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¤¤...¤¤¤.¤ . . . . . . . . . . ..¤..¤.¤¤.
¤.¤..¤..¤¤ ¤.¤¤.¤¤¤.¤
.¤¤¤.¤¤.¤. WHAT ARE THESE THINGS IF NOT BIRDSONG? .¤¤.¤¤..¤¤
¤¤..¤¤.¤¤¤ BLACKBIRD + NOISE CASCADE. ¤¤.¤¤.¤.¤.
¤.¤.¤.¤¤.. ..¤¤.¤¤¤¤¤
.¤¤¤¤¤¤.¤. THE COMMODORE SOUND MAYBE. DIRTY, ..¤.¤¤....
.¤.....¤¤¤ MIRRORING, DISTORTED FLUTE, ¤.¤¤¤.¤...
.¤¤....¤.. .¤¤..¤¤¤..
.¤.¤...¤¤. . . . . . .. .¤.¤.¤..¤.
.¤¤¤¤..¤.¤ ¤¤¤¤¤¤¤.¤¤
¤¤...¤.¤¤¤ DDRREEAAMMYY SSLLIIDDEESS ¤......¤¤.
¤.¤..¤¤¤.. ¤¤.....¤.¤
.¤¤¤.¤..¤. MIRAGES IN SOUND. ARPEGGIOS, CHORDS ..¤....¤¤¤
¤¤..¤¤¤.¤¤ MULTIPLEXED IN THE TIME DOMAIN, ¤.¤¤...¤..
¤.¤.¤..¤¤. ¤¤¤.¤..¤¤.
¤¤¤¤¤¤.¤.¤ REFACTORED, REFRACTORED, REMADE ...¤¤¤.¤.¤
......¤¤¤¤ , , . . . ...¤..¤¤¤¤
¤.....¤... * * * * * * ...¤¤.¤...
¤¤....¤¤.. % * % * % % % % * ¤..¤.¤¤¤..
¤.¤...¤.¤. # # # # # .¤.¤¤¤..¤.
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