.-~:†&¤#@# #@#¤&†:~-.
.-~:†&&&&¤ ¤&&&&†:~-.
.......~†¤ ¤†~.......
....-~:†¤# #¤†:~-....
.-~:†&¤#@# #@#¤&†:~-.
.....-:†&¤ @@@@ ##### ¤&†:-.....
.-~:†&¤#@# TAPE DREAM #@#¤&†:~-.
.-~:†&¤#@# #### @@@@@ #@#¤&†:~-.
....--~†¤¤ ¤¤†~--....
.-~:††&¤¤¤ FOR STORING MUSIC ON. ALSO DATA BUT ¤¤¤&††:~-.
......~:&¤ AT THIS POINT IN TIME THAT'S NOT ¤&:~......
.-~:&¤#@## REALLY IMPORTANT I THINK. ##@#¤&:~-.
.-~:†&¤#@# #@#¤&†:~-.
......-: #&:-......
.-~:†&¤### :::::::: TYPES OF TAPE :::::::: ###¤&†:~-.
.-~:†&¤#@# #@#¤&†:~-.
.-~:†&¤#@# CLASS I - "BAD" IRON #@#¤&†:~-.
.-~:†&¤#@# CLASS II - GOOD CHROMIUM #@#¤&†:~-.
.-~:†&¤#@# CLASS III - BAD IRON PART TWO #@#¤&†:~-.
...~~††&¤¤ CLASS IV - DANGEROUS METALS ¤¤&††~~...
.-~:†&¤#@# #@#¤&†:~-.
.-~:†&¤@## RUMORS EXIST ABOUT A SECRET CLASS V TAPE ##@¤&†:~-.
.-~:†&¤#@# THAT IS ACTUALLY USEFUL. #@#¤&†:~-.
...-~:†¤## ##¤†:~-...
.-~:::&¤#@ :: BIAS :: @#¤&:::~-.
.-~:†&¤¤¤# #¤¤¤&†:~-.
.-~:†&¤#@# CLASS I USES ONE HUNDRED AND TWENTY #@#¤&†:~-.
.-~:†&¤#@# MICRO-SOMETHING WHILE THE OTHERS ALL #@#¤&†:~-.
.-~:†&¤### USE SEVENTY OF THE SAME UNIT. ###¤&†:~-.
....~†&¤¤# #¤¤&†~....
.-~:†&¤#@# #@#¤&†:~-.
.-~:†&¤##@ ††††††††† AHA AND ††††††††† @##¤&†:~-.
...~::&&¤@ @¤&&::~...
.-~:†††¤## CLASS IV IS APPARENTLY TOO STRONG TO ##¤†††:~-.
....~†&¤## BE USED ON CLASS I PLAYERS. IT WILL ##¤&†~....
.-~:†&¤#@# SOUND TOO LOUND AND IT CANNOT BE #@#¤&†:~-.
.-~:†&¤#@@ COMPLETELY ERASED. THIS IS VERY WELL. @@#¤&†:~-.
.-~:†&¤@## MAYBE SOME WONDERFUL BLENDING EFFECTS ##@¤&†:~-.
.-~†&¤#@## COULD BE ACHIEVED? ##@#¤&†~-.
....-~†&¤¤ ¤¤&†~-....
.-~:†&¤#@# THEY ALSO GNAW AT THE TAPE HEADS A BIT #@#¤&†:~-.
.-~:†&¤¤## BETTER THAN EARLIER TAPE TYPES. ##¤¤&†:~-.
.-~:†&¤### ###¤&†:~-.
.-~:†&¤### ###¤&†:~-.
.-~:†&¤#@# :::::::: ARTIFACTS :::::::: #@#¤&†:~-.
.-~:†&¤#@# #@#¤&†:~-.
.-~:†&&&¤@ GOOD TAPES ARE DECENT AND HAVE A GOOD @¤&&&†:~-.
.-~:†&¤#@# HIGH FREQUENCY PRESENCE, BAD TAPES ARE #@#¤&†:~-.
.-~:::&&¤@ LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA @¤&&:::~-.
....--:@ LIKE IT. @#&:--....
.-~:†&¤### ###¤&†:~-.
.-~:†&¤#@# BIAS LOSS: IF YOU FORGET THE BIAS WHO #@#¤&†:~-.
.....-~~†¤ KNOWS WHATS EVEN ON THERE ANYMORE ¤†~~-.....
...~:::† #&†:::~...
.-~:†&¤#@# FLUTTER: KINDA QUICK PITCH VARIATIONS. #@#¤&†:~-.
.-~:†&¤¤#@ BEAUTIFUL, WONDERFUL, EXTRAORDINARY. @#¤¤&†:~-.
.....~†¤¤¤ ¤¤¤†~.....
.-~:†@## WOW: A SLOWER FLUTTER, USUALLY SEVERAL ##@#&†:~-.
.--~::&¤## SECONDS LONG. WHAT UP. BOTH OF THESE ##¤&::~--.
....--~† INCREASE WHEN TAPE SPEED DECREASES. #&†~--....
.-~~::&¤¤@ @¤¤&::~~-.
.-~:†&¤@## PRINT THROUGH: TAPES RUB SOUND ON EACH ##@¤&†:~-.
.-~:†††¤¤# OTHER IF THEYRE ALONE FOR TOO LONG #¤¤†††:~-.
.-~:†&&# ##&&&†:~-.
.-~:†&¤#@# #@#¤&†:~-.
.-~:†&¤### ###¤&†:~-.
.-:†&¤#@## ##@#¤&†:-.
....-:††¤@ @¤††:-....
....-~~† #&†~~-....