¨-~^§%####                                          ####%§^~-¨
¨¨-~^§%###                                          ###%§^~-¨¨
¨¨¨-~^§%##                                          ##%§^~-¨¨¨
¨¨¨¨-~^§%#                                          #%§^~-¨¨¨¨
¨¨¨¨¨-~^§%                                          %§^~-¨¨¨¨¨
¨¨¨¨-~^§%#                                          #%§^~-¨¨¨¨
¨¨¨-~^§%##                 ¨¨%###%¨¨                ##%§^~-¨¨¨
¨¨-~^§%###       -- PITTSBURGH ELECTRONICS --       ###%§^~-¨¨
¨-~^§%####              ~~ LIFEFORMS ~~             ####%§^~-¨
¨¨-~^§%###               ^^ SV ONE ^^               ###%§^~-¨¨
¨¨¨-~^§%##                                          ##%§^~-¨¨¨
¨¨¨¨-~^§%# THIS IS  A EURORACK  MODULE BUT I BOUGHT #%§^~-¨¨¨¨
¨¨¨¨¨-~^§% THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. %§^~-¨¨¨¨¨
¨¨¨¨-~^§%#                                          #%§^~-¨¨¨¨
¨¨¨-~^§%## IT  SHIPS  WITH TOO  FEW  PATCH  CABLES. ##%§^~-¨¨¨
¨¨-~^§%###                                          ###%§^~-¨¨
¨-~^§%####             ¨§@ CONTAINS @§¨             ####%§^~-¨
¨¨-~^§%###           MIDI TO CV CONVERTER           ###%§^~-¨¨
¨¨¨-~^§%##                 TWO VCO'S                ##%§^~-¨¨¨
¨¨¨¨-~^§%# FOUR CHANNEL OR TWO X TWO CHANNEL  MIXER #%§^~-¨¨¨¨
¨¨¨¨¨-~^§%        TWO SUB OSCILLATORS I THINK       %§^~-¨¨¨¨¨
¨¨¨¨-~^§%#         TWO ONE TO TWO SPLITTERS         #%§^~-¨¨¨¨
¨¨¨-~^§%##           WHITE NOISE GENERATOR          ##%§^~-¨¨¨
¨¨-~^§%###             SAMPLE AND HOLD              ###%§^~-¨¨
¨-~^§%####          LFO PLUS A DIGITAL LFO          ####%§^~-¨
¨¨-~^§%###   FILTER (LOWPASS, BANDPASS, HIGHPASS)   ###%§^~-¨¨
¨¨¨-~^§%##               ADSR ENVELOPE              ##%§^~-¨¨¨
¨¨¨¨-~^§%#                 ONE VCA                  #%§^~-¨¨¨¨
¨¨¨¨¨-~^§%               HEADPHONE AMP              %§^~-¨¨¨¨¨
¨¨¨¨-~^§%#         FOURTY NINE PATCHPOINTS!         #%§^~-¨¨¨¨
¨¨¨-~^§%##                                          ##%§^~-¨¨¨
¨¨-~^§%###                  ¨-###-¨                 ###%§^~-¨¨
¨-~^§%####           ~§§ SO WHAT NOW §§~            ####%§^~-¨
¨¨-~^§%###                  ¨-###-¨                 ###%§^~-¨¨
¨¨¨-~^§%##                                          ##%§^~-¨¨¨
¨¨¨¨-~^§%# CLOCK IO  GOES  TO ASDR  IN I  THINK AND #%§^~-¨¨¨¨
¨¨¨¨¨-~^§% MAYBE  ALSO TO THE  SAMPLE AND HOLD. PUT %§^~-¨¨¨¨¨
¨¨¨¨-~^§%# SUBBASE AND  NOISE IN CHANNEL  THREE AND #%§^~-¨¨¨¨
¨¨¨-~^§%## FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL ##%§^~-¨¨¨
¨¨-~^§%### TWO, AND OSCILLATOR  TWO SAW  TO CHANNEL ###%§^~-¨¨
¨-~^§%#### ONE.  SAMPLE   AND   HOLD  OUT   TO  THE ####%§^~-¨
¨¨-~^§%###   FILTER... MAYBE... RESONANCE AT HALF.  ###%§^~-¨¨
¨¨¨-~^§%## SOME FREQUENCY  IN  THE FIRST OSCILLATOR ##%§^~-¨¨¨
¨¨¨¨-~^§%# AND  THEN THE  SECOND OSC FOUR SEMITONES #%§^~-¨¨¨¨
¨¨¨¨¨-~^§%                  HIGHER.                 %§^~-¨¨¨¨¨
¨¨¨¨-~^§%#                                          #%§^~-¨¨¨¨
¨¨¨-~^§%##                  -~#@#~-                 ##%§^~-¨¨¨
¨¨-~^§%###           ^%% DESKTOP SYNTH %%^          ###%§^~-¨¨
¨-~^§%####                 -~#@#~-                  ####%§^~-¨
¨¨-~^§%###                                          ###%§^~-¨¨
¨¨¨-~^§%##                                          ##%§^~-¨¨¨
¨¨¨¨-~^§%#                                          #%§^~-¨¨¨¨
¨¨¨¨¨-~^§%                                          %§^~-¨¨¨¨¨
¨¨¨¨-~^§%#                                          #%§^~-¨¨¨¨
¨¨¨-~^§%##                                          ##%§^~-¨¨¨