.¤¤¤.¤.¤.¤ ¤¤¤...¤.¤.
.¤..¤¤¤¤¤¤ ¤..¤..¤¤¤¤
¤¤¤.¤..... .¤.¤¤.¤...
¤..¤¤¤.... .¤¤¤.¤¤¤..
¤¤.¤..¤... ¤¤..¤¤..¤.
¤.¤¤¤.¤¤.. @@@@ ##### ¤.¤.¤.¤.¤¤
.¤¤..¤¤.¤. TAPE DREAM ¤¤¤¤¤¤¤¤¤.
.¤.¤.¤.¤¤¤ #### @@@@@ .........¤
¤¤¤¤¤¤¤¤.. .........¤
........¤. FOR STORING MUSIC ON. ALSO DATA BUT .........¤
¤.......¤¤ AT THIS POINT IN TIME THAT'S NOT .........¤
.¤......¤. REALLY IMPORTANT I THINK. .........¤
¤¤¤.....¤¤ ¤........¤
...¤....¤. .¤.......¤
¤..¤¤...¤¤ :::::::: TYPES OF TAPE :::::::: .¤¤......¤
.¤.¤.¤..¤. .¤.¤.....¤
¤¤¤¤¤¤¤.¤¤ CLASS I - "BAD" IRON .¤¤¤¤....¤
.......¤¤. CLASS II - GOOD CHROMIUM .¤...¤...¤
¤......¤.¤ CLASS III - BAD IRON PART TWO .¤¤..¤¤..¤
.¤.....¤¤¤ CLASS IV - DANGEROUS METALS .¤.¤.¤.¤.¤
¤¤¤....¤.. .¤¤¤¤¤¤¤¤¤
...¤...¤¤. RUMORS EXIST ABOUT A SECRET CLASS V TAPE .¤........
...¤¤..¤.¤ THAT IS ACTUALLY USEFUL. .¤¤.......
...¤.¤.¤¤¤ ¤¤.¤......
...¤¤¤¤¤.. :: BIAS :: ..¤¤¤.....
...¤....¤. ¤.¤..¤....
...¤¤...¤¤ CLASS I USES ONE HUNDRED AND TWENTY .¤¤¤.¤¤...
...¤.¤..¤. MICRO-SOMETHING WHILE THE OTHERS ALL .¤..¤¤.¤..
...¤¤¤¤.¤¤ USE SEVENTY OF THE SAME UNIT. ¤¤¤.¤.¤¤¤.
...¤...¤¤. ¤..¤¤¤¤..¤
¤..¤¤..¤.¤ .¤.¤...¤.¤
.¤.¤.¤.¤¤¤ ========= AHA AND ========= .¤¤¤¤..¤¤¤
¤¤¤¤¤¤¤¤.. .¤...¤.¤..
¤.......¤. CLASS IV IS APPARENTLY TOO STRONG TO ¤¤¤..¤¤¤¤.
¤¤......¤¤ BE USED ON CLASS I PLAYERS. IT WILL ...¤.¤...¤
..¤.....¤. SOUND TOO LOUND AND IT CANNOT BE ¤..¤¤¤¤..¤
¤.¤¤....¤¤ COMPLETELY ERASED. THIS IS VERY WELL. ¤¤.¤...¤.¤
.¤¤.¤...¤. MAYBE SOME WONDERFUL BLENDING EFFECTS ¤.¤¤¤..¤¤¤
¤¤.¤¤¤..¤¤ COULD BE ACHIEVED? .¤¤..¤.¤..
¤.¤¤..¤.¤. ¤¤.¤.¤¤¤¤.
¤¤¤.¤.¤¤¤¤ THEY ALSO GNAW AT THE TAPE HEADS A BIT ¤.¤¤¤¤...¤
...¤¤¤¤... BETTER THAN EARLIER TAPE TYPES. .¤¤...¤..¤
¤..¤...¤.. ¤¤.¤..¤¤.¤
.¤.¤¤..¤¤. ¤.¤¤¤.¤.¤¤
¤¤¤¤.¤.¤.¤ :::::::: ARTIFACTS :::::::: ¤¤¤..¤¤¤¤.
¤...¤¤¤¤¤¤ ¤..¤.¤...¤
.¤..¤..... GOOD TAPES ARE DECENT AND HAVE A GOOD .¤.¤¤¤¤..¤
¤¤¤.¤¤.... HIGH FREQUENCY PRESENCE, BAD TAPES ARE ¤¤¤¤...¤.¤
...¤¤.¤... LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA ¤...¤..¤¤¤
¤..¤.¤¤¤.. LIKE IT. ¤¤..¤¤.¤..
¤¤.¤¤¤..¤. ¤.¤.¤.¤¤¤.
¤.¤¤..¤.¤¤ BIAS LOSS: IF YOU FORGET THE BIAS WHO .¤¤¤¤¤¤..¤
.¤¤.¤.¤¤¤. KNOWS WHATS EVEN ON THERE ANYMORE .¤.....¤.¤
¤¤.¤¤¤¤..¤ ¤¤¤....¤¤¤
..¤¤...¤.¤ FLUTTER: KINDA QUICK PITCH VARIATIONS. ¤..¤...¤..
..¤.¤..¤¤¤ BEAUTIFUL, WONDERFUL, EXTRAORDINARY. .¤.¤¤..¤¤.
..¤¤¤¤.¤.. .¤¤¤.¤.¤.¤
¤.¤...¤¤¤. WOW: A SLOWER FLUTTER, USUALLY SEVERAL ¤¤..¤¤¤¤¤¤
.¤¤¤..¤..¤ SECONDS LONG. WHAT UP. BOTH OF THESE ¤.¤.¤.....
.¤..¤.¤¤.¤ INCREASE WHEN TAPE SPEED DECREASES. ¤¤¤¤¤¤....
.¤¤.¤¤¤.¤¤ ¤.....¤...
.¤.¤¤..¤¤. PRINT THROUGH: TAPES RUB SOUND ON EACH .¤....¤¤..
.¤¤¤.¤.¤.¤ OTHER IF THEYRE ALONE FOR TOO LONG ¤¤¤...¤.¤.
.¤..¤¤¤¤¤¤ ¤..¤..¤¤¤¤
¤¤¤.¤..... .¤.¤¤.¤...
¤..¤¤¤.... .¤¤¤.¤¤¤..
¤¤.¤..¤... ¤¤..¤¤..¤.
¤.¤¤¤.¤¤.. ¤.¤.¤.¤.¤¤
.¤¤..¤¤.¤. ¤¤¤¤¤¤¤¤¤.