,.~\=$@### ###@$=\~.,
,,.~\=$@## ##@$=\~.,,
,,,.~\=$@# #@$=\~.,,,
,,,,.~\=$@ @$=\~.,,,,
,,,,,.~\=$ $=\~.,,,,,
,,,,,,.~\= #### ##### =\~.,,,,,,
,,,,,,,.~\ TAPE DREAM \~.,,,,,,,
,,,,,,,,.~ #### ##### ~.,,,,,,,,
,,,,,,,.~\ \~.,,,,,,,
,,,,,,.~\= FOR STORING MUSIC ON. ALSO DATA BUT =\~.,,,,,,
,,,,,.~\=$ AT THIS POINT IN TIME THAT'S NOT $=\~.,,,,,
,,,,.~\=$@ REALLY IMPORTANT I THINK. @$=\~.,,,,
,,,.~\=$@# #@$=\~.,,,
,,.~\=$@## ##@$=\~.,,
,.~\=$@### \\\\\\\\ TYPES OF TAPE \\\\\\\\ ###@$=\~.,
,,.~\=$@## ##@$=\~.,,
,,,.~\=$@# CLASS I - "BAD" IRON #@$=\~.,,,
,,,,.~\=$@ CLASS II - GOOD CHROMIUM @$=\~.,,,,
,,,,,.~\=$ CLASS III - BAD IRON PART TWO $=\~.,,,,,
,,,,,,.~\= CLASS IV - DANGEROUS METALS =\~.,,,,,,
,,,,,,,.~\ \~.,,,,,,,
,,,,,,,,.~ RUMORS EXIST ABOUT A SECRET CLASS V TAPE ~.,,,,,,,,
,,,,,,,.~\ THAT IS ACTUALLY USEFUL. \~.,,,,,,,
,,,,,,.~\= =\~.,,,,,,
,,,,,.~\=$ \\ BIAS \\ $=\~.,,,,,
,,,,.~\=$@ @$=\~.,,,,
,,,.~\=$@# CLASS I USES ONE HUNDRED AND TWENTY #@$=\~.,,,
,,.~\=$@## MICRO-SOMETHING WHILE THE OTHERS ALL ##@$=\~.,,
,.~\=$@### USE SEVENTY OF THE SAME UNIT. ###@$=\~.,
,,.~\=$@## ##@$=\~.,,
,,,.~\=$@# #@$=\~.,,,
,,,,.~\=$@ ========= AHA AND ========= @$=\~.,,,,
,,,,,.~\=$ $=\~.,,,,,
,,,,,,.~\= CLASS IV IS APPARENTLY TOO STRONG TO =\~.,,,,,,
,,,,,,,.~\ BE USED ON CLASS I PLAYERS. IT WILL \~.,,,,,,,
,,,,,,,,.~ SOUND TOO LOUND AND IT CANNOT BE ~.,,,,,,,,
,,,,,,,.~\ COMPLETELY ERASED. THIS IS VERY WELL. \~.,,,,,,,
,,,,,,.~\= MAYBE SOME WONDERFUL BLENDING EFFECTS =\~.,,,,,,
,,,,,.~\=$ COULD BE ACHIEVED? $=\~.,,,,,
,,,,.~\=$@ @$=\~.,,,,
,,,.~\=$@# THEY ALSO GNAW AT THE TAPE HEADS A BIT #@$=\~.,,,
,,.~\=$@## BETTER THAN EARLIER TAPE TYPES. ##@$=\~.,,
,.~\=$@### ###@$=\~.,
,,.~\=$@## ##@$=\~.,,
,,,.~\=$@# \\\\\\\\ ARTIFACTS \\\\\\\\ #@$=\~.,,,
,,,,.~\=$@ @$=\~.,,,,
,,,,,.~\=$ GOOD TAPES ARE DECENT AND HAVE A GOOD $=\~.,,,,,
,,,,,,.~\= HIGH FREQUENCY PRESENCE, BAD TAPES ARE =\~.,,,,,,
,,,,,,,.~\ LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA \~.,,,,,,,
,,,,,,,,.~ LIKE IT. ~.,,,,,,,,
,,,,,,,.~\ \~.,,,,,,,
,,,,,,.~\= BIAS LOSS: IF YOU FORGET THE BIAS WHO =\~.,,,,,,
,,,,,.~\=$ KNOWS WHATS EVEN ON THERE ANYMORE $=\~.,,,,,
,,,,.~\=$@ @$=\~.,,,,
,,,.~\=$@# FLUTTER: KINDA QUICK PITCH VARIATIONS. #@$=\~.,,,
,,.~\=$@## BEAUTIFUL, WONDERFUL, EXTRAORDINARY. ##@$=\~.,,
,.~\=$@### ###@$=\~.,
,,.~\=$@## WOW: A SLOWER FLUTTER, USUALLY SEVERAL ##@$=\~.,,
,,,.~\=$@# SECONDS LONG. WHAT UP. BOTH OF THESE #@$=\~.,,,
,,,,.~\=$@ INCREASE WHEN TAPE SPEED DECREASES. @$=\~.,,,,
,,,,,.~\=$ $=\~.,,,,,
,,,,,,.~\= PRINT THROUGH: TAPES RUB SOUND ON EACH =\~.,,,,,,
,,,,,,,.~\ OTHER IF THEYRE ALONE FOR TOO LONG \~.,,,,,,,
,,,,,,,,.~ ~.,,,,,,,,
,,,,,,,.~\ \~.,,,,,,,
,,,,,,.~\= =\~.,,,,,,
,,,,,.~\=$ $=\~.,,,,,
,,,,.~\=$@ @$=\~.,,,,
,,,.~\=$@# #@$=\~.,,,