,:»/%$&@## ##@&$%/»:,
,:»/%$&@## ##@&$%/»:,
,,,:://$&& &&$//::,,,
,,,»//%&@@ @@&%//»,,,
,,::://%&& &&%//:::,,
,,,,,»»%&& @@@@ ##### &&%»»,,,,,
,,,,://$$& tape dream &$$//:,,,,
,:»/%$&@@@ #### @@@@@ @@@&$%/»:,
,:»/%$&@@@ @@@&$%/»:,
,,,:»%%&@@ for storing music on. also data but @@&%%»:,,,
,:»/%$$&&@ at this point in time that's not @&&$$%/»:,
,:»/%$&@@# really important i think. #@@&$%/»:,
,,,:://$&& &&$//::,,,
,:»/%$&@@# #@@&$%/»:,
,:»/%$&@@@ //////// types of tape //////// @@@&$%/»:,
,:»/%$&@@# #@@&$%/»:,
,:»/%$&@@@ class i - "bad" iron @@@&$%/»:,
,:»/%$&@@# class ii - good chromium #@@&$%/»:,
,,,,::»/$& class iii - bad iron part two &$/»::,,,,
,,,»»%$$&@ class iv - dangerous metals @&$$%»»,,,
,,:»///$$@ @$$///»:,,
,:»/%$@@## rumors exist about a secret class v tape ##@@$%/»:,
,::://%%$@ that is actually useful. @$%%//:::,
,:»/%$&@@@ @@@&$%/»:,
,,,,,»%$@@ // bias // @@$%»,,,,,
,:»/%$&@@@ @@@&$%/»:,
,,,,,,,»%& class i uses one hundred and twenty &%»,,,,,,,
,:»/%$&@@# micro-something while the others all #@@&$%/»:,
,:»/%$&@@@ use seventy of the same unit. @@@&$%/»:,
,:»/%$&@@# #@@&$%/»:,
,:»/%$$&&@ @&&$$%/»:,
,,,::»»%%& %%%%%%%%% aha and %%%%%%%%% &%%»»::,,,
,:»/%$&@## ##@&$%/»:,
,:»///$&@@ class iv is apparently too strong to @@&$///»:,
,:»/%$&&@@ be used on class i players. it will @@&&$%/»:,
,,,,,:/$&@ sound too lound and it cannot be @&$/:,,,,,
,,,,,»/%&@ completely erased. this is very well. @&%/»,,,,,
,,,,:/%&&& maybe some wonderful blending effects &&&%/:,,,,
,:»/%$&@@@ could be achieved? @@@&$%/»:,
,:»/%$&@@# #@@&$%/»:,
,,,,»%$$&& they also gnaw at the tape heads a bit &&$$%»,,,,
,:»/%$&@@@ better than earlier tape types. @@@&$%/»:,
,:»/%%$$$& &$$$%%/»:,
,:»/%$&@@# #@@&$%/»:,
,:»/%$&@@# //////// artifacts //////// #@@&$%/»:,
,:»/%$&@## ##@&$%/»:,
,,,,,:/%&@ good tapes are decent and have a good @&%/:,,,,,
,:»/%$&@@@ high frequency presence, bad tapes are @@@&$%/»:,
,:»/%$&@@# lofi if not outright bad. idk, i kinda #@@&$%/»:,
,,,,,:/%&@ like it. @&%/:,,,,,
,:»/%$&@## ##@&$%/»:,
,:»/%$&@@# bias loss: if you forget the bias who #@@&$%/»:,
,:»/%$&@@@ knows whats even on there anymore @@@&$%/»:,
,:»/%$@@## ##@@$%/»:,
,:»/%$&@@# flutter: kinda quick pitch variations. #@@&$%/»:,
,:»/%$&@@@ beautiful, wonderful, extraordinary. @@@&$%/»:,
,:»/%$&@@# #@@&$%/»:,
,:»/%$&@@# wow: a slower flutter, usually several #@@&$%/»:,
,:»/%$&@@# seconds long. what up. both of these #@@&$%/»:,
,,,,»/$$$@ increase when tape speed decreases. @$$$/»,,,,
,:»/%%%$$& &$$%%%/»:,
,:»/%$&@@@ print through: tapes rub sound on each @@@&$%/»:,
,,,,,»/$@@ other if theyre alone for too long @@$/»,,,,,
,:»/%$$$$@ @$$$$%/»:,
,,,::/%&@@ @@&%/::,,,
,:»/%$&@@# #@@&$%/»:,
,:»/%$&@@# #@@&$%/»:,
,:»/%$&&&& &&&&$%/»:,
,,,,,::»%& &%»::,,,,,