.-~\$%@### ###@%$\~-.
.-~$%#@### ###@#%$~-.
.-~\$%#@## ##@#%$\~-.
.-~\$%#@## ##@#%$\~-.
.-~\$%#@## ##@#%$\~-.
...-~$%### #### ##### ###%$~-...
.-~\$%#@## TAPE DREAM ##@#%$\~-.
.-~\$%#### #### ##### ####%$\~-.
..-~~\\%## ##%\\~~-..
......~$## FOR STORING MUSIC ON. ALSO DATA BUT ##$~......
.-~\$%#@## AT THIS POINT IN TIME THAT'S NOT ##@#%$\~-.
...--\\$%@ REALLY IMPORTANT I THINK. @%$\\--...
.-~\$#@### ###@#$\~-.
......~$%# #%$~......
.-~\$%#@## \\\\\\\\ TYPES OF TAPE \\\\\\\\ ##@#%$\~-.
.-~\$%#@## ##@#%$\~-.
.-~\$$$##@ CLASS I - "BAD" IRON @##$$$\~-.
....~~\%## CLASS II - GOOD CHROMIUM ##%\~~....
.-~\$%#@@@ CLASS III - BAD IRON PART TWO @@@#%$\~-.
....-~~\$# CLASS IV - DANGEROUS METALS #$\~~-....
.-~\$%#@## ##@#%$\~-.
.-~$%#@### RUMORS EXIST ABOUT A SECRET CLASS V TAPE ###@#%$~-.
...-\\\\%@ THAT IS ACTUALLY USEFUL. @%\\\\-...
.-~\$%#@## ##@#%$\~-.
.-~\\\%%%# \\ BIAS \\ #%%%\\\~-.
.-~\$%#@## ##@#%$\~-.
...-~~\%## CLASS I USES ONE HUNDRED AND TWENTY ##%\~~-...
.-~\$%#@## MICRO-SOMETHING WHILE THE OTHERS ALL ##@#%$\~-.
......~~$# USE SEVENTY OF THE SAME UNIT. #$~~......
.-~\$%#@## ##@#%$\~-.
.....--~$# #$~--.....
.-~\$%#@## $$$$$$$$$ AHA AND $$$$$$$$$ ##@#%$\~-.
.-~\$%#@## ##@#%$\~-.
....~~\$%@ CLASS IV IS APPARENTLY TOO STRONG TO @%$\~~....
..--~~$$## BE USED ON CLASS I PLAYERS. IT WILL ##$$~~--..
..--~~~$%# SOUND TOO LOUND AND IT CANNOT BE #%$~~~--..
....-\\%## COMPLETELY ERASED. THIS IS VERY WELL. ##%\\-....
.-~\$%#@## MAYBE SOME WONDERFUL BLENDING EFFECTS ##@#%$\~-.
.....~~\%# COULD BE ACHIEVED? #%\~~.....
.-~\$$$%#@ @#%$$$\~-.
...-~\%%#@ THEY ALSO GNAW AT THE TAPE HEADS A BIT @#%%\~-...
.-~\$%#@## BETTER THAN EARLIER TAPE TYPES. ##@#%$\~-.
...--~~$## ##$~~--...
....~\$%%@ @%%$\~....
......-\%@ \\\\\\\\ ARTIFACTS \\\\\\\\ @%\-......
.....-~~$# #$~~-.....
.-~\$%#### GOOD TAPES ARE DECENT AND HAVE A GOOD ####%$\~-.
.-~\$%#### HIGH FREQUENCY PRESENCE, BAD TAPES ARE ####%$\~-.
..--~~$%## LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA ##%$~~--..
.-~\$%@### LIKE IT. ###@%$\~-.
.-~\$%#@## ##@#%$\~-.
....-\%%@# BIAS LOSS: IF YOU FORGET THE BIAS WHO #@%%\-....
.-~\$%#### KNOWS WHATS EVEN ON THERE ANYMORE ####%$\~-.
.....--\%# #%\--.....
....-~\\$# FLUTTER: KINDA QUICK PITCH VARIATIONS. #$\\~-....
.-~\$%%%## BEAUTIFUL, WONDERFUL, EXTRAORDINARY. ##%%%$\~-.
.-~\$%#@## ##@#%$\~-.
.-~\$%#@## WOW: A SLOWER FLUTTER, USUALLY SEVERAL ##@#%$\~-.
.-~\$%#@## SECONDS LONG. WHAT UP. BOTH OF THESE ##@#%$\~-.
.-~\$%#@## INCREASE WHEN TAPE SPEED DECREASES. ##@#%$\~-.
.-~\$#@### ###@#$\~-.
.-~\$$%%## PRINT THROUGH: TAPES RUB SOUND ON EACH ##%%$$\~-.
.-~\$%#@## OTHER IF THEYRE ALONE FOR TOO LONG ##@#%$\~-.
.-~\$%#@## ##@#%$\~-.
.-~\$$$$$# #$$$$$\~-.
....-~$%%# #%%$~-....
....-~~\%# #%\~~-....
...--\%#@# #@#%\--...
.....-\%@# #@%\-.....