##@£$%*~., ,.~*%$£@##
#@£$%*~.,, ,,.~*%$£@#
@£$%*~.,,, ,,,.~*%$£@
£$%*~.,,,, ,,,,.~*%$£
@£$%*~.,,, ,,,.~*%$£@
#@£$%*~.,, L U S H ,,.~*%$£@#
##@£$%*~., A R P E G G I O ,.~*%$£@##
#@£$%*~.,, , , , , , , , , , , ,,.~*%$£@#
@£$%*~.,,, ,,,.~*%$£@
£$%*~.,,,, WHAT ARE THESE THINGS IF NOT BIRDSONG? ,,,,.~*%$£
@£$%*~.,,, BLACKBIRD + NOISE CASCADE. ,,,.~*%$£@
#@£$%*~.,, ,,.~*%$£@#
##@£$%*~., THE COMMODORE SOUND MAYBE. DIRTY, ,.~*%$£@##
#@£$%*~.,, MIRRORING, DISTORTED FLUTE, ,,.~*%$£@#
@£$%*~.,,, ,,,.~*%$£@
£$%*~.,,,, , , , , , ,, ,,,,.~*%$£
@£$%*~.,,, ,,,.~*%$£@
#@£$%*~.,, DDRREEAAMMYY SSLLIIDDEESS ,,.~*%$£@#
##@£$%*~., ,.~*%$£@##
#@£$%*~.,, MIRAGES IN SOUND. ARPEGGIOS, CHORDS ,,.~*%$£@#
@£$%*~.,,, MULTIPLEXED IN THE TIME DOMAIN, ,,,.~*%$£@
£$%*~.,,,, ,,,,.~*%$£
@£$%*~.,,, REFACTORED, REFRACTORED, REMADE ,,,.~*%$£@
#@£$%*~.,, . . , , , ,,.~*%$£@#
##@£$%*~., * * * * % * ,.~*%$£@##
#@£$%*~.,, $ % $ % $ $ $ $ % ,,.~*%$£@#
@£$%*~.,,, # # # # # ,,,.~*%$£@
£$%*~.,,,, ,,,,.~*%$£
@£$%*~.,,, ,,,.~*%$£@
#@£$%*~.,, ,,.~*%$£@#
##@£$%*~., ,.~*%$£@##
#@£$%*~.,, ,,.~*%$£@#
@£$%*~.,,, ,,,.~*%$£@