.....@@@.. @@...@..@@
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...@@.@@.. @@.@.@@@@@
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.@@@.@@@@. @...@...@@
@..@@...@@ TRAIN DREAM @..@@..@.@
@.@.@..@.. ######....-«--..##################### @.@.@.@@@.
@@@@@.@@.@ *** @@@@@@..@@
....@@.@@. « .....@.@..
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..@@@.@@@. ...@...@..
.@..@@..@@ (SITUATION) ..@@..@@..
@@.@.@.@.. .@.@.@.@..
.@@@@@@@.@ YOU FIND YOURSELF IN A RIFT - A @@@@@@@@.@
@......@@@ CLEARING, NARROW BUT IMMEASURABLY LONG. .......@@@
@.....@... TO YOUR SIDES ARE WALLS MADE OF TREES, ......@...
@....@@... THICK AND READY TO SWALLOW YOU. THE SUN .....@@..@
@...@.@..@ IS NOWHERE TO BE SEEN, BUT NONTHELESS ....@.@.@.
@..@@@@.@@ IT IS VERY BRIGHT - THE AIR FEELS LIGHT ...@@@@@@@
@.@...@@.. BLUE, ALMOST WHITE. ..@.......
@@@..@.@.. .@@......@
..@.@@@@.. ALONG THE SPAN OF THE CLEARING LAY TWO @.@.....@.
.@@@...@.. PARALLEL SILVERY LINES, DARK HARD @@@....@@.
@..@..@@.@ METAL. SOMEHOW YOU CAN SEE HOW HEAVY ..@...@.@.
@.@@.@.@@. THEY ARE. .@@..@@@@@
@@.@@@@.@@ @.@.@.....
.@@...@@.@ THEY EMIT A HIGH PITCHED WHINE... @@@@@....@
@.@..@.@@@ ....@...@@
@@@.@@@..@ « ...@@..@..
..@@..@.@@ ..=.. ..@.@.@@.@
.@.@.@@@.@ « .@@@@@.@@@
@@@@@..@@@ @....@@..@
....@.@... (SITUATION) @...@.@.@.
...@@@@..@ @..@@@@@@.
..@...@.@@ YOURE AT THE TRAIN STATION, ON A @.@.....@.
.@@..@@@.. CATWALK ABOVE THE RAILS. YOUR TRAIN IS @@@....@@.
@.@.@..@.. LATE, OR YOU ARE LATE TO THE TRAIN. ..@...@.@.
@@@@@.@@.. IT'S A SUMMER AFTERNOON AND THE STATION .@@..@@@@@
....@@.@.. IS BUSY, FULL OF RELAXED CONFIDENCE. @.@.@.....
...@.@@@.@ @@@@@.....
..@@@..@@. YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT ....@.....
.@..@.@.@. STRESSED ABOUT THE TIME, WHILE MOVING ...@@.....
@@.@@@@@@@ UP THE STAIRS TO YOUR PLATFORM. THE ..@.@.....
.@@....... STATION IS IN SEVERAL LEVELS, ALL .@@@@....@
@.@......@ PLACED WITHIN EACHOTHER BY SOME @...@...@@
@@@.....@. INTELLIGENT DESIGNER, AND FULL OF @..@@..@..
..@....@@. STAIRS, ELEVATORS, SHORTCUTS, @.@.@.@@.@
.@@...@.@@ BAZAARS... YOU SIGHT YOUR TRAIN THROUGH @@@@@@.@@@
@.@..@@@.@ SOME GLASS WINDOWS. IT'S... NOT WHERE .....@@..@
@@@.@..@@@ IT'S SUPPOSED TO BE? ....@.@.@.
..@@@.@..@ ...@@@@@@@
.@..@@@.@@ « ..@......@
@@.@..@@.. --£-- .@@.....@@
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@..@@@@@@. @@@...@@..
@.@.....@. (SITUATION) ..@..@.@.@
@@@....@@@ .@@.@@@@@.
..@...@... YOU'RE FINALLY ENTERING THE CITY. WHILE @.@@....@@
.@@..@@... IT IS INDEED A VERY HIGH SPEED TRAIN @@.@...@.@
@.@.@.@... YOU'RE TRAVELING IN, THE JOURNEY HAS .@@@..@@@@
@@@@@@@..@ BEEN LONG. BUT IT'S ABOUT TO END! @..@.@....
......@.@@ @.@@@@...@
.....@@@.. SOCIETY IS GROWING DENSER AROUND YOU, @@...@..@@
....@..@.. THROUGH THE WINDOWS YOU SEE FIRST SMALL .@..@@.@.@
...@@.@@.. SHACKS, BUILT OF METAL AND STONE, THEN @@.@.@@@@@
..@.@@.@.@ PROPER HOUSES WITH MORTAR TO KEEP THEM .@@@@....@
.@@@.@@@@. TOGETHER... WHO IN TURN MAKE WAY FOR @...@...@@
@..@@...@@ THE INDUSTRIAL BUILDINGS, THE URBAN @..@@..@.@
@.@.@..@.. MAZE, PROTECTIVE WALLS, JUNGLE @.@.@.@@@.
@@@@@.@@.@ NETWORK... @@@@@@..@@
....@@.@@. .....@.@..
...@.@@.@. THE TRACKS LEAVE THE GROUND, WHICH IS ....@@@@..
..@@@.@@@. NEEDED FOR OTHER PURPOSES. YOU ARE ...@...@..
.@..@@..@@ CARRIED GENTLY, CURVING UPWARDS UNTIL ..@@..@@..
@@.@.@.@.. YOU'RE MOVING UPWARD ALONG THE WALL OF .@.@.@.@..
.@@@@@@@.@ A BUILDING. IT'S MADE OF SLABBY STONE, @@@@@@@@.@
@......@@@ WITH GREAT GLASSLESS WINDOW HOLES .......@@@
@.....@... LOOKING OUT THE WAY YOU CAME. IT IS ......@...
@....@@... PITCH BLACK INSIDE. .....@@..@
@...@.@..@ ....@.@.@.
@..@@@@.@@ ...@@@@@@@
@.@...@@.. ..@.......
@@@..@.@.. .@@......@
..@.@@@@.. @.@.....@.