.,-;*&¤@## ##@¤&*;-,.
..,-;*&¤@# #@¤&*;-,..
.,-;*&¤@## ##@¤&*;-,.
..,-;*&¤@# #@¤&*;-,..
.,-;*&¤@## ##@¤&*;-,.
..,-;*&¤@# TRAIN DREAM #@¤&*;-,..
.,-;*&¤@## ######....,-,,..##################### ##@¤&*;-,.
..,-;*&¤@# ;;; #@¤&*;-,..
.,-;*&¤@## - ##@¤&*;-,.
..,-;*&¤@# - #@¤&*;-,..
.,-;*&¤@## ##@¤&*;-,.
..,-;*&¤@# (SITUATION) #@¤&*;-,..
.,-;*&¤@## ##@¤&*;-,.
..,-;*&¤@# YOU FIND YOURSELF IN A RIFT - A #@¤&*;-,..
.,-;*&¤@## CLEARING, NARROW BUT IMMEASURABLY LONG. ##@¤&*;-,.
..,-;*&¤@# TO YOUR SIDES ARE WALLS MADE OF TREES, #@¤&*;-,..
.,-;*&¤@## THICK AND READY TO SWALLOW YOU. THE SUN ##@¤&*;-,.
..,-;*&¤@# IS NOWHERE TO BE SEEN, BUT NONTHELESS #@¤&*;-,..
.,-;*&¤@## IT IS VERY BRIGHT - THE AIR FEELS LIGHT ##@¤&*;-,.
..,-;*&¤@# BLUE, ALMOST WHITE. #@¤&*;-,..
.,-;*&¤@## ##@¤&*;-,.
..,-;*&¤@# ALONG THE SPAN OF THE CLEARING LAY TWO #@¤&*;-,..
.,-;*&¤@## PARALLEL SILVERY LINES, DARK HARD ##@¤&*;-,.
..,-;*&¤@# METAL. SOMEHOW YOU CAN SEE HOW HEAVY #@¤&*;-,..
.,-;*&¤@## THEY ARE. ##@¤&*;-,.
..,-;*&¤@# #@¤&*;-,..
.,-;*&¤@## THEY EMIT A HIGH PITCHED WHINE... ##@¤&*;-,.
..,-;*&¤@# #@¤&*;-,..
.,-;*&¤@## - ##@¤&*;-,.
..,-;*&¤@# ..*.. #@¤&*;-,..
.,-;*&¤@## - ##@¤&*;-,.
..,-;*&¤@# #@¤&*;-,..
.,-;*&¤@## (SITUATION) ##@¤&*;-,.
..,-;*&¤@# #@¤&*;-,..
.,-;*&¤@## YOURE AT THE TRAIN STATION, ON A ##@¤&*;-,.
..,-;*&¤@# CATWALK ABOVE THE RAILS. YOUR TRAIN IS #@¤&*;-,..
.,-;*&¤@## LATE, OR YOU ARE LATE TO THE TRAIN. ##@¤&*;-,.
..,-;*&¤@# IT'S A SUMMER AFTERNOON AND THE STATION #@¤&*;-,..
.,-;*&¤@## IS BUSY, FULL OF RELAXED CONFIDENCE. ##@¤&*;-,.
..,-;*&¤@# #@¤&*;-,..
.,-;*&¤@## YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT ##@¤&*;-,.
..,-;*&¤@# STRESSED ABOUT THE TIME, WHILE MOVING #@¤&*;-,..
.,-;*&¤@## UP THE STAIRS TO YOUR PLATFORM. THE ##@¤&*;-,.
..,-;*&¤@# STATION IS IN SEVERAL LEVELS, ALL #@¤&*;-,..
.,-;*&¤@## PLACED WITHIN EACHOTHER BY SOME ##@¤&*;-,.
..,-;*&¤@# INTELLIGENT DESIGNER, AND FULL OF #@¤&*;-,..
.,-;*&¤@## STAIRS, ELEVATORS, SHORTCUTS, ##@¤&*;-,.
..,-;*&¤@# BAZAARS... YOU SIGHT YOUR TRAIN THROUGH #@¤&*;-,..
.,-;*&¤@## SOME GLASS WINDOWS. IT'S... NOT WHERE ##@¤&*;-,.
..,-;*&¤@# IT'S SUPPOSED TO BE? #@¤&*;-,..
.,-;*&¤@## ##@¤&*;-,.
..,-;*&¤@# - #@¤&*;-,..
.,-;*&¤@## ,,&,, ##@¤&*;-,.
..,-;*&¤@# - #@¤&*;-,..
.,-;*&¤@## ##@¤&*;-,.
..,-;*&¤@# (SITUATION) #@¤&*;-,..
.,-;*&¤@## ##@¤&*;-,.
..,-;*&¤@# YOU'RE FINALLY ENTERING THE CITY. WHILE #@¤&*;-,..
.,-;*&¤@## IT IS INDEED A VERY HIGH SPEED TRAIN ##@¤&*;-,.
..,-;*&¤@# YOU'RE TRAVELING IN, THE JOURNEY HAS #@¤&*;-,..
.,-;*&¤@## BEEN LONG. BUT IT'S ABOUT TO END! ##@¤&*;-,.
..,-;*&¤@# #@¤&*;-,..
.,-;*&¤@## SOCIETY IS GROWING DENSER AROUND YOU, ##@¤&*;-,.
..,-;*&¤@# THROUGH THE WINDOWS YOU SEE FIRST SMALL #@¤&*;-,..
.,-;*&¤@## SHACKS, BUILT OF METAL AND STONE, THEN ##@¤&*;-,.
..,-;*&¤@# PROPER HOUSES WITH MORTAR TO KEEP THEM #@¤&*;-,..
.,-;*&¤@## TOGETHER... WHO IN TURN MAKE WAY FOR ##@¤&*;-,.
..,-;*&¤@# THE INDUSTRIAL BUILDINGS, THE URBAN #@¤&*;-,..
.,-;*&¤@## MAZE, PROTECTIVE WALLS, JUNGLE ##@¤&*;-,.
..,-;*&¤@# NETWORK... #@¤&*;-,..
.,-;*&¤@## ##@¤&*;-,.
..,-;*&¤@# THE TRACKS LEAVE THE GROUND, WHICH IS #@¤&*;-,..
.,-;*&¤@## NEEDED FOR OTHER PURPOSES. YOU ARE ##@¤&*;-,.
..,-;*&¤@# CARRIED GENTLY, CURVING UPWARDS UNTIL #@¤&*;-,..
.,-;*&¤@## YOU'RE MOVING UPWARD ALONG THE WALL OF ##@¤&*;-,.
..,-;*&¤@# A BUILDING. IT'S MADE OF SLABBY STONE, #@¤&*;-,..
.,-;*&¤@## WITH GREAT GLASSLESS WINDOW HOLES ##@¤&*;-,.
..,-;*&¤@# LOOKING OUT THE WAY YOU CAME. IT IS #@¤&*;-,..
.,-;*&¤@## PITCH BLACK INSIDE. ##@¤&*;-,.
..,-;*&¤@# #@¤&*;-,..
.,-;*&¤@## ##@¤&*;-,.
..,-;*&¤@# #@¤&*;-,..
.,-;*&¤@## ##@¤&*;-,.
..,-;*&¤@# #@¤&*;-,..