,,~**$@#@@ @@#@$**~,,
,,,,,~*$## ##$*~,,,,,
,,~**$@### ###@$**~,,
,,~**$@#@# #@#@$**~,,
,,,,,~***@ @***~,,,,,
,,~**$@### the last song on side b (and to some ###@$**~,,
,,~**$#@## extent the first song on side a) talks ##@#$**~,,
,,,,****@@ for the whole album, not just their @@****,,,,
,,~***$$#@ side. the last song on side b is @#$$***~,,
,,~****@#@ probably the most important @#@****~,,
,,~**$@#@@ opportunity, the most charged slot. @@#@$**~,,
,,,,~****@ @****~,,,,
,,,,,~***@ ,###, @***~,,,,,
,,~**$@#@# #@#@$**~,,
,,~**$@#@# the album is a singularity, an anomaly #@#@$**~,,
,,~**$@#@@ in spacetime, a creature that knows @@#@$**~,,
,,~**$@#@# exactly how beautiful it is. #@#@$**~,,
,,,,,~***@ , @***~,,,,,
,,~**$@### and the thing is: it sees itself in ###@$**~,,
,,~~~***@# three d. it knows that it's dying. #@***~~~,,
,,~**@#@## ##@#@**~,,
,,,,,****@ **$$**$$**$$**$$**$@@$**$$**$$**$$**$$** @****,,,,,
,,~**$@##@ @##@$**~,,
,~**$@#@## , dolphins and cats , ##@#@$**~,
,,~**$@@@@ bring us @@@@$**~,,
,,~***$$$# , flowers and honey , #$$$***~,,
,,~**$@#@# #@#@$**~,,
,,~**$@#@@ , dolphins and cats , @@#@$**~,,
,,~**@#@## bring us ##@#@**~,,
,,,,,~~*$@ , fairies and bees , @$*~~,,,,,
,,~*$@#@## ##@#@$*~,,
,,~****$$@ our boat is afloat @$$****~,,
,,,,,~*$@@ on a surface of lilies @@$*~,,,,,
,,~**$@#@@ , dolphins and cats , @@#@$**~,,
,,~**$@### drag us down ###@$**~,,
,,,,,*$$$# ,~* underneath *~, #$$$*,,,,,
,,~**$@#@# #@#@$**~,,
,,~**$@@## **$$**$$**$$**$$**$@@$**$$**$$**$$**$$** ##@@$**~,,
,,~**$@#@# #@#@$**~,,
,,,,,~*$#@ side a is foresty, and side b might @#$*~,,,,,
,,~**$@#@# be lizardy. but the last song is full #@#@$**~,,
,,~**@#@## of space. ##@#@**~,,
,,~**$@### ###@$**~,,
,,,,,,**$# #$**,,,,,,
,,~**$@#@# #@#@$**~,,
,,,,,,~*$# #$*~,,,,,,
,,~*****$# #$*****~,,