,^«**$&£## ##£&$**«^,
,^«**$&£## ##£&$**«^,
,,,,«*$&££ ££&$*«,,,,
,,,^«*$&£# #£&$*«^,,,
,^«*****&& &&*****«^,
,^«**$&£## #### ##### ##£&$**«^,
,^«**$&£## TAPE DREAM ##£&$**«^,
,^^^«*** #### ##### #&***«^^^,
,^«**$&£## ##£&$**«^,
,^«**$&£## FOR STORING MUSIC ON. ALSO DATA BUT ##£&$**«^,
,^«**$&£## AT THIS POINT IN TIME THAT'S NOT ##£&$**«^,
,^«**$&£## REALLY IMPORTANT I THINK. ##£&$**«^,
,,,,^^^**& &**^^^,,,,
,^««***&&& &&&***««^,
,^«**$&£## ******** TYPES OF TAPE ******** ##£&$**«^,
,^^««**$ #&$**««^^,
,^«**$£### CLASS I - "BAD" IRON ###£$**«^,
,^«*****$£ CLASS II - GOOD CHROMIUM £$*****«^,
,,,,,^***& CLASS III - BAD IRON PART TWO &***^,,,,,
,,,^^^^«*& CLASS IV - DANGEROUS METALS &*«^^^^,,,
,,,,^**$&£ £&$**^,,,,
,,^^^«*&££ RUMORS EXIST ABOUT A SECRET CLASS V TAPE ££&*«^^^,,
,,^^****&£ THAT IS ACTUALLY USEFUL. £&****^^,,
,^«**$&£## ##£&$**«^,
,^^^«**$ ** BIAS ** #&$**«^^^,
,,,,,^*$$& &$$*^,,,,,
,^«***$$££ CLASS I USES ONE HUNDRED AND TWENTY ££$$***«^,
,^««*****& MICRO-SOMETHING WHILE THE OTHERS ALL &*****««^,
,^«**$&££# USE SEVENTY OF THE SAME UNIT. #££&$**«^,
,^«**$&£## ##£&$**«^,
,,,,^**$$& &$$**^,,,,
,^«**$&&£# ********* AHA AND ********* #£&&$**«^,
,,,,^«*$$£ £$$*«^,,,,
,^«**$&££# CLASS IV IS APPARENTLY TOO STRONG TO #££&$**«^,
,^«*****&£ BE USED ON CLASS I PLAYERS. IT WILL £&*****«^,
,^«**$&£## SOUND TOO LOUND AND IT CANNOT BE ##£&$**«^,
,,^««***&& COMPLETELY ERASED. THIS IS VERY WELL. &&***««^,,
,^«**$&£## MAYBE SOME WONDERFUL BLENDING EFFECTS ##£&$**«^,
,,,,,,^*$£ COULD BE ACHIEVED? £$*^,,,,,,
,^«**$## ###&$**«^,
,^«**$&£## THEY ALSO GNAW AT THE TAPE HEADS A BIT ##£&$**«^,
,,,,«*** BETTER THAN EARLIER TAPE TYPES. #&***«,,,,
,,,^^«*&£# #£&*«^^,,,
,^«**&£### ###£&**«^,
,,^^**$$&£ ******** ARTIFACTS ******** £&$$**^^,,
,,^^**$&&£ £&&$**^^,,
,^«**&£### GOOD TAPES ARE DECENT AND HAVE A GOOD ###£&**«^,
,^«**$&£## HIGH FREQUENCY PRESENCE, BAD TAPES ARE ##£&$**«^,
,,,,,««* LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA #&*««,,,,,
,^«*$&£### LIKE IT. ###£&$*«^,
,,,,,«*&£# #£&*«,,,,,
,^«**$&£## BIAS LOSS: IF YOU FORGET THE BIAS WHO ##£&$**«^,
,^«**$&£## KNOWS WHATS EVEN ON THERE ANYMORE ##£&$**«^,
,,,,,^** #&**^,,,,,
,,,,«**&&& FLUTTER: KINDA QUICK PITCH VARIATIONS. &&&**«,,,,
,,,«****$£ BEAUTIFUL, WONDERFUL, EXTRAORDINARY. £$****«,,,
,,,,««**&£ £&**««,,,,
,^«**$£### WOW: A SLOWER FLUTTER, USUALLY SEVERAL ###£$**«^,
,,,,,^*$ SECONDS LONG. WHAT UP. BOTH OF THESE #&$*^,,,,,
,^«**$&£## INCREASE WHEN TAPE SPEED DECREASES. ##£&$**«^,
,^«**$&£## ##£&$**«^,
,^«**$## PRINT THROUGH: TAPES RUB SOUND ON EACH ###&$**«^,
,^«**$&£## OTHER IF THEYRE ALONE FOR TOO LONG ##£&$**«^,
,,,^***$££ ££$***^,,,
,,,««*$$$£ £$$$*««,,,
,,,,,««*&& &&*««,,,,,
,,,,^^*$&& &&$*^^,,,,
,^«**$&£## ##£&$**«^,
,^«***$$$£ £$$$***«^,