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@#£%**»^.. ..^»**%£#@
#@#£%**»^. .^»**%£#@#
@#£%**»^.. ..^»**%£#@
#@#£%**»^. .^»**%£#@#
@#£%**»^.. @@@@ ##### ..^»**%£#@
#@#£%**»^. TAPE DREAM .^»**%£#@#
@#£%**»^.. #### @@@@@ ..^»**%£#@
#@#£%**»^. .^»**%£#@#
@#£%**»^.. FOR STORING MUSIC ON. ALSO DATA BUT ..^»**%£#@
#@#£%**»^. AT THIS POINT IN TIME THAT'S NOT .^»**%£#@#
@#£%**»^.. REALLY IMPORTANT I THINK. ..^»**%£#@
#@#£%**»^. .^»**%£#@#
@#£%**»^.. ..^»**%£#@
#@#£%**»^. ******** TYPES OF TAPE ******** .^»**%£#@#
@#£%**»^.. ..^»**%£#@
#@#£%**»^. CLASS I - "BAD" IRON .^»**%£#@#
@#£%**»^.. CLASS II - GOOD CHROMIUM ..^»**%£#@
#@#£%**»^. CLASS III - BAD IRON PART TWO .^»**%£#@#
@#£%**»^.. CLASS IV - DANGEROUS METALS ..^»**%£#@
#@#£%**»^. .^»**%£#@#
@#£%**»^.. RUMORS EXIST ABOUT A SECRET CLASS V TAPE ..^»**%£#@
#@#£%**»^. THAT IS ACTUALLY USEFUL. .^»**%£#@#
@#£%**»^.. ..^»**%£#@
#@#£%**»^. ** BIAS ** .^»**%£#@#
@#£%**»^.. ..^»**%£#@
#@#£%**»^. CLASS I USES ONE HUNDRED AND TWENTY .^»**%£#@#
@#£%**»^.. MICRO-SOMETHING WHILE THE OTHERS ALL ..^»**%£#@
#@#£%**»^. USE SEVENTY OF THE SAME UNIT. .^»**%£#@#
@#£%**»^.. ..^»**%£#@
#@#£%**»^. .^»**%£#@#
@#£%**»^.. ********* AHA AND ********* ..^»**%£#@
#@#£%**»^. .^»**%£#@#
@#£%**»^.. CLASS IV IS APPARENTLY TOO STRONG TO ..^»**%£#@
#@#£%**»^. BE USED ON CLASS I PLAYERS. IT WILL .^»**%£#@#
@#£%**»^.. SOUND TOO LOUND AND IT CANNOT BE ..^»**%£#@
#@#£%**»^. COMPLETELY ERASED. THIS IS VERY WELL. .^»**%£#@#
@#£%**»^.. MAYBE SOME WONDERFUL BLENDING EFFECTS ..^»**%£#@
#@#£%**»^. COULD BE ACHIEVED? .^»**%£#@#
@#£%**»^.. ..^»**%£#@
#@#£%**»^. THEY ALSO GNAW AT THE TAPE HEADS A BIT .^»**%£#@#
@#£%**»^.. BETTER THAN EARLIER TAPE TYPES. ..^»**%£#@
#@#£%**»^. .^»**%£#@#
@#£%**»^.. ..^»**%£#@
#@#£%**»^. ******** ARTIFACTS ******** .^»**%£#@#
@#£%**»^.. ..^»**%£#@
#@#£%**»^. GOOD TAPES ARE DECENT AND HAVE A GOOD .^»**%£#@#
@#£%**»^.. HIGH FREQUENCY PRESENCE, BAD TAPES ARE ..^»**%£#@
#@#£%**»^. LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA .^»**%£#@#
@#£%**»^.. LIKE IT. ..^»**%£#@
#@#£%**»^. .^»**%£#@#
@#£%**»^.. BIAS LOSS: IF YOU FORGET THE BIAS WHO ..^»**%£#@
#@#£%**»^. KNOWS WHATS EVEN ON THERE ANYMORE .^»**%£#@#
@#£%**»^.. ..^»**%£#@
#@#£%**»^. FLUTTER: KINDA QUICK PITCH VARIATIONS. .^»**%£#@#
@#£%**»^.. BEAUTIFUL, WONDERFUL, EXTRAORDINARY. ..^»**%£#@
#@#£%**»^. .^»**%£#@#
@#£%**»^.. WOW: A SLOWER FLUTTER, USUALLY SEVERAL ..^»**%£#@
#@#£%**»^. SECONDS LONG. WHAT UP. BOTH OF THESE .^»**%£#@#
@#£%**»^.. INCREASE WHEN TAPE SPEED DECREASES. ..^»**%£#@
#@#£%**»^. .^»**%£#@#
@#£%**»^.. PRINT THROUGH: TAPES RUB SOUND ON EACH ..^»**%£#@
#@#£%**»^. OTHER IF THEYRE ALONE FOR TOO LONG .^»**%£#@#
@#£%**»^.. ..^»**%£#@
#@#£%**»^. .^»**%£#@#
@#£%**»^.. ..^»**%£#@
#@#£%**»^. .^»**%£#@#
@#£%**»^.. ..^»**%£#@
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