¤¤¤..¤.¤.¤ ¤..¤¤..¤¤.
¤..¤.¤¤¤¤¤ ¤¤.¤.¤.¤.¤
.¤.¤¤¤.... ¤.¤¤¤¤¤¤¤¤
¤¤¤¤..¤... ¤¤¤.......
¤...¤.¤¤.. ...¤......
¤¤..¤¤¤.¤. #### ##### ...¤¤.....
¤.¤.¤..¤¤¤ TAPE DREAM ¤..¤.¤....
¤¤¤¤¤¤.¤.. #### ##### ¤¤.¤¤¤¤...
¤.....¤¤¤. ..¤¤...¤..
¤¤....¤..¤ FOR STORING MUSIC ON. ALSO DATA BUT ¤.¤.¤..¤¤.
¤.¤...¤¤.¤ AT THIS POINT IN TIME THAT'S NOT .¤¤¤¤¤.¤.¤
.¤¤¤..¤.¤¤ REALLY IMPORTANT I THINK. ¤¤....¤¤¤¤
¤¤..¤.¤¤¤. ..¤...¤...
¤.¤.¤¤¤..¤ ¤.¤¤..¤¤..
¤¤¤¤¤..¤.¤ ^^^^^^^^ TYPES OF TAPE ^^^^^^^^ ¤¤¤.¤.¤.¤.
¤....¤.¤¤¤ ¤..¤¤¤¤¤¤¤
.¤...¤¤¤.. CLASS I - "BAD" IRON ¤¤.¤......
.¤¤..¤..¤. CLASS II - GOOD CHROMIUM ..¤¤¤.....
.¤.¤.¤¤.¤¤ CLASS III - BAD IRON PART TWO ¤.¤..¤....
.¤¤¤¤¤.¤¤. CLASS IV - DANGEROUS METALS .¤¤¤.¤¤...
.¤....¤¤.¤ .¤..¤¤.¤..
.¤¤...¤.¤¤ RUMORS EXIST ABOUT A SECRET CLASS V TAPE .¤¤.¤.¤¤¤.
.¤.¤..¤¤¤. THAT IS ACTUALLY USEFUL. ¤¤.¤¤¤¤..¤
¤¤¤¤¤.¤..¤ ..¤¤...¤.¤
.....¤¤¤.¤ ^^ BIAS ^^ ¤.¤.¤..¤¤¤
¤....¤..¤¤ ¤¤¤¤¤¤.¤..
¤¤...¤¤.¤. CLASS I USES ONE HUNDRED AND TWENTY ......¤¤¤.
¤.¤..¤.¤¤¤ MICRO-SOMETHING WHILE THE OTHERS ALL ¤.....¤..¤
.¤¤¤.¤¤¤.. USE SEVENTY OF THE SAME UNIT. .¤....¤¤.¤
¤¤..¤¤..¤. .¤¤...¤.¤¤
..¤.¤.¤.¤¤ .¤.¤..¤¤¤.
..¤¤¤¤¤¤¤. $$$$$$$$$ AHA AND $$$$$$$$$ ¤¤¤¤¤.¤..¤
¤.¤......¤ ¤....¤¤¤.¤
.¤¤¤.....¤ CLASS IV IS APPARENTLY TOO STRONG TO .¤...¤..¤¤
¤¤..¤....¤ BE USED ON CLASS I PLAYERS. IT WILL .¤¤..¤¤.¤.
¤.¤.¤¤...¤ SOUND TOO LOUND AND IT CANNOT BE .¤.¤.¤.¤¤¤
.¤¤¤¤.¤..¤ COMPLETELY ERASED. THIS IS VERY WELL. .¤¤¤¤¤¤¤..
.¤...¤¤¤.¤ MAYBE SOME WONDERFUL BLENDING EFFECTS ¤¤......¤.
.¤¤..¤..¤¤ COULD BE ACHIEVED? ¤.¤.....¤¤
¤¤.¤.¤¤.¤. .¤¤¤....¤.
¤.¤¤¤¤.¤¤¤ THEY ALSO GNAW AT THE TAPE HEADS A BIT ¤¤..¤...¤¤
.¤¤...¤¤.. BETTER THAN EARLIER TAPE TYPES. ..¤.¤¤..¤.
.¤.¤..¤.¤. ..¤¤¤.¤.¤¤
¤¤¤¤¤.¤¤¤¤ ¤.¤..¤¤¤¤.
¤....¤¤... ^^^^^^^^ ARTIFACTS ^^^^^^^^ ¤¤¤¤.¤...¤
.¤...¤.¤.. ¤...¤¤¤..¤
¤¤¤..¤¤¤¤. GOOD TAPES ARE DECENT AND HAVE A GOOD .¤..¤..¤.¤
...¤.¤...¤ HIGH FREQUENCY PRESENCE, BAD TAPES ARE ¤¤¤.¤¤.¤¤¤
¤..¤¤¤¤..¤ LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA ¤..¤¤.¤¤..
¤¤.¤...¤.¤ LIKE IT. ¤¤.¤.¤¤.¤.
¤.¤¤¤..¤¤¤ ¤.¤¤¤¤.¤¤¤
.¤¤..¤.¤.. BIAS LOSS: IF YOU FORGET THE BIAS WHO ¤¤¤...¤¤..
.¤.¤.¤¤¤¤. KNOWS WHATS EVEN ON THERE ANYMORE ¤..¤..¤.¤.
.¤¤¤¤¤...¤ .¤.¤¤.¤¤¤¤
¤¤....¤..¤ FLUTTER: KINDA QUICK PITCH VARIATIONS. .¤¤¤.¤¤...
¤.¤...¤¤.¤ BEAUTIFUL, WONDERFUL, EXTRAORDINARY. .¤..¤¤.¤..
¤¤¤¤..¤.¤¤ .¤¤.¤.¤¤¤.
¤...¤.¤¤¤. WOW: A SLOWER FLUTTER, USUALLY SEVERAL .¤.¤¤¤¤..¤
.¤..¤¤¤..¤ SECONDS LONG. WHAT UP. BOTH OF THESE .¤¤¤...¤.¤
¤¤¤.¤..¤.¤ INCREASE WHEN TAPE SPEED DECREASES. ¤¤..¤..¤¤¤
...¤¤¤.¤¤¤ ..¤.¤¤.¤..
...¤..¤¤.. PRINT THROUGH: TAPES RUB SOUND ON EACH ¤.¤¤¤.¤¤¤.
...¤¤.¤.¤. OTHER IF THEYRE ALONE FOR TOO LONG .¤¤..¤¤..¤
¤..¤.¤¤¤¤¤ ¤¤.¤.¤.¤.¤
.¤.¤¤¤.... ¤.¤¤¤¤¤¤¤¤
¤¤¤¤..¤... ¤¤¤.......
¤...¤.¤¤.. ...¤......
¤¤..¤¤¤.¤. ...¤¤.....
¤.¤.¤..¤¤¤ ¤..¤.¤....