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.¤.......¤ #### ##### .¤.¤..¤.¤¤
.¤......¤. TAPE DREAM .¤.¤.¤¤..¤
.¤.....¤¤. #### ##### .¤.¤..¤.¤¤
.¤....¤.¤. .¤.¤.¤¤..¤
.¤...¤¤.¤. FOR STORING MUSIC ON. ALSO DATA BUT .¤.¤..¤.¤¤
.¤..¤.¤.¤. AT THIS POINT IN TIME THAT'S NOT .¤.¤.¤¤..¤
.¤.¤¤.¤.¤. REALLY IMPORTANT I THINK. .¤.¤..¤.¤¤
.¤..¤.¤.¤. .¤.¤.¤¤..¤
.¤.¤¤.¤.¤. .¤.¤..¤.¤¤
.¤..¤.¤.¤. :::::::: TYPES OF TAPE :::::::: .¤.¤.¤¤..¤
.¤.¤¤.¤.¤. .¤.¤..¤.¤¤
.¤..¤.¤.¤. CLASS I - "BAD" IRON .¤.¤.¤¤..¤
.¤.¤¤.¤.¤. CLASS II - GOOD CHROMIUM .¤.¤..¤.¤¤
.¤..¤.¤.¤. CLASS III - BAD IRON PART TWO .¤.¤.¤¤..¤
.¤.¤¤.¤.¤. CLASS IV - DANGEROUS METALS .¤.¤..¤.¤¤
.¤..¤.¤.¤. .¤.¤.¤¤..¤
.¤.¤¤.¤.¤. RUMORS EXIST ABOUT A SECRET CLASS V TAPE .¤.¤..¤.¤¤
.¤..¤.¤.¤. THAT IS ACTUALLY USEFUL. .¤.¤.¤¤..¤
.¤.¤¤.¤.¤. .¤.¤..¤.¤¤
.¤..¤.¤.¤. :: BIAS :: .¤.¤.¤¤..¤
.¤.¤¤.¤.¤. .¤.¤..¤.¤¤
.¤..¤.¤.¤. CLASS I USES ONE HUNDRED AND TWENTY .¤.¤.¤¤..¤
.¤.¤¤.¤.¤. MICRO-SOMETHING WHILE THE OTHERS ALL .¤.¤..¤.¤¤
.¤..¤.¤.¤. USE SEVENTY OF THE SAME UNIT. .¤.¤.¤¤..¤
.¤.¤¤.¤.¤. .¤.¤..¤.¤¤
.¤..¤.¤.¤. .¤.¤.¤¤..¤
.¤.¤¤.¤.¤. ********* AHA AND ********* .¤.¤..¤.¤¤
.¤..¤.¤.¤. .¤.¤.¤¤..¤
.¤.¤¤.¤.¤. CLASS IV IS APPARENTLY TOO STRONG TO .¤.¤..¤.¤¤
.¤..¤.¤.¤. BE USED ON CLASS I PLAYERS. IT WILL .¤.¤.¤¤..¤
.¤.¤¤.¤.¤. SOUND TOO LOUND AND IT CANNOT BE .¤.¤..¤.¤¤
.¤..¤.¤.¤. COMPLETELY ERASED. THIS IS VERY WELL. .¤.¤.¤¤..¤
.¤.¤¤.¤.¤. MAYBE SOME WONDERFUL BLENDING EFFECTS .¤.¤..¤.¤¤
.¤..¤.¤.¤. COULD BE ACHIEVED? .¤.¤.¤¤..¤
.¤.¤¤.¤.¤. .¤.¤..¤.¤¤
.¤..¤.¤.¤. THEY ALSO GNAW AT THE TAPE HEADS A BIT .¤.¤.¤¤..¤
.¤.¤¤.¤.¤. BETTER THAN EARLIER TAPE TYPES. .¤.¤..¤.¤¤
.¤..¤.¤.¤. .¤.¤.¤¤..¤
.¤.¤¤.¤.¤. .¤.¤..¤.¤¤
.¤..¤.¤.¤. :::::::: ARTIFACTS :::::::: .¤.¤.¤¤..¤
.¤.¤¤.¤.¤. .¤.¤..¤.¤¤
.¤..¤.¤.¤. GOOD TAPES ARE DECENT AND HAVE A GOOD .¤.¤.¤¤..¤
.¤.¤¤.¤.¤. HIGH FREQUENCY PRESENCE, BAD TAPES ARE .¤.¤..¤.¤¤
.¤..¤.¤.¤. LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA .¤.¤.¤¤..¤
.¤.¤¤.¤.¤. LIKE IT. .¤.¤..¤.¤¤
.¤..¤.¤.¤. .¤.¤.¤¤..¤
.¤.¤¤.¤.¤. BIAS LOSS: IF YOU FORGET THE BIAS WHO .¤.¤..¤.¤¤
.¤..¤.¤.¤. KNOWS WHATS EVEN ON THERE ANYMORE .¤.¤.¤¤..¤
.¤.¤¤.¤.¤. .¤.¤..¤.¤¤
.¤..¤.¤.¤. FLUTTER: KINDA QUICK PITCH VARIATIONS. .¤.¤.¤¤..¤
.¤.¤¤.¤.¤. BEAUTIFUL, WONDERFUL, EXTRAORDINARY. .¤.¤..¤.¤¤
.¤..¤.¤.¤. .¤.¤.¤¤..¤
.¤.¤¤.¤.¤. WOW: A SLOWER FLUTTER, USUALLY SEVERAL .¤.¤..¤.¤¤
.¤..¤.¤.¤. SECONDS LONG. WHAT UP. BOTH OF THESE .¤.¤.¤¤..¤
.¤.¤¤.¤.¤. INCREASE WHEN TAPE SPEED DECREASES. .¤.¤..¤.¤¤
.¤..¤.¤.¤. .¤.¤.¤¤..¤
.¤.¤¤.¤.¤. PRINT THROUGH: TAPES RUB SOUND ON EACH .¤.¤..¤.¤¤
.¤..¤.¤.¤. OTHER IF THEYRE ALONE FOR TOO LONG .¤.¤.¤¤..¤
.¤.¤¤.¤.¤. .¤.¤..¤.¤¤
.¤..¤.¤.¤. .¤.¤.¤¤..¤
.¤.¤¤.¤.¤. .¤.¤..¤.¤¤
.¤..¤.¤.¤. .¤.¤.¤¤..¤
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