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.#.#.#.##.                                          .##.##.#.#
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.#.#.#.##.                                          .##.##.#.#
.#.#.#..#.                                          ..#..#.#.#
.#.#.#.##.               TRAIN DREAM                .##.##.#.#
.#.#.#..#.   ######....:-::..#####################  ..#..#.#.#
.#.#.#.##.                    ///                   .##.##.#.#
.#.#.#..#.                     -                    ..#..#.#.#
.#.#.#.##.                     -                    .##.##.#.#
.#.#.#..#.                                          ..#..#.#.#
.#.#.#.##.                (SITUATION)               .##.##.#.#
.#.#.#..#.                                          ..#..#.#.#
.#.#.#.##. YOU  FIND  YOURSELF  IN  A   RIFT   -  A .##.##.#.#
.#.#.#..#.  CLEARING, NARROW BUT IMMEASURABLY LONG. ..#..#.#.#
.#.#.#.##. TO  YOUR  SIDES ARE WALLS MADE OF TREES, .##.##.#.#
.#.#.#..#. THICK AND READY TO SWALLOW  YOU. THE SUN ..#..#.#.#
.#.#.#.##. IS  NOWHERE  TO BE SEEN,  BUT NONTHELESS .##.##.#.#
.#.#.#..#. IT IS VERY BRIGHT -  THE AIR FEELS LIGHT ..#..#.#.#
.#.#.#.##.            BLUE, ALMOST WHITE.           .##.##.#.#
.#.#.#..#.                                          ..#..#.#.#
.#.#.#.##. ALONG THE SPAN  OF THE CLEARING  LAY TWO .##.##.#.#
.#.#.#..#.     PARALLEL SILVERY LINES, DARK HARD    ..#..#.#.#
.#.#.#.##. METAL.  SOMEHOW YOU  CAN  SEE HOW  HEAVY .##.##.#.#
.#.#.#..#.                 THEY ARE.                ..#..#.#.#
.#.#.#.##.                                          .##.##.#.#
.#.#.#..#. THEY  EMIT   A  HIGH  PITCHED   WHINE... ..#..#.#.#
.#.#.#.##.                                          .##.##.#.#
.#.#.#..#.                     -                    ..#..#.#.#
.#.#.#.##.                  ..%..                   .##.##.#.#
.#.#.#..#.                    -                     ..#..#.#.#
.#.#.#.##.                                          .##.##.#.#
.#.#.#..#.                (SITUATION)               ..#..#.#.#
.#.#.#.##.                                          .##.##.#.#
.#.#.#..#. YOURE   AT   THE  TRAIN STATION,   ON  A ..#..#.#.#
.#.#.#.##. CATWALK ABOVE  THE  RAILS. YOUR TRAIN IS .##.##.#.#
.#.#.#..#. LATE,  OR YOU  ARE LATE  TO  THE  TRAIN. ..#..#.#.#
.#.#.#.##. IT'S A SUMMER AFTERNOON AND  THE STATION .##.##.#.#
.#.#.#..#. IS BUSY,  FULL  OF  RELAXED  CONFIDENCE. ..#..#.#.#
.#.#.#.##.                                          .##.##.#.#
.#.#.#..#. YOU'RE  IN HIGH SPIRITS, ALTHOUGH  A BIT ..#..#.#.#
.#.#.#.##. STRESSED ABOUT THE  TIME,  WHILE  MOVING .##.##.#.#
.#.#.#..#. UP THE  STAIRS  TO  YOUR  PLATFORM.  THE ..#..#.#.#
.#.#.#.##. STATION  IS  IN   SEVERAL  LEVELS,   ALL .##.##.#.#
.#.#.#..#.      PLACED WITHIN EACHOTHER BY SOME     ..#..#.#.#
.#.#.#.##.    INTELLIGENT DESIGNER, AND FULL OF     .##.##.#.#
.#.#.#..#.      STAIRS, ELEVATORS, SHORTCUTS,       ..#..#.#.#
.#.#.#.##. BAZAARS... YOU  SIGHT YOUR TRAIN THROUGH .##.##.#.#
.#.#.#..#. SOME GLASS  WINDOWS.  IT'S...  NOT WHERE ..#..#.#.#
.#.#.#.##.           IT'S SUPPOSED TO BE?           .##.##.#.#
.#.#.#..#.                                          ..#..#.#.#
.#.#.#.##.                     -                    .##.##.#.#
.#.#.#..#.                  ::§::                   ..#..#.#.#
.#.#.#.##.                     -                    .##.##.#.#
.#.#.#..#.                                          ..#..#.#.#
.#.#.#.##.                (SITUATION)               .##.##.#.#
.#.#.#..#.                                          ..#..#.#.#
.#.#.#.##. YOU'RE FINALLY ENTERING THE  CITY. WHILE .##.##.#.#
.#.#.#..#. IT  IS  INDEED  A VERY  HIGH SPEED TRAIN ..#..#.#.#
.#.#.#.##. YOU'RE  TRAVELING  IN,  THE  JOURNEY HAS .##.##.#.#
.#.#.#..#. BEEN  LONG.  BUT  IT'S  ABOUT  TO   END! ..#..#.#.#
.#.#.#.##.                                          .##.##.#.#
.#.#.#..#. SOCIETY  IS  GROWING DENSER  AROUND YOU, ..#..#.#.#
.#.#.#.##. THROUGH  THE WINDOWS YOU SEE FIRST SMALL .##.##.#.#
.#.#.#..#. SHACKS, BUILT OF  METAL AND STONE,  THEN ..#..#.#.#
.#.#.#.##. PROPER  HOUSES WITH MORTAR  TO KEEP THEM .##.##.#.#
.#.#.#..#. TOGETHER... WHO IN  TURN  MAKE  WAY  FOR ..#..#.#.#
.#.#.#.##.    THE INDUSTRIAL BUILDINGS, THE URBAN   .##.##.#.#
.#.#.#..#.      MAZE, PROTECTIVE WALLS, JUNGLE      ..#..#.#.#
.#.#.#.##.                NETWORK...                .##.##.#.#
.#.#.#..#.                                          ..#..#.#.#
.#.#.#.##. THE  TRACKS  LEAVE THE GROUND,  WHICH IS .##.##.#.#
.#.#.#..#. NEEDED   FOR  OTHER  PURPOSES.  YOU  ARE ..#..#.#.#
.#.#.#.##.  CARRIED GENTLY, CURVING UPWARDS UNTIL   .##.##.#.#
.#.#.#..#. YOU'RE MOVING UPWARD  ALONG THE  WALL OF ..#..#.#.#
.#.#.#.##. A BUILDING.  IT'S MADE  OF SLABBY STONE, .##.##.#.#
.#.#.#..#.     WITH GREAT GLASSLESS WINDOW HOLES    ..#..#.#.#
.#.#.#.##. LOOKING OUT THE  WAY  YOU  CAME.  IT  IS .##.##.#.#
.#.#.#..#.           PITCH BLACK INSIDE.            ..#..#.#.#
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