,¨,.,*^%¤@ @¤%^*,.,¨,
¨--*%*@¶@# #@¶@*%*--¨
¨:-\^¤£### ###£¤^\-:¨
,~-:†¤¤@## ##@¤¤†:-~,
.^-*=§@@@# #@@@§=*-^.
¨,,~:†§@#£ statuette £#@§†:~,,¨
,.,¨.¨~§@£ £@§~¨.¨,.,
¨.¨¨.-»\$# %¤$§*§$%&$££@§*&~«««-«~«¤*%§$&£$**@@@$*$ #$\»-.¨¨.¨
¨,«\=§¤@## $%%%$*%$§ ##@¤§=\«,¨
¨,=/=¶£# #£¶#&=/=,¨
¨.¨¨¨^~§%¤ forests around my childhood home. thick ¤%§~^¨¨¨.¨
¨.¨^«\%%£¶ pine arcades that were planted and ¶£%%\«^¨.¨
.:~*%*@### forgotten. wild boars roaming ###@*%*~:.
,.¨,.¨.=£@ underneath, sniffing at the ground. it @£=.¨.,¨.,
.~~†^£@@## is dark and moist, the canopy having ##@@£^†~~.
.~«=*§§@## already soaked up all the sun. ##@§§*=«~.
,,,,,*%§£@ @£§%*,,,,,
,:~:=£§#£§ there's a river passing by, from east §£#§£=:~:,
¨~-:†%£#@# to west, getting broader and deeper and #@#£%†:-~¨
.,,.,»**£& slower as it goes. equisetum grow just &£**»,.,,.
,:~:$%¤@## where the pine hands start to let ##@¤%$:~:,
,,~^%*#@## through light, horsemint on the rocky ##@#*%^~,,
¨,.,~^†*¤@ river bed. @¤*†^~,.,¨
¨.,¨::*$¤# #¤$*::¨,.¨
,~~†§%£@## ; ##@£%§†~~,
¨,»/*£#¶## ##¶#£*/»,¨
¨.~:=§@# the riverbanks reek of magic. tonight #@#&§=:~.¨
..,»=;:^&@ they had been a swampworld with sylvan @&^:;=»,..
,,,¨,~:*&¶ water, stone rings and floating moss. ¶&*:~,¨,,,
,,.^^†$@§§ you could've found me wallowing around §§@$†^^.,,
,..,.~^¤#@ on the southern shores until i got @#¤^~.,..,
¨.¨¨~/%§¤# bitten. #¤§%/~¨¨.¨
.,=:%£&£## ##£&£%:=,.
.,¨,.:~§§¤ but now i'm further back, on solid ¤§§~:.,¨,.
.--††%## ground, in shoulder-high grass, with an ###&%††--.
¨:=:$%@##£ orange tin radio and a translucent £##@%$:=:¨
,^-;§¤$&@# umbrella which i'm sitting on. #@&$¤§;-^,
.,«=*%¤@@# #@@¤%*=«,.
¨~-^*%¶### ; ###¶%*^-~¨
¨,,¨¨,,†*£ £*†,,¨¨,,¨
..¨.¨¨¨~%¤ somethings moving in the grass. it's ¤%~¨¨¨.¨..
¨..¨~»\¤&£ invisible to my eyes but i can feel £&¤\»~¨..¨
..¨,.,¨-%§ through the ground just how large it is. §%-¨,.,¨..
,,¨..~,\$£ £$\,~..¨,,
,.¨.~%†@ the soil is muddy. i slip when trying #&@†%~.¨.,
.,..,-^==# to get up, still looking at the #==^-,..,.
¨--/†$@@## direction of sound rather than at my ##@@$†/--¨
¨^^=$##@## hands, who are busy putting things in ##@##$=^^¨
,..-^«†*£@ my pockets. @£*†«^-..,
¨,~=**§@¶# #¶@§**=~,¨
.~-/=*§£## then i run east toward my home. ##£§*=/-~.
.¨,..:.^%§ §%^.:..,¨.
.¨,~«»«^¤# † #¤^«»«~,¨.
,.,.,.=$&@ @&$=.,.,.,
.:»;\\=¤££ i am not followed, and slow down in the ££¤=\\;»:.
¨--;=$@### clearing where you at first can spot ###@$=;--¨
..=:$&@### the house, not yet really in the ###@&$:=..
.~=*%@¤@## backyard. from my pockets i retrieve my ##@¤@%*=~.
¨:=*†£¤### radio (now dented) but also a small ###¤£†*=:¨
¨.-:*$#@@# clay figure i've never seen before. it #@@#$*:-.¨
,,.~;=&£## must have been laying in the wet dirt, ##£&=;~.,,
¨~»=†%@@## and i must've picked it up with my ##@@%†=»~¨
,--:%@$@@¶ other belongings. ¶@@$@%:--,
,¨,,¨.,;%¶ ¶%;,.¨,,¨,
¨:»;*%§### it's a statuette of a girl laying naked ###§%*;»:¨
¨~»\%¤£#@¶ on her stomach, feet in the air, ¶@#£¤%\»~¨
¨~~/†££@§@ roughly seven centimeters long. it's @§@££†/~~¨
¨.«;%%#@## freshly made, not yet completely dried. ##@#%%;«.¨
,~~††£@##@ @##@£††~~,
¨^«\^$†@@# my mom is here now. i ask her for some #@@†$^\«^¨
.,~:*$@### particle board for it to dry on, but ###@$*:~,.
..=^§*¤¶## she is worried and wants me to ##¶¤*§^=..
.-~†=$¤£## throw it away. ##£¤$=†~-.
,,=*^£## ##£#&^*=,,
,.,,-^*^*§ §*^*^-,,.,
..,^.:=^£& &£^=:.^,..
,,«:^£@@@@ @@@@£^:«,,
,-.,-†*@ @#&*†-,.-,
.,»†^@@@## ##@@@^†»,.