@...@@.@.@ .@.@@.@...
@..@.@@@@. @@@.@@@..@
@.@@@...@@ ..@@..@.@.
@@..@..@.@ .@.@.@@@@@
.@.@@.@@@@ @@@@@.....
@@@.@@...@ TRAIN DREAM ....@.....
..@@.@..@@ ######....:-::..##################### ...@@....@
.@.@@@.@.@ \\\ ..@.@...@@
@@@..@@@@@ - .@@@@..@.@
..@.@..... - @...@.@@@.
.@@@@..... @..@@@..@.
@...@....@ (SITUATION) @.@..@.@@.
@..@@...@. @@@.@@@.@@
@.@.@..@@@ YOU FIND YOURSELF IN A RIFT - A ..@@..@@..
@@@@@.@..@ CLEARING, NARROW BUT IMMEASURABLY LONG. .@.@.@.@.@
....@@@.@. TO YOUR SIDES ARE WALLS MADE OF TREES, @@@@@@@@@.
...@..@@@@ THICK AND READY TO SWALLOW YOU. THE SUN ........@.
..@@.@.... IS NOWHERE TO BE SEEN, BUT NONTHELESS .......@@.
.@.@@@...@ IT IS VERY BRIGHT - THE AIR FEELS LIGHT ......@.@.
@@@..@..@@ BLUE, ALMOST WHITE. .....@@@@.
..@.@@.@.@ ....@...@@
.@@@.@@@@@ ALONG THE SPAN OF THE CLEARING LAY TWO ...@@..@.@
@..@@....@ PARALLEL SILVERY LINES, DARK HARD ..@.@.@@@@
@.@.@...@@ METAL. SOMEHOW YOU CAN SEE HOW HEAVY .@@@@@....
@@@@@..@.@ THEY ARE. @....@...@
....@.@@@@ @...@@..@.
...@@@...@ THEY EMIT A HIGH PITCHED WHINE... @..@.@.@@.
..@..@..@. @.@@@@@.@.
.@@.@@.@@. - @@....@@@.
@.@@.@@.@. ..=.. .@...@..@.
@@.@@.@@@. - @@..@@.@@@
.@@.@@..@. .@.@.@@...
@.@@.@.@@. (SITUATION) @@@@@.@...
@@.@@@@.@. ....@@@..@
.@@...@@@. YOURE AT THE TRAIN STATION, ON A ...@..@.@.
@.@..@..@. CATWALK ABOVE THE RAILS. YOUR TRAIN IS ..@@.@@@@.
@@@.@@.@@@ LATE, OR YOU ARE LATE TO THE TRAIN. .@.@@...@@
..@@.@@..@ IT'S A SUMMER AFTERNOON AND THE STATION @@@.@..@..
.@.@@.@.@@ IS BUSY, FULL OF RELAXED CONFIDENCE. ..@@@.@@..
@@@.@@@@.. .@..@@.@..
..@@...@.. YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT @@.@.@@@.@
.@.@..@@.. STRESSED ABOUT THE TIME, WHILE MOVING .@@@@..@@@
@@@@.@.@.. UP THE STAIRS TO YOUR PLATFORM. THE @...@.@..@
...@@@@@.@ STATION IS IN SEVERAL LEVELS, ALL @..@@@@.@.
..@....@@@ PLACED WITHIN EACHOTHER BY SOME @.@...@@@.
.@@...@... INTELLIGENT DESIGNER, AND FULL OF @@@..@..@.
@.@..@@... STAIRS, ELEVATORS, SHORTCUTS, ..@.@@.@@.
@@@.@.@..@ BAZAARS... YOU SIGHT YOUR TRAIN THROUGH .@@@.@@.@@
..@@@@@.@. SOME GLASS WINDOWS. IT'S... NOT WHERE @..@@.@@..
.@....@@@@ IT'S SUPPOSED TO BE? @.@.@@.@..
@@...@.... @@@@.@@@..
.@..@@...@ - ...@@..@.@
@@.@.@..@@ ::*:: ..@.@.@@@@
.@@@@@.@.@ - .@@@@@....
@....@@@@@ @....@....
@...@..... (SITUATION) @...@@...@
@..@@..... @..@.@..@.
@.@.@....@ YOU'RE FINALLY ENTERING THE CITY. WHILE @.@@@@.@@@
@@@@@...@. IT IS INDEED A VERY HIGH SPEED TRAIN @@...@@...
....@..@@@ YOU'RE TRAVELING IN, THE JOURNEY HAS .@..@.@..@
...@@.@... BEEN LONG. BUT IT'S ABOUT TO END! @@.@@@@.@@
..@.@@@..@ .@@...@@.@
.@@@..@.@. SOCIETY IS GROWING DENSER AROUND YOU, @.@..@.@@@
@..@.@@@@. THROUGH THE WINDOWS YOU SEE FIRST SMALL @@@.@@@..@
@.@@@...@@ SHACKS, BUILT OF METAL AND STONE, THEN ..@@..@.@.
@@..@..@.@ PROPER HOUSES WITH MORTAR TO KEEP THEM .@.@.@@@@@
.@.@@.@@@@ TOGETHER... WHO IN TURN MAKE WAY FOR @@@@@.....
@@@.@@...@ THE INDUSTRIAL BUILDINGS, THE URBAN ....@.....
..@@.@..@@ MAZE, PROTECTIVE WALLS, JUNGLE ...@@....@
.@.@@@.@.@ NETWORK... ..@.@...@@
@@@..@@@@@ .@@@@..@.@
..@.@..... THE TRACKS LEAVE THE GROUND, WHICH IS @...@.@@@.
.@@@@..... NEEDED FOR OTHER PURPOSES. YOU ARE @..@@@..@.
@...@....@ CARRIED GENTLY, CURVING UPWARDS UNTIL @.@..@.@@.
@..@@...@. YOU'RE MOVING UPWARD ALONG THE WALL OF @@@.@@@.@@
@.@.@..@@@ A BUILDING. IT'S MADE OF SLABBY STONE, ..@@..@@..
@@@@@.@..@ WITH GREAT GLASSLESS WINDOW HOLES .@.@.@.@.@
....@@@.@. LOOKING OUT THE WAY YOU CAME. IT IS @@@@@@@@@.
...@..@@@@ PITCH BLACK INSIDE. ........@.
..@@.@.... .......@@.
.@.@@@...@ ......@.@.
@@@..@..@@ .....@@@@.
..@.@@.@.@ ....@...@@
.@@@.@@@@@ ...@@..@.@