.~=:=¤£@## ##@£¤=:=~.
.~=:¤£@### ###@£¤:=~.
.~=:=¤£### ###£¤=:=~.
.....====£ £====.....
.~=:=¤£@@# #@@£¤=:=~.
.~=:=¤£@## #### ##### ##@£¤=:=~.
.~=:=¤£### TAPE DREAM ###£¤=:=~.
.~=:=¤£@## #### ##### ##@£¤=:=~.
.~=:=¤£@## ##@£¤=:=~.
.~=:=¤£@## FOR STORING MUSIC ON. ALSO DATA BUT ##@£¤=:=~.
....~:¤£@# AT THIS POINT IN TIME THAT'S NOT #@£¤:~....
.~=:=¤¤£@# REALLY IMPORTANT I THINK. #@£¤¤=:=~.
.~=:=¤¤£@@ @@£¤¤=:=~.
......==£# #£==......
.~=:=¤£@@@ :::::::: TYPES OF TAPE :::::::: @@@£¤=:=~.
.~=:=¤£@## ##@£¤=:=~.
....~=:¤¤£ CLASS I - "BAD" IRON £¤¤:=~....
.~=:=¤£££# CLASS II - GOOD CHROMIUM #£££¤=:=~.
.~=:=¤£@## CLASS III - BAD IRON PART TWO ##@£¤=:=~.
.~=:=¤£@## CLASS IV - DANGEROUS METALS ##@£¤=:=~.
...~=:==¤@ @¤==:=~...
.....=::¤£ RUMORS EXIST ABOUT A SECRET CLASS V TAPE £¤::=.....
..~==::=¤£ THAT IS ACTUALLY USEFUL. £¤=::==~..
.~=====:¤@ @¤:=====~.
.~=:=¤£@## :: BIAS :: ##@£¤=:=~.
.~=:=¤£@## ##@£¤=:=~.
.~=:=¤£### CLASS I USES ONE HUNDRED AND TWENTY ###£¤=:=~.
..~==:¤¤£# MICRO-SOMETHING WHILE THE OTHERS ALL #£¤¤:==~..
......==£# USE SEVENTY OF THE SAME UNIT. #£==......
.....===£# #£===.....
.~=:=¤£@## ##@£¤=:=~.
.~=:=¤£@## ========= AHA AND ========= ##@£¤=:=~.
.~=:=¤£@## ##@£¤=:=~.
.~=:=¤£££# CLASS IV IS APPARENTLY TOO STRONG TO #£££¤=:=~.
.~=:=¤@### BE USED ON CLASS I PLAYERS. IT WILL ###@¤=:=~.
....~==¤@# SOUND TOO LOUND AND IT CANNOT BE #@¤==~....
.~=:=¤££££ COMPLETELY ERASED. THIS IS VERY WELL. ££££¤=:=~.
.~=:=¤¤£@# MAYBE SOME WONDERFUL BLENDING EFFECTS #@£¤¤=:=~.
.~=:=¤£@## COULD BE ACHIEVED? ##@£¤=:=~.
.....=:=£# #£=:=.....
.~=:=¤£@## THEY ALSO GNAW AT THE TAPE HEADS A BIT ##@£¤=:=~.
.....~===£ BETTER THAN EARLIER TAPE TYPES. £===~.....
.....~:=£@ @£=:~.....
.~==::==£# #£==::==~.
.~=:=¤£### :::::::: ARTIFACTS :::::::: ###£¤=:=~.
.~=:=¤£@## ##@£¤=:=~.
.~=:=¤£@## GOOD TAPES ARE DECENT AND HAVE A GOOD ##@£¤=:=~.
......~:¤£ HIGH FREQUENCY PRESENCE, BAD TAPES ARE £¤:~......
......~==£ LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA £==~......
....~~::=£ LIKE IT. £=::~~....
.~=:=¤£@## ##@£¤=:=~.
....==:¤¤@ BIAS LOSS: IF YOU FORGET THE BIAS WHO @¤¤:==....
...=====£# KNOWS WHATS EVEN ON THERE ANYMORE #£=====...
.~=:=¤£@## ##@£¤=:=~.
.~=:=¤£@## FLUTTER: KINDA QUICK PITCH VARIATIONS. ##@£¤=:=~.
.....~:=¤@ BEAUTIFUL, WONDERFUL, EXTRAORDINARY. @¤=:~.....
.~==¤£@### ###@£¤==~.
~=:=¤£@### WOW: A SLOWER FLUTTER, USUALLY SEVERAL ###@£¤=:=~
.~=:=¤£@## SECONDS LONG. WHAT UP. BOTH OF THESE ##@£¤=:=~.
.~=:=¤@### INCREASE WHEN TAPE SPEED DECREASES. ###@¤=:=~.
.~==::=£££ £££=::==~.
.~=:=¤£@## PRINT THROUGH: TAPES RUB SOUND ON EACH ##@£¤=:=~.
.~=:=¤@### OTHER IF THEYRE ALONE FOR TOO LONG ###@¤=:=~.
.~=:=¤£@## ##@£¤=:=~.
...~::=££@ @££=::~...
.~=:=£@### ###@£=:=~.
.~=:=¤£@## ##@£¤=:=~.
.~=:=¤¤£@@ @@£¤¤=:=~.
.....~::¤@ @¤::~.....