.¨-»\§%£## ##£%§\»-¨.
.,~*%§£### ###£§%*~,.
.¨,~=%£&@# #@&£%=~,¨.
.¨¨:~^%$ #&$%^~:¨¨.
,.^»^%%§## ##§%%^»^.,
¨:-=§&@### statuette ###@&§=-:¨
.¨--†%$§## ##§$%†--¨.
¨¨¨,-†*£@# %*$$&£*§$%@§$$§@»=~~=«=~££££$%$%§%£&%$%¤ #@£*†-,¨¨¨
,,.~\*¤£@# $$@$$@$¤& #@£¤*\~.,,
,,«/%@## ###&@%/«,,
,¨:~;$£¤## forests around my childhood home. thick ##¤£$;~:¨,
.¨.:~\%¤£# pine arcades that were planted and #£¤%\~:.¨.
.¨^=/*§¤## forgotten. wild boars roaming ##¤§*/=^¨.
¨,»\%§#@## underneath, sniffing at the ground. it ##@#§%\»,¨
,¨-«:*£# is dark and moist, the canopy having ##&£*:«-¨,
¨¨,.=;^@£# already soaked up all the sun. #£@^;=.,¨¨
¨¨,«=$$§@# #@§$$=«,¨¨
.~~:*££### there's a river passing by, from east ###££*:~~.
,,:«^^§# to west, getting broader and deeper and ##&§^^«:,,
,,.~~*^§§@ slower as it goes. equisetum grow just @§§^*~~.,,
¨,,«\%£¤## where the pine hands start to let ##¤£%\«,,¨
.~=;$*§### through light, horsemint on the rocky ###§*$;=~.
...~;^§£@# river bed. #@£§^;~...
,..~=*^££# #££^*=~..,
..,~*%@§## ^ ##§@%*~,..
,.===*@### ###@*===.,
,.-»*%*§## the riverbanks reek of magic. tonight ##§*%*»-.,
,,,-»†^&§# they had been a swampworld with sylvan #§&^†»-,,,
,.,~†*¤@## water, stone rings and floating moss. ##@¤*†~,.,
,^-†$*£### you could've found me wallowing around ###£*$†-^,
,,:«†%§### on the southern shores until i got ###§%†«:,,
,,,:=;=$@# bitten. #@$=;=:,,,
.¨.~*%£¤@# #@¤£%*~.¨.
.,=:$¤@@## but now i'm further back, on solid ##@@¤$:=,.
.¨^=^*¤&@# ground, in shoulder-high grass, with an #@&¤*^=^¨.
.¨¨:~/$£¤@ orange tin radio and a translucent @¤£$/~:¨¨.
¨.:»;=%### umbrella which i'm sitting on. ###%=;»:.¨
,-~=%&¤### ###¤&%=~-,
.,:»\=$§## / ##§$=\»:,.
.¨..»:$$@@ @@$$:»..¨.
¨.,~;$$§@# somethings moving in the grass. it's #@§$$;~,.¨
,-=:*@#### invisible to my eyes but i can feel ####@*:=-,
,,~»;^$¤@# through the ground just how large it is. #@¤$^;»~,,
¨.¨^~/^%## ##%^/~^¨.¨
,¨,-:†*§@# the soil is muddy. i slip when trying #@§*†:-,¨,
¨.«†%$#### to get up, still looking at the ####$%†«.¨
,,:=/§§¤@# direction of sound rather than at my #@¤§§/=:,,
¨¨¨.«†^£@# hands, who are busy putting things in #@£^†«.¨¨¨
,,.«†*$### my pockets. ###$*†«.,,
.^~/^$§@## ##@§$^/~^.
¨¨,-=^&§## then i run east toward my home. ##§&^=-,¨¨
,,.,«/%£¤# #¤£%/«,.,,
,¨,=\%@§@# † #@§@%\=,¨,
,,-*^@## ###&@^*-,,
.¨-~;†%¤@# i am not followed, and slow down in the #@¤%†;~-¨.
¨.¨,»\=$&@ clearing where you at first can spot @&$=\»,¨.¨
.¨,-†^£§## the house, not yet really in the ##§£^†-,¨.
,,=*%%¤### backyard. from my pockets i retrieve my ###¤%%*=,,
,¨,~\=£¤@# radio (now dented) but also a small #@¤£=\~,¨,
¨¨¨-«=%&¤@ clay figure i've never seen before. it @¤&%=«-¨¨¨
¨.-=/^@# must have been laying in the wet dirt, ##&@^/=-.¨
.,-:*£¤### and i must've picked it up with my ###¤£*:-,.
,.^==*@¤## other belongings. ##¤@*==^.,
.¨¨.-†*¤## ##¤*†-.¨¨.
,,:»:§£¤@# it's a statuette of a girl laying naked #@¤£§:»:,,
¨:=;*%§### on her stomach, feet in the air, ###§%*;=:¨
,.,«*$§§## roughly seven centimeters long. it's ##§§$*«,.,
.,,,»=%* freshly made, not yet completely dried. #&*%=»,,,.
...-*^¤£## ##£¤^*-...
.,«;*£&@## my mom is here now. i ask her for some ##@&£*;«,.
,,^~:%$¤## particle board for it to dry on, but ##¤$%:~^,,
..,-~^†# she is worried and wants me to ##&†^~-,..
¨..~†§@@@# throw it away. #@@@§†~..¨
,.~†%&@### ###@&%†~.,
¨.,~\%*¤@# #@¤*%\~,.¨
.¨¨~=:%@¤# #¤@%:=~¨¨.
¨¨-«\*¤§## ##§¤*\«-¨¨
¨-»;*@¤### ###¤@*;»-¨
.,^«/=$&@# #@&$=/«^,.