##¶§¤%^»:. .:»^%¤§¶##
##¶§¤%^»:. .:»^%¤§¶##
##¶§¤%^»:. .:»^%¤§¶##
¶¶§§¤%^»:. .:»^%¤§§¶¶
§§%^^^^»:. .:»^^^^%§§
#¶¶§¤%^»:. L U S H .:»^%¤§¶¶#
¶¶§%%^^»:. A R P E G G I O .:»^^%%§¶¶
§%»»»:.... . . . . . . . . . . ....:»»»%§
¶¤^^»:.... ....:»^^¤¶
#§%%^^^»:. WHAT ARE THESE THINGS IF NOT BIRDSONG? .:»^^^%%§#
##¶§¤%^»:. BLACKBIRD + NOISE CASCADE. .:»^%¤§¶##
§%^:...... ......:^%§
§§¤^^».... THE COMMODORE SOUND MAYBE. DIRTY, ....»^^¤§§
##¶§¤%^»:. MIRRORING, DISTORTED FLUTE, .:»^%¤§¶##
¶¶¶§¤%^»:. .:»^%¤§¶¶¶
¶¶§§¤%^»:. . . . . . .. .:»^%¤§§¶¶
##¶§¤%^»:. .:»^%¤§¶##
###¶¤%^»:. DDRREEAAMMYY SSLLIIDDEESS .:»^%¤¶###
##¶§¤%^»:. .:»^%¤§¶##
##¶§¤%^»:. MIRAGES IN SOUND. ARPEGGIOS, CHORDS .:»^%¤§¶##
§¤%^:..... MULTIPLEXED IN THE TIME DOMAIN, .....:^%¤§
§%»::..... .....::»%§
##¶§¤%^»:. REFACTORED, REFRACTORED, REMADE .:»^%¤§¶##
##¶§¤%^»:. : : . . . .:»^%¤§¶##
¶¶§%»»»:.. ^ ^ ^ ^ % ^ ..:»»»%§¶¶
##¶§¤%^»:. ¤ % ¤ % ¤ ¤ ¤ ¤ % .:»^%¤§¶##
##¶§¤%^»:. # # # # # .:»^%¤§¶##
¶¶§%%%^»:. .:»^%%%§¶¶
##¶§¤%^»:. .:»^%¤§¶##
##¶§¤%^»:. .:»^%¤§¶##
#§§%^».... ....»^%§§#
¶¤¤%^»»::. .::»»^%¤¤¶
##¶§¤%^»:. .:»^%¤§¶##