,:»\====@£ £@====\»:,
,,,:»»\=£# #£=\»»:,,,
,,,:»\\@@# #@@\\»:,,,
,:»\=@£### ###£@=\»:,
,,:»»\\@£# #£@\\»»:,,
,:»\=@£### #### ##### ###£@=\»:,
,,,,:»»=@# TAPE DREAM #@=»»:,,,,
,,:::\@££# #### ##### #££@\:::,,
,,,,,»=@£# #£@=»,,,,,
,:»\=@@@@# FOR STORING MUSIC ON. ALSO DATA BUT #@@@@=\»:,
,:»\=@£### AT THIS POINT IN TIME THAT'S NOT ###£@=\»:,
,:»\=@£### REALLY IMPORTANT I THINK. ###£@=\»:,
,:»\=@£### ###£@=\»:,
,,,:\\==£# #£==\\:,,,
,:»\=@£### \\\\\\\\ TYPES OF TAPE \\\\\\\\ ###£@=\»:,
,:»\=@£### ###£@=\»:,
,:»\=@£### CLASS I - "BAD" IRON ###£@=\»:,
,:»\\\@@£# CLASS II - GOOD CHROMIUM #£@@\\\»:,
,:»\=@£### CLASS III - BAD IRON PART TWO ###£@=\»:,
,,,,,»»\@£ CLASS IV - DANGEROUS METALS £@\»»,,,,,
,:»\=@£### ###£@=\»:,
,:»\=@£### RUMORS EXIST ABOUT A SECRET CLASS V TAPE ###£@=\»:,
,,,,»=@@## THAT IS ACTUALLY USEFUL. ##@@=»,,,,
,:»\=@£### ###£@=\»:,
,:»\=@£### \\ BIAS \\ ###£@=\»:,
,:»\=@£### ###£@=\»:,
,,:»\\@@££ CLASS I USES ONE HUNDRED AND TWENTY ££@@\\»:,,
,:»\=@£### MICRO-SOMETHING WHILE THE OTHERS ALL ###£@=\»:,
,:»\=@@@£# USE SEVENTY OF THE SAME UNIT. #£@@@=\»:,
,:»\=@£### ###£@=\»:,
,,,:::\==£ £==\:::,,,
,,,,,:\\@# ========= AHA AND ========= #@\\:,,,,,
,:»\=@@£## ##£@@=\»:,
,,,»»»»=£# CLASS IV IS APPARENTLY TOO STRONG TO #£=»»»»,,,
,,,,,»=£££ BE USED ON CLASS I PLAYERS. IT WILL £££=»,,,,,
,,,»»=@@@£ SOUND TOO LOUND AND IT CANNOT BE £@@@=»»,,,
,:»\=@£### COMPLETELY ERASED. THIS IS VERY WELL. ###£@=\»:,
,,,,,:\\@£ MAYBE SOME WONDERFUL BLENDING EFFECTS £@\\:,,,,,
,:»\=@££## COULD BE ACHIEVED? ##££@=\»:,
,,,,,:\==£ £==\:,,,,,
,:»\=@£### THEY ALSO GNAW AT THE TAPE HEADS A BIT ###£@=\»:,
,,,»»===@# BETTER THAN EARLIER TAPE TYPES. #@===»»,,,
,,,,,»\@@# #@@\»,,,,,
,,,,::\=£# #£=\::,,,,
,:»\=@£### \\\\\\\\ ARTIFACTS \\\\\\\\ ###£@=\»:,
,,,,::»=£# #£=»::,,,,
,:»\=@£### GOOD TAPES ARE DECENT AND HAVE A GOOD ###£@=\»:,
,:»\=@£### HIGH FREQUENCY PRESENCE, BAD TAPES ARE ###£@=\»:,
,,,:\==@## LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA ##@==\:,,,
,:»\=@£### LIKE IT. ###£@=\»:,
,,,,,»==£# #£==»,,,,,
,:»\=@£### BIAS LOSS: IF YOU FORGET THE BIAS WHO ###£@=\»:,
,:»\=@£### KNOWS WHATS EVEN ON THERE ANYMORE ###£@=\»:,
,:»\=@£### ###£@=\»:,
,,,,,:»»=£ FLUTTER: KINDA QUICK PITCH VARIATIONS. £=»»:,,,,,
,:»\=@£### BEAUTIFUL, WONDERFUL, EXTRAORDINARY. ###£@=\»:,
,:»\=@£### ###£@=\»:,
,:»\=@£### WOW: A SLOWER FLUTTER, USUALLY SEVERAL ###£@=\»:,
,:»\=@£### SECONDS LONG. WHAT UP. BOTH OF THESE ###£@=\»:,
,:»\\==£## INCREASE WHEN TAPE SPEED DECREASES. ##£==\\»:,
,,,,,::\@# #@\::,,,,,
,,::\\@££# PRINT THROUGH: TAPES RUB SOUND ON EACH #££@\\::,,
,:»\==@@## OTHER IF THEYRE ALONE FOR TOO LONG ##@@==\»:,
,:»\=@£### ###£@=\»:,
,:::»»===£ £===»»:::,
,,:»\==@## ##@==\»:,,
,:»\=@£### ###£@=\»:,
,:»\=@£### ###£@=\»:,
,:»\@£#### ####£@\»:,