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¤¤¤¤¤..¤¤. @ ..¤¤..¤.¤¤
....¤.¤.¤. .LIZARDRY .¤.¤.¤¤¤..
...¤¤¤¤¤¤¤ ~ @ @@ @@@ @@@@@@@@@@@@@@@@@@ ¤¤¤¤¤..¤..
..¤....... @@ THE ART OF C-NNECTING ....¤.¤¤..
.¤¤......¤ . WITH THE OLD MIND ...¤¤¤.¤..
¤.¤.....¤. ..¤..¤¤¤..
¤¤¤....¤¤. MY MIND IS BEING SKEWED. MI .¤¤.¤..¤.¤
..¤...¤.¤¤ SKELETON IS STRINGY AND OLD AND ALIEN ¤.¤¤¤.¤¤¤.
.¤¤..¤¤¤.¤ THE SITUATION IS LITERALLY ¤¤..¤¤..¤.
¤.¤.¤..¤¤¤ PRESSED OUT THROUGH MY EYES, IT'S .¤.¤.¤.¤¤.
¤¤¤¤¤.¤..¤ ECHOING LIKE ¤¤¤¤¤¤¤.¤¤
....¤¤¤.¤. THE SUNSET OF THE ETERNAL ......¤¤..
...¤..¤¤¤. OCEAN .....¤.¤..
..¤¤.¤..¤¤ PERSISTENTLY AGAINST MY EMULSION ....¤¤¤¤..
.¤.¤¤¤.¤.¤ ...¤...¤..
¤¤¤..¤¤¤¤. IT'S UNGRASPABLE TO ME, WHAT OTHER ..¤¤..¤¤..
..¤.¤...¤. HUMANS ARE DOING AND ABSTRACTING, .¤.¤.¤.¤.¤
.¤¤¤¤..¤¤. AND ABOVE ALL ELSE, WHAT TIME THEY USE? ¤¤¤¤¤¤¤¤¤¤
¤...¤.¤.¤. HOW LONG A TIME HAS PASSED, FOR THEM? .........¤
¤..¤¤¤¤¤¤¤ . ........¤.
¤.¤......¤ . ... . ................ @@@@@@@ .......¤¤¤
¤¤¤.....¤. CONTINUOUSLY I'M CROWDING THROUGH ......¤...
..¤....¤¤. . THE FOURTH WALL -OUTWARDS IS WHAT . .....¤¤..¤
.¤¤...¤.¤. .. I'M THINKING BUT IT'S WRONG.. A NEW ....¤.¤.¤¤
¤.¤..¤¤¤¤. . . NARRATOR IS INTRODUCED, OCCASIONALLY ...¤¤¤¤¤.¤
¤¤¤.¤...¤. - - AWARE OF THE PREVIOUS ONE, DEEPER . ..¤....¤¤.
..¤¤¤..¤¤. - - DOWN IN THE DRAGONS THROAT. .¤¤...¤.¤¤
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