*†==~,, THIS  IS  A EURORACK MODULE BUT I BOUGHT ,,~==†*&@#
##@&*†==~, THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. ,~==†*&@##
#@&*†==~,,                                          ,,~==†*&@#
##@&*†==~, IT  SHIPS  WITH  TOO  FEW PATCH  CABLES. ,~==†*&@##
#@&*†==~,,                                          ,,~==†*&@#
##@&*†==~,             ,†@ CONTAINS @†,             ,~==†*&@##
#@&*†==~,,           MIDI TO CV CONVERTER           ,,~==†*&@#
##@&*†==~,                 TWO VCO'S                ,~==†*&@##
#@&*†==~,, FOUR  CHANNEL OR TWO X TWO CHANNEL MIXER ,,~==†*&@#
##@&*†==~,       TWO SUB OSCILLATORS I THINK        ,~==†*&@##
#@&*†==~,,         TWO ONE TO TWO SPLITTERS         ,,~==†*&@#
##@&*†==~,          WHITE NOISE GENERATOR           ,~==†*&@##
#@&*†==~,,             SAMPLE AND HOLD              ,,~==†*&@#
##@&*†==~,          LFO PLUS A DIGITAL LFO          ,~==†*&@##
#@&*†==~,,   FILTER (LOWPASS, BANDPASS, HIGHPASS)   ,,~==†*&@#
##@&*†==~,               ADSR ENVELOPE              ,~==†*&@##
#@&*†==~,,                  ONE VCA                 ,,~==†*&@#
##@&*†==~,               HEADPHONE AMP              ,~==†*&@##
#@&*†==~,,         FOURTY NINE PATCHPOINTS!         ,,~==†*&@#
##@&*†==~,                                          ,~==†*&@##
#@&*†==~,,                 ,~###~,                  ,,~==†*&@#
##@&*†==~,           =†† SO WHAT NOW ††=            ,~==†*&@##
#@&*†==~,,                  ,~###~,                 ,,~==†*&@#
##@&*†==~,                                          ,~==†*&@##
#@&*†==~,, CLOCK  IO GOES  TO ASDR  IN I THINK  AND ,,~==†*&@#
##@&*†==~, MAYBE ALSO TO  THE SAMPLE AND  HOLD. PUT ,~==†*&@##
#@&*†==~,, SUBBASE AND NOISE  IN CHANNEL  THREE AND ,,~==†*&@#
##@&*†==~, FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL ,~==†*&@##
#@&*†==~,, TWO, AND  OSCILLATOR TWO SAW TO  CHANNEL ,,~==†*&@#
##@&*†==~, ONE.  SAMPLE   AND  HOLD  OUT   TO   THE ,~==†*&@##
#@&*†==~,,  FILTER... MAYBE... RESONANCE AT HALF.   ,,~==†*&@#
##@&*†==~, SOME FREQUENCY IN THE  FIRST  OSCILLATOR ,~==†*&@##
#@&*†==~,, AND THEN  THE SECOND  OSC FOUR SEMITONES ,,~==†*&@#
##@&*†==~,                  HIGHER.                 ,~==†*&@##
#@&*†==~,,                                          ,,~==†*&@#
##@&*†==~,                  ~=&@&=~                 ,~==†*&@##
#@&*†==~,,           =** DESKTOP SYNTH **=          ,,~==†*&@#
##@&*†==~,                  ~=&@&=~                 ,~==†*&@##
#@&*†==~,,                                          ,,~==†*&@#
##@&*†==~,                                          ,~==†*&@##
#@&*†==~,,                                          ,,~==†*&@#
##@&*†==~,                                          ,~==†*&@##
#@&*†==~,,                                          ,,~==†*&@#
##@&*†==~,                                          ,~==†*&@##