,,,,,,*%¤¤ ¤¤%*,,,,,,
,,=**%¤@@@ @@@¤%**=,,
,,=**%¤@@# #@@¤%**=,,
,,,,,***%@ @%***,,,,,
,,==**%%¤@ @¤%%**==,,
,,=**%¤¤¤@ the last song on side b (and to some @¤¤¤%**=,,
,,,,,=*%¤@ extent the first song on side a) talks @¤%*=,,,,,
,,,,,=**%¤ for the whole album, not just their ¤%**=,,,,,
,,=**%¤@@# side. the last song on side b is #@@¤%**=,,
,,,,,=*¤¤@ probably the most important @¤¤*=,,,,,
,,=**%¤@@# opportunity, the most charged slot. #@@¤%**=,,
,,=*%¤@@## ##@@¤%*=,,
,,,,,**¤@@ ,@#@, @@¤**,,,,,
,,=**%¤@@# #@@¤%**=,,
,,=***%%@@ the album is a singularity, an anomaly @@%%***=,,
,,,,,=*%¤¤ in spacetime, a creature that knows ¤¤%*=,,,,,
,,=**%¤@@# exactly how beautiful it is. #@@¤%**=,,
,,,,=*%%¤@ , @¤%%*=,,,,
,,=**%¤@@# and the thing is: it sees itself in #@@¤%**=,,
,,=**%¤@@# three d. it knows that it's dying. #@@¤%**=,,
,,=**%¤@@# #@@¤%**=,,
,,=**¤@@## **%%**%%**%%**%%**%¤¤%**%%**%%**%%**%%** ##@@¤**=,,
,,=**%¤@@@ @@@¤%**=,,
,,,,,,,=*¤ , dolphins and cats , ¤*=,,,,,,,
,,=**%¤@@# bring us #@@¤%**=,,
,,=**%¤@@# , flowers and honey , #@@¤%**=,,
,,,,,**%%¤ ¤%%**,,,,,
,,,,=**¤@@ , dolphins and cats , @@¤**=,,,,
,,=**%¤@## bring us ##@¤%**=,,
,,=**%¤@@# , fairies and bees , #@@¤%**=,,
,,=*%¤@@## ##@@¤%*=,,
,,,,=***¤@ our boat is afloat @¤***=,,,,
,,=**%¤@@# on a surface of lilies #@@¤%**=,,
,,=**%¤@@# , dolphins and cats , #@@¤%**=,,
,,,,****%@ drag us down @%****,,,,
,,,,,=*%%¤ ,=* underneath *=, ¤%%*=,,,,,
,,=**%¤¤@@ @@¤¤%**=,,
,,=**%¤@@@ **%%**%%**%%**%%**%¤¤%**%%**%%**%%**%%** @@@¤%**=,,
,,=**%¤@@# #@@¤%**=,,
,,,,,,*%¤@ side a is foresty, and side b might @¤%*,,,,,,
,,,,,==*¤¤ be lizardy. but the last song is full ¤¤*==,,,,,
,,,,,=*%¤@ of space. @¤%*=,,,,,
,,,=*****¤ ¤*****=,,,
,,=**%¤@@# #@@¤%**=,,
,,=**%¤@@# #@@¤%**=,,
,,,,,,=*%@ @%*=,,,,,,
,,=**%@@## ##@@%**=,,