¨¨..»*†%#£ £#%†*»..¨¨
,~~*^§*#£¶ ¶£#*§^*~~,
¨,«*§£¤@@# #@@¤£§*«,¨
¨~=^$§##@# #@##§$^=~¨
¨-~^^§§##@ @##§§^^~-¨
.¨,..,=:%@ statuette @%:=,..,¨.
.^-***£&£# #£&£***-^.
..-†^\%¤@# &$£@£*£¤¤$£@@£%£~»-»~=-»§&&%¤@**¤$§%&¤%£ #@¤%\^†-..
¨:«;=#£@## %&&%*$¤$£ ##@£#=;«:¨
.¨.,.«^$#¶ ¶#$^«.,.¨.
,,.-~~†%&@ forests around my childhood home. thick @&%†~~-.,,
.-~/%%§#¶# pine arcades that were planted and #¶#§%%/~-.
¨:~\§$¤¶ forgotten. wild boars roaming ¶#&¤$§\~:¨
,,~^^### underneath, sniffing at the ground. it ####&^^~,,
¨,-/*%¤@## is dark and moist, the canopy having ##@¤%*/-,¨
¨,~/%£#### already soaked up all the sun. ####£%/~,¨
,~-/%£§¶@# #@¶§£%/-~,
¨:»:=$§@#@ there's a river passing by, from east @#@§$=:»:¨
¨..¨¨,»*£& to west, getting broader and deeper and &£*»,¨¨..¨
,¨¨.~/*@££ slower as it goes. equisetum grow just ££@*/~.¨¨,
.,~†§$##@# where the pine hands start to let #@##$§†~,.
,,~†$$£#@# through light, horsemint on the rocky #@#£$$†~,,
.¨-~/;%*£¤ river bed. ¤£*%;/~-¨.
,,.,,,:/$@ @$/:,,,.,,
.-«»;%@£@# : #@£@%;»«-.
¨,..~;:=&£ £&=:;~..,¨
,.=†%@#@@# the riverbanks reek of magic. tonight #@@#@%†=.,
,.¨.,~~%£# they had been a swampworld with sylvan #£%~~,.¨.,
¨^«^^@§### water, stone rings and floating moss. ###§@^^«^¨
¨,,«;:^§@# you could've found me wallowing around #@§^:;«,,¨
¨,~=%£&£@# on the southern shores until i got #@£&£%=~,¨
,:«:*£¶@## bitten. ##@¶£*:«:,
...¨,:=¤¤@ @¤¤=:,¨...
.,=/%&§@## but now i'm further back, on solid ##@§&%/=,.
.,-=%$£¶## ground, in shoulder-high grass, with an ##¶£$%=-,.
,:~/*&¶### orange tin radio and a translucent ###¶&*/~:,
..,...»=%& umbrella which i'm sitting on. &%=»...,..
¨.~^§&§¶#@ @#¶§&§^~.¨
..¨.*=¤£@@ / @@£¤=*.¨..
¨.,¨-.:**¶ ¶**:.-¨,.¨
¨,«\%£¤¶## somethings moving in the grass. it's ##¶¤£%\«,¨
,,=;†$£@## invisible to my eyes but i can feel ##@£$†;=,,
..,,¨.~%%# through the ground just how large it is. #%%~.¨,,..
,¨¨,,,.~%¤ ¤%~.,,,¨¨,
¨,¨.¨:\§%@ the soil is muddy. i slip when trying @%§\:¨.¨,¨
¨,...=~$§¶ to get up, still looking at the ¶§$~=...,¨
.--/=$££## direction of sound rather than at my ##££$=/--.
,-=:†*¤£@# hands, who are busy putting things in #@£¤*†:=-,
.--:%%&@## my pockets. ##@&%%:--.
...,.¨»*§¤ ¤§*»¨.,...
,^«=*¤#@@£ then i run east toward my home. £@@#¤*=«^,
.,,.\=†¤@# #@¤†=\.,,.
.-«^§@¤### † ###¤@§^«-.
.,¨.,»:%$# #$%:»,.¨,.
.:~^%@#### i am not followed, and slow down in the ####@%^~:.
¨,==*§##@# clearing where you at first can spot #@##§*==,¨
¨,=;§&#@ the house, not yet really in the @##&&§;=,¨
,,»==££### backyard. from my pockets i retrieve my ###££==»,,
¨~««*††%£# radio (now dented) but also a small #£%††*««~¨
,-«\$$¤#£@ clay figure i've never seen before. it @£#¤$$\«-,
,~~††**%&@ must have been laying in the wet dirt, @&%**††~~,
.^-††$#@## and i must've picked it up with my ##@#$††-^.
¨...,«:*#& other belongings. *:«,...¨
,-~=^§££#@ @#££§^=~-,
¨-~\=£##@# it's a statuette of a girl laying naked #@##£=\~-¨
,¨..¨,;§ on her stomach, feet in the air, #&§;,¨..¨,
.¨.,.,-† roughly seven centimeters long. it's #&†-,.,.¨.
¨^«=§@## freshly made, not yet completely dried. ###&@§=«^¨
.^~;**£### ###£**;~^.
.~-=†@#@## my mom is here now. i ask her for some ##@#@†=-~.
.,»:^@&¶## particle board for it to dry on, but ##¶&@^:»,.
,^~/%&@¤&& she is worried and wants me to &&¤@&%/~^,
¨.-\^$¤### throw it away. ###¤$^\-.¨
¨..-.-~%&£ £&%~-.-..¨
.-»/*#@@ @@##&*/»-.
¨.^=*=@¤£@ @£¤@=*=^.¨
...:~»%=%& &%=%»~:...
.^=*%@@# #@#&@%*=^.
¨¨¨,.~*^£# #£^*~.,¨¨¨