.~-/*#@# #@##&*/-~.
....~-*@ @#&*-~....
...~///# ##&///~...
.~-/*#@# #@##&*/-~.
.~-/*#@# #@##&*/-~.
......-/ #/------- -------/# #&/-......
.....-*& # # #&&*-.....
.~-/*#@# # list of strategic and/or magically # #@##&*/-~.
.~-/*### # important musical devices # ####&*/-~.
.....~-**# # # #**-~.....
.~-/*#@@ #/------- -------/# @@##&*/-~.
.~-/*#@# #@##&*/-~.
.~-/*#@# #@##&*/-~.
.~-/*#@# ...... in sanctioned posession ...... #@##&*/-~.
.~-/*### ####&*/-~.
.~-/*#@# [question box eurorack] [volca keys #@##&*/-~.
....-/*### pocket meower] ###*/-....
.......-*# [handysound hs twohundred weather #*-.......
.~~~--// maker] [lyra eight hypnotic visor] #&//--~~~.
.~-/*##@## [tcm twenty journaller] [tcm onefifty ##@##*/-~.
.~-/*##@ journaller] [dmg one folk instrument] @###&*/-~.
.~~~-*#@ [x fifteen input/output] @##&*-~~~.
.~-/*#@@ @@##&*/-~.
.~-/*### ####&*/-~.
.~-/*@## ...... recommended yet dropped ...... ##@#&*/-~.
.~-/*#@# #@##&*/-~.
.~-/*#@@ [tr oh eight anchor] [dr oneforty @@##&*/-~.
..~~~/## digital journaller] ###&/~~~..
.~-/*&&& #&&&&*/-~.
.~-/*#@# #@##&*/-~.
...~//&# ...... unermarkable. flairless ...... ##&&//~...
.~-/*#@# #@##&*/-~.
.~-/*#@# [po twelve limited] [stylophone #@##&*/-~.
...~~/## limited] [po sixteen strange] ###&/~~...
.~-/*#@@ [hme sixtysix common] @@##&*/-~.
.....~/& [wm exoneseventytwo common] [wm exten #&&/~.....
.~-/***& common] [beatstep pro opaque] #&&***/-~.
.~-/*#@# #@##&*/-~.
.~-/*##@ @###&*/-~.
.~-/*@## ...... dark shoutout to: ...... ##@#&*/-~.
.~-/*#@# #@##&*/-~.
.~-----/ [volca fm difficult] [otamatone #&/-----~.
.....~-*## absolutely wonderful little annoyance] ##*-~.....
.~-/*##@## ##@##*/-~.
.~-/*#@# #@##&*/-~.
.~-/*### ...... beguiling ...... ####&*/-~.
...~//&@ @#&&//~...
.~-/*### [tb o three for acids] [ge fastrac ####&*/-~.
.~-/****#@ pitch+speed] [teac open cassette, @#****/-~.
.~-/*##@## dubious] [volca modular solid dream] ##@##*/-~.
.~-/*#@@ @@##&*/-~.
...~--/*## ##*/--~...
.....~-*## ##*-~.....
...~--*##@ @##*--~...
.....~~/ #&/~~.....