###&%§\»:, ,:»\§%##
###&%§\»:, ,:»\§%##
###&%§\»:, ,:»\§%##
&%\:,,,,,, ,,,,,,:\%&
###&%§\»:, ,:»\§%##
#&§»,,,,,, #### ##### ,,,,,,»§
#%%\:,,,,, TAPE DREAM ,,,,,:\%%#
###&%§\»:, #### ##### ,:»\§%##
###&%§\»:, ,:»\§%##
#&§§»:::,, FOR STORING MUSIC ON. ALSO DATA BUT ,,:::»§§
###&%§\»:, AT THIS POINT IN TIME THAT'S NOT ,:»\§%##
###&%§\»:, REALLY IMPORTANT I THINK. ,:»\§%##
#&%\\»»::, ,::»»\\%
###&%§\»:, ,:»\§%##
#&&§\\:,,, \\\\\\\\ TYPES OF TAPE \\\\\\\\ ,,,:\\§&
#%%§§§\»:, ,:»\§§§%%#
####%§\»:, CLASS I - "BAD" IRON ,:»\§%####
#%%%\\»,,, CLASS II - GOOD CHROMIUM ,,,»\\%%%#
###&%§\»:, CLASS III - BAD IRON PART TWO ,:»\§%##
###&%§\»:, CLASS IV - DANGEROUS METALS ,:»\§%##
###&%§\»:, ,:»\§%##
#&&§§\:,,, RUMORS EXIST ABOUT A SECRET CLASS V TAPE ,,,:\§§&
##%%%§\»:, THAT IS ACTUALLY USEFUL. ,:»\§%%%##
&&%%%§\»:, ,:»\§%%%&&
##&%%§\»:, \\ BIAS \\ ,:»\§%%#
###&%§\»:, ,:»\§%##
###&%§\»:, CLASS I USES ONE HUNDRED AND TWENTY ,:»\§%##
###&%§\»:, MICRO-SOMETHING WHILE THE OTHERS ALL ,:»\§%##
#&&&%§\»:, USE SEVENTY OF THE SAME UNIT. ,:»\§%&&
###&%§\»:, ,:»\§%##
#&&&%§\»:, ,:»\§%&&
&&&&%§\»:, §§§§§§§§§ AHA AND §§§§§§§§§ ,:»\§%&&&&
&&§»:::,,, ,,,:::»§&&
##&§»»»:,, CLASS IV IS APPARENTLY TOO STRONG TO ,,:»»»§#
###&%§\»:, BE USED ON CLASS I PLAYERS. IT WILL ,:»\§%##
&%§\\»»::, SOUND TOO LOUND AND IT CANNOT BE ,::»»\\§%&
###&%§\»:, COMPLETELY ERASED. THIS IS VERY WELL. ,:»\§%##
#%§»»»:,,, MAYBE SOME WONDERFUL BLENDING EFFECTS ,,,:»»»§%#
#&%%\»:,,, COULD BE ACHIEVED? ,,,:»\%%
&&§\»»:::, ,:::»»\§&&
&§»:,,,,,, THEY ALSO GNAW AT THE TAPE HEADS A BIT ,,,,,,:»§&
####&§\»:, BETTER THAN EARLIER TAPE TYPES. ,:»\§###
###&%§\»:, ,:»\§%##
#&§§§»,,,, ,,,,»§§§
#&&§§»»,,, \\\\\\\\ ARTIFACTS \\\\\\\\ ,,,»»§§&
###&%§\»:, ,:»\§%##
#%§»,,,,,, GOOD TAPES ARE DECENT AND HAVE A GOOD ,,,,,,»§%#
###&%§\»:, HIGH FREQUENCY PRESENCE, BAD TAPES ARE ,:»\§%##
###&%§\»:, LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA ,:»\§%##
&§\:,,,,,, LIKE IT. ,,,,,,:\§&
###&%§\»:, ,:»\§%##
&§»:,,,,,, BIAS LOSS: IF YOU FORGET THE BIAS WHO ,,,,,,:»§&
###&%§\»:, KNOWS WHATS EVEN ON THERE ANYMORE ,:»\§%##
###&%§\»:, ,:»\§%##
##%§\:,,,, FLUTTER: KINDA QUICK PITCH VARIATIONS. ,,,,:\§%##
#&§\:,,,,, BEAUTIFUL, WONDERFUL, EXTRAORDINARY. ,,,,,:\§
###&%§\»:, ,:»\§%##
#&§§\\»:,, WOW: A SLOWER FLUTTER, USUALLY SEVERAL ,,:»\\§§
#&§»,,,,,, SECONDS LONG. WHAT UP. BOTH OF THESE ,,,,,,»§
###&%§\»:, INCREASE WHEN TAPE SPEED DECREASES. ,:»\§%##
&&§§§\:,,, ,,,:\§§§&&
#%\\»:,,,, PRINT THROUGH: TAPES RUB SOUND ON EACH ,,,,:»\\%#
##&%§§\»:, OTHER IF THEYRE ALONE FOR TOO LONG ,:»\§§%#
###&%§\»:, ,:»\§%##
&§§\»:,,,, ,,,,:»\§§&
###&%§\»:, ,:»\§%##
###&%§\»:, ,:»\§%##
#%%%§§\»:, ,:»\§§%%%#
&&§§§»,,,, ,,,,»§§§&&