..~-*%££@# #@££%*-~..
...~-*%££@ @££%*-~...
..~-*%££@# #@££%*-~..
.~-*%££@## ##@££%*-~.
~-*%££@### ###@££%*-~
.~-*%££@## L U S H ##@££%*-~.
..~-*%££@# A R P E G G I O #@££%*-~..
...~-*%££@ . . . . . . . . . . @££%*-~...
..~-*%££@# #@££%*-~..
.~-*%££@## WHAT ARE THESE THINGS IF NOT BIRDSONG? ##@££%*-~.
~-*%££@### BLACKBIRD + NOISE CASCADE. ###@££%*-~
.~-*%££@## ##@££%*-~.
..~-*%££@# THE COMMODORE SOUND MAYBE. DIRTY, #@££%*-~..
...~-*%££@ MIRRORING, DISTORTED FLUTE, @££%*-~...
..~-*%££@# #@££%*-~..
.~-*%££@## . . . . . .. ##@££%*-~.
~-*%££@### ###@££%*-~
.~-*%££@## DDRREEAAMMYY SSLLIIDDEESS ##@££%*-~.
..~-*%££@# #@££%*-~..
...~-*%££@ MIRAGES IN SOUND. ARPEGGIOS, CHORDS @££%*-~...
..~-*%££@# MULTIPLEXED IN THE TIME DOMAIN, #@££%*-~..
.~-*%££@## ##@££%*-~.
~-*%££@### REFACTORED, REFRACTORED, REMADE ###@££%*-~
.~-*%££@## ~ ~ . . . ##@££%*-~.
..~-*%££@# * * * * % * #@££%*-~..
...~-*%££@ £ % £ % £ £ £ £ % @££%*-~...
..~-*%££@# # # # # # #@££%*-~..
.~-*%££@## ##@££%*-~.
~-*%££@### ###@££%*-~
.~-*%££@## ##@££%*-~.
..~-*%££@# #@££%*-~..
...~-*%££@ @££%*-~...
..~-*%££@# #@££%*-~..