,,-:$&§@## ##@§&$:-,,
,,-:$&§### ###§&$:-,,
,,,,,,:&@# #@&:,,,,,,
,,,,-::&§§ §§&::-,,,,
,,-:$&§@## ##@§&$:-,,
,,-:$&§@## #### ##### ##@§&$:-,,
,,-:$&§@## TAPE DREAM ##@§&$:-,,
,,,,,,,-$§ #### ##### §$-,,,,,,,
,,-:$&§@## ##@§&$:-,,
,,-:$&&&@# FOR STORING MUSIC ON. ALSO DATA BUT #@&&&$:-,,
,,-:$&§§§@ AT THIS POINT IN TIME THAT'S NOT @§§§&$:-,,
,,-:$&§### REALLY IMPORTANT I THINK. ###§&$:-,,
,,,,,--:&@ @&:--,,,,,
,,-:$&§@## ##@§&$:-,,
,,-:$$$&§# :::::::: TYPES OF TAPE :::::::: #§&$$$:-,,
,,-:$&§@## ##@§&$:-,,
,,-:$&§### CLASS I - "BAD" IRON ###§&$:-,,
,,-:$&@### CLASS II - GOOD CHROMIUM ###@&$:-,,
,,-:$&§@## CLASS III - BAD IRON PART TWO ##@§&$:-,,
,,,,,,:&&@ CLASS IV - DANGEROUS METALS @&&:,,,,,,
,,,,,-$§@# #@§$-,,,,,
,,-:$&@### RUMORS EXIST ABOUT A SECRET CLASS V TAPE ###@&$:-,,
,,,,,,::$§ THAT IS ACTUALLY USEFUL. §$::,,,,,,
,,-:$&§@## ##@§&$:-,,
,,,,,,--$§ :: BIAS :: §$--,,,,,,
,,-:$&§@@@ @@@§&$:-,,
,,-:::$§§§ CLASS I USES ONE HUNDRED AND TWENTY §§§$:::-,,
,,,,,,,-$§ MICRO-SOMETHING WHILE THE OTHERS ALL §$-,,,,,,,
,,-:$$&&§§ USE SEVENTY OF THE SAME UNIT. §§&&$$:-,,
,,,,--:&§@ @§&:--,,,,
,,-:$&§@@@ @@@§&$:-,,
,,-:$&§@## $$$$$$$$$ AHA AND $$$$$$$$$ ##@§&$:-,,
,,-:$&§@## ##@§&$:-,,
,,-:$&§@## CLASS IV IS APPARENTLY TOO STRONG TO ##@§&$:-,,
,-:$&§@### BE USED ON CLASS I PLAYERS. IT WILL ###@§&$:-,
,,,,,-:$&@ SOUND TOO LOUND AND IT CANNOT BE @&$:-,,,,,
,,-:$&§@## COMPLETELY ERASED. THIS IS VERY WELL. ##@§&$:-,,
,,,,-$$§§@ MAYBE SOME WONDERFUL BLENDING EFFECTS @§§$$-,,,,
,,-:$&§@## COULD BE ACHIEVED? ##@§&$:-,,
,,,,:::&&@ @&&:::,,,,
,,-:$&§@## THEY ALSO GNAW AT THE TAPE HEADS A BIT ##@§&$:-,,
,,-:$&§@## BETTER THAN EARLIER TAPE TYPES. ##@§&$:-,,
,,,,,:&&&§ §&&&:,,,,,
,,-:$&§@## ##@§&$:-,,
,,,,-:$$&@ :::::::: ARTIFACTS :::::::: @&$$:-,,,,
,,-$&§@### ###@§&$-,,
,,,,,-:$§§ GOOD TAPES ARE DECENT AND HAVE A GOOD §§$:-,,,,,
,,-:$&§§§@ HIGH FREQUENCY PRESENCE, BAD TAPES ARE @§§§&$:-,,
,,-:$&§### LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA ###§&$:-,,
,,-::$&&@# LIKE IT. #@&&$::-,,
,,,-:$$§§§ §§§$$:-,,,
,,-:$&§@## BIAS LOSS: IF YOU FORGET THE BIAS WHO ##@§&$:-,,
,,-:$&§@## KNOWS WHATS EVEN ON THERE ANYMORE ##@§&$:-,,
,,-:$&§@@# #@@§&$:-,,
,,,,,,:$§§ FLUTTER: KINDA QUICK PITCH VARIATIONS. §§$:,,,,,,
,,-:$&§@@@ BEAUTIFUL, WONDERFUL, EXTRAORDINARY. @@@§&$:-,,
,,-:$&§§§# #§§§&$:-,,
,,,,-:$&&@ WOW: A SLOWER FLUTTER, USUALLY SEVERAL @&&$:-,,,,
,,,,---:&§ SECONDS LONG. WHAT UP. BOTH OF THESE §&:---,,,,
,,-:$&§@## INCREASE WHEN TAPE SPEED DECREASES. ##@§&$:-,,
,,-::::&§§ §§&::::-,,
,,-:$&&&@@ PRINT THROUGH: TAPES RUB SOUND ON EACH @@&&&$:-,,
,,,,,,-$$§ OTHER IF THEYRE ALONE FOR TOO LONG §$$-,,,,,,
,,,,,-:$§# #§$:-,,,,,
,,-:$&§### ###§&$:-,,
,,,,,,-$&§ §&$-,,,,,,
,,-:$&§@## ##@§&$:-,,
,,,,,,--$§ §$--,,,,,,
,,-:$&§§@# #@§§&$:-,,