.-=\*§&&@@                                          @@&&§*\=-.
.-=\*§§&@#                                          #@&§§*\=-.
...---\*§@                                          @§*\---...
...--=*§§@                                          @§§*=--...
...--\**§@                                          @§**\--...
.....--\§&  slightly distorted sine, maybe a little &§\--.....
.-=\*§&@## tri/sq-ish,,...   no tips. bind velocity ##@&§*\=-.
.-=\*§&@## to semitone, to fine tune ############## ##@&§*\=-.
.-=\*§&@@#                     ##### one fifty bpm  #@@&§*\=-.
.-=\*§&@##                #####      dark drone   . ##@&§*\=-.
.-=\*§@###           #####           more and more  ###@§*\=-.
.......=*&      #####                chaos and a    &*=.......
.-=\*§&@## #####                     little bit too ##@&§*\=-.
.-=\*§&@##                       much               ##@&§*\=-.
.-==\**§§& a woman an octave abov                   &§§**\==-.
.-=\*§&@## e, a crudely looped aaah as a lead instr ##@&§*\=-.
.-=\*§&@## ument, and drums from the microphone (?) ##@&§*\=-.
.-=\*§&@##                                          ##@&§*\=-.
.-=\*§@###                                          ###@§*\=-.
.-=\*§&@##                                          ##@&§*\=-.
.-=\*§&@##                                          ##@&§*\=-.
.-=====*&&                                          &&*=====-.
....-\*§§@                                          @§§*\-....