¤¤^==,,,,,                                          ,,,,,==^¤¤
###¤§^==,,                                          ,,==^§¤###
###¤§^==,,                                          ,,==^§¤###
###¤§^==,,                                          ,,==^§¤###
#§^==,,,,,                                          ,,,,,==^§#
###¤§^==,, delay  delay  d,la#  ¤ ^a,  , ,#   =   , ,,==^§¤###
#§§=,,,,,,                                          ,,,,,,=§§#
¤^=,,,,,,,                                          ,,,,,,,=^¤
#¤¤^^=,,,,                                          ,,,,=^^¤¤#
#¤^=,,,,,,                                          ,,,,,,=^¤#
###¤§^==,, "delay" means repetiton or likewise,     ,,==^§¤###
#¤¤§==,,,, but it's mainly useless without          ,,,,==§¤¤#
¤¤¤^=,,,,, feedback,                                ,,,,,=^¤¤¤
#¤^^=,,,,, to allow the delay to eat of it's own    ,,,,,=^^¤#
##¤§§^==,, tail, like one of those eaty serpents.   ,,==^§§¤##
¤§^=,,,,,, thus: it's the serpent effect!           ,,,,,,=^§¤
#¤§=,,,,,,                                          ,,,,,,=§¤#
##§^=,,,,, it's to be revered as a creator of       ,,,,,=^§##
###¤§^==,, ambience and of space, if you treat it   ,,==^§¤###
##§=,,,,,, right. a somewhat more solid and         ,,,,,,=§##
###¤§^==,, slippery sibling of reverb.              ,,==^§¤###
###¤§^==,,                                          ,,==^§¤###
###¤§^==,,                                          ,,==^§¤###
###¤§^==,,                                          ,,==^§¤###
#¤^^^^==,,                                          ,,==^^^^¤#
###¤§^==,,                                          ,,==^§¤###