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..,,/**&&¤ TAPE DREAM ¤&&**/,,..
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.,-/*&¤### ###¤&*/-,.
.,-/*&&& FOR STORING MUSIC ON. ALSO DATA BUT #&&&&*/-,.
..,---/*¤# AT THIS POINT IN TIME THAT'S NOT #¤*/---,..
,-/*&¤#### REALLY IMPORTANT I THINK. ####¤&*/-,
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.,-/*&¤### ###¤&*/-,.
.,-/*&¤### CLASS I - "BAD" IRON ###¤&*/-,.
.,-/*&¤### CLASS II - GOOD CHROMIUM ###¤&*/-,.
...-//&# CLASS III - BAD IRON PART TWO ##&&//-...
.,-/&¤#### CLASS IV - DANGEROUS METALS ####¤&/-,.
.,-///*&&¤ ¤&&*///-,.
.,-/*&¤### RUMORS EXIST ABOUT A SECRET CLASS V TAPE ###¤&*/-,.
.,-/*&¤### THAT IS ACTUALLY USEFUL. ###¤&*/-,.
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...,,--*&¤ // BIAS // ¤&*--,,...
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.,-/*&¤### CLASS I USES ONE HUNDRED AND TWENTY ###¤&*/-,.
...,////*¤ MICRO-SOMETHING WHILE THE OTHERS ALL ¤*////,...
.,,-/*&¤¤# USE SEVENTY OF THE SAME UNIT. #¤¤&*/-,,.
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.,-/*&¤### ###¤&*/-,.
.,-*&¤#### ********* AHA AND ********* ####¤&*-,.
.,-/*&¤¤¤¤ ¤¤¤¤&*/-,.
.....,/*¤¤ CLASS IV IS APPARENTLY TOO STRONG TO ¤¤*/,.....
.,-/*&¤¤¤# BE USED ON CLASS I PLAYERS. IT WILL #¤¤¤&*/-,.
.,-/*&¤### SOUND TOO LOUND AND IT CANNOT BE ###¤&*/-,.
.,-///**&¤ COMPLETELY ERASED. THIS IS VERY WELL. ¤&**///-,.
.,-/*&¤### MAYBE SOME WONDERFUL BLENDING EFFECTS ###¤&*/-,.
...-//&¤¤# COULD BE ACHIEVED? #¤¤&//-...
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.,-/*&¤### BETTER THAN EARLIER TAPE TYPES. ###¤&*/-,.
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.,-/*&¤### //////// ARTIFACTS //////// ###¤&*/-,.
.,-/*&¤¤¤# #¤¤¤&*/-,.
.,-/*&¤### GOOD TAPES ARE DECENT AND HAVE A GOOD ###¤&*/-,.
.,-/*&¤### HIGH FREQUENCY PRESENCE, BAD TAPES ARE ###¤&*/-,.
.,-/*&¤### LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA ###¤&*/-,.
.,-/*&¤### LIKE IT. ###¤&*/-,.
.,---//# ##&//---,.
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...--*&¤¤# KNOWS WHATS EVEN ON THERE ANYMORE #¤¤&*--...
.,-/*&¤### ###¤&*/-,.
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.,-/*&¤### BEAUTIFUL, WONDERFUL, EXTRAORDINARY. ###¤&*/-,.
...,,//&¤¤ ¤¤&//,,...
.,-/*&¤### WOW: A SLOWER FLUTTER, USUALLY SEVERAL ###¤&*/-,.
.,-/*&¤¤¤# SECONDS LONG. WHAT UP. BOTH OF THESE #¤¤¤&*/-,.
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.,-/*&¤### PRINT THROUGH: TAPES RUB SOUND ON EACH ###¤&*/-,.
.,-/*&¤### OTHER IF THEYRE ALONE FOR TOO LONG ###¤&*/-,.
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