,,,^-^*£## ##£*^-^,,,
,,^-^*£### ###£*^-^,,
,^-^*£#### ####£*^-^,
,,^-^*£### ###£*^-^,,
,,,^-^*£## ##£*^-^,,,
,,,,^-^*£# the last song on side b (and to some #£*^-^,,,,
,,,,,^-^*£ extent the first song on side a) talks £*^-^,,,,,
,,,,,,^-^* for the whole album, not just their *^-^,,,,,,
,,,,,,,^-^ side. the last song on side b is ^-^,,,,,,,
,,,,,,,,^- probably the most important -^,,,,,,,,
,,,,,,,,,^ opportunity, the most charged slot. ^,,,,,,,,,
,,,,,,,,,, ,,,,,,,,,,
,,,,,,,,,, ,###, ,,,,,,,,,,
,,,,,,,,,, ,,,,,,,,,,
,,,,,,,,,, the album is a singularity, an anomaly ,,,,,,,,,,
,,,,,,,,,, in spacetime, a creature that knows ,,,,,,,,,,
,,,,,,,,,^ exactly how beautiful it is. ^,,,,,,,,,
,,,,,,,,^- , -^,,,,,,,,
,,,,,,,^-^ and the thing is: it sees itself in ^-^,,,,,,,
,,,,,,^-^* three d. it knows that it's dying. *^-^,,,,,,
,,,,,^-^*£ £*^-^,,,,,
,,,,^-^*£# ††**††**††**††**††*££*††**††**††**††**†† #£*^-^,,,,
,,,^-^*£## ##£*^-^,,,
,,^-^*£### ^ dolphins and cats ^ ###£*^-^,,
,^-^*£#### bring us ####£*^-^,
,,^-^*£### , flowers and honey , ###£*^-^,,
,,,^-^*£## ##£*^-^,,,
,,,,^-^*£# ^ dolphins and cats ^ #£*^-^,,,,
,,,,,^-^*£ bring us £*^-^,,,,,
,,,,,,^-^* , fairies and bees , *^-^,,,,,,
,,,,,,,^-^ ^-^,,,,,,,
,,,,,,,,^- our boat is afloat -^,,,,,,,,
,,,,,,,,,^ on a surface of lilies ^,,,,,,,,,
,,,,,,,,,, ^ dolphins and cats ^ ,,,,,,,,,,
,,,,,,,,,, drag us down ,,,,,,,,,,
,,,,,,,,,, ,-† underneath †-, ,,,,,,,,,,
,,,,,,,,,, ,,,,,,,,,,
,,,,,,,,,, ††**††**††**††**††*££*††**††**††**††**†† ,,,,,,,,,,
,,,,,,,,,^ ^,,,,,,,,,
,,,,,,,,^- side a is foresty, and side b might -^,,,,,,,,
,,,,,,,^-^ be lizardy. but the last song is full ^-^,,,,,,,
,,,,,,^-^* of space. *^-^,,,,,,
,,,,,^-^*£ £*^-^,,,,,
,,,,^-^*£# #£*^-^,,,,
,,,^-^*£## ##£*^-^,,,
,,^-^*£### ###£*^-^,,
,^-^*£#### ####£*^-^,