####%*^~,,                                          ,,~^*%####
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###%*^~,,,    #                                     ,,,~^*%###
####%*^~,,              ,LIZARDRY                   ,,~^*%####
###%*^~,,, ~           ¶ #¶ ###  ################## ,,,~^*%###
####%*^~,, ##      THE ART OF C,NNECTING            ,,~^*%####
###%*^~,,,        ,    WITH THE OLD MIND            ,,,~^*%###
####%*^~,,                                          ,,~^*%####
###%*^~,,,             MY MIND IS BEING SKEWED. MI  ,,,~^*%###
####%*^~,,  SKELETON IS STRINGY AND OLD AND ALIEN   ,,~^*%####
###%*^~,,,             THE SITUATION IS LITERALLY   ,,,~^*%###
####%*^~,, PRESSED OUT THROUGH MY EYES, IT'S        ,,~^*%####
###%*^~,,, ECHOING LIKE                             ,,,~^*%###
####%*^~,,             THE SUNSET OF THE ETERNAL    ,,~^*%####
###%*^~,,, OCEAN                                    ,,,~^*%###
####%*^~,,         PERSISTENTLY AGAINST MY EMULSION ,,~^*%####
###%*^~,,,                                          ,,,~^*%###
####%*^~,,    IT'S UNGRASPABLE TO ME, WHAT OTHER    ,,~^*%####
###%*^~,,,   HUMANS ARE DOING AND ABSTRACTING,      ,,,~^*%###
####%*^~,,  AND ABOVE ALL ELSE, WHAT TIME THEY USE? ,,~^*%####
###%*^~,,, HOW LONG A TIME HAS PASSED, FOR THEM?    ,,,~^*%###
####%*^~,,                                     ,    ,,~^*%####
###%*^~,,,  , ,,, ,  ,,,,,,,,,,,,,,,,   ¶¶¶¶¶¶¶     ,,,~^*%###
####%*^~,,   CONTINUOUSLY I'M CROWDING THROUGH      ,,~^*%####
###%*^~,,, , THE FOURTH WALL  ,OUTWARDS IS WHAT   , ,,,~^*%###
####%*^~,, ,, I'M THINKING BUT IT'S WRONG.. A NEW   ,,~^*%####
###%*^~,,, , , NARRATOR IS INTRODUCED, OCCASIONALLY ,,,~^*%###
####%*^~,, ,  , AWARE OF THE PREVIOUS ONE, DEEPER , ,,~^*%####
###%*^~,,, ,   , DOWN IN THE DRAGONS THROAT.        ,,,~^*%###
####%*^~,,      ,                                   ,,~^*%####
###%*^~,,,       ,                                  ,,,~^*%###
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