.,;$@&@### ###@&@$;,.
..,;$@&@## ##@&@$;,..
...,;$@&@# #@&@$;,...
....,;$@&@ @&@$;,....
...,;$@&@# #@&@$;,...
..,;$@&@## #### ##### ##@&@$;,..
.,;$@&@### TAPE DREAM ###@&@$;,.
..,;$@&@## #### ##### ##@&@$;,..
...,;$@&@# #@&@$;,...
....,;$@&@ FOR STORING MUSIC ON. ALSO DATA BUT @&@$;,....
...,;$@&@# AT THIS POINT IN TIME THAT'S NOT #@&@$;,...
..,;$@&@## REALLY IMPORTANT I THINK. ##@&@$;,..
.,;$@&@### ###@&@$;,.
..,;$@&@## ##@&@$;,..
...,;$@&@# ;;;;;;;; TYPES OF TAPE ;;;;;;;; #@&@$;,...
....,;$@&@ @&@$;,....
...,;$@&@# CLASS I - "BAD" IRON #@&@$;,...
..,;$@&@## CLASS II - GOOD CHROMIUM ##@&@$;,..
.,;$@&@### CLASS III - BAD IRON PART TWO ###@&@$;,.
..,;$@&@## CLASS IV - DANGEROUS METALS ##@&@$;,..
...,;$@&@# #@&@$;,...
....,;$@&@ RUMORS EXIST ABOUT A SECRET CLASS V TAPE @&@$;,....
...,;$@&@# THAT IS ACTUALLY USEFUL. #@&@$;,...
..,;$@&@## ##@&@$;,..
.,;$@&@### ;; BIAS ;; ###@&@$;,.
..,;$@&@## ##@&@$;,..
...,;$@&@# CLASS I USES ONE HUNDRED AND TWENTY #@&@$;,...
....,;$@&@ MICRO-SOMETHING WHILE THE OTHERS ALL @&@$;,....
...,;$@&@# USE SEVENTY OF THE SAME UNIT. #@&@$;,...
..,;$@&@## ##@&@$;,..
.,;$@&@### ###@&@$;,.
..,;$@&@## $$$$$$$$$ AHA AND $$$$$$$$$ ##@&@$;,..
...,;$@&@# #@&@$;,...
....,;$@&@ CLASS IV IS APPARENTLY TOO STRONG TO @&@$;,....
...,;$@&@# BE USED ON CLASS I PLAYERS. IT WILL #@&@$;,...
..,;$@&@## SOUND TOO LOUND AND IT CANNOT BE ##@&@$;,..
.,;$@&@### COMPLETELY ERASED. THIS IS VERY WELL. ###@&@$;,.
..,;$@&@## MAYBE SOME WONDERFUL BLENDING EFFECTS ##@&@$;,..
...,;$@&@# COULD BE ACHIEVED? #@&@$;,...
....,;$@&@ @&@$;,....
...,;$@&@# THEY ALSO GNAW AT THE TAPE HEADS A BIT #@&@$;,...
..,;$@&@## BETTER THAN EARLIER TAPE TYPES. ##@&@$;,..
.,;$@&@### ###@&@$;,.
..,;$@&@## ##@&@$;,..
...,;$@&@# ;;;;;;;; ARTIFACTS ;;;;;;;; #@&@$;,...
....,;$@&@ @&@$;,....
...,;$@&@# GOOD TAPES ARE DECENT AND HAVE A GOOD #@&@$;,...
..,;$@&@## HIGH FREQUENCY PRESENCE, BAD TAPES ARE ##@&@$;,..
.,;$@&@### LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA ###@&@$;,.
..,;$@&@## LIKE IT. ##@&@$;,..
...,;$@&@# #@&@$;,...
....,;$@&@ BIAS LOSS: IF YOU FORGET THE BIAS WHO @&@$;,....
...,;$@&@# KNOWS WHATS EVEN ON THERE ANYMORE #@&@$;,...
..,;$@&@## ##@&@$;,..
.,;$@&@### FLUTTER: KINDA QUICK PITCH VARIATIONS. ###@&@$;,.
..,;$@&@## BEAUTIFUL, WONDERFUL, EXTRAORDINARY. ##@&@$;,..
...,;$@&@# #@&@$;,...
....,;$@&@ WOW: A SLOWER FLUTTER, USUALLY SEVERAL @&@$;,....
...,;$@&@# SECONDS LONG. WHAT UP. BOTH OF THESE #@&@$;,...
..,;$@&@## INCREASE WHEN TAPE SPEED DECREASES. ##@&@$;,..
.,;$@&@### ###@&@$;,.
..,;$@&@## PRINT THROUGH: TAPES RUB SOUND ON EACH ##@&@$;,..
...,;$@&@# OTHER IF THEYRE ALONE FOR TOO LONG #@&@$;,...
....,;$@&@ @&@$;,....
...,;$@&@# #@&@$;,...
..,;$@&@## ##@&@$;,..
.,;$@&@### ###@&@$;,.
..,;$@&@## ##@&@$;,..
...,;$@&@# #@&@$;,...