¨¨¨¨-==%@#                                          #@%==-¨¨¨¨
¨¨¨-==%@##                                          ##@%==-¨¨¨
¨¨-==%@##@                                          @##@%==-¨¨
¨-==%@##@#                                          #@##@%==-¨
¨¨-==%@##@                                          @##@%==-¨¨
¨¨¨-==%@##                                          ##@%==-¨¨¨
¨¨¨¨-==%@#                ¨¨@@#@@¨¨                 #@%==-¨¨¨¨
¨¨¨¨¨-==%@       -- pittsburgh electronics --       @%==-¨¨¨¨¨
¨¨¨¨¨¨-==%              == lifeforms ==             %==-¨¨¨¨¨¨
¨¨¨¨¨-==%@               == sv one ==               @%==-¨¨¨¨¨
¨¨¨¨-==%@#                                          #@%==-¨¨¨¨
¨¨¨-==%@## this  is a  eurorack module but i bought ##@%==-¨¨¨
¨¨-==%@##@ the  blackbox  one  so  it's  also  not. @##@%==-¨¨
¨-==%@##@#                                          #@##@%==-¨
¨¨-==%@##@ it  ships  with  too few  patch  cables. @##@%==-¨¨
¨¨¨-==%@##                                          ##@%==-¨¨¨
¨¨¨¨-==%@#             ¨%# contains #%¨             #@%==-¨¨¨¨
¨¨¨¨¨-==%@           midi to cv converter           @%==-¨¨¨¨¨
¨¨¨¨¨¨-==%                two vco's                 %==-¨¨¨¨¨¨
¨¨¨¨¨-==%@ four channel or two x two  channel mixer @%==-¨¨¨¨¨
¨¨¨¨-==%@#       two sub oscillators i think        #@%==-¨¨¨¨
¨¨¨-==%@##         two one to two splitters         ##@%==-¨¨¨
¨¨-==%@##@          white noise generator           @##@%==-¨¨
¨-==%@##@#              sample and hold             #@##@%==-¨
¨¨-==%@##@          lfo plus a digital lfo          @##@%==-¨¨
¨¨¨-==%@##   filter (lowpass, bandpass, highpass)   ##@%==-¨¨¨
¨¨¨¨-==%@#              adsr envelope               #@%==-¨¨¨¨
¨¨¨¨¨-==%@                  one vca                 @%==-¨¨¨¨¨
¨¨¨¨¨¨-==%              headphone amp               %==-¨¨¨¨¨¨
¨¨¨¨¨-==%@         fourty nine patchpoints!         @%==-¨¨¨¨¨
¨¨¨¨-==%@#                                          #@%==-¨¨¨¨
¨¨¨-==%@##                  ¨-@#@-¨                 ##@%==-¨¨¨
¨¨-==%@##@           =%% so what now %%=            @##@%==-¨¨
¨-==%@##@#                  ¨-@#@-¨                 #@##@%==-¨
¨¨-==%@##@                                          @##@%==-¨¨
¨¨¨-==%@## clock io  goes  to  asdr in i think  and ##@%==-¨¨¨
¨¨¨¨-==%@# maybe also  to  the sample and hold. put #@%==-¨¨¨¨
¨¨¨¨¨-==%@ subbase  and noise in channel three  and @%==-¨¨¨¨¨
¨¨¨¨¨¨-==% four.  oscillator  one  saw  to  channel %==-¨¨¨¨¨¨
¨¨¨¨¨-==%@ two,  and  oscillator two saw to channel @%==-¨¨¨¨¨
¨¨¨¨-==%@# one.  sample   and  hold   out   to  the #@%==-¨¨¨¨
¨¨¨-==%@##  filter... maybe... resonance at half.   ##@%==-¨¨¨
¨¨-==%@##@ some frequency  in the  first oscillator @##@%==-¨¨
¨-==%@##@# and then  the second osc  four semitones #@##@%==-¨
¨¨-==%@##@                 higher.                  @##@%==-¨¨
¨¨¨-==%@##                                          ##@%==-¨¨¨
¨¨¨¨-==%@#                  -=###=-                 #@%==-¨¨¨¨
¨¨¨¨¨-==%@          =@@ desktop synth @@=           @%==-¨¨¨¨¨
¨¨¨¨¨¨-==%                 -=###=-                  %==-¨¨¨¨¨¨
¨¨¨¨¨-==%@                                          @%==-¨¨¨¨¨
¨¨¨¨-==%@#                                          #@%==-¨¨¨¨
¨¨¨-==%@##                                          ##@%==-¨¨¨
¨¨-==%@##@                                          @##@%==-¨¨
¨-==%@##@#                                          #@##@%==-¨
¨¨-==%@##@                                          @##@%==-¨¨