##££$~,,,, ,,,,~$££##
###&£$/~., ,.~/$£&###
##&££$/~., ,.~/$££&##
###&£$/~., ,.~/$£&###
###&£$/~., ,.~/$£&###
##£$~..,,, L U S H ,,,..~$£##
###&£$/~., A R P E G G I O ,.~/$£&###
###&£$/~., , , , , , , , , , , ,.~/$£&###
##&&£$/~., ,.~/$£&&##
&£$$$/..., WHAT ARE THESE THINGS IF NOT BIRDSONG? ,.../$$$£&
###&£$/~., BLACKBIRD + NOISE CASCADE. ,.~/$£&###
###&£$/~., ,.~/$£&###
#££/.,,,,, THE COMMODORE SOUND MAYBE. DIRTY, ,,,,,./££#
###&£$/~., MIRRORING, DISTORTED FLUTE, ,.~/$£&###
###&£$/~., ,.~/$£&###
###&£$/~., , , , , , ,, ,.~/$£&###
&£/~~,,,,, ,,,,,~~/£&
###&£$/~., DDRREEAAMMYY SSLLIIDDEESS ,.~/$£&###
##£$/.,,,, ,,,,./$£##
###&£$/~., MIRAGES IN SOUND. ARPEGGIOS, CHORDS ,.~/$£&###
&$$~.,,,,, MULTIPLEXED IN THE TIME DOMAIN, ,,,,,.~$$&
###&£$/~., ,.~/$£&###
###&£$/~., REFACTORED, REFRACTORED, REMADE ,.~/$£&###
###&£$/~., . . , , , ,.~/$£&###
###&£$/~., / / / / $ / ,.~/$£&###
###&£$/~., £ $ £ $ £ £ £ £ $ ,.~/$£&###
###&£$/~., # # # # # ,.~/$£&###
##&££$/~., ,.~/$££&##
&$$///..,, ,,..///$$&
&££$~~,,,, ,,,,~~$££&
###&£$/~., ,.~/$£&###
###&£$/~., ,.~/$£&###
#&&£/~~,,, ,,,~~/£&&#