.§§§..§...                                          .§..§.§.§.
§.§§.§§...                                          §§.§§.§.§.
§..§..§..§                                          .§..§.§.§.
§.§§.§§.§.                                          §§.§§.§.§.
§..§..§.§.                                          .§..§.§.§.
§.§§.§§.§.  slightly distorted sine, maybe a little §§.§§.§.§.
§..§..§.§. tri/sq-ish,,...   no tips. bind velocity .§..§.§.§.
§.§§.§§.§. to semitone, to fine tune ############## §§.§§.§.§.
§..§..§.§.                     ##### one fifty bpm  .§..§.§.§.
§.§§.§§.§.                #####      dark drone   . §§.§§.§.§.
§..§..§.§.           #####           more and more  .§..§.§.§.
§.§§.§§.§.      #####                chaos and a    §§.§§.§.§.
§..§..§.§. #####                     little bit too .§..§.§.§.
§.§§.§§.§.                       much               §§.§§.§.§.
§..§..§.§. a woman an octave abov                   .§..§.§.§.
§.§§.§§.§. e, a crudely looped aaah as a lead instr §§.§§.§.§.
§..§..§.§. ument, and drums from the microphone (?) .§..§.§.§.
§.§§.§§.§.                                          §§.§§.§.§.
§..§..§.§.                                          .§..§.§.§.
§.§§.§§.§.                                          §§.§§.§.§.
§..§..§.§.                                          .§..§.§.§.
§.§§.§§.§.                                          §§.§§.§.§.
§..§..§.§.                                          .§..§.§.§.