£$%;~¨¨¨¨¨ ¨¨¨¨¨~;%$£
&&$;~¨¨¨¨¨ ¨¨¨¨¨~;$&&
##£&$%;«~¨ ¨~«;%$&£##
#£$;;«¨¨¨¨ ¨¨¨¨«;;$£#
&%««¨¨¨¨¨¨ ¨¨¨¨¨¨««%&
££&&$%;«~¨ L U S H ¨~«;%$&&££
##£&$%;«~¨ A R P E G G I O ¨~«;%$&£##
£&$%«¨¨¨¨¨ ¨ ¨ ¨ ¨ ¨ ¨ ¨ ¨ ¨ ¨ ¨¨¨¨¨«%$&£
##£&$%;«~¨ ¨~«;%$&£##
£&$$;««¨¨¨ WHAT ARE THESE THINGS IF NOT BIRDSONG? ¨¨¨««;$$&£
##£&$%;«~¨ BLACKBIRD + NOISE CASCADE. ¨~«;%$&£##
###£$%;«~¨ ¨~«;%$£###
#£&$%%;«~¨ THE COMMODORE SOUND MAYBE. DIRTY, ¨~«;%%$&£#
##£&$%;«~¨ MIRRORING, DISTORTED FLUTE, ¨~«;%$&£##
££&$;«~~~¨ ¨~~~«;$&££
£&$;;«~~¨¨ ¨ ¨ ¨ ¨ ¨ ¨¨ ¨¨~~«;;$&£
##£&$%;«~¨ ¨~«;%$&£##
##£&$%;«~¨ DDRREEAAMMYY SSLLIIDDEESS ¨~«;%$&£##
&$%%«~¨¨¨¨ ¨¨¨¨~«%%$&
&&&$;;«~~¨ MIRAGES IN SOUND. ARPEGGIOS, CHORDS ¨~~«;;$&&&
£££&$%;«~¨ MULTIPLEXED IN THE TIME DOMAIN, ¨~«;%$&£££
##£&$%;«~¨ ¨~«;%$&£##
££$;~¨¨¨¨¨ REFACTORED, REFRACTORED, REMADE ¨¨¨¨¨~;$££
&$%%%%;«~¨ ~ ~ ¨ ¨ ¨ ¨~«;%%%%$&
##£&$%;«~¨ ; ; ; ; % ; ¨~«;%$&£##
##£&$%;«~¨ $ % $ % $ $ $ $ % ¨~«;%$&£##
#£$$;««¨¨¨ # # # # # ¨¨¨««;$$£#
£&%%%;~¨¨¨ ¨¨¨~;%%%&£
##£&$%;«~¨ ¨~«;%$&£##
##£&$%;«~¨ ¨~«;%$&£##
&&%;;«~¨¨¨ ¨¨¨~«;;%&&
#£&%«~¨¨¨¨ ¨¨¨¨~«%&£#
&%«~¨¨¨¨¨¨ ¨¨¨¨¨¨~«%&