,,,,,:=\*& &*\=:,,,,,
,,,,,,:=\* *\=:,,,,,,
,,,,,,,:=\ \=:,,,,,,,
,,,,,,:=\* *\=:,,,,,,
,,,,,:=\*& &*\=:,,,,,
,,,,:=\*&& #### ##### &&*\=:,,,,
,,,:=\*&&@ TAPE DREAM @&&*\=:,,,
,,:=\*&&@# #### ##### #@&&*\=:,,
,:=\*&&@## ##@&&*\=:,
,,:=\*&&@# FOR STORING MUSIC ON. ALSO DATA BUT #@&&*\=:,,
,,,:=\*&&@ AT THIS POINT IN TIME THAT'S NOT @&&*\=:,,,
,,,,:=\*&& REALLY IMPORTANT I THINK. &&*\=:,,,,
,,,,,:=\*& &*\=:,,,,,
,,,,,,:=\* *\=:,,,,,,
,,,,,,,:=\ \\\\\\\\ TYPES OF TAPE \\\\\\\\ \=:,,,,,,,
,,,,,,:=\* *\=:,,,,,,
,,,,,:=\*& CLASS I - "BAD" IRON &*\=:,,,,,
,,,,:=\*&& CLASS II - GOOD CHROMIUM &&*\=:,,,,
,,,:=\*&&@ CLASS III - BAD IRON PART TWO @&&*\=:,,,
,,:=\*&&@# CLASS IV - DANGEROUS METALS #@&&*\=:,,
,:=\*&&@## ##@&&*\=:,
,,:=\*&&@# RUMORS EXIST ABOUT A SECRET CLASS V TAPE #@&&*\=:,,
,,,:=\*&&@ THAT IS ACTUALLY USEFUL. @&&*\=:,,,
,,,,:=\*&& &&*\=:,,,,
,,,,,:=\*& \\ BIAS \\ &*\=:,,,,,
,,,,,,:=\* *\=:,,,,,,
,,,,,,,:=\ CLASS I USES ONE HUNDRED AND TWENTY \=:,,,,,,,
,,,,,,:=\* MICRO-SOMETHING WHILE THE OTHERS ALL *\=:,,,,,,
,,,,,:=\*& USE SEVENTY OF THE SAME UNIT. &*\=:,,,,,
,,,,:=\*&& &&*\=:,,,,
,,,:=\*&&@ @&&*\=:,,,
,,:=\*&&@# ********* AHA AND ********* #@&&*\=:,,
,:=\*&&@## ##@&&*\=:,
,,:=\*&&@# CLASS IV IS APPARENTLY TOO STRONG TO #@&&*\=:,,
,,,:=\*&&@ BE USED ON CLASS I PLAYERS. IT WILL @&&*\=:,,,
,,,,:=\*&& SOUND TOO LOUND AND IT CANNOT BE &&*\=:,,,,
,,,,,:=\*& COMPLETELY ERASED. THIS IS VERY WELL. &*\=:,,,,,
,,,,,,:=\* MAYBE SOME WONDERFUL BLENDING EFFECTS *\=:,,,,,,
,,,,,,,:=\ COULD BE ACHIEVED? \=:,,,,,,,
,,,,,,:=\* *\=:,,,,,,
,,,,,:=\*& THEY ALSO GNAW AT THE TAPE HEADS A BIT &*\=:,,,,,
,,,,:=\*&& BETTER THAN EARLIER TAPE TYPES. &&*\=:,,,,
,,,:=\*&&@ @&&*\=:,,,
,,:=\*&&@# #@&&*\=:,,
,:=\*&&@## \\\\\\\\ ARTIFACTS \\\\\\\\ ##@&&*\=:,
,,:=\*&&@# #@&&*\=:,,
,,,:=\*&&@ GOOD TAPES ARE DECENT AND HAVE A GOOD @&&*\=:,,,
,,,,:=\*&& HIGH FREQUENCY PRESENCE, BAD TAPES ARE &&*\=:,,,,
,,,,,:=\*& LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA &*\=:,,,,,
,,,,,,:=\* LIKE IT. *\=:,,,,,,
,,,,,,,:=\ \=:,,,,,,,
,,,,,,:=\* BIAS LOSS: IF YOU FORGET THE BIAS WHO *\=:,,,,,,
,,,,,:=\*& KNOWS WHATS EVEN ON THERE ANYMORE &*\=:,,,,,
,,,,:=\*&& &&*\=:,,,,
,,,:=\*&&@ FLUTTER: KINDA QUICK PITCH VARIATIONS. @&&*\=:,,,
,,:=\*&&@# BEAUTIFUL, WONDERFUL, EXTRAORDINARY. #@&&*\=:,,
,:=\*&&@## ##@&&*\=:,
,,:=\*&&@# WOW: A SLOWER FLUTTER, USUALLY SEVERAL #@&&*\=:,,
,,,:=\*&&@ SECONDS LONG. WHAT UP. BOTH OF THESE @&&*\=:,,,
,,,,:=\*&& INCREASE WHEN TAPE SPEED DECREASES. &&*\=:,,,,
,,,,,:=\*& &*\=:,,,,,
,,,,,,:=\* PRINT THROUGH: TAPES RUB SOUND ON EACH *\=:,,,,,,
,,,,,,,:=\ OTHER IF THEYRE ALONE FOR TOO LONG \=:,,,,,,,
,,,,,,:=\* *\=:,,,,,,
,,,,,:=\*& &*\=:,,,,,
,,,,:=\*&& &&*\=:,,,,
,,,:=\*&&@ @&&*\=:,,,
,,:=\*&&@# #@&&*\=:,,
,:=\*&&@## ##@&&*\=:,