..~^=£§@## ##@§£=^~..
...~^=£§@# #@§£=^~...
..~^=£§@## ##@§£=^~..
...~^=£§@# #@§£=^~...
..~^=£§@## ##@§£=^~..
...~^=£§@# #### ##### #@§£=^~...
..~^=£§@## TAPE DREAM ##@§£=^~..
...~^=£§@# #### ##### #@§£=^~...
..~^=£§@## ##@§£=^~..
...~^=£§@# FOR STORING MUSIC ON. ALSO DATA BUT #@§£=^~...
..~^=£§@## AT THIS POINT IN TIME THAT'S NOT ##@§£=^~..
...~^=£§@# REALLY IMPORTANT I THINK. #@§£=^~...
..~^=£§@## ##@§£=^~..
...~^=£§@# #@§£=^~...
..~^=£§@## ^^^^^^^^ TYPES OF TAPE ^^^^^^^^ ##@§£=^~..
...~^=£§@# #@§£=^~...
..~^=£§@## CLASS I - "BAD" IRON ##@§£=^~..
...~^=£§@# CLASS II - GOOD CHROMIUM #@§£=^~...
..~^=£§@## CLASS III - BAD IRON PART TWO ##@§£=^~..
...~^=£§@# CLASS IV - DANGEROUS METALS #@§£=^~...
..~^=£§@## ##@§£=^~..
...~^=£§@# RUMORS EXIST ABOUT A SECRET CLASS V TAPE #@§£=^~...
..~^=£§@## THAT IS ACTUALLY USEFUL. ##@§£=^~..
...~^=£§@# #@§£=^~...
..~^=£§@## ^^ BIAS ^^ ##@§£=^~..
...~^=£§@# #@§£=^~...
..~^=£§@## CLASS I USES ONE HUNDRED AND TWENTY ##@§£=^~..
...~^=£§@# MICRO-SOMETHING WHILE THE OTHERS ALL #@§£=^~...
..~^=£§@## USE SEVENTY OF THE SAME UNIT. ##@§£=^~..
...~^=£§@# #@§£=^~...
..~^=£§@## ##@§£=^~..
...~^=£§@# ========= AHA AND ========= #@§£=^~...
..~^=£§@## ##@§£=^~..
...~^=£§@# CLASS IV IS APPARENTLY TOO STRONG TO #@§£=^~...
..~^=£§@## BE USED ON CLASS I PLAYERS. IT WILL ##@§£=^~..
...~^=£§@# SOUND TOO LOUND AND IT CANNOT BE #@§£=^~...
..~^=£§@## COMPLETELY ERASED. THIS IS VERY WELL. ##@§£=^~..
...~^=£§@# MAYBE SOME WONDERFUL BLENDING EFFECTS #@§£=^~...
..~^=£§@## COULD BE ACHIEVED? ##@§£=^~..
...~^=£§@# #@§£=^~...
..~^=£§@## THEY ALSO GNAW AT THE TAPE HEADS A BIT ##@§£=^~..
...~^=£§@# BETTER THAN EARLIER TAPE TYPES. #@§£=^~...
..~^=£§@## ##@§£=^~..
...~^=£§@# #@§£=^~...
..~^=£§@## ^^^^^^^^ ARTIFACTS ^^^^^^^^ ##@§£=^~..
...~^=£§@# #@§£=^~...
..~^=£§@## GOOD TAPES ARE DECENT AND HAVE A GOOD ##@§£=^~..
...~^=£§@# HIGH FREQUENCY PRESENCE, BAD TAPES ARE #@§£=^~...
..~^=£§@## LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA ##@§£=^~..
...~^=£§@# LIKE IT. #@§£=^~...
..~^=£§@## ##@§£=^~..
...~^=£§@# BIAS LOSS: IF YOU FORGET THE BIAS WHO #@§£=^~...
..~^=£§@## KNOWS WHATS EVEN ON THERE ANYMORE ##@§£=^~..
...~^=£§@# #@§£=^~...
..~^=£§@## FLUTTER: KINDA QUICK PITCH VARIATIONS. ##@§£=^~..
...~^=£§@# BEAUTIFUL, WONDERFUL, EXTRAORDINARY. #@§£=^~...
..~^=£§@## ##@§£=^~..
...~^=£§@# WOW: A SLOWER FLUTTER, USUALLY SEVERAL #@§£=^~...
..~^=£§@## SECONDS LONG. WHAT UP. BOTH OF THESE ##@§£=^~..
...~^=£§@# INCREASE WHEN TAPE SPEED DECREASES. #@§£=^~...
..~^=£§@## ##@§£=^~..
...~^=£§@# PRINT THROUGH: TAPES RUB SOUND ON EACH #@§£=^~...
..~^=£§@## OTHER IF THEYRE ALONE FOR TOO LONG ##@§£=^~..
...~^=£§@# #@§£=^~...
..~^=£§@## ##@§£=^~..
...~^=£§@# #@§£=^~...
..~^=£§@## ##@§£=^~..
...~^=£§@# #@§£=^~...
..~^=£§@## ##@§£=^~..