,,-;**&@@@ @@@&**;-,,
,,,,,-*&&@ @&&*-,,,,,
,,-;**&### ###&**;-,,
,,-;*****@ @*****;-,,
,,,,,,-*&& &&*-,,,,,,
,,-;**&@## #### ##### ##@&**;-,,
,,-;**&@## TAPE DREAM ##@&**;-,,
,,,,,--;*& #### ##### &*;--,,,,,
,,,,--*&&& &&&*--,,,,
,,-;**&@## FOR STORING MUSIC ON. ALSO DATA BUT ##@&**;-,,
,,-;**&@## AT THIS POINT IN TIME THAT'S NOT ##@&**;-,,
,,,,,--;*@ REALLY IMPORTANT I THINK. @*;--,,,,,
,,,,,-***& &***-,,,,,
,,-;**&### ###&**;-,,
,,-;**&@@# ;;;;;;;; TYPES OF TAPE ;;;;;;;; #@@&**;-,,
,,,,,,,;*& &*;,,,,,,,
,,-;**&### CLASS I - "BAD" IRON ###&**;-,,
,,,,,-**&& CLASS II - GOOD CHROMIUM &&**-,,,,,
,,-;**&@## CLASS III - BAD IRON PART TWO ##@&**;-,,
,,-;**&@## CLASS IV - DANGEROUS METALS ##@&**;-,,
,,-;**@### ###@**;-,,
,,-;**&@## RUMORS EXIST ABOUT A SECRET CLASS V TAPE ##@&**;-,,
,,,-;;;*&& THAT IS ACTUALLY USEFUL. &&*;;;-,,,
,,-;**&@## ##@&**;-,,
,,-;**&@## ;; BIAS ;; ##@&**;-,,
,,-;**&@## ##@&**;-,,
,,,,,;*&&# CLASS I USES ONE HUNDRED AND TWENTY #&&*;,,,,,
,,-;**&@## MICRO-SOMETHING WHILE THE OTHERS ALL ##@&**;-,,
,,-;**&@## USE SEVENTY OF THE SAME UNIT. ##@&**;-,,
,,-;**&@## ##@&**;-,,
,,,,,-**&# #&**-,,,,,
,,-;**&@## ********* AHA AND ********* ##@&**;-,,
,,,,,-;**& &**;-,,,,,
,,;**&@### CLASS IV IS APPARENTLY TOO STRONG TO ###@&**;,,
,,-;***&&# BE USED ON CLASS I PLAYERS. IT WILL #&&***;-,,
,,-;**&@## SOUND TOO LOUND AND IT CANNOT BE ##@&**;-,,
,,-;**&@## COMPLETELY ERASED. THIS IS VERY WELL. ##@&**;-,,
,,,,,;;**& MAYBE SOME WONDERFUL BLENDING EFFECTS &**;;,,,,,
,,-;**&@## COULD BE ACHIEVED? ##@&**;-,,
,,-;**&@## ##@&**;-,,
,,,,,-;*&@ THEY ALSO GNAW AT THE TAPE HEADS A BIT @&*;-,,,,,
,,-;**&@## BETTER THAN EARLIER TAPE TYPES. ##@&**;-,,
,,-;**&@## ##@&**;-,,
,,,,,,-*&# #&*-,,,,,,
,,-**&@### ;;;;;;;; ARTIFACTS ;;;;;;;; ###@&**-,,
,,-;***&@@ @@&***;-,,
,,,,;***&# GOOD TAPES ARE DECENT AND HAVE A GOOD #&***;,,,,
,,-;**&@## HIGH FREQUENCY PRESENCE, BAD TAPES ARE ##@&**;-,,
,,-;**&@@# LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA #@@&**;-,,
,,-;**&@## LIKE IT. ##@&**;-,,
,,-;**&@## ##@&**;-,,
,,,,,,-*&@ BIAS LOSS: IF YOU FORGET THE BIAS WHO @&*-,,,,,,
,,,,--**@# KNOWS WHATS EVEN ON THERE ANYMORE #@**--,,,,
,,-;***&@@ @@&***;-,,
,,-;**&@## FLUTTER: KINDA QUICK PITCH VARIATIONS. ##@&**;-,,
,,-;**&### BEAUTIFUL, WONDERFUL, EXTRAORDINARY. ###&**;-,,
,,-;**&@## ##@&**;-,,
,,-;**&@## WOW: A SLOWER FLUTTER, USUALLY SEVERAL ##@&**;-,,
,,-;**&@## SECONDS LONG. WHAT UP. BOTH OF THESE ##@&**;-,,
,,-;**&@## INCREASE WHEN TAPE SPEED DECREASES. ##@&**;-,,
,,-;**&@## ##@&**;-,,
,,,,,--**& PRINT THROUGH: TAPES RUB SOUND ON EACH &**--,,,,,
,,,,-;**@@ OTHER IF THEYRE ALONE FOR TOO LONG @@**;-,,,,
,,-;**&@## ##@&**;-,,
,,,,;***&& &&***;,,,,
,,,,,--;*& &*;--,,,,,
,,-;**&@## ##@&**;-,,
,,-;**&@@@ @@@&**;-,,
,,-;**&### ###&**;-,,