.¤.¤¤.¤¤¤. ....¤..¤¤¤
¤¤¤.¤¤..¤. ...¤¤.¤..¤
..¤¤.¤.¤¤. ..¤.¤¤¤.¤.
.¤.¤¤¤¤.¤. .¤¤¤..¤¤¤.
¤¤¤...¤¤¤. ¤..¤.¤..¤.
..¤..¤..¤¤ @@@@ ##### ¤.¤¤¤¤.¤¤¤
.¤¤.¤¤.¤.. TAPE DREAM ¤¤...¤¤..¤
¤.¤¤.¤¤¤.¤ #### @@@@@ .¤..¤.¤.¤¤
¤¤.¤¤..¤¤. ¤¤.¤¤¤¤¤..
.¤¤.¤.¤.¤¤ FOR STORING MUSIC ON. ALSO DATA BUT .¤¤....¤.¤
¤.¤¤¤¤¤¤.. AT THIS POINT IN TIME THAT'S NOT ¤.¤...¤¤¤¤
¤¤.....¤.¤ REALLY IMPORTANT I THINK. ¤¤¤..¤....
.¤....¤¤¤. ..¤.¤¤...¤
¤¤...¤..¤¤ .¤¤¤.¤..¤¤
.¤..¤¤.¤.¤ :::::::: TYPES OF TAPE :::::::: ¤..¤¤¤.¤..
¤¤.¤.¤¤¤¤. ¤.¤..¤¤¤..
.¤¤¤¤...¤. CLASS I - "BAD" IRON ¤¤¤.¤..¤.¤
¤...¤..¤¤¤ CLASS II - GOOD CHROMIUM ..¤¤¤.¤¤¤¤
¤..¤¤.¤..¤ CLASS III - BAD IRON PART TWO .¤..¤¤....
¤.¤.¤¤¤.¤. CLASS IV - DANGEROUS METALS ¤¤.¤.¤...¤
¤¤¤¤..¤¤¤. .¤¤¤¤¤..¤.
...¤.¤..¤¤ RUMORS EXIST ABOUT A SECRET CLASS V TAPE ¤....¤.¤¤¤
..¤¤¤¤.¤.¤ THAT IS ACTUALLY USEFUL. ¤...¤¤¤..¤
.¤...¤¤¤¤. ¤..¤..¤.¤¤
¤¤..¤...¤¤ :: BIAS :: ¤.¤¤.¤¤¤.¤
.¤.¤¤..¤.. ¤¤.¤¤..¤¤.
¤¤¤.¤.¤¤.¤ CLASS I USES ONE HUNDRED AND TWENTY .¤¤.¤.¤.¤.
..¤¤¤¤.¤¤¤ MICRO-SOMETHING WHILE THE OTHERS ALL ¤.¤¤¤¤¤¤¤¤
.¤...¤¤... USE SEVENTY OF THE SAME UNIT. ¤¤.......¤
¤¤..¤.¤..¤ .¤......¤¤
.¤.¤¤¤¤.¤¤ ¤¤.....¤..
¤¤¤...¤¤.¤ §§§§§§§§§ AHA AND §§§§§§§§§ .¤....¤¤..
..¤..¤.¤¤¤ ¤¤...¤.¤.¤
.¤¤.¤¤¤... CLASS IV IS APPARENTLY TOO STRONG TO .¤..¤¤¤¤¤¤
¤.¤¤..¤..¤ BE USED ON CLASS I PLAYERS. IT WILL ¤¤.¤.....¤
¤¤.¤.¤¤.¤¤ SOUND TOO LOUND AND IT CANNOT BE .¤¤¤....¤.
.¤¤¤¤.¤¤.¤ COMPLETELY ERASED. THIS IS VERY WELL. ¤..¤...¤¤¤
¤...¤¤.¤¤¤ MAYBE SOME WONDERFUL BLENDING EFFECTS ¤.¤¤..¤..¤
¤..¤.¤¤..¤ COULD BE ACHIEVED? ¤¤.¤.¤¤.¤.
¤.¤¤¤.¤.¤. .¤¤¤¤.¤¤¤¤
¤¤..¤¤¤¤¤¤ THEY ALSO GNAW AT THE TAPE HEADS A BIT ¤...¤¤....
.¤.¤...... BETTER THAN EARLIER TAPE TYPES. ¤..¤.¤...¤
¤¤¤¤...... ¤.¤¤¤¤..¤¤
...¤...... ¤¤...¤.¤..
..¤¤.....¤ :::::::: ARTIFACTS :::::::: .¤..¤¤¤¤..
.¤.¤....¤. ¤¤.¤...¤..
¤¤¤¤...¤¤¤ GOOD TAPES ARE DECENT AND HAVE A GOOD .¤¤¤..¤¤..
...¤..¤... HIGH FREQUENCY PRESENCE, BAD TAPES ARE ¤..¤.¤.¤.¤
..¤¤.¤¤..¤ LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA ¤.¤¤¤¤¤¤¤¤
.¤.¤¤.¤.¤¤ LIKE IT. ¤¤.......¤
¤¤¤.¤¤¤¤.¤ .¤......¤¤
..¤¤...¤¤¤ BIAS LOSS: IF YOU FORGET THE BIAS WHO ¤¤.....¤..
.¤.¤..¤... KNOWS WHATS EVEN ON THERE ANYMORE .¤....¤¤..
¤¤¤¤.¤¤... ¤¤...¤.¤..
...¤¤.¤..¤ FLUTTER: KINDA QUICK PITCH VARIATIONS. .¤..¤¤¤¤.¤
..¤.¤¤¤.¤¤ BEAUTIFUL, WONDERFUL, EXTRAORDINARY. ¤¤.¤...¤¤¤
.¤¤¤..¤¤.¤ .¤¤¤..¤..¤
¤..¤.¤.¤¤¤ WOW: A SLOWER FLUTTER, USUALLY SEVERAL ¤..¤.¤¤.¤¤
¤.¤¤¤¤¤..¤ SECONDS LONG. WHAT UP. BOTH OF THESE ¤.¤¤¤.¤¤..
¤¤....¤.¤¤ INCREASE WHEN TAPE SPEED DECREASES. ¤¤..¤¤.¤.¤
.¤...¤¤¤.. .¤.¤.¤¤¤¤.
¤¤..¤..¤.¤ PRINT THROUGH: TAPES RUB SOUND ON EACH ¤¤¤¤¤...¤.
.¤.¤¤.¤¤¤. OTHER IF THEYRE ALONE FOR TOO LONG ....¤..¤¤¤
¤¤¤.¤¤..¤. ...¤¤.¤..¤
..¤¤.¤.¤¤. ..¤.¤¤¤.¤.
.¤.¤¤¤¤.¤. .¤¤¤..¤¤¤.
¤¤¤...¤¤¤. ¤..¤.¤..¤.
..¤..¤..¤¤ ¤.¤¤¤¤.¤¤¤
.¤¤.¤¤.¤.. ¤¤...¤¤..¤