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#@£&§%*«~, (SITUATION) ,~«*%§&£@#
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@££&§%*«~, YOU FIND YOURSELF IN A RIFT - A ,~«*%§&££@
#@£&§%*«~, CLEARING, NARROW BUT IMMEASURABLY LONG. ,~«*%§&£@#
&&%***««~, TO YOUR SIDES ARE WALLS MADE OF TREES, ,~««***%&&
&&%%*«~~~, THICK AND READY TO SWALLOW YOU. THE SUN ,~~~«*%%&&
##£&§%*«~, IS NOWHERE TO BE SEEN, BUT NONTHELESS ,~«*%§&£##
@&&§%*~,,, IT IS VERY BRIGHT - THE AIR FEELS LIGHT ,,,~*%§&&@
£&&&§%*«~, BLUE, ALMOST WHITE. ,~«*%§&&&£
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&&%*~,,,,, ALONG THE SPAN OF THE CLEARING LAY TWO ,,,,,~*%&&
#@£&§%*«~, PARALLEL SILVERY LINES, DARK HARD ,~«*%§&£@#
#@£&§%*«~, METAL. SOMEHOW YOU CAN SEE HOW HEAVY ,~«*%§&£@#
@&%*~,,,,, THEY ARE. ,,,,,~*%&@
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#@£&§%*«~, THEY EMIT A HIGH PITCHED WHINE... ,~«*%§&£@#
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£££&§%*«~, YOURE AT THE TRAIN STATION, ON A ,~«*%§&£££
##@£§%*«~, CATWALK ABOVE THE RAILS. YOUR TRAIN IS ,~«*%§£@##
@£§*«««,,, LATE, OR YOU ARE LATE TO THE TRAIN. ,,,«««*§£@
##£&§%*«~, IT'S A SUMMER AFTERNOON AND THE STATION ,~«*%§&£##
#@£&§%*«~, IS BUSY, FULL OF RELAXED CONFIDENCE. ,~«*%§&£@#
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£§§%%%*«~, YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT ,~«*%%%§§£
@&&§*«~~,, STRESSED ABOUT THE TIME, WHILE MOVING ,,~~«*§&&@
£§%««,,,,, UP THE STAIRS TO YOUR PLATFORM. THE ,,,,,««%§£
#@£&§%*«~, STATION IS IN SEVERAL LEVELS, ALL ,~«*%§&£@#
##£&§%*«~, PLACED WITHIN EACHOTHER BY SOME ,~«*%§&£##
#@£&§%*«~, INTELLIGENT DESIGNER, AND FULL OF ,~«*%§&£@#
##@£§%*«~, STAIRS, ELEVATORS, SHORTCUTS, ,~«*%§£@##
##£&§%*«~, BAZAARS... YOU SIGHT YOUR TRAIN THROUGH ,~«*%§&£##
#@£&§%*«~, SOME GLASS WINDOWS. IT'S... NOT WHERE ,~«*%§&£@#
#@£&§%*«~, IT'S SUPPOSED TO BE? ,~«*%§&£@#
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&&%«~~,,,, YOU'RE FINALLY ENTERING THE CITY. WHILE ,,,,~~«%&&
£&&%%«,,,, IT IS INDEED A VERY HIGH SPEED TRAIN ,,,,«%%&&£
##£&§%*«~, YOU'RE TRAVELING IN, THE JOURNEY HAS ,~«*%§&£##
&&§*~,,,,, BEEN LONG. BUT IT'S ABOUT TO END! ,,,,,~*§&&
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#@£&§%*«~, SOCIETY IS GROWING DENSER AROUND YOU, ,~«*%§&£@#
&&§%*«,,,, THROUGH THE WINDOWS YOU SEE FIRST SMALL ,,,,«*%§&&
@&%*«~,,,, SHACKS, BUILT OF METAL AND STONE, THEN ,,,,~«*%&@
##£&§%*«~, PROPER HOUSES WITH MORTAR TO KEEP THEM ,~«*%§&£##
#@£&§%*«~, TOGETHER... WHO IN TURN MAKE WAY FOR ,~«*%§&£@#
#@£&§%*«~, THE INDUSTRIAL BUILDINGS, THE URBAN ,~«*%§&£@#
&%«««,,,,, MAZE, PROTECTIVE WALLS, JUNGLE ,,,,,«««%&
##@£&%*«~, NETWORK... ,~«*%&£@##
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#@£&§%*«~, THE TRACKS LEAVE THE GROUND, WHICH IS ,~«*%§&£@#
£££&§%*«~, NEEDED FOR OTHER PURPOSES. YOU ARE ,~«*%§&£££
&§*«««,,,, CARRIED GENTLY, CURVING UPWARDS UNTIL ,,,,«««*§&
@@£&§%*«~, YOU'RE MOVING UPWARD ALONG THE WALL OF ,~«*%§&£@@
@@£&§%*«~, A BUILDING. IT'S MADE OF SLABBY STONE, ,~«*%§&£@@
#@£&§%*«~, WITH GREAT GLASSLESS WINDOW HOLES ,~«*%§&£@#
£§**~~,,,, LOOKING OUT THE WAY YOU CAME. IT IS ,,,,~~**§£
@&%*~,,,,, PITCH BLACK INSIDE. ,,,,,~*%&@
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