¨,~;$%#@##                                          ##@#%$;~,¨
¨,~;$%#@@@                                          @@@#%$;~,¨
¨,~;$%@###                                          ###@%$;~,¨
¨,~;$%#@##                                          ##@#%$;~,¨
¨¨¨¨,~;$#@                                          @#$;~,¨¨¨¨
¨¨¨¨¨,~~$#                                          #$~~,¨¨¨¨¨
¨¨,,;$%%#@                 ¨¨%###%¨¨                @#%%$;,,¨¨
¨,~;$$$%@#       ,, pittsburgh electronics ,,       #@%$$$;~,¨
¨¨¨¨,,~$$#              ~~ lifeforms ~~             #$$~,,¨¨¨¨
¨,~;$%#@##               ;; sv one ;;               ##@#%$;~,¨
¨¨¨,,;$###                                          ###$;,,¨¨¨
¨,~;$%#@## this is  a eurorack module  but i bought ##@#%$;~,¨
¨,~;$%#@## the  blackbox  one  so  it's  also  not. ##@#%$;~,¨
¨,~;$%#@##                                          ##@#%$;~,¨
¨,~;$%#@## it  ships  with  too few  patch  cables. ##@#%$;~,¨
¨¨¨,;$$$$#                                          #$$$$;,¨¨¨
¨¨,,,;%%@#             ¨$@ contains @$¨             #@%%;,,,¨¨
¨¨¨,;;%###           midi to cv converter           ###%;;,¨¨¨
¨,~;$%#@##                two vco's                 ##@#%$;~,¨
¨,~;$%##@# four channel or two  x two channel mixer #@##%$;~,¨
¨¨¨¨,;$$%@        two sub oscillators i think       @%$$;,¨¨¨¨
¨,~;$%#@##         two one to two splitters         ##@#%$;~,¨
¨,~;$%#@##          white noise generator           ##@#%$;~,¨
¨,~;$%#@##             sample and hold              ##@#%$;~,¨
¨,~;$%##@@          lfo plus a digital lfo          @@##%$;~,¨
¨,~;$%####   filter (lowpass, bandpass, highpass)   ####%$;~,¨
¨¨¨¨¨¨~$##              adsr envelope               ##$~¨¨¨¨¨¨
¨,,~~$%%#@                 one vca                  @#%%$~~,,¨
¨,~;$%#@##              headphone amp               ##@#%$;~,¨
¨,~;$%#@##         fourty nine patchpoints!         ##@#%$;~,¨
,~;$%#@###                                          ###@#%$;~,
¨,~;$%#@##                 ¨,###,¨                  ##@#%$;~,¨
¨,~;$%#@##            ~$$ so what now $$~           ##@#%$;~,¨
¨~;$%#@###                 ¨,###,¨                  ###@#%$;~¨
¨¨¨¨,;%%%#                                          #%%%;,¨¨¨¨
¨,~;$%#@## clock io  goes  to  asdr in i think  and ##@#%$;~,¨
¨,~;$%#@## maybe also to the  sample  and hold. put ##@#%$;~,¨
¨¨¨,;$$%## subbase and noise in  channel  three and ##%$$;,¨¨¨
¨,~;$#@### four.  oscillator  one  saw  to  channel ###@#$;~,¨
¨,~;$%#@## two, and  oscillator two saw to  channel ##@#%$;~,¨
¨¨,,~$$%## one.  sample  and   hold   out   to  the ##%$$~,,¨¨
¨~;$%#@###   filter... maybe... resonance at half.  ###@#%$;~¨
¨,~;$%#@## some  frequency in the  first oscillator ##@#%$;~,¨
¨,~;$%#@## and then  the second  osc four semitones ##@#%$;~,¨
¨,~;$%#@##                 higher.                  ##@#%$;~,¨
¨,~;$%##@#                                          #@##%$;~,¨
¨¨¨¨¨,;$##                 ,~#@#~,                  ##$;,¨¨¨¨¨
¨,~;$%#@##          ;%% desktop synth %%;           ##@#%$;~,¨
¨,~;$%#@##                 ,~#@#~,                  ##@#%$;~,¨
¨,~;$%#@##                                          ##@#%$;~,¨
¨,~;$%#@##                                          ##@#%$;~,¨
¨,~;$%%##@                                          @##%%$;~,¨
¨¨¨¨,;%%@@                                          @@%%;,¨¨¨¨
¨¨¨¨¨¨,;$#                                          #$;,¨¨¨¨¨¨
¨¨¨¨¨¨~$##                                          ##$~¨¨¨¨¨¨