.#.#.#.#.#                                          ##.#.#..#.
##.#.#.#..                                          ##.#.#.##.
.#.#.#.#.#                                          .#.#.#..#.
##.#.#.#..                                          ##.#.#.##.
.#.#.#.#.#                                          .#.#.#..#.
##.#.#.#..                #### #####                ##.#.#.##.
.#.#.#.#.#                TAPE DREAM                .#.#.#..#.
##.#.#.#..                #### #####                ##.#.#.##.
.#.#.#.#.#                                          .#.#.#..#.
##.#.#.#.. FOR STORING  MUSIC  ON.  ALSO  DATA  BUT ##.#.#.##.
.#.#.#.#.# AT   THIS  POINT  IN  TIME  THAT'S   NOT .#.#.#..#.
##.#.#.#..         REALLY IMPORTANT I THINK.        ##.#.#.##.
.#.#.#.#.#                                          .#.#.#..#.
##.#.#.#..                                          ##.#.#.##.
.#.#.#.#.#     ******** TYPES OF TAPE ********      .#.#.#..#.
##.#.#.#..                                          ##.#.#.##.
.#.#.#.#.#           CLASS I - "BAD" IRON           .#.#.#..#.
##.#.#.#..         CLASS II - GOOD CHROMIUM         ##.#.#.##.
.#.#.#.#.#       CLASS III - BAD IRON PART TWO      .#.#.#..#.
##.#.#.#..        CLASS IV - DANGEROUS METALS       ##.#.#.##.
.#.#.#.#.#                                          .#.#.#..#.
##.#.#.#.. RUMORS EXIST ABOUT A SECRET CLASS V TAPE ##.#.#.##.
.#.#.#.#.#         THAT IS ACTUALLY USEFUL.         .#.#.#..#.
##.#.#.#..                                          ##.#.#.##.
.#.#.#.#.#                ** BIAS **                .#.#.#..#.
##.#.#.#..                                          ##.#.#.##.
.#.#.#.#.# CLASS  I  USES  ONE HUNDRED  AND  TWENTY .#.#.#..#.
##.#.#.#..   MICRO-SOMETHING WHILE THE OTHERS ALL   ##.#.#.##.
.#.#.#.#.# USE   SEVENTY   OF    THE   SAME   UNIT. .#.#.#..#.
##.#.#.#..                                          ##.#.#.##.
.#.#.#.#.#                                          .#.#.#..#.
##.#.#.#..       ========= AHA AND =========        ##.#.#.##.
.#.#.#.#.#                                          .#.#.#..#.
##.#.#.#.. CLASS  IV  IS  APPARENTLY TOO  STRONG TO ##.#.#.##.
.#.#.#.#.# BE  USED ON  CLASS I  PLAYERS.  IT  WILL .#.#.#..#.
##.#.#.#.. SOUND  TOO  LOUND   AND  IT   CANNOT  BE ##.#.#.##.
.#.#.#.#.# COMPLETELY  ERASED. THIS  IS  VERY WELL. .#.#.#..#.
##.#.#.#..   MAYBE SOME WONDERFUL BLENDING EFFECTS  ##.#.#.##.
.#.#.#.#.#            COULD BE ACHIEVED?            .#.#.#..#.
##.#.#.#..                                          ##.#.#.##.
.#.#.#.#.# THEY  ALSO  GNAW AT THE TAPE HEADS A BIT .#.#.#..#.
##.#.#.#..      BETTER THAN EARLIER TAPE TYPES.     ##.#.#.##.
.#.#.#.#.#                                          .#.#.#..#.
##.#.#.#..                                          ##.#.#.##.
.#.#.#.#.#        ******** ARTIFACTS ********       .#.#.#..#.
##.#.#.#..                                          ##.#.#.##.
.#.#.#.#.# GOOD  TAPES ARE DECENT AND  HAVE A  GOOD .#.#.#..#.
##.#.#.#.. HIGH  FREQUENCY  PRESENCE, BAD TAPES ARE ##.#.#.##.
.#.#.#.#.# LOFI IF NOT  OUTRIGHT  BAD. IDK, I KINDA .#.#.#..#.
##.#.#.#..                 LIKE IT.                 ##.#.#.##.
.#.#.#.#.#                                          .#.#.#..#.
##.#.#.#.. BIAS  LOSS:  IF YOU  FORGET THE BIAS WHO ##.#.#.##.
.#.#.#.#.# KNOWS  WHATS   EVEN  ON   THERE  ANYMORE .#.#.#..#.
##.#.#.#..                                          ##.#.#.##.
.#.#.#.#.#  FLUTTER: KINDA QUICK PITCH VARIATIONS.  .#.#.#..#.
##.#.#.#..   BEAUTIFUL, WONDERFUL, EXTRAORDINARY.   ##.#.#.##.
.#.#.#.#.#                                          .#.#.#..#.
##.#.#.#.. WOW: A  SLOWER  FLUTTER, USUALLY SEVERAL ##.#.#.##.
.#.#.#.#.# SECONDS  LONG.  WHAT UP. BOTH  OF  THESE .#.#.#..#.
##.#.#.#..   INCREASE WHEN TAPE SPEED DECREASES.    ##.#.#.##.
.#.#.#.#.#                                          .#.#.#..#.
##.#.#.#.. PRINT THROUGH: TAPES RUB SOUND  ON  EACH ##.#.#.##.
.#.#.#.#.# OTHER  IF  THEYRE  ALONE  FOR  TOO  LONG .#.#.#..#.
##.#.#.#..                                          ##.#.#.##.
.#.#.#.#.#                                          .#.#.#..#.
##.#.#.#..                                          ##.#.#.##.
.#.#.#.#.#                                          .#.#.#..#.
##.#.#.#..                                          ##.#.#.##.
.#.#.#.#.#                                          .#.#.#..#.