,,~**£@@@@ @@@@£**~,,
,,~**£@@@# #@@@£**~,,
,,~**£@@@@ @@@@£**~,,
,,~**£@@## ##@@£**~,,
,,,,,~*£@@ @@£*~,,,,,
,,~**£@@@# @@@@ ##### #@@@£**~,,
,,~**£@@@# Tape Dream #@@@£**~,,
,,~**£@@@@ #### @@@@@ @@@@£**~,,
,,,,***@@@ @@@***,,,,
,,~**£@@@# For Storing Music On. Also Data But #@@@£**~,,
,,,,,,,~*@ At This Point In Time That'S Not @*~,,,,,,,
,,,,~**££@ Really Important I Think. @££**~,,,,
,,,,,,~*£@ @£*~,,,,,,
,,,,,~*£@@ @@£*~,,,,,
,,,,,,,~*@ ******** Types Of Tape ******** @*~,,,,,,,
,,,,,,**@@ @@**,,,,,,
,,~**£@@## Class I - "Bad" Iron ##@@£**~,,
,,~**£@@@# Class Ii - Good Chromium #@@@£**~,,
,,,,,,~*@@ Class Iii - Bad Iron Part Two @@*~,,,,,,
,,,,,,~*£@ Class Iv - Dangerous Metals @£*~,,,,,,
,,,,,,~**@ @**~,,,,,,
,,,,,~*£@@ Rumors Exist About A Secret Class V Tape @@£*~,,,,,
,,~*****@@ That Is Actually Useful. @@*****~,,
,,,~**££@@ @@££**~,,,
,,,,,~**£@ ** Bias ** @£**~,,,,,
,,~**£@@@# #@@@£**~,,
,,~**£@@@@ Class I Uses One Hundred And Twenty @@@@£**~,,
,,~*****£@ Micro-Something While The Others All @£*****~,,
,,~**£@@@@ Use Seventy Of The Same Unit. @@@@£**~,,
,,~**£@@@# #@@@£**~,,
,,,,,,**@@ @@**,,,,,,
,,~**£@@@# ********* Aha And ********* #@@@£**~,,
,,,,,,~**@ @**~,,,,,,
,,~**£@@## Class Iv Is Apparently Too Strong To ##@@£**~,,
,,,,,~*@@@ Be Used On Class I Players. It Will @@@*~,,,,,
,,~**£@@@# Sound Too Lound And It Cannot Be #@@@£**~,,
,,~**£@@@@ Completely Erased. This Is Very Well. @@@@£**~,,
,,~**£@@@# Maybe Some Wonderful Blending Effects #@@@£**~,,
,,~**£@@@@ Could Be Achieved? @@@@£**~,,
,,~****@@@ @@@****~,,
,,,,,,,**@ They Also Gnaw At The Tape Heads A Bit @**,,,,,,,
,,,,~**@@@ Better Than Earlier Tape Types. @@@**~,,,,
,,,,,,**£@ @£**,,,,,,
,,,,~~*@@@ @@@*~~,,,,
,,,,,,,**@ ******** Artifacts ******** @**,,,,,,,
,,,~**££@@ @@££**~,,,
,,,,~**@@@ Good Tapes Are Decent And Have A Good @@@**~,,,,
,,,,,,*£@@ High Frequency Presence, Bad Tapes Are @@£*,,,,,,
,,~**£@@@# Lofi If Not Outright Bad. Idk, I Kinda #@@@£**~,,
,,~**£@@@# Like It. #@@@£**~,,
,,~**£@@@# #@@@£**~,,
,,~**£@@@# Bias Loss: If You Forget The Bias Who #@@@£**~,,
,,,,**£@@@ Knows Whats Even On There Anymore @@@£**,,,,
,,~**@@@## ##@@@**~,,
,,,,***£@@ Flutter: Kinda Quick Pitch Variations. @@£***,,,,
,,~**£@@@@ Beautiful, Wonderful, Extraordinary. @@@@£**~,,
,,~**£@@@# #@@@£**~,,
,,~**£@@## Wow: A Slower Flutter, Usually Several ##@@£**~,,
,,,,,,~*£@ Seconds Long. What Up. Both Of These @£*~,,,,,,
,,~**££@@@ Increase When Tape Speed Decreases. @@@££**~,,
,,~**£@@## ##@@£**~,,
,,,,~*£££@ Print through: Tapes Rub Sound On Each @£££*~,,,,
,,,,~***£@ Other If Theyre Alone For Too Long @£***~,,,,
,,,,,,,~*@ @*~,,,,,,,
,,,,****@@ @@****,,,,
,,~**£@@@# #@@@£**~,,
,,,,,,,*£@ @£*,,,,,,,
,,~**£@@@# #@@@£**~,,
,,~**£@@@# #@@@£**~,,