&^==-,,... ...,,-==^&
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#@£&@^=-,. .,-=^@&£@#
#@£&@^=-,. @@@@ ##### .,-=^@&£@#
£@@@@^=-,. TAPE DREAM .,-=^@@@@£
##@£&@^-,. #### @@@@@ .,-^@&£@##
#@£&@^=-,. .,-=^@&£@#
£@^-,..... FOR STORING MUSIC ON. ALSO DATA BUT .....,-^@£
#@£&@^=-,. AT THIS POINT IN TIME THAT'S NOT .,-=^@&£@#
##@£&^=-,. REALLY IMPORTANT I THINK. .,-=^&£@##
£££&@^=-,. .,-=^@&£££
@££&@^=-,. .,-=^@&££@
@£@^-,,... ======== TYPES OF TAPE ======== ...,,-^@£@
&^^^-,.... ....,-^^^&
#@£&@^=-,. CLASS I - "BAD" IRON .,-=^@&£@#
@@£&@^=-,. CLASS II - GOOD CHROMIUM .,-=^@&£@@
@&@^--.... CLASS III - BAD IRON PART TWO ....--^@&@
@@£&@^=-,. CLASS IV - DANGEROUS METALS .,-=^@&£@@
&@@==-.... ....-==@@&
£&@=--,... RUMORS EXIST ABOUT A SECRET CLASS V TAPE ...,--=@&£
£@===--... THAT IS ACTUALLY USEFUL. ...--===@£
#@£&@^=-,. .,-=^@&£@#
#@£&@^=-,. == BIAS == .,-=^@&£@#
#@£&@^=-,. .,-=^@&£@#
£&@@@^=-,. CLASS I USES ONE HUNDRED AND TWENTY .,-=^@@@&£
£&^^^=-,.. MICRO-SOMETHING WHILE THE OTHERS ALL ..,-=^^^&£
££@==--... USE SEVENTY OF THE SAME UNIT. ...--==@££
££&^^=-... ...-=^^&££
#@£&@^=-,. .,-=^@&£@#
£@=-,,.... ^^^^^^^^^ AHA AND ^^^^^^^^^ ....,,-=@£
##@£&@=-,. .,-=@&£@##
&@@@^^=-,. CLASS IV IS APPARENTLY TOO STRONG TO .,-=^^@@@&
#@£&@^=-,. BE USED ON CLASS I PLAYERS. IT WILL .,-=^@&£@#
##@&@^=-,. SOUND TOO LOUND AND IT CANNOT BE .,-=^@&@##
##£&@^=-,. COMPLETELY ERASED. THIS IS VERY WELL. .,-=^@&£##
££@^-,.... MAYBE SOME WONDERFUL BLENDING EFFECTS ....,-^@££
&&^-...... COULD BE ACHIEVED? ......-^&&
&@^^=-.... ....-=^^@&
#@£&@^=-,. THEY ALSO GNAW AT THE TAPE HEADS A BIT .,-=^@&£@#
##@&@^=-,. BETTER THAN EARLIER TAPE TYPES. .,-=^@&@##
##@&@^=-,. .,-=^@&@##
#@£&@^=-,. .,-=^@&£@#
##£&@^=-,. ======== ARTIFACTS ======== .,-=^@&£##
£&&@=--,,. .,,--=@&&£
##@&@^=-,. GOOD TAPES ARE DECENT AND HAVE A GOOD .,-=^@&@##
@&^===--,. HIGH FREQUENCY PRESENCE, BAD TAPES ARE .,--===^&@
££@@^==-,. LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA .,-==^@@££
£@=-...... LIKE IT. ......-=@£
&&&&@^=-,. .,-=^@&&&&
@@£&@^=-,. BIAS LOSS: IF YOU FORGET THE BIAS WHO .,-=^@&£@@
##@£&@=-,. KNOWS WHATS EVEN ON THERE ANYMORE .,-=@&£@##
££@@=,.... ....,=@@££
##£&@^=-,. FLUTTER: KINDA QUICK PITCH VARIATIONS. .,-=^@&£##
#@£&@^=-,. BEAUTIFUL, WONDERFUL, EXTRAORDINARY. .,-=^@&£@#
&&&^=,,... ...,,=^&&&
£&&@@^=-,. WOW: A SLOWER FLUTTER, USUALLY SEVERAL .,-=^@@&&£
&^=,...... SECONDS LONG. WHAT UP. BOTH OF THESE ......,=^&
&^^=-..... INCREASE WHEN TAPE SPEED DECREASES. .....-=^^&
#@£&@^=-,. .,-=^@&£@#
£&@^^=--,. PRINT THROUGH: TAPES RUB SOUND ON EACH .,--=^^@&£
££@^-..... OTHER IF THEYRE ALONE FOR TOO LONG .....-^@££
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##@£&^=-,. .,-=^&£@##
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&@^==-,... ...,-==^@&
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