¨.===¤&@## ##@&¤===.¨
¨¨.===¤&@# #@&¤===.¨¨
¨.===¤&@## ##@&¤===.¨
¨¨.===¤&@# #@&¤===.¨¨
¨.===¤&@## ##@&¤===.¨
¨¨.===¤&@# SLIGHTLY DISTORTED SINE, MAYBE A LITTLE #@&¤===.¨¨
¨.===¤&@## TRI/SQ-ISH,,... NO TIPS. BIND VELOCITY ##@&¤===.¨
¨¨.===¤&@# TO SEMITONE, TO FINE TUNE ############## #@&¤===.¨¨
¨.===¤&@## ##### ONE FIFTY BPM ##@&¤===.¨
¨¨.===¤&@# ##### DARK DRONE ¨ #@&¤===.¨¨
¨.===¤&@## ##### MORE AND MORE ##@&¤===.¨
¨¨.===¤&@# ##### CHAOS AND A #@&¤===.¨¨
¨.===¤&@## ##### LITTLE BIT TOO ##@&¤===.¨
¨¨.===¤&@# MUCH #@&¤===.¨¨
¨.===¤&@## A WOMAN AN OCTAVE ABOV ##@&¤===.¨
¨¨.===¤&@# E, A CRUDELY LOOPED AAAH AS A LEAD INSTR #@&¤===.¨¨
¨.===¤&@## UMENT, AND DRUMS FROM THE MICROPHONE (?) ##@&¤===.¨
¨¨.===¤&@# #@&¤===.¨¨
¨.===¤&@## ##@&¤===.¨
¨¨.===¤&@# #@&¤===.¨¨
¨.===¤&@## ##@&¤===.¨
¨¨.===¤&@# #@&¤===.¨¨
¨.===¤&@## ##@&¤===.¨