##@¤$*\»,, ,,»\*$¤@##
##@¤$*\»,, ,,»\*$¤@##
@$$$$*\»,, ,,»\*$$$$@
@@@¤$*\»,, ,,»\*$¤@@@
#@¤¤$*\»,, ,,»\*$¤¤@#
#¤*»,,,,,, #### ##### ,,,,,,»*¤#
###¤$*\»,, tape dream ,,»\*$¤###
##@¤$*\»,, #### ##### ,,»\*$¤@##
##@¤$*\»,, ,,»\*$¤@##
¤$\»»,,,,, for storing music on. also data but ,,,,,»»\$¤
##@¤$*\»,, at this point in time that's not ,,»\*$¤@##
@¤*»,,,,,, really important i think. ,,,,,,»*¤@
##@¤$*\»,, ,,»\*$¤@##
##@¤$*\»,, ,,»\*$¤@##
##@¤$*\»,, \\\\\\\\ types of tape \\\\\\\\ ,,»\*$¤@##
##@¤$*\»,, ,,»\*$¤@##
¤¤**\\»,,, class i - "bad" iron ,,,»\\**¤¤
##@¤$*\»,, class ii - good chromium ,,»\*$¤@##
##@¤$*\»,, class iii - bad iron part two ,,»\*$¤@##
##@¤$*\»,, class iv - dangerous metals ,,»\*$¤@##
¤*»,,,,,,, ,,,,,,,»*¤
##@¤$*\»,, rumors exist about a secret class v tape ,,»\*$¤@##
@¤$*\,,,,, that is actually useful. ,,,,,\*$¤@
###¤$*\»,, ,,»\*$¤###
¤$*\»»,,,, \\ bias \\ ,,,,»»\*$¤
#¤**\\,,,, ,,,,\\**¤#
##@¤$*\»,, class i uses one hundred and twenty ,,»\*$¤@##
@$$**\»,,, micro-something while the others all ,,,»\**$$@
#@@¤$*\»,, use seventy of the same unit. ,,»\*$¤@@#
@$*»»»,,,, ,,,,»»»*$@
##@¤$*\»,, ,,»\*$¤@##
¤**\,,,,,, ********* aha and ********* ,,,,,,\**¤
##@¤$*\»,, ,,»\*$¤@##
¤*»,,,,,,, class iv is apparently too strong to ,,,,,,,»*¤
###¤$*\»,, be used on class i players. it will ,,»\*$¤###
#@@¤$*\»,, sound too lound and it cannot be ,,»\*$¤@@#
@¤$*\\\»,, completely erased. this is very well. ,,»\\\*$¤@
###¤$*\»,, maybe some wonderful blending effects ,,»\*$¤###
¤¤$*\,,,,, could be achieved? ,,,,,\*$¤¤
##@¤$*\»,, ,,»\*$¤@##
##@¤$*\»,, they also gnaw at the tape heads a bit ,,»\*$¤@##
#@$$\»,,,, better than earlier tape types. ,,,,»\$$@#
#¤$$$*\»,, ,,»\*$$$¤#
@¤$*\,,,,, ,,,,,\*$¤@
¤¤****\»,, \\\\\\\\ artifacts \\\\\\\\ ,,»\****¤¤
@@@¤$*\»,, ,,»\*$¤@@@
##@¤$*\»,, good tapes are decent and have a good ,,»\*$¤@##
¤**»,,,,,, high frequency presence, bad tapes are ,,,,,,»**¤
##@¤$*\»,, lofi if not outright bad. idk, i kinda ,,»\*$¤@##
¤*\»»,,,,, like it. ,,,,,»»\*¤
##@¤$*\»,, ,,»\*$¤@##
¤$$$*\,,,, bias loss: if you forget the bias who ,,,,\*$$$¤
#¤$**»,,,, knows whats even on there anymore ,,,,»**$¤#
¤***\,,,,, ,,,,,\***¤
@¤$*»,,,,, flutter: kinda quick pitch variations. ,,,,,»*$¤@
@@¤*\\»,,, beautiful, wonderful, extraordinary. ,,,»\\*¤@@
###@¤$*»,, ,,»*$¤@###
##@¤$*\»,, wow: a slower flutter, usually several ,,»\*$¤@##
¤¤$$$*\»,, seconds long. what up. both of these ,,»\*$$$¤¤
##@¤$*\»,, increase when tape speed decreases. ,,»\*$¤@##
¤$$$*\,,,, ,,,,\*$$$¤
##@¤$*\»,, print through: tapes rub sound on each ,,»\*$¤@##
##@¤$*\»,, other if theyre alone for too long ,,»\*$¤@##
¤¤$**\\»,, ,,»\\**$¤¤
@@¤¤$*\»,, ,,»\*$¤¤@@
##@¤$*\»,, ,,»\*$¤@##
#¤*»»»»,,, ,,,»»»»*¤#
¤$$**\»»,, ,,»»\**$$¤
¤$**\»»,,, ,,,»»\**$¤