¨,~=*&£@## ##@£&*=~,¨
¨¨,~=*&£@# #@£&*=~,¨¨
¨,~=*&£@## ##@£&*=~,¨
¨¨,~=*&£@# #@£&*=~,¨¨
¨,~=*&£@## ##@£&*=~,¨
¨¨,~=*&£@# the last song on side b (and to some #@£&*=~,¨¨
¨,~=*&£@## extent the first song on side a) talks ##@£&*=~,¨
¨¨,~=*&£@# for the whole album, not just their #@£&*=~,¨¨
¨,~=*&£@## side. the last song on side b is ##@£&*=~,¨
¨¨,~=*&£@# probably the most important #@£&*=~,¨¨
¨,~=*&£@## opportunity, the most charged slot. ##@£&*=~,¨
¨¨,~=*&£@# #@£&*=~,¨¨
¨,~=*&£@## ¨@#@¨ ##@£&*=~,¨
¨¨,~=*&£@# #@£&*=~,¨¨
¨,~=*&£@## the album is a singularity, an anomaly ##@£&*=~,¨
¨¨,~=*&£@# in spacetime, a creature that knows #@£&*=~,¨¨
¨,~=*&£@## exactly how beautiful it is. ##@£&*=~,¨
¨¨,~=*&£@# ¨ #@£&*=~,¨¨
¨,~=*&£@## and the thing is: it sees itself in ##@£&*=~,¨
¨¨,~=*&£@# three d. it knows that it's dying. #@£&*=~,¨¨
¨,~=*&£@## ##@£&*=~,¨
¨¨,~=*&£@# **&&**&&**&&**&&**&££&**&&**&&**&&**&&** #@£&*=~,¨¨
¨,~=*&£@## ##@£&*=~,¨
¨¨,~=*&£@# , dolphins and cats , #@£&*=~,¨¨
¨,~=*&£@## bring us ##@£&*=~,¨
¨¨,~=*&£@# ¨ flowers and honey ¨ #@£&*=~,¨¨
¨,~=*&£@## ##@£&*=~,¨
¨¨,~=*&£@# , dolphins and cats , #@£&*=~,¨¨
¨,~=*&£@## bring us ##@£&*=~,¨
¨¨,~=*&£@# ¨ fairies and bees ¨ #@£&*=~,¨¨
¨,~=*&£@## ##@£&*=~,¨
¨¨,~=*&£@# our boat is afloat #@£&*=~,¨¨
¨,~=*&£@## on a surface of lilies ##@£&*=~,¨
¨¨,~=*&£@# , dolphins and cats , #@£&*=~,¨¨
¨,~=*&£@## drag us down ##@£&*=~,¨
¨¨,~=*&£@# ¨~* underneath *~¨ #@£&*=~,¨¨
¨,~=*&£@## ##@£&*=~,¨
¨¨,~=*&£@# **&&**&&**&&**&&**&££&**&&**&&**&&**&&** #@£&*=~,¨¨
¨,~=*&£@## ##@£&*=~,¨
¨¨,~=*&£@# side a is foresty, and side b might #@£&*=~,¨¨
¨,~=*&£@## be lizardy. but the last song is full ##@£&*=~,¨
¨¨,~=*&£@# of space. #@£&*=~,¨¨
¨,~=*&£@## ##@£&*=~,¨
¨¨,~=*&£@# #@£&*=~,¨¨
¨,~=*&£@## ##@£&*=~,¨
¨¨,~=*&£@# #@£&*=~,¨¨
¨,~=*&£@## ##@£&*=~,¨