@.@...@.@@ @...@@.@@.
@.@..@@..@ @..@.@..@.
@.@.@.@.@@ @.@@.@.@@.
@.@.@.@..@ @..@.@..@.
@.@.@.@.@@ @.@@.@.@@.
@.@.@.@..@ @..@.@..@.
@.@.@.@.@@ NOW, USUALLY I FEEL GOOD (MAYBE?), BUT @.@@.@.@@.
@.@.@.@..@ THIS TIME OF CONFUSION ALSO LEADS TO @..@.@..@.
@.@.@.@.@@ ALL ANALYZES ENDING IN "USELESS" - I @.@@.@.@@.
@.@.@.@..@ WAS BEING BOTHERED BY SOMETHING IN A @..@.@..@.
@.@.@.@.@@ SONG OR MOVIE OR BOOK, SO I THINK, HOW @.@@.@.@@.
@.@.@.@..@ WOULD I HAVE DONE IT, WHAT IS THE @..@.@..@.
@.@.@.@.@@ PURPOSE OF THIS PROCESS, WHAT DOES IT @.@@.@.@@.
@.@.@.@..@ CONSIST OF...? AND THROUGH THE PROCESS @..@.@..@.
@.@.@.@.@@ MORE AND MORE PIECES FALLS OFF UNTIL @.@@.@.@@.
@.@.@.@..@ I'M STANDING THERE WITH NOTHING. @..@.@..@.
@.@.@.@.@@ @.@@.@.@@.
@.@.@.@..@ REDUCTIONIST HELL - @..@.@..@.
@.@.@.@.@@ I WAN'T A BOTTOM FLOOR, A CONCEPT @.@@.@.@@.
@.@.@.@..@ BEDROCK, BUT THE DEEPER I GO THE MORE @..@.@..@.
@.@.@.@.@@ ABSTRACT THEY ARE, THE THINGS, UNTIL @.@@.@.@@.
@.@.@.@..@ THEY CEASE TO BE THINGS AT ALL @..@.@..@.
@.@.@.@.@@ @.@@.@.@@.
@.@.@.@..@ ARE WE JUST STACKED TRIANGLES? THERE IS @..@.@..@.
@.@.@.@.@@ NOTHING I CAN DO WITH TRIANGLES. THEY @.@@.@.@@.
@.@.@.@..@ CAN NOT SHELTER ME IN ANY MEANINGFUL @..@.@..@.
@.@.@.@.@@ SENSE. @.@@.@.@@.
@.@.@.@..@ @..@.@..@.
@.@.@.@.@@ AND WHEN I CAN'T EVEN ANCHOR MYSELF, @.@@.@.@@.
@.@.@.@..@ WHEN I AM NOTHING BUT THE QUESTION, IT @..@.@..@.
@.@.@.@.@@ FEELS LIKE IT CAN ALL SLIP THROUGH MY @.@@.@.@@.
@.@.@.@..@ FINGERS... "WHOOPS", AND NOTHING EVER @..@.@..@.
@.@.@.@.@@ WAS AFTER THAT. @.@@.@.@@.
@.@.@.@..@ @..@.@..@.
@.@.@.@.@@ @.@@.@.@@.
@.@.@.@..@ @..@.@..@.
@.@.@.@.@@ @.@@.@.@@.
@.@.@.@..@ @..@.@..@.