¨,«\§%@@@# #@@@%§\«,¨
,«\§%@@@## ##@@@%§\«,
¨,«\§%@@@# #@@@%§\«,¨
¨¨,«\§%@@@ @@@%§\«,¨¨
¨,«\§%@@@# #@@@%§\«,¨
,«\§%@@@## @@@@ ##### ##@@@%§\«,
¨,«\§%@@@# TAPE DREAM #@@@%§\«,¨
¨¨,«\§%@@@ #### @@@@@ @@@%§\«,¨¨
¨,«\§%@@@# #@@@%§\«,¨
,«\§%@@@## FOR STORING MUSIC ON. ALSO DATA BUT ##@@@%§\«,
¨,«\§%@@@# AT THIS POINT IN TIME THAT'S NOT #@@@%§\«,¨
¨¨,«\§%@@@ REALLY IMPORTANT I THINK. @@@%§\«,¨¨
¨,«\§%@@@# #@@@%§\«,¨
,«\§%@@@## ##@@@%§\«,
¨,«\§%@@@# \\\\\\\\ TYPES OF TAPE \\\\\\\\ #@@@%§\«,¨
¨¨,«\§%@@@ @@@%§\«,¨¨
¨,«\§%@@@# CLASS I - "BAD" IRON #@@@%§\«,¨
,«\§%@@@## CLASS II - GOOD CHROMIUM ##@@@%§\«,
¨,«\§%@@@# CLASS III - BAD IRON PART TWO #@@@%§\«,¨
¨¨,«\§%@@@ CLASS IV - DANGEROUS METALS @@@%§\«,¨¨
¨,«\§%@@@# #@@@%§\«,¨
,«\§%@@@## RUMORS EXIST ABOUT A SECRET CLASS V TAPE ##@@@%§\«,
¨,«\§%@@@# THAT IS ACTUALLY USEFUL. #@@@%§\«,¨
¨¨,«\§%@@@ @@@%§\«,¨¨
¨,«\§%@@@# \\ BIAS \\ #@@@%§\«,¨
,«\§%@@@## ##@@@%§\«,
¨,«\§%@@@# CLASS I USES ONE HUNDRED AND TWENTY #@@@%§\«,¨
¨¨,«\§%@@@ MICRO-SOMETHING WHILE THE OTHERS ALL @@@%§\«,¨¨
¨,«\§%@@@# USE SEVENTY OF THE SAME UNIT. #@@@%§\«,¨
,«\§%@@@## ##@@@%§\«,
¨,«\§%@@@# #@@@%§\«,¨
¨¨,«\§%@@@ §§§§§§§§§ AHA AND §§§§§§§§§ @@@%§\«,¨¨
¨,«\§%@@@# #@@@%§\«,¨
,«\§%@@@## CLASS IV IS APPARENTLY TOO STRONG TO ##@@@%§\«,
¨,«\§%@@@# BE USED ON CLASS I PLAYERS. IT WILL #@@@%§\«,¨
¨¨,«\§%@@@ SOUND TOO LOUND AND IT CANNOT BE @@@%§\«,¨¨
¨,«\§%@@@# COMPLETELY ERASED. THIS IS VERY WELL. #@@@%§\«,¨
,«\§%@@@## MAYBE SOME WONDERFUL BLENDING EFFECTS ##@@@%§\«,
¨,«\§%@@@# COULD BE ACHIEVED? #@@@%§\«,¨
¨¨,«\§%@@@ @@@%§\«,¨¨
¨,«\§%@@@# THEY ALSO GNAW AT THE TAPE HEADS A BIT #@@@%§\«,¨
,«\§%@@@## BETTER THAN EARLIER TAPE TYPES. ##@@@%§\«,
¨,«\§%@@@# #@@@%§\«,¨
¨¨,«\§%@@@ @@@%§\«,¨¨
¨,«\§%@@@# \\\\\\\\ ARTIFACTS \\\\\\\\ #@@@%§\«,¨
,«\§%@@@## ##@@@%§\«,
¨,«\§%@@@# GOOD TAPES ARE DECENT AND HAVE A GOOD #@@@%§\«,¨
¨¨,«\§%@@@ HIGH FREQUENCY PRESENCE, BAD TAPES ARE @@@%§\«,¨¨
¨,«\§%@@@# LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA #@@@%§\«,¨
,«\§%@@@## LIKE IT. ##@@@%§\«,
¨,«\§%@@@# #@@@%§\«,¨
¨¨,«\§%@@@ BIAS LOSS: IF YOU FORGET THE BIAS WHO @@@%§\«,¨¨
¨,«\§%@@@# KNOWS WHATS EVEN ON THERE ANYMORE #@@@%§\«,¨
,«\§%@@@## ##@@@%§\«,
¨,«\§%@@@# FLUTTER: KINDA QUICK PITCH VARIATIONS. #@@@%§\«,¨
¨¨,«\§%@@@ BEAUTIFUL, WONDERFUL, EXTRAORDINARY. @@@%§\«,¨¨
¨,«\§%@@@# #@@@%§\«,¨
,«\§%@@@## WOW: A SLOWER FLUTTER, USUALLY SEVERAL ##@@@%§\«,
¨,«\§%@@@# SECONDS LONG. WHAT UP. BOTH OF THESE #@@@%§\«,¨
¨¨,«\§%@@@ INCREASE WHEN TAPE SPEED DECREASES. @@@%§\«,¨¨
¨,«\§%@@@# #@@@%§\«,¨
,«\§%@@@## PRINT THROUGH: TAPES RUB SOUND ON EACH ##@@@%§\«,
¨,«\§%@@@# OTHER IF THEYRE ALONE FOR TOO LONG #@@@%§\«,¨
¨¨,«\§%@@@ @@@%§\«,¨¨
¨,«\§%@@@# #@@@%§\«,¨
,«\§%@@@## ##@@@%§\«,
¨,«\§%@@@# #@@@%§\«,¨
¨¨,«\§%@@@ @@@%§\«,¨¨
¨,«\§%@@@# #@@@%§\«,¨