###@%†:-,¨                                          ¨,-:†%@###
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#@£†/-.¨¨¨                                          ¨¨¨.-/†£@#
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%==-,.¨.¨¨                                          ¨¨.¨.,-==%
;--¨¨,¨,,,           #*^,.,,¨.,,¨...,.§§#           ,,,¨,¨¨--;
»~¨¨,.,,¨.          #†*  "DIGITALITY"  %%#          .¨,,.,¨¨~»
:.¨,,¨¨,¨.           #=*¨,.,.,¨..¨,,,.†=#           .¨,¨¨,,¨.:
,¨..,¨¨.¨¨                                          ¨¨.¨¨,..¨,
:.¨,,,..¨.                    †                     .¨..,,,¨.:
~,¨¨.¨...¨                                          ¨...¨.¨¨,~
==-.,,,,¨, DIGITAL, THE DIGITAL,  TO BECOME DIGITAL ,¨,,,,.-==
$\--¨¨.¨.¨                                          ¨.¨.¨¨--\$
%%\~~¨¨,..                     ^                    ..,¨¨~~\%%
££^*«^,,.¨                                          ¨.,,^«*^££
@@%†;».¨¨.   ANCIENT (MESOPOTHAMIA) KNOT MADE OF    .¨¨.»;†%@@
##@£%/~,,,   SYMBOLS. THE ENGLISH TRANSLATION IS    ,,,~/%£@##
##@@£^;~:.   "THROUGH NUMBERS". YOU CAN USE THIS    .:~;^£@@##
#@£&††«,..  MACHINE TO REMEMBER, PREDICT, OR HIDE.  ..,«††&£@#
##%§=«^.¨,                                          ,¨.^«=§%##
@%*;»..,..                    †                     ..,..»;*%@
¤%^«-¨.¨¨,                                          ,¨¨.¨-«^%¤
^==~¨...¨¨   THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,  ¨¨...¨~==^
*«~..,....  THE GIFTED CAN TURN ANALOG SIGNALS INTO ....,..~«*
~~,,¨.,¨.,   DIGITAL - THE ANALOG IS IN ITSELF A    ,.¨,.¨,,~~
,¨.¨.¨..,,  REPRESENTATION OF THE WORLD INSIDE THE  ,,..¨.¨.¨,
¨¨¨,...¨¨,   WORLD, WHICH IS FURTHER ENCODED INTO   ,¨¨...,¨¨¨
,.,,¨¨¨,..  DIGITAL (ENCODED IN THE LITERAL SENSE;  ..,¨¨¨,,.,
=-¨.¨,¨.,.   THE NUMBERS ARE SYMBOLS WHO CARRY THE  .,.¨,¨.¨-=
†~-¨,,.,¨,   MEANING SEMANTICALLY AND NOT IN THEIR  ,¨,.,,¨-~†
=:~..,¨¨¨. SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) .¨¨¨,..~:=
£%*-^,.,..                                          ..,.,^-*%£
#£*†«^.,.¨                    §                     ¨.,.^«†*£#
##§§;»..,,                                          ,,..»;§§##
###**/«:¨¨     VARIOUS SCHEMES EXIST FOR HOW TO     ¨¨:«/**###
####**/«:¨   INTERPRET AND WORK FURTHER WITH THESE  ¨:«/**####
###**/«:¨¨   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   ¨¨:«/**###
##**/«:¨¨¨  VOR, HYP, MKV). GETTING FAMILIAR WITH   ¨¨¨:«/**##
#**/«:¨¨¨¨  THESE IS A GOOD START ON YOUR JOURNEY,  ¨¨¨¨:«/**#
**/«:¨¨¨¨¨    ALTHOUGH EVEN A WIZARD MIGHT ONLY     ¨¨¨¨¨:«/**
*/«:¨¨¨¨¨¨    «REALLY« KNOW TWO OR THREE IN THEIR   ¨¨¨¨¨¨:«/*
/«:¨¨¨¨¨¨¨                 LIFETIME.                ¨¨¨¨¨¨¨:«/
»-.,,,¨,¨,                                          ,¨,¨,,,.-»
~¨¨,¨.,¨.,                     §                    ,.¨,.¨,¨¨~
¨,¨..,¨¨,.                                          .,¨¨,..¨,¨
,,.¨..,,.¨  SOME PITFALLS INCLUDE THAT EVEN IF YOU  ¨.,,..¨.,,
»,..,¨,...      CAN ENCODE THE DIGITAL SYMBOLS      ...,¨,..,»
^»~.,,,¨..  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  ..¨,,,.~»^
*^-,,,¨¨.¨   TERMINATE IN THE ANALOG; IF KNOWLEDGE  ¨.¨¨,,,-^*
&*=~,..¨¨,  IS LOST, YOU CAN HAVE SYMBOLS WITH NO   ,¨¨..,~=*&
#$%\«..,¨.   ROUTE TO THEIR ORIGINAL MEANING, AND   .¨,..«\%$#
#@§%*=~¨¨¨  THAT WITH THE RIGHT SPELLS AND METHODS  ¨¨¨~=*%§@#
###%%†«-.,  YOU CAN USE DIGITAL REPRESENTATION FOR  ,.-«†%%###
###@@%*«^.   ANALYSIS (MUST BE COMBATTED AT EVERY   .^«*%@@###
#@@%%;=..¨               OPPORTUNITY)               ¨..=;%%@@#
#@§%:-~.,.                                          .,.~-:%§@#
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^».,,,,¨,.                                          .,¨,,,,.»^