.....-;£## ##£;-.....
.-«;^££### ###££^;«-.
......-;££ ££;-......
...--;^££# #££^;--...
....-;£££# #£££;-....
.-«;^££### #### ##### ###££^;«-.
.-«;^££### TAPE DREAM ###££^;«-.
....-;;££# #### ##### #££;;-....
.....-;^££ ££^;-.....
.-«;^££### FOR STORING MUSIC ON. ALSO DATA BUT ###££^;«-.
......«^££ AT THIS POINT IN TIME THAT'S NOT ££^«......
....-;^£## REALLY IMPORTANT I THINK. ##£^;-....
.-«;^££### ###££^;«-.
.-«;^££### ###££^;«-.
.-«;^££### ;;;;;;;; TYPES OF TAPE ;;;;;;;; ###££^;«-.
.-«;^££### ###££^;«-.
......-;££ CLASS I - "BAD" IRON ££;-......
..-«;;;;££ CLASS II - GOOD CHROMIUM ££;;;;«-..
.-«;^£££££ CLASS III - BAD IRON PART TWO £££££^;«-.
......«^£# CLASS IV - DANGEROUS METALS #£^«......
.-«;^£#### ####£^;«-.
.-«;^££### RUMORS EXIST ABOUT A SECRET CLASS V TAPE ###££^;«-.
.-«;^££### THAT IS ACTUALLY USEFUL. ###££^;«-.
.-;^££#### ####££^;-.
.....«^£## ;; BIAS ;; ##£^«.....
......«;^£ £^;«......
.-«;;^^£££ CLASS I USES ONE HUNDRED AND TWENTY £££^^;;«-.
...--;^^££ MICRO-SOMETHING WHILE THE OTHERS ALL ££^^;--...
.....--«^£ USE SEVENTY OF THE SAME UNIT. £^«--.....
....-«;£## ##£;«-....
.....«;;£# #£;;«.....
.-«««^^^£# ^^^^^^^^^ AHA AND ^^^^^^^^^ #£^^^«««-.
.-«;^££### ###££^;«-.
.-«;^££### CLASS IV IS APPARENTLY TOO STRONG TO ###££^;«-.
.-«;^££### BE USED ON CLASS I PLAYERS. IT WILL ###££^;«-.
....«;^£## SOUND TOO LOUND AND IT CANNOT BE ##£^;«....
.-«;^£#### COMPLETELY ERASED. THIS IS VERY WELL. ####£^;«-.
.-«;^££### MAYBE SOME WONDERFUL BLENDING EFFECTS ###££^;«-.
.-«;^££### COULD BE ACHIEVED? ###££^;«-.
....--;£££ £££;--....
-«;^££#### THEY ALSO GNAW AT THE TAPE HEADS A BIT ####££^;«-
......««^£ BETTER THAN EARLIER TAPE TYPES. £^««......
.-«;^££### ###££^;«-.
.....-;;£# #£;;-.....
.-«;;;^£## ;;;;;;;; ARTIFACTS ;;;;;;;; ##£^;;;«-.
.-«;;;;££# #££;;;;«-.
.....«^£## GOOD TAPES ARE DECENT AND HAVE A GOOD ##£^«.....
....«^^^^£ HIGH FREQUENCY PRESENCE, BAD TAPES ARE £^^^^«....
.-«««;£££# LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA #£££;«««-.
.-«;^££### LIKE IT. ###££^;«-.
....--«^£# #£^«--....
.-«;^££### BIAS LOSS: IF YOU FORGET THE BIAS WHO ###££^;«-.
....--;;££ KNOWS WHATS EVEN ON THERE ANYMORE ££;;--....
.-«;;;^£## ##£^;;;«-.
.-«;^££### FLUTTER: KINDA QUICK PITCH VARIATIONS. ###££^;«-.
.....«^££# BEAUTIFUL, WONDERFUL, EXTRAORDINARY. #££^«.....
.-«;^££### ###££^;«-.
.-««««^££# WOW: A SLOWER FLUTTER, USUALLY SEVERAL #££^««««-.
.-«;^££### SECONDS LONG. WHAT UP. BOTH OF THESE ###££^;«-.
.-«;^£#### INCREASE WHEN TAPE SPEED DECREASES. ####£^;«-.
.-«;^££### ###££^;«-.
.--«««^£## PRINT THROUGH: TAPES RUB SOUND ON EACH ##£^«««--.
.-«;^££### OTHER IF THEYRE ALONE FOR TOO LONG ###££^;«-.
.....«;££# #££;«.....
......-;^£ £^;-......
.....«;^££ ££^;«.....
.....«;^££ ££^;«.....
.--««;^£££ £££^;««--.
.-«;^£££## ##£££^;«-.