¨.¨¨.,«\*¤                                          ¤*\«,.¨¨.¨
,..,.«:%*#                                          #*%:«.,..,
..,,~:=@@@                                          @@@=:~,,..
¨.,~:=@§@#                                          #@§@=:~,.¨
,:~:†&@@@#                                          #@@@&†:~:,
¨¨-»=*$@##                                          ##@$*=»-¨¨
¨,¨:-=†$&@           #=$..¨.,.¨¨.¨.,..^%#           @&$†=-:¨,¨
,¨¨,,«/^%#          #*§  "DIGITALITY"  **#          #%^/«,,¨¨,
.,...^~†$$           #=†.¨.,..¨¨,.¨,¨¨**#           $$†~^...,.
¨,.,,¨:«^=                                          =^«:¨,,.,¨
¨¨,.,,==$§                    *                     §$==,,.,¨¨
...,~=/$@#                                          #@$/=~,...
¨¨,:-:*%£# DIGITAL, THE  DIGITAL, TO BECOME DIGITAL #£%*:-:,¨¨
,.-~;=§£@#                                          #@£§=;~-.,
.-~*$$§£##                    *                     ##£§$$*~-.
¨.-=^§$§##                                          ##§$§^=-.¨
,¨.,~†%@£¶   ANCIENT (MESOPOTHAMIA) KNOT MADE OF    ¶£@%†~,.¨,
,.¨,~~==£@   SYMBOLS. THE ENGLISH TRANSLATION IS    @£==~~,¨.,
.¨¨¨.:~=$§    "THROUGH NUMBERS". YOU CAN USE THIS   §$=~:.¨¨¨.
¨..,¨,--;^  MACHINE TO REMEMBER, PREDICT, OR HIDE.  ^;--,¨,..¨
.,,,,:«;$&                                          &$;«:,,,,.
¨,...«:%%#                     %                    #%%:«...,¨
..¨.-;†£##                                          ##£†;-.¨..
¨¨,~^%%§£#   THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,  #£§%%^~,¨¨
¨,«\†%&### THE GIFTED CAN TURN ANALOG SIGNALS INTO  ###&%†\«,¨
.,^»†^$#@#   DIGITAL - THE ANALOG IS IN ITSELF A    #@#$^†»^,.
,,.,~\*@¤¶  REPRESENTATION OF THE WORLD INSIDE THE  ¶¤@*\~,.,,
¨..¨,~\*&@   WORLD, WHICH IS FURTHER ENCODED INTO   @&*\~,¨..¨
.,..¨^=:$£  DIGITAL (ENCODED IN THE LITERAL SENSE;  £$:=^¨..,.
..¨.,.^-*=   THE NUMBERS ARE SYMBOLS WHO CARRY THE  =*-^.,.¨..
¨,¨.,-»;§£   MEANING SEMANTICALLY AND NOT IN THEIR  £§;»-,.¨,¨
¨,¨,:-\^%& SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) &%^\-:,¨,¨
...:~:$&#¶                                          ¶#&$:~:...
¨,:«/$$#¶#                     =                    #¶#$$/«:,¨
.~-†$%§¶##                                          ##¶§%$†-~.
¨¨,»^§%&¶#     VARIOUS SCHEMES EXIST FOR HOW TO     #¶&%§^»,¨¨
¨¨¨,»^§%&¶   INTERPRET AND WORK FURTHER WITH THESE  ¶&%§^»,¨¨¨
¨¨¨¨,»^§%&   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   &%§^»,¨¨¨¨
¨¨¨¨¨,»^§%  VOR, HYP, MKV). GETTING FAMILIAR WITH   %§^»,¨¨¨¨¨
¨¨¨¨¨¨,»^§  THESE IS A GOOD START ON YOUR JOURNEY,  §^»,¨¨¨¨¨¨
¨¨¨¨¨,»^§%    ALTHOUGH EVEN A WIZARD MIGHT ONLY     %§^»,¨¨¨¨¨
¨¨¨¨,»^§%&    »REALLY» KNOW TWO OR THREE IN THEIR   &%§^»,¨¨¨¨
¨¨¨,»^§%&¶                 LIFETIME.                ¶&%§^»,¨¨¨
,.,=†§%@£#                                          #£@%§†=,.,
,,~^$&££##                    %                     ##££&$^~,,
¨.,~^*$&##                                          ##&$*^~,.¨
,¨¨:~/*$&¶  SOME PITFALLS INCLUDE THAT EVEN IF YOU  ¶&$*/~:¨¨,
..,.:»\*$¤      CAN ENCODE THE DIGITAL SYMBOLS      ¤$*\»:.,..
,¨,.¨,~=§¤  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  ¤§=~,¨.,¨,
¨¨,¨..,~;%  TERMINATE IN THE ANALOG; IF KNOWLEDGE   %;~,..¨,¨¨
¨,,,.~«/%£  IS LOST, YOU CAN HAVE SYMBOLS WITH NO   £%/«~.,,,¨
,.¨..==*@¤   ROUTE TO THEIR ORIGINAL MEANING, AND   ¤@*==..¨.,
,.¨.=\=$££  THAT WITH THE RIGHT SPELLS AND METHODS  ££$=\=.¨.,
.,,»/**££@  YOU CAN USE DIGITAL REPRESENTATION FOR  @££**/»,,.
..===¤#£##   ANALYSIS (MUST BE COMBATTED AT EVERY   ##£#¤===..
¨¨,~\%£¤£#               OPPORTUNITY)               #£¤£%\~,¨¨
.,,.-*=£§#                                          #§£=*-.,,.
¨..¨~=*†$@                                          @$†*=~¨..¨
.¨,..~«†*&                                          &*†«~..,¨.
,.¨.,.-«;%                                          %;«-.,.¨.,
..,¨¨^»\†£                                          £†\»^¨¨,..