.-»=%§#@## ##@#§%=»-.
..-»=%§#@# #@#§%=»-..
.-»=%§#@## ##@#§%=»-.
..-»=%§#@# #@#§%=»-..
.-»=%§#@## ##@#§%=»-.
..-»=%§#@# #### ##### #@#§%=»-..
.-»=%§#@## TAPE DREAM ##@#§%=»-.
..-»=%§#@# #### ##### #@#§%=»-..
.-»=%§#@## ##@#§%=»-.
..-»=%§#@# FOR STORING MUSIC ON. ALSO DATA BUT #@#§%=»-..
.-»=%§#@## AT THIS POINT IN TIME THAT'S NOT ##@#§%=»-.
..-»=%§#@# REALLY IMPORTANT I THINK. #@#§%=»-..
.-»=%§#@## ##@#§%=»-.
..-»=%§#@# #@#§%=»-..
.-»=%§#@## ======== TYPES OF TAPE ======== ##@#§%=»-.
..-»=%§#@# #@#§%=»-..
.-»=%§#@## CLASS I - "BAD" IRON ##@#§%=»-.
..-»=%§#@# CLASS II - GOOD CHROMIUM #@#§%=»-..
.-»=%§#@## CLASS III - BAD IRON PART TWO ##@#§%=»-.
..-»=%§#@# CLASS IV - DANGEROUS METALS #@#§%=»-..
.-»=%§#@## ##@#§%=»-.
..-»=%§#@# RUMORS EXIST ABOUT A SECRET CLASS V TAPE #@#§%=»-..
.-»=%§#@## THAT IS ACTUALLY USEFUL. ##@#§%=»-.
..-»=%§#@# #@#§%=»-..
.-»=%§#@## == BIAS == ##@#§%=»-.
..-»=%§#@# #@#§%=»-..
.-»=%§#@## CLASS I USES ONE HUNDRED AND TWENTY ##@#§%=»-.
..-»=%§#@# MICRO-SOMETHING WHILE THE OTHERS ALL #@#§%=»-..
.-»=%§#@## USE SEVENTY OF THE SAME UNIT. ##@#§%=»-.
..-»=%§#@# #@#§%=»-..
.-»=%§#@## ##@#§%=»-.
..-»=%§#@# %%%%%%%%% AHA AND %%%%%%%%% #@#§%=»-..
.-»=%§#@## ##@#§%=»-.
..-»=%§#@# CLASS IV IS APPARENTLY TOO STRONG TO #@#§%=»-..
.-»=%§#@## BE USED ON CLASS I PLAYERS. IT WILL ##@#§%=»-.
..-»=%§#@# SOUND TOO LOUND AND IT CANNOT BE #@#§%=»-..
.-»=%§#@## COMPLETELY ERASED. THIS IS VERY WELL. ##@#§%=»-.
..-»=%§#@# MAYBE SOME WONDERFUL BLENDING EFFECTS #@#§%=»-..
.-»=%§#@## COULD BE ACHIEVED? ##@#§%=»-.
..-»=%§#@# #@#§%=»-..
.-»=%§#@## THEY ALSO GNAW AT THE TAPE HEADS A BIT ##@#§%=»-.
..-»=%§#@# BETTER THAN EARLIER TAPE TYPES. #@#§%=»-..
.-»=%§#@## ##@#§%=»-.
..-»=%§#@# #@#§%=»-..
.-»=%§#@## ======== ARTIFACTS ======== ##@#§%=»-.
..-»=%§#@# #@#§%=»-..
.-»=%§#@## GOOD TAPES ARE DECENT AND HAVE A GOOD ##@#§%=»-.
..-»=%§#@# HIGH FREQUENCY PRESENCE, BAD TAPES ARE #@#§%=»-..
.-»=%§#@## LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA ##@#§%=»-.
..-»=%§#@# LIKE IT. #@#§%=»-..
.-»=%§#@## ##@#§%=»-.
..-»=%§#@# BIAS LOSS: IF YOU FORGET THE BIAS WHO #@#§%=»-..
.-»=%§#@## KNOWS WHATS EVEN ON THERE ANYMORE ##@#§%=»-.
..-»=%§#@# #@#§%=»-..
.-»=%§#@## FLUTTER: KINDA QUICK PITCH VARIATIONS. ##@#§%=»-.
..-»=%§#@# BEAUTIFUL, WONDERFUL, EXTRAORDINARY. #@#§%=»-..
.-»=%§#@## ##@#§%=»-.
..-»=%§#@# WOW: A SLOWER FLUTTER, USUALLY SEVERAL #@#§%=»-..
.-»=%§#@## SECONDS LONG. WHAT UP. BOTH OF THESE ##@#§%=»-.
..-»=%§#@# INCREASE WHEN TAPE SPEED DECREASES. #@#§%=»-..
.-»=%§#@## ##@#§%=»-.
..-»=%§#@# PRINT THROUGH: TAPES RUB SOUND ON EACH #@#§%=»-..
.-»=%§#@## OTHER IF THEYRE ALONE FOR TOO LONG ##@#§%=»-.
..-»=%§#@# #@#§%=»-..
.-»=%§#@## ##@#§%=»-.
..-»=%§#@# #@#§%=»-..
.-»=%§#@## ##@#§%=»-.
..-»=%§#@# #@#§%=»-..
.-»=%§#@## ##@#§%=»-.