¨.,,¨..,., .,¨¨§.,¨,.
¤£@£§#@§§¨ ¤£@¨.,#£&&
@¤&§£¤£&¨, @¤.,&¨¨¤§&
#&£#¤,,, #¨,..¨,¨@£
&£¤@&§,¨@£ .¨#¤§##..@
£¤@¨..¨¤ statuette .¨,@££,¨.,
,£¤@,.&@.¨ §§,,#..&§.
..@¨¨,.,., %&@§*$£¤£&£§%@§£-~-«=--«*£&&@$@%£$$%%£%§ ,...,¨,,¨¨
@¨.¨£¤&@¤¤ %$%¤%@**% §£@¤§£§¤#£
,¨§¨¨£§§@£ £#¤£@@¤§¤£
¨.,,,,£&§& forests around my childhood home. thick ¤#§£@@&&£.
&¤#@@,,#£§ pine arcades that were planted and .¤#§@##§,¨
¨#¤&.¨,¨§§ forgotten. wild boars roaming ¨,§§£#&.,¨
¨.¤¨¨¤#¨,§ underneath, sniffing at the ground. it &..@#§..£@
,.¨,.¨...¨ is dark and moist, the canopy having ¨¨.¨£,¨.,.
&&¤&@¤§#§£ already soaked up all the sun. §@£,¨.¤@@@
#§#@@£##@£ ¤§,¨£¨.&¤¤
@¤§£¤@#& there's a river passing by, from east §¨,,¨¨,,#§
@¤¤¤§@¤#@& to west, getting broader and deeper and ,,@¤¤§#..@
§¤¤££¤¤#¤# slower as it goes. equisetum grow just ¨¨,¤#¤,,¨.
,#¤@@&£& where the pine hands start to let @@.¨&.,&§.
..¤¤£@&¤ through light, horsemint on the rocky ,.¨¨¨,,¨,.
§,.£¤£¤@#& river bed. #§£¤#¤@¤£¤
...,@¤@@#& @§§##§#§&¤
¨¤¤,.£¤§#@ † &£§§&£##@¨
..¨,¨.£#§& ,§#&¤£@#.¨
¤&@§£¨¨&£¤ the riverbanks reek of magic. tonight ,,£¤¤&&¨¨@
§@,¨.,#& they had been a swampworld with sylvan #¨,#&§.¨,,
.&&¨¨¤&,.@ water, stone rings and floating moss. ,¨.¨§,,££,
,,.¨¨.,,¨¨ you could've found me wallowing around &.,.¨.¨¨
&§&§&§¤#¤. on the southern shores until i got #§,,#£¤&¤@
¤#¤&¤¤@#.. bitten. §,..,&@&¤&
#§@&@.¨# ¨¨,¨@&@@
§¤#&@¤¨,¨. but now i'm further back, on solid ,¨,¨.,¨¤@@
§&&&@,.£@§ ground, in shoulder-high grass, with an #¤¤&,.¤§
#@#&.,,,¤§ orange tin radio and a translucent ,£¤£#¨,.¨§
#£&,,§§,¨§ umbrella which i'm sitting on. ..¤¤.¨¤£,¨
.£.,¨,¨.¨, ¨..¨.¨¨.,¨
,¨.§&&&£ = @¤#£@&£¤¤@
,§..@@@£@# £@¤#§£#¤£¨
...,¨@#& somethings moving in the grass. it's @£§@¤&§§..
£@&&..&¤#§ invisible to my eyes but i can feel ¨&&@£@£,,#
@¨..,§ through the ground just how large it is. ,,&¤@@¨,¨¨
¨&¨¨£§,¨#@ §.¨#¤¨.¤§.
,...,.¨¨., the soil is muddy. i slip when trying .¨.¨,,¨.,¨
¤¤##¤§§¤## to get up, still looking at the ££&&§&££§#
#££¤@@¤@§& direction of sound rather than at my §@£¤&&@#
¤&¤£#£§¤§§ hands, who are busy putting things in §&¤&¤&¤@&¤
¤@§¤#§&¤¤¤ my pockets. ¤§##§&¤£&¤
&¤£@#£@£ #¤#@£¤&§§&
¤@§&£§@¤§§ then i run east toward my home. #@&&¤§
¤@£§¤@#¤#¤ ¤£§@@&¤¤¤£
@&@¤¤@@@ ; ¤@££#&¤@§@
£§¤§£¤¤&&@ @¤£@@@&¤§§
&§@¤£¤&@¤§ i am not followed, and slow down in the #¤££§§§@£#
¤#@££@@§ clearing where you at first can spot &&§£§£§@@@
&¤@##§§¤§¤ the house, not yet really in the @¤@&£££#£¤
£@££¤£&¤&& backyard. from my pockets i retrieve my @§§§£§££¤¤
§£#£&§#¤#§ radio (now dented) but also a small &¤§£&§§£#£
§#@&&@##£@ clay figure i've never seen before. it &£¤£¤@&@§¤
@¤£&&£#¤&¤ must have been laying in the wet dirt, #@£#@§§#¤§
£§@£@&@##& and i must've picked it up with my ¤§¤@@&&¤
£#§#@§@#@@ other belongings. #§£§&&@#£§
@£#@§¤¤¤#£ ##&&§§@@@§
£@£¤£@£#@£ it's a statuette of a girl laying naked @£#£@£§§¤@
&@£@#¤#¤§¤ on her stomach, feet in the air, &##£&&
§§¤£##§§ roughly seven centimeters long. it's £&££&§£@£&
§&§§§£&¤£# freshly made, not yet completely dried. #§¤&£@
¤#¤¤§¤§§¤@ #@##¤@£§
£#£@§@£§ my mom is here now. i ask her for some @&§£@#@&¤£
£&@@&§£&§§ particle board for it to dry on, but £¤#£¤¤&@£@
&§@¤§§#¤#& she is worried and wants me to @@£&¤¤@@¤¤
#@@&§#£#§& throw it away. ¤@§#¤££§#¤
&&&§£§&@¤¤ ¤@@£&&@@§#
#££&§@£&§& ¤@&&&@£@&¤
@@@&¤###§& §¤&§@§&£§#
£&§¤&&£@£@ §¤@&&@@§£§
¤¤#&@@¤¤@£ #£¤£££#&¤¤
§&£&&@##@# @@&£###&