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.¨.¨¨.=%££ #§†¨,.¨.¨.,¨¨.,¨,%*# ££%=.¨¨.¨.
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.,,¨.~\^£§ #=%,,.¨¨¨,..¨¨¨.,%§# §£^\~.¨,,.
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.,.,.~\*%# % #%*\~.,.,.
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¨^»/†£#@## DIGITAL, THE DIGITAL, TO BECOME DIGITAL ##@#£†/»^¨
¨^-**£¤¶#@ @#¶¤£**-^¨
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¨,«\$££¶## ANCIENT (MESOPOTHAMIA) KNOT MADE OF ##¶££$\«,¨
.,,¨.,~=£@ SYMBOLS. THE ENGLISH TRANSLATION IS @£=~,.¨,,.
¨,¨~~=^£@# "THROUGH NUMBERS". YOU CAN USE THIS #@£^=~~¨,¨
.,~;§%&@## MACHINE TO REMEMBER, PREDICT, OR HIDE. ##@&%§;~,.
.,~†$%§@## ##@§%$†~,.
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..~*%§£&¤@ THOUGH IT MIGHT LOOK LIKE WITCHCRAFT, @¤&£§%*~..
,,..-~%§¤& THE GIFTED CAN TURN ANALOG SIGNALS INTO &¤§%~-..,,
.,-*^££### DIGITAL - THE ANALOG IS IN ITSELF A ###££^*-,.
...,:\*@§# REPRESENTATION OF THE WORLD INSIDE THE #§@*\:,...
,,-^†§#### WORLD, WHICH IS FURTHER ENCODED INTO ####§†^-,,
.,~*%§@£@# DIGITAL (ENCODED IN THE LITERAL SENSE; #@£@§%*~,.
.,¨.,,.\%¶ THE NUMBERS ARE SYMBOLS WHO CARRY THE ¶%\.,,.¨,.
.^-;=£&@## MEANING SEMANTICALLY AND NOT IN THEIR ##@&£=;-^.
¨,»:§£&£#@ SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) @#£&£§:»,¨
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,,.,-/%*@# #@*%/-,.,,
,,,,,,«*@@ VARIOUS SCHEMES EXIST FOR HOW TO @@*«,,,,,,
,.«;*@&@@# INTERPRET AND WORK FURTHER WITH THESE #@@&@*;«.,
,,,.««***& SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ, &***««.,,,
,.«;*@&@## VOR, HYP, MKV). GETTING FAMILIAR WITH ##@&@*;«.,
,.«;*@&@## THESE IS A GOOD START ON YOUR JOURNEY, ##@&@*;«.,
,.«;**@@&# ALTHOUGH EVEN A WIZARD MIGHT ONLY #&@@**;«.,
,,,,,«;;@& «REALLY« KNOW TWO OR THREE IN THEIR &@;;«,,,,,
,..«««*@@@ LIFETIME. @@@*«««..,
¨.»~~»*£@# #@£*»~~».¨
¨:=/%@&### % ###&@%/=:¨
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.,-:†¤£§&# SOME PITFALLS INCLUDE THAT EVEN IF YOU #&§£¤†:-,.
¨,~,:»$†$@ CAN ENCODE THE DIGITAL SYMBOLS @$†$»:,~,¨
.,-†%$£§@# THEMSELVES AS DIGITAL, SOMEHOW IT MUST #@§£$%†-,.
¨~=\%§&@## TERMINATE IN THE ANALOG; IF KNOWLEDGE ##@&§%\=~¨
,:»\=$§&## IS LOST, YOU CAN HAVE SYMBOLS WITH NO ##&§$=\»:,
.^=;§$¤£#@ ROUTE TO THEIR ORIGINAL MEANING, AND @#£¤$§;=^.
,,-=§£#@## THAT WITH THE RIGHT SPELLS AND METHODS ##@#£§=-,,
,-«†^%¤### YOU CAN USE DIGITAL REPRESENTATION FOR ###¤%^†«-,
..=*$*#£## ANALYSIS (MUST BE COMBATTED AT EVERY ##£#*$*=..
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