###¤£§/=^, ,^=/§£¤###
@£§/=^,,,, ,,,,^=/§£@
¤£§§§§/=^, ,^=/§§§§£¤
##@¤£§/=^, ,^=/§£¤@##
##@¤£§/=^, ,^=/§£¤@##
##@¤£§/=^, train dream ,^=/§£¤@##
#¤¤£§§/=^, ######,,,,^=^^,,##################### ,^=/§§£¤¤#
##@¤£§/=^, /// ,^=/§£¤@##
##@¤£§/=^, = ,^=/§£¤@##
###@¤§/=^, = ,^=/§¤@###
###@£§/=^, ,^=/§£@###
###@¤£§/=^ (situation) ^=/§£¤@###
##@¤£§/=^, ,^=/§£¤@##
##@¤£§/=^, you find yourself in a rift - a ,^=/§£¤@##
##@¤£§/=^, clearing, narrow but immeasurably long. ,^=/§£¤@##
##@¤£§/=^, to your sides are walls made of trees, ,^=/§£¤@##
##@¤£§/=^, thick and ready to swallow you. the sun ,^=/§£¤@##
¤¤§/=^,,,, is nowhere to be seen, but nontheless ,,,,^=/§¤¤
@££//^^,,, it is very bright - the air feels light ,,,^^//££@
##@¤£§/=^, blue, almost white. ,^=/§£¤@##
#@¤£//^^^, ,^^^//£¤@#
##@¤£§/=^, along the span of the clearing lay two ,^=/§£¤@##
##@¤£§/=^, parallel silvery lines, dark hard ,^=/§£¤@##
¤¤§=,,,,,, metal. somehow you can see how heavy ,,,,,,=§¤¤
@£§§//^,,, they are. ,,,^//§§£@
#¤§/^,,,,, ,,,,,^/§¤#
¤¤¤§/^,,,, they emit a high pitched whine... ,,,,^/§¤¤¤
¤¤££§=,,,, ,,,,=§££¤¤
##@¤£§/=^, = ,^=/§£¤@##
##@¤£§/=^, ,,§,, ,^=/§£¤@##
###@£§/=^, = ,^=/§£@###
¤¤§§§/==^, ,^==/§§§¤¤
@¤£££§/=^, (situation) ,^=/§£££¤@
@£§§===^,, ,,^===§§£@
###@¤£§/=^ youre at the train station, on a ^=/§£¤@###
##@¤£§/=^, catwalk above the rails. your train is ,^=/§£¤@##
@¤£/=,,,,, late, or you are late to the train. ,,,,,=/£¤@
###¤£§/=^, it's a summer afternoon and the station ,^=/§£¤###
##@¤£§/=^, is busy, full of relaxed confidence. ,^=/§£¤@##
##@¤£§/=^, ,^=/§£¤@##
##@¤£§/=^, you're in high spirits, although a bit ,^=/§£¤@##
##@¤£§/=^, stressed about the time, while moving ,^=/§£¤@##
@£££/==,,, up the stairs to your platform. the ,,,==/£££@
@@@¤£§/=^, station is in several levels, all ,^=/§£¤@@@
##@¤£§/=^, placed within eachother by some ,^=/§£¤@##
##@¤£§/=^, intelligent designer, and full of ,^=/§£¤@##
@@@¤£§/=^, stairs, elevators, shortcuts, ,^=/§£¤@@@
#¤£§///=^, bazaars... you sight your train through ,^=///§£¤#
##@¤£§/=^, some glass windows. it's... not where ,^=/§£¤@##
##@¤£§/=^, it's supposed to be? ,^=/§£¤@##
¤§§///^,,, ,,,^///§§¤
@¤§=^,,,,, = ,,,,,^=§¤@
¤§=,,,,,,, ^^£^^ ,,,,,,,=§¤
#@¤§///=^, = ,^=///§¤@#
#¤£§=,,,,, ,,,,,=§£¤#
##@¤£§/=^, (situation) ,^=/§£¤@##
¤£//^,,,,, ,,,,,^//£¤
##@¤£§/=^, you're finally entering the city. while ,^=/§£¤@##
##@¤£§/=^, it is indeed a very high speed train ,^=/§£¤@##
¤§=,,,,,,, you're traveling in, the journey has ,,,,,,,=§¤
#@£/==^,,, been long. but it's about to end! ,,,^==/£@#
#¤¤£§/=,,, ,,,=/§£¤¤#
#¤££§==^,, society is growing denser around you, ,,^==§££¤#
##@¤£§/=^, through the windows you see first small ,^=/§£¤@##
#¤¤§§==^,, shacks, built of metal and stone, then ,,^==§§¤¤#
##@¤£§/=^, proper houses with mortar to keep them ,^=/§£¤@##
¤¤§/=^,,,, together... who in turn make way for ,,,,^=/§¤¤
#¤¤¤£§/=^, the industrial buildings, the urban ,^=/§£¤¤¤#
##@¤£§/=^, maze, protective walls, jungle ,^=/§£¤@##
##@¤£§/=^, network... ,^=/§£¤@##
###¤£§/=^, ,^=/§£¤###
##@¤£§/=^, the tracks leave the ground, which is ,^=/§£¤@##
@@£§=,,,,, needed for other purposes. you are ,,,,,=§£@@
¤£//^^^,,, carried gently, curving upwards until ,,,^^^//£¤
###@¤£/=^, you're moving upward along the wall of ,^=/£¤@###
¤§=====,,, a building. it's made of slabby stone, ,,,=====§¤
#@¤£§=^^^, with great glassless window holes ,^^^=§£¤@#
¤§§=,,,,,, looking out the way you came. it is ,,,,,,=§§¤
##@¤£§/=^, pitch black inside. ,^=/§£¤@##
¤§=,,,,,,, ,,,,,,,=§¤
¤££//=,,,, ,,,,=//££¤
##@¤£§/=^, ,^=/§£¤@##
##@¤£§/=^, ,^=/§£¤@##
##@¤£§/=^, ,^=/§£¤@##