,:»=*£¤### ###¤£*=»:,
,,:»»=***¤ ¤***=»»:,,
,:»=*£¤#@# #@#¤£*=»:,
,,,,»**£¤@ @¤£**»,,,,
,:»=*£¤#@# #@#¤£*=»:,
,:»=*£¤#@# @@@@ ##### #@#¤£*=»:,
,:»=*£¤#@# tape dream #@#¤£*=»:,
,:»=*£££¤@ #### @@@@@ @¤£££*=»:,
,:»=*£¤#@# #@#¤£*=»:,
,:»*£¤#@## for storing music on. also data but ##@#¤£*»:,
,,,,,»=*£¤ at this point in time that's not ¤£*=»,,,,,
,:»=*£¤#@@ really important i think. @@#¤£*=»:,
,:»=*£¤#@# #@#¤£*=»:,
,,,,,:=££¤ ¤££=:,,,,,
,:»=*£¤### ======== types of tape ======== ###¤£*=»:,
,,,,,:==*¤ ¤*==:,,,,,
,,,,,»==*¤ class i - "bad" iron ¤*==»,,,,,
,,,,»»**£# class ii - good chromium #£**»»,,,,
,:»=*£¤¤#@ class iii - bad iron part two @#¤¤£*=»:,
,:»»»=**¤¤ class iv - dangerous metals ¤¤**=»»»:,
,:»=*£¤#@# #@#¤£*=»:,
,,,,:»==£# rumors exist about a secret class v tape #£==»:,,,,
,,,::»»=£¤ that is actually useful. ¤£=»»::,,,
,,,,»»=*¤@ @¤*=»»,,,,
,:»=*££££¤ == bias == ¤££££*=»:,
,:»=*£¤#@# #@#¤£*=»:,
,:»=*£¤#@# class i uses one hundred and twenty #@#¤£*=»:,
,,,,::»*¤¤ micro-something while the others all ¤¤*»::,,,,
,,,,»*£¤¤@ use seventy of the same unit. @¤¤£*»,,,,
,:»=*£¤#@# #@#¤£*=»:,
,:»=*£¤#@# #@#¤£*=»:,
,:»=*£¤@## ********* aha and ********* ##@¤£*=»:,
,:»=*£¤#@# #@#¤£*=»:,
,:»=*£¤#@# class iv is apparently too strong to #@#¤£*=»:,
,:»=*£¤#@@ be used on class i players. it will @@#¤£*=»:,
,,,,,,»=*¤ sound too lound and it cannot be ¤*=»,,,,,,
,:»=*£¤#@# completely erased. this is very well. #@#¤£*=»:,
,:»=**£¤## maybe some wonderful blending effects ##¤£**=»:,
,,,,:=*£¤# could be achieved? #¤£*=:,,,,
,:»=*£¤#@# #@#¤£*=»:,
,:»=*£¤##@ they also gnaw at the tape heads a bit @##¤£*=»:,
,,,:=**¤## better than earlier tape types. ##¤**=:,,,
,:»=*££¤¤@ @¤¤££*=»:,
,:»=*£¤#@@ @@#¤£*=»:,
,:»=*£¤@## ======== artifacts ======== ##@¤£*=»:,
,:»=****¤¤ ¤¤****=»:,
,,,,,:=*¤# good tapes are decent and have a good #¤*=:,,,,,
,,,,,,:=*¤ high frequency presence, bad tapes are ¤*=:,,,,,,
,:»=*£¤##@ lofi if not outright bad. idk, i kinda @##¤£*=»:,
,:»=*¤#@## like it. ##@#¤*=»:,
,:»=*£¤#@# #@#¤£*=»:,
,:»=*£¤#@# bias loss: if you forget the bias who #@#¤£*=»:,
,:»=*£¤#@@ knows whats even on there anymore @@#¤£*=»:,
,,,,,»»*£# #£*»»,,,,,
,:»=*£¤¤¤¤ flutter: kinda quick pitch variations. ¤¤¤¤£*=»:,
,,,,,,»»*¤ beautiful, wonderful, extraordinary. ¤*»»,,,,,,
,:»=*£¤#@# #@#¤£*=»:,
,,,:::=£¤@ wow: a slower flutter, usually several @¤£=:::,,,
,:»=*£¤#@# seconds long. what up. both of these #@#¤£*=»:,
,,,,:=£¤¤# increase when tape speed decreases. #¤¤£=:,,,,
,,,,,,»=*¤ ¤*=»,,,,,,
,,,»»**¤¤@ print through: tapes rub sound on each @¤¤**»»,,,
,:»=*£¤#@# other if theyre alone for too long #@#¤£*=»:,
,,:::»*¤#@ @#¤*»:::,,
,:»=*£¤#@# #@#¤£*=»:,
,:»=*£¤#@# #@#¤£*=»:,
,:»=*£¤### ###¤£*=»:,
,:»=*£¤#@# #@#¤£*=»:,
,:»=*£¤#@@ @@#¤£*=»:,