.^-\%@#¶## ##¶#@%\-^.
.^-\%@@### ###@@%\-^.
.^-\%@#### ####@%\-^.
.^-\%@#### ####@%\-^.
.^-\%@#¶## ##¶#@%\-^.
......-%@¶ #### ##### ¶@%-......
.....^\\@¶ tape dream ¶@\\^.....
.......-%# #### ##### #%-.......
.....-%%## ##%%-.....
.^-\%@#¶¶# for storing music on. also data but #¶¶#@%\-^.
.....^\@¶# at this point in time that's not #¶@\^.....
.^-\%@#¶## really important i think. ##¶#@%\-^.
.^-\%@#¶## ##¶#@%\-^.
.^-\%@#¶## ##¶#@%\-^.
.^-\%@##¶¶ \\\\\\\\ types of tape \\\\\\\\ ¶¶##@%\-^.
.^-\%@@@¶# #¶@@@%\-^.
...^^\\@@# class i - "bad" iron #@@\\^^...
.^-\%%%%#¶ class ii - good chromium ¶#%%%%\-^.
.^-\%@#¶## class iii - bad iron part two ##¶#@%\-^.
.....-%@¶¶ class iv - dangerous metals ¶¶@%-.....
.^-\%@#¶## ##¶#@%\-^.
.^^-\\\@¶¶ rumors exist about a secret class v tape ¶¶@\\\-^^.
.^-\%@#¶## that is actually useful. ##¶#@%\-^.
.^-\%@#¶## ##¶#@%\-^.
....^\%%## \\ bias \\ ##%%\^....
.^-\@#¶### ###¶#@\-^.
.^-%@#¶### class i uses one hundred and twenty ###¶#@%-^.
.....^-%%# micro-something while the others all #%%-^.....
.^-\%@@@## use seventy of the same unit. ##@@@%\-^.
....^--%%# #%%--^....
.^-\%@#¶## ##¶#@%\-^.
.^-\%@@#¶# %%%%%%%%% aha and %%%%%%%%% #¶#@@%\-^.
.^-\%@#¶## ##¶#@%\-^.
.^-\%@#¶## class iv is apparently too strong to ##¶#@%\-^.
...^--%%%# be used on class i players. it will #%%%--^...
.^-\%@@@## sound too lound and it cannot be ##@@@%\-^.
.^-\\\%#¶¶ completely erased. this is very well. ¶¶#%\\\-^.
.^-\@#¶### maybe some wonderful blending effects ###¶#@\-^.
...^^-%%## could be achieved? ##%%-^^...
.^-\%@#¶## ##¶#@%\-^.
.^-\%@#¶## they also gnaw at the tape heads a bit ##¶#@%\-^.
.^-\%@#### better than earlier tape types. ####@%\-^.
.^-\%@#¶## ##¶#@%\-^.
...^\\@@@# #@@@\\^...
....-\\%#¶ \\\\\\\\ artifacts \\\\\\\\ ¶#%\\-....
.^-\@#¶### ###¶#@\-^.
.^-\%@#¶## good tapes are decent and have a good ##¶#@%\-^.
....--%#¶# high frequency presence, bad tapes are #¶#%--....
.....^^\%# lofi if not outright bad. idk, i kinda #%\^^.....
.....^^\@# like it. #@\^^.....
......--%# #%--......
^-\%@#¶### bias loss: if you forget the bias who ###¶#@%\-^
.^-\%@#¶## knows whats even on there anymore ##¶#@%\-^.
.^-\%@#¶## ##¶#@%\-^.
.^-\%@#¶## flutter: kinda quick pitch variations. ##¶#@%\-^.
......-%%# beautiful, wonderful, extraordinary. #%%-......
....^\@@@¶ ¶@@@\^....
.^-\\\@@¶¶ wow: a slower flutter, usually several ¶¶@@\\\-^.
.^-\%@¶### seconds long. what up. both of these ###¶@%\-^.
....-\%%@# increase when tape speed decreases. #@%%\-....
.^-\%@#¶¶¶ ¶¶¶#@%\-^.
.^-\%@#¶## print through: tapes rub sound on each ##¶#@%\-^.
...^--\@#¶ other if theyre alone for too long ¶#@\--^...
.^-\%@¶### ###¶@%\-^.
.^-\%@##¶¶ ¶¶##@%\-^.
.^-\%@#¶## ##¶#@%\-^.
....^-%@## ##@%-^....
.^-\%@#¶## ##¶#@%\-^.
.^-\%@#### ####@%\-^.