¤¤¤.¤¤.¤.. ....¤.¤..¤
¤¤¤..¤.¤.¤ ...¤¤.¤.¤.
.¤¤.¤¤.¤.¤ ..¤.¤.¤.¤.
¤.¤..¤.¤.¤ .¤¤.¤.¤.¤.
¤.¤.¤¤.¤.¤ ..¤.¤.¤.¤.
¤.¤..¤.¤.¤ #### ##### .¤¤.¤.¤.¤.
¤.¤.¤¤.¤.¤ tape dream ..¤.¤.¤.¤.
¤.¤..¤.¤.¤ #### ##### .¤¤.¤.¤.¤.
¤.¤.¤¤.¤.¤ ..¤.¤.¤.¤.
¤.¤..¤.¤.¤ for storing music on. also data but .¤¤.¤.¤.¤.
¤.¤.¤¤.¤.¤ at this point in time that's not ..¤.¤.¤.¤.
¤.¤..¤.¤.¤ really important i think. .¤¤.¤.¤.¤.
¤.¤.¤¤.¤.¤ ..¤.¤.¤.¤.
¤.¤..¤.¤.¤ .¤¤.¤.¤.¤.
¤.¤.¤¤.¤.¤ †††††††† types of tape †††††††† ..¤.¤.¤.¤.
¤.¤..¤.¤.¤ .¤¤.¤.¤.¤.
¤.¤.¤¤.¤.¤ class i - "bad" iron ..¤.¤.¤.¤.
¤.¤..¤.¤.¤ class ii - good chromium .¤¤.¤.¤.¤.
¤.¤.¤¤.¤.¤ class iii - bad iron part two ..¤.¤.¤.¤.
¤.¤..¤.¤.¤ class iv - dangerous metals .¤¤.¤.¤.¤.
¤.¤.¤¤.¤.¤ ..¤.¤.¤.¤.
¤.¤..¤.¤.¤ rumors exist about a secret class v tape .¤¤.¤.¤.¤.
¤.¤.¤¤.¤.¤ that is actually useful. ..¤.¤.¤.¤.
¤.¤..¤.¤.¤ .¤¤.¤.¤.¤.
¤.¤.¤¤.¤.¤ †† bias †† ..¤.¤.¤.¤.
¤.¤..¤.¤.¤ .¤¤.¤.¤.¤.
¤.¤.¤¤.¤.¤ class i uses one hundred and twenty ..¤.¤.¤.¤.
¤.¤..¤.¤.¤ micro-something while the others all .¤¤.¤.¤.¤.
¤.¤.¤¤.¤.¤ use seventy of the same unit. ..¤.¤.¤.¤.
¤.¤..¤.¤.¤ .¤¤.¤.¤.¤.
¤.¤.¤¤.¤.¤ ..¤.¤.¤.¤.
¤.¤..¤.¤.¤ ††††††††† aha and ††††††††† .¤¤.¤.¤.¤.
¤.¤.¤¤.¤.¤ ..¤.¤.¤.¤.
¤.¤..¤.¤.¤ class iv is apparently too strong to .¤¤.¤.¤.¤.
¤.¤.¤¤.¤.¤ be used on class i players. it will ..¤.¤.¤.¤.
¤.¤..¤.¤.¤ sound too lound and it cannot be .¤¤.¤.¤.¤.
¤.¤.¤¤.¤.¤ completely erased. this is very well. ..¤.¤.¤.¤.
¤.¤..¤.¤.¤ maybe some wonderful blending effects .¤¤.¤.¤.¤.
¤.¤.¤¤.¤.¤ could be achieved? ..¤.¤.¤.¤.
¤.¤..¤.¤.¤ .¤¤.¤.¤.¤.
¤.¤.¤¤.¤.¤ they also gnaw at the tape heads a bit ..¤.¤.¤.¤.
¤.¤..¤.¤.¤ better than earlier tape types. .¤¤.¤.¤.¤.
¤.¤.¤¤.¤.¤ ..¤.¤.¤.¤.
¤.¤..¤.¤.¤ .¤¤.¤.¤.¤.
¤.¤.¤¤.¤.¤ †††††††† artifacts †††††††† ..¤.¤.¤.¤.
¤.¤..¤.¤.¤ .¤¤.¤.¤.¤.
¤.¤.¤¤.¤.¤ good tapes are decent and have a good ..¤.¤.¤.¤.
¤.¤..¤.¤.¤ high frequency presence, bad tapes are .¤¤.¤.¤.¤.
¤.¤.¤¤.¤.¤ lofi if not outright bad. idk, i kinda ..¤.¤.¤.¤.
¤.¤..¤.¤.¤ like it. .¤¤.¤.¤.¤.
¤.¤.¤¤.¤.¤ ..¤.¤.¤.¤.
¤.¤..¤.¤.¤ bias loss: if you forget the bias who .¤¤.¤.¤.¤.
¤.¤.¤¤.¤.¤ knows whats even on there anymore ..¤.¤.¤.¤.
¤.¤..¤.¤.¤ .¤¤.¤.¤.¤.
¤.¤.¤¤.¤.¤ flutter: kinda quick pitch variations. ..¤.¤.¤.¤.
¤.¤..¤.¤.¤ beautiful, wonderful, extraordinary. .¤¤.¤.¤.¤.
¤.¤.¤¤.¤.¤ ..¤.¤.¤.¤.
¤.¤..¤.¤.¤ wow: a slower flutter, usually several .¤¤.¤.¤.¤.
¤.¤.¤¤.¤.¤ seconds long. what up. both of these ..¤.¤.¤.¤.
¤.¤..¤.¤.¤ increase when tape speed decreases. .¤¤.¤.¤.¤.
¤.¤.¤¤.¤.¤ ..¤.¤.¤.¤.
¤.¤..¤.¤.¤ print through: tapes rub sound on each .¤¤.¤.¤.¤.
¤.¤.¤¤.¤.¤ other if theyre alone for too long ..¤.¤.¤.¤.
¤.¤..¤.¤.¤ .¤¤.¤.¤.¤.
¤.¤.¤¤.¤.¤ ..¤.¤.¤.¤.
¤.¤..¤.¤.¤ .¤¤.¤.¤.¤.
¤.¤.¤¤.¤.¤ ..¤.¤.¤.¤.
¤.¤..¤.¤.¤ .¤¤.¤.¤.¤.
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