,,~-==£#@# #@#£==-~,,
,,,~-==£#@ @#£==-~,,,
,,~-==£#@# #@#£==-~,,
,~-==£#@## ##@#£==-~,
,,~-==£#@# #@#£==-~,,
,,,~-==£#@ TRAIN DREAM @#£==-~,,,
,,~-==£#@# ######,,,,~-~~,,##################### #@#£==-~,,
,~-==£#@## === ##@#£==-~,
,,~-==£#@# - #@#£==-~,,
,,,~-==£#@ - @#£==-~,,,
,,~-==£#@# #@#£==-~,,
,~-==£#@## (SITUATION) ##@#£==-~,
,,~-==£#@# #@#£==-~,,
,,,~-==£#@ YOU FIND YOURSELF IN A RIFT - A @#£==-~,,,
,,~-==£#@# CLEARING, NARROW BUT IMMEASURABLY LONG. #@#£==-~,,
,~-==£#@## TO YOUR SIDES ARE WALLS MADE OF TREES, ##@#£==-~,
,,~-==£#@# THICK AND READY TO SWALLOW YOU. THE SUN #@#£==-~,,
,,,~-==£#@ IS NOWHERE TO BE SEEN, BUT NONTHELESS @#£==-~,,,
,,~-==£#@# IT IS VERY BRIGHT - THE AIR FEELS LIGHT #@#£==-~,,
,~-==£#@## BLUE, ALMOST WHITE. ##@#£==-~,
,,~-==£#@# #@#£==-~,,
,,,~-==£#@ ALONG THE SPAN OF THE CLEARING LAY TWO @#£==-~,,,
,,~-==£#@# PARALLEL SILVERY LINES, DARK HARD #@#£==-~,,
,~-==£#@## METAL. SOMEHOW YOU CAN SEE HOW HEAVY ##@#£==-~,
,,~-==£#@# THEY ARE. #@#£==-~,,
,,,~-==£#@ @#£==-~,,,
,,~-==£#@# THEY EMIT A HIGH PITCHED WHINE... #@#£==-~,,
,~-==£#@## ##@#£==-~,
,,~-==£#@# - #@#£==-~,,
,,,~-==£#@ ,,=,, @#£==-~,,,
,,~-==£#@# - #@#£==-~,,
,~-==£#@## ##@#£==-~,
,,~-==£#@# (SITUATION) #@#£==-~,,
,,,~-==£#@ @#£==-~,,,
,,~-==£#@# YOURE AT THE TRAIN STATION, ON A #@#£==-~,,
,~-==£#@## CATWALK ABOVE THE RAILS. YOUR TRAIN IS ##@#£==-~,
,,~-==£#@# LATE, OR YOU ARE LATE TO THE TRAIN. #@#£==-~,,
,,,~-==£#@ IT'S A SUMMER AFTERNOON AND THE STATION @#£==-~,,,
,,~-==£#@# IS BUSY, FULL OF RELAXED CONFIDENCE. #@#£==-~,,
,~-==£#@## ##@#£==-~,
,,~-==£#@# YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT #@#£==-~,,
,,,~-==£#@ STRESSED ABOUT THE TIME, WHILE MOVING @#£==-~,,,
,,~-==£#@# UP THE STAIRS TO YOUR PLATFORM. THE #@#£==-~,,
,~-==£#@## STATION IS IN SEVERAL LEVELS, ALL ##@#£==-~,
,,~-==£#@# PLACED WITHIN EACHOTHER BY SOME #@#£==-~,,
,,,~-==£#@ INTELLIGENT DESIGNER, AND FULL OF @#£==-~,,,
,,~-==£#@# STAIRS, ELEVATORS, SHORTCUTS, #@#£==-~,,
,~-==£#@## BAZAARS... YOU SIGHT YOUR TRAIN THROUGH ##@#£==-~,
,,~-==£#@# SOME GLASS WINDOWS. IT'S... NOT WHERE #@#£==-~,,
,,,~-==£#@ IT'S SUPPOSED TO BE? @#£==-~,,,
,,~-==£#@# #@#£==-~,,
,~-==£#@## - ##@#£==-~,
,,~-==£#@# ~~£~~ #@#£==-~,,
,,,~-==£#@ - @#£==-~,,,
,,~-==£#@# #@#£==-~,,
,~-==£#@## (SITUATION) ##@#£==-~,
,,~-==£#@# #@#£==-~,,
,,,~-==£#@ YOU'RE FINALLY ENTERING THE CITY. WHILE @#£==-~,,,
,,~-==£#@# IT IS INDEED A VERY HIGH SPEED TRAIN #@#£==-~,,
,~-==£#@## YOU'RE TRAVELING IN, THE JOURNEY HAS ##@#£==-~,
,,~-==£#@# BEEN LONG. BUT IT'S ABOUT TO END! #@#£==-~,,
,,,~-==£#@ @#£==-~,,,
,,~-==£#@# SOCIETY IS GROWING DENSER AROUND YOU, #@#£==-~,,
,~-==£#@## THROUGH THE WINDOWS YOU SEE FIRST SMALL ##@#£==-~,
,,~-==£#@# SHACKS, BUILT OF METAL AND STONE, THEN #@#£==-~,,
,,,~-==£#@ PROPER HOUSES WITH MORTAR TO KEEP THEM @#£==-~,,,
,,~-==£#@# TOGETHER... WHO IN TURN MAKE WAY FOR #@#£==-~,,
,~-==£#@## THE INDUSTRIAL BUILDINGS, THE URBAN ##@#£==-~,
,,~-==£#@# MAZE, PROTECTIVE WALLS, JUNGLE #@#£==-~,,
,,,~-==£#@ NETWORK... @#£==-~,,,
,,~-==£#@# #@#£==-~,,
,~-==£#@## THE TRACKS LEAVE THE GROUND, WHICH IS ##@#£==-~,
,,~-==£#@# NEEDED FOR OTHER PURPOSES. YOU ARE #@#£==-~,,
,,,~-==£#@ CARRIED GENTLY, CURVING UPWARDS UNTIL @#£==-~,,,
,,~-==£#@# YOU'RE MOVING UPWARD ALONG THE WALL OF #@#£==-~,,
,~-==£#@## A BUILDING. IT'S MADE OF SLABBY STONE, ##@#£==-~,
,,~-==£#@# WITH GREAT GLASSLESS WINDOW HOLES #@#£==-~,,
,,,~-==£#@ LOOKING OUT THE WAY YOU CAME. IT IS @#£==-~,,,
,,~-==£#@# PITCH BLACK INSIDE. #@#£==-~,,
,~-==£#@## ##@#£==-~,
,,~-==£#@# #@#£==-~,,
,,,~-==£#@ @#£==-~,,,
,,~-==£#@# #@#£==-~,,
,~-==£#@## ##@#£==-~,