@&££;-,,,, ,,,,-;££&@
#@¶&£§;-,, ,,-;§£&¶@#
#@¶&£§;-,, ,,-;§£&¶@#
#@¶&£§;-,, ,,-;§£&¶@#
#@¶&£§;-,, ,,-;§£&¶@#
##@¶&£§-,, the last song on side b (and to some ,,-§£&¶@##
#@¶&£§;-,, extent the first song on side a) talks ,,-;§£&¶@#
#@¶&£§;-,, for the whole album, not just their ,,-;§£&¶@#
#@¶&£§;-,, side. the last song on side b is ,,-;§£&¶@#
##@¶&§;-,, probably the most important ,,-;§&¶@##
@@¶&£§;-,, opportunity, the most charged slot. ,,-;§£&¶@@
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#@¶&£§;-,, ,¶#¶, ,,-;§£&¶@#
¶£§;-,,,,, ,,,,,-;§£¶
@¶¶&£§;-,, the album is a singularity, an anomaly ,,-;§£&¶¶@
##¶&£§;-,, in spacetime, a creature that knows ,,-;§£&¶##
##@¶&§;-,, exactly how beautiful it is. ,,-;§&¶@##
&§;-,,,,,, , ,,,,,,-;§&
#@¶&£§;-,, and the thing is: it sees itself in ,,-;§£&¶@#
#@¶&£§;-,, three d. it knows that it's dying. ,,-;§£&¶@#
¶¶¶&£§;-,, ,,-;§£&¶¶¶
@¶£§;-,,,, §§££§§££§§££§§££§§£&&£§§££§§££§§££§§££§§ ,,,,-;§£¶@
@¶¶&£§;-,, ,,-;§£&¶¶@
&£;;;;,,,, , dolphins and cats , ,,,,;;;;£&
&§§;;---,, bring us ,,---;;§§&
@&£;,,,,,, , flowers and honey , ,,,,,,;£&@
#@¶&£§;-,, ,,-;§£&¶@#
¶£;,,,,,,, , dolphins and cats , ,,,,,,,;£¶
#@¶&£§;-,, bring us ,,-;§£&¶@#
¶&§-,,,,,, , fairies and bees , ,,,,,,-§&¶
#@¶&£§;-,, ,,-;§£&¶@#
#@¶&£§;-,, our boat is afloat ,,-;§£&¶@#
@&&£;;;-,, on a surface of lilies ,,-;;;£&&@
#@¶&£§;-,, , dolphins and cats , ,,-;§£&¶@#
¶£§§§;;-,, drag us down ,,-;;§§§£¶
#@¶&£§;-,, ,-§ underneath §-, ,,-;§£&¶@#
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¶£§;-,,,,, §§££§§££§§££§§££§§£&&£§§££§§££§§££§§££§§ ,,,,,-;§£¶
@@¶&£§;-,, ,,-;§£&¶@@
##@¶&£§-,, side a is foresty, and side b might ,,-§£&¶@##
¶£;;,,,,,, be lizardy. but the last song is full ,,,,,,;;£¶
@@¶&£§;-,, of space. ,,-;§£&¶@@
#@¶&£§;-,, ,,-;§£&¶@#
#@¶&£§;-,, ,,-;§£&¶@#
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