¨¨.¨..«=†&                                          &†=«..¨.¨¨
,.¨.¨.,«/%                                          %/«,.¨.¨.,
.,¨..¨¨.=†                                          †=.¨¨..¨,.
¨.¨..¨,,.=                                          =.,,¨..¨.¨
¨¨,¨¨.,.»†                                          †».,.¨¨,¨¨
¨¨,¨¨..~^*                                          *^~..¨¨,¨¨
,,.,¨.~^§§           #%%,,...,,,..,,.¨=%#           §§^~.¨,.,,
,,,..«/=££          #%*  "DIGITALITY"  $§#          ££=/«..,,,
.¨¨¨~=*@£@           #=*¨.,¨,¨,,.,,,.¨%%#           @£@*=~¨¨¨.
.¨¨«*†$§¶#                                          #¶§$†*«¨¨.
¨¨»:†$£@##                     *                    ##@£$†:»¨¨
¨-;**&@###                                          ###@&**;-¨
¨,~=†£@¶@# DIGITAL, THE DIGITAL, TO  BECOME DIGITAL #@¶@£†=~,¨
,.,»/**£##                                          ##£**/»,.,
.¨..==§££¶                     %                    ¶££§==..¨.
,,¨,,=/*§¤                                          ¤§*/=,,¨,,
¨,¨.,¨=*=%    ANCIENT (MESOPOTHAMIA) KNOT MADE OF   %=*=¨,.¨,¨
¨,.¨¨..~;%   SYMBOLS. THE ENGLISH TRANSLATION IS    %;~..¨¨.,¨
¨¨,¨,¨¨¨~:   "THROUGH NUMBERS". YOU CAN USE THIS    :~¨¨¨,¨,¨¨
.,,,¨,,,¨»  MACHINE TO REMEMBER, PREDICT, OR HIDE.  »¨,,,¨,,,.
,¨¨,,,,¨»†                                          †»¨,,,,¨¨,
,¨¨¨..¨-^$                     ^                    $^-¨..¨¨¨,
¨¨,.,¨«=%*                                          *%=«¨,.,¨¨
.¨...~^*&£   THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,  £&*^~...¨.
.¨¨¨-:*£&#  THE GIFTED CAN TURN ANALOG SIGNALS INTO #&£*:-¨¨¨.
,¨,~;†*&#@    DIGITAL - THE ANALOG IS IN ITSELF A   @#&*†;~,¨,
¨,«\^$&@##  REPRESENTATION OF THE WORLD INSIDE THE  ##@&$^\«,¨
¨~†*£§####   WORLD, WHICH IS FURTHER ENCODED INTO   ####§£*†~¨
,¨»†^£¤¶##  DIGITAL (ENCODED IN THE LITERAL SENSE;  ##¶¤£^†»¨,
¨.¨~†=%§@#   THE NUMBERS ARE SYMBOLS WHO CARRY THE  #@§%=†~¨.¨
,¨.¨~^%¤&£   MEANING SEMANTICALLY AND NOT IN THEIR  £&¤%^~¨.¨,
.,.¨,»:*%¤ SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) ¤%*:»,¨.,.
¨¨¨,,¨=†%§                                          §%†=¨,,¨¨¨
,...¨¨,=;†                     *                    †;=,¨¨...,
,,¨..¨¨,~;                                          ;~,¨¨..¨,,
¨¨¨¨¨¨¨¨¨-     VARIOUS SCHEMES EXIST FOR HOW TO     -¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨-†   INTERPRET AND WORK FURTHER WITH THESE  †-¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨-†§   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   §†-¨¨¨¨¨¨¨
¨¨¨¨¨¨-†§£   VOR, HYP, MKV). GETTING FAMILIAR WITH  £§†-¨¨¨¨¨¨
¨¨¨¨¨-†§£&  THESE IS A GOOD START ON YOUR JOURNEY,  &£§†-¨¨¨¨¨
¨¨¨¨-†§£&#     ALTHOUGH EVEN A WIZARD MIGHT ONLY    #&£§†-¨¨¨¨
¨¨¨-†§£&##    -REALLY- KNOW TWO OR THREE IN THEIR   ##&£§†-¨¨¨
¨¨-†§£&###                 LIFETIME.                ###&£§†-¨¨
¨»\%§&£###                                          ###£&§%\»¨
¨.»:%%§@##                     *                    ##@§%%:».¨
..,~:$@##@                                          @##@$:~,..
.¨¨¨=*%£&@  SOME PITFALLS INCLUDE THAT EVEN IF YOU  @&£%*=¨¨¨.
....¨~^%$§      CAN ENCODE THE DIGITAL SYMBOLS      §$%^~¨....
.....,~=%§  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  §%=~,.....
¨¨,.¨.,»†*  TERMINATE IN THE ANALOG; IF KNOWLEDGE   *†»,.¨.,¨¨
,¨¨,¨.¨,=:  IS LOST, YOU CAN HAVE SYMBOLS WITH NO   :=,¨.¨,¨¨,
.¨,..¨,¨¨~   ROUTE TO THEIR ORIGINAL MEANING, AND   ~¨¨,¨..,¨.
..¨¨¨¨¨,~\  THAT WITH THE RIGHT SPELLS AND METHODS  \~,¨¨¨¨¨..
....,,.=\=  YOU CAN USE DIGITAL REPRESENTATION FOR  =\=.,,....
,¨..¨¨-/%$   ANALYSIS (MUST BE COMBATTED AT EVERY   $%/-¨¨..¨,
,,,,.~\^$§               OPPORTUNITY)               §$^\~.,,,,
,,.¨=/$£@¶                                          ¶@£$/=¨.,,
..¨«;*$¤¶@                                          @¶¤$*;«¨..
.¨«/*¤¤@@#                                          #@@¤¤*/«¨.
¨~\§§@@###                                          ###@@§§\~¨
,.~^%&¤£@#                                          #@£¤&%^~.,