##¨§,,.,,. .,¤£,#.@¤.
.&,#..¨,¨& .#¨£.&¨,#¨
#&,@,..¨§. .&.@,#,§&¨
,&¨&¨,.¤¤, ,£.@,§.,§,
#@,£,.¤.§. .¤¨@.#¨¤@¨
,&.£.£#,£. .§,#.#,.¤,
@#¨£¨.¤,§¨ #*=.,.¨,,.¨,¨,¨,,†§# ¨&,@,@,#&¨
,#,&,@§,&, #%^ "DIGITALITY" =%# ,¤,#¨&,.¤.
§¤¨£¨.&¨§¨ #*=¨..,¨¨,.¨..,,¨^*# ,¤,£.@,@&,
.@,§,£@.£. ,£,§.#¨,§,
§@¨#,.@.§, % ¨£.#¨£¨&&.
.¤.&.¤&,#¨ ,@,£.@,.¤¨
£§¨¤,,&.¤¨ DIGITAL, THE DIGITAL, TO BECOME DIGITAL ¨¤¨&,§¨&&,
,£.&,§#.#¨ .#¨#.@,,#.
§§¨¤¨¨&¨&¨ ^ .§.@,§,§§.
.§,#,¤¤,&. .#,£,&¨¨¤.
@#¨¤,.§,#. ANCIENT (MESOPOTHAMIA) KNOT MADE OF ¨@.£¨#,#§,
¨&¨@,@@.#, SYMBOLS. THE ENGLISH TRANSLATION IS ,&,£¨#,.£.
@@.£.¨£¨§. "THROUGH NUMBERS". YOU CAN USE THIS ,#.¤,£¨@#,
.§¨&,@@.§, MACHINE TO REMEMBER, PREDICT, OR HIDE. ,&.@¨£.,£.
§#.§¨,§,¤¨ ¨#¨@,#¨#£¨
.@¨&¨£@¨£, = ¨§¨@.£¨,&,
@£,&¨.¤¨@¨ ,§.#.&,@£.
,¤,&,¤£.&¨ THOUGH IT MIGHT LOOK LIKE WITCHCRAFT, .£,@,&¨.£¨
&£,&,¨£¨#, THE GIFTED CAN TURN ANALOG SIGNALS INTO ¨£,@,#.§¤.
,@,§¨@&.&. DIGITAL - THE ANALOG IS IN ITSELF A .@¨&¨&..£¨
##¨#..¤,¤. REPRESENTATION OF THE WORLD INSIDE THE ¨§,#¨£.#£.
.§.@,&@,§. WORLD, WHICH IS FURTHER ENCODED INTO .¤.&.§,.#¨
§§.¤,¨#,£¨ DIGITAL (ENCODED IN THE LITERAL SENSE; ,@,@¨@¨£@.
.#¨&¨§§¨@. THE NUMBERS ARE SYMBOLS WHO CARRY THE ,£.§,§.,£.
.#.¨&¨¤. MEANING SEMANTICALLY AND NOT IN THEIR .#,&.&.§£¨
¨£.¤.£¤,&¨ SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) ¨£¨#.#..§¨
¤§,£,¨&¨§, ¨£,#,#¨£¤,
,¤,#¨@£,£, § ,§.&¨&¨.&.
@#.&.,@.¤, ,@,¤.@¨§&,
,&,&,&&,&, VARIOUS SCHEMES EXIST FOR HOW TO ,&,&,&,,&,
&&,&,,&,&, INTERPRET AND WORK FURTHER WITH THESE ,&,&,&,&&,
,&,&,&&,&, SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ, ,&,&,&,,&,
&&,&,,&,&, VOR, HYP, MKV). GETTING FAMILIAR WITH ,&,&,&,&&,
,&,&,&&,&, THESE IS A GOOD START ON YOUR JOURNEY, ,&,&,&,,&,
&&,&,,&,&, ALTHOUGH EVEN A WIZARD MIGHT ONLY ,&,&,&,&&,
,&,&,&&,&, »REALLY» KNOW TWO OR THREE IN THEIR ,&,&,&,,&,
&&,&,,&,&, LIFETIME. ,&,&,&,&&,
,¤.£¨&&¨&. .#¨&,¤.¨¤¨
£&¨§..#¨¤. $ .£,¤¨#,¤&.
¨¤¨#¨§@,¤. ¨£.§.@.¨§¨
@¤¨@,¨#.&¨ SOME PITFALLS INCLUDE THAT EVEN IF YOU ,&,£.#¨§§,
.¤¨£,,£¨ CAN ENCODE THE DIGITAL SYMBOLS ,£.&¨&..¤.
¤#¨@,.#,¤¨ THEMSELVES AS DIGITAL, SOMEHOW IT MUST .§.£,@..
,§,§,£§¨&. TERMINATE IN THE ANALOG; IF KNOWLEDGE ¨¤¨#¨#¨.§.
£#,¤.,&,&, IS LOST, YOU CAN HAVE SYMBOLS WITH NO .#.£,¤,@£,
.§.£.¤&,¤¨ ROUTE TO THEIR ORIGINAL MEANING, AND ¨£,@,#¨,£.
£¤¨@.¨@.@. THAT WITH THE RIGHT SPELLS AND METHODS .£,&¨@,&§.
.¤,@.¤£¨@¨ YOU CAN USE DIGITAL REPRESENTATION FOR ¨@.£,§¨¨@,
££¨¤.,§¨&, ANALYSIS (MUST BE COMBATTED AT EVERY ¨£,&¨&¨§¤,
.§,§,£&¨&¨ OPPORTUNITY) ,#.@¨¤¨.#¨
¤#.@..§¨£, .&.@¨¤,&&.
¨§¨¤.£¤.§, ¨&.@,§,¨@.
@£,§¨,§.&, ,#¨£,#,¤¤,
.@.&,&£.§. ,#.@,¤,¨£.
&§.@¨,£,£¨ ,&¨@,£.&@,