¨.§&£¨..¨. ,,..&@#@#¨
¤..¤.¨£&@£ @@£¨¨@#&.,
,.¨,.,.@£@ §@,¨.,&.¨¨
§§§£@&.,@& ,¨.#£¨.,#¤
&&£&£..,,& £#¨¨,,¤,¨#
¤¤&¤¨.£@¨. statuette .,.£¤¨,¨,¨
¨¤&.¨¨,¨,¨ ¤&¨,,,@§§.
..¨.#@§#¤§ £$£&¤§£@@$£¤%£¤*-«=»«~~-@@£&&*$§$$*@*&¤§ ¤¨,£¤¨¨§,.
##£,¨§&@¤§ %$@%@¤$£§ .,.....¨,£
@§..¨¨#¤ §§£¤¤£¨¨
.¨¨¤#¨.§£. forests around my childhood home. thick ##&@@¨.,
@@...,¨.., pine arcades that were planted and ¨£&£§@.¨
@,,##§¤£ forgotten. wild boars roaming ,,@@£...¨@
¨¨¨.§##¤££ underneath, sniffing at the ground. it ,..£,.@§¨¨
¤§@¨,£¤##£ is dark and moist, the canopy having £¤,....,.£
@&,,,,&¤#¤ already soaked up all the sun. ¨¨,&¤§§£¨,
¨..#¤.,#@¤ £@..§&§,.,
§¤,.,¨¨,&§ there's a river passing by, from east ,.,¨,#.¨&£
§,,¤¤§¤¨¨¤ to west, getting broader and deeper and §&£#.,¨¨,£
¨,.¨#¤.,.. slower as it goes. equisetum grow just ¨#@¨,&&£.¨
§¤§¨,¨,¤£& where the pine hands start to let ,,¨¨¨,#¨,&
£#,¨§£¨¨@¨ through light, horsemint on the rocky £@§£&.¨¨.,
,,¨¨¨...,¨ river bed. £#&@,.&@&,
¤@#@¤§#¨ ¨#£..¨.£¨,
¨§@¤&¤,. / ¨¨¨,@¤¨¨¨.
..#£&§§¨.. ¤¤@..¨.#@£
,.¨£@¤¨¨ the riverbanks reek of magic. tonight &¤,.¤¤..£¨
£§,.&,¨.,¨ they had been a swampworld with sylvan ¤..¨.,,,,¨
¨¨,,..§@@£ water, stone rings and floating moss. .,£#£&&.
§&&@&,.¤§¤ you could've found me wallowing around £..£@@#&,,
¨@@§¨..¨@# on the southern shores until i got ,¨.,@¤¤¨.¨
¨,£¨¨&§,.§ bitten. ¨¤#,.§..#§
,.,¨¨,¨.,¨ .,¨.,..,¨.
§#§§#@#¤£& but now i'm further back, on solid £¤§¤@§&£
¤¤#£#§§£££ ground, in shoulder-high grass, with an £££§&£&¤@#
§#@£¤#@£#§ orange tin radio and a translucent #&¤@@#@@¤¤
¤&§&§£§@#§ umbrella which i'm sitting on. @@@#@§#§#¤
#£@§¤#¤&¤§ §@¤#@@¤@
£@&¤¤@¤@ \ @@@@#¤@@
¤#¤££¤##§# #&¤£##&¤¤#
£@¤&£@#@§@ somethings moving in the grass. it's ¤¤§#§¤&&§#
@#£#¤¤£@@£ invisible to my eyes but i can feel &£§£§¤£¤§&
§&§£¤&¤@&¤ through the ground just how large it is. £¤£¤£#¤@£#
§£¤&£§¤@#£ @§@§¤§@¤££
£¤&£¤#¤#§£ the soil is muddy. i slip when trying &§@§&£¤&£@
¤¤&§¤¤§&£& to get up, still looking at the @#§@@#&&££
§¤¤§@@§@ direction of sound rather than at my #@¤§&&&§##
§£#@¤#£¤ hands, who are busy putting things in #§¤@¤£§§&&
#¤@§¤§£& my pockets. §&§#¤&@§¤&
#&£&£§&&¤& §§§§¤#@#@§
£§¤££@§§£¤ then i run east toward my home. &§§¤&¤£#&£
#¤§@¤§§§¤¤ ¤##&§#&£
§@££@#¤¤§& ; §£@&¤#@£&£
£##§#§§¤§& ###¤¤#¤#¤¤
@§§¤@§&£ i am not followed, and slow down in the ¤£¤@&¤¤§#@
¤&¤£#§&@¤@ clearing where you at first can spot &&¤¤££@§§&
¤@#@£&¤§£¤ the house, not yet really in the ¤§¤£#§&££@
@#§¤§§@¤@@ backyard. from my pockets i retrieve my £@£#&@§§@§
£§#¤§@@¤@£ radio (now dented) but also a small £#&¤§@@&@#
&@§£§£§£ clay figure i've never seen before. it #£§£&§&§£#
¤@¤#£§@##§ must have been laying in the wet dirt, §&@£££@£@&
@&&£&¤&§¤# and i must've picked it up with my §@@¤§#¤§
§££¤@&&£ other belongings. @#£¤#§@#¤£
&¤¤§@#§@&£ £§#¤&@¤§§&
¤¤§£££¤@#§ it's a statuette of a girl laying naked #¤¤@&¤§£¤£
@@&¤¤@##@¤ on her stomach, feet in the air, @£#£@@#£
@#¤££¤&&¤§ roughly seven centimeters long. it's #&§##¤£&£§
¤@#¤§@££@¤ freshly made, not yet completely dried. ¤@§&£¤§§£&
£¤@&@@£&§& ¤££&&@££#£
####&§£§§£ my mom is here now. i ask her for some #§#££§&§#¤
@¤£&¤@ particle board for it to dry on, but £¤£#£&££@#
@§&@##£@## she is worried and wants me to ¤&&¤@#§§¤&
##&&&£¤#£@ throw it away. £&&£§&£@£&
@§@§¤£ §¤#£#@@£
#¤&§£@¤¤ @&@&§¤¤##§
§¤§@#¤@§&& §#§§@@£@§§
§¤&£&&¤§£§ £&§@££&£££
#¤#@¤¤@¤@@ £¤£&&£&@&@
££@&@§£#&@ ¤¤&¤#¤£#£§