§.§.§.§..§                                          .§.§§..§§.
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§.§.§.§.§.                #### #####                .§..§.§.§.
§.§.§.§.§.                TAPE DREAM                .§.§§.§.§.
§.§.§.§.§.                #### #####                .§..§.§.§.
§.§.§.§.§.                                          .§.§§.§.§.
§.§.§.§.§. FOR  STORING  MUSIC  ON.  ALSO DATA  BUT .§..§.§.§.
§.§.§.§.§. AT  THIS   POINT  IN  TIME   THAT'S  NOT .§.§§.§.§.
§.§.§.§.§.        REALLY IMPORTANT I THINK.         .§..§.§.§.
§.§.§.§.§.                                          .§.§§.§.§.
§.§.§.§.§.                                          .§..§.§.§.
§.§.§.§.§.      :::::::: TYPES OF TAPE ::::::::     .§.§§.§.§.
§.§.§.§.§.                                          .§..§.§.§.
§.§.§.§.§.           CLASS I - "BAD" IRON           .§.§§.§.§.
§.§.§.§.§.         CLASS II - GOOD CHROMIUM         .§..§.§.§.
§.§.§.§.§.       CLASS III - BAD IRON PART TWO      .§.§§.§.§.
§.§.§.§.§.       CLASS IV - DANGEROUS METALS        .§..§.§.§.
§.§.§.§.§.                                          .§.§§.§.§.
§.§.§.§.§. RUMORS EXIST ABOUT A SECRET CLASS V TAPE .§..§.§.§.
§.§.§.§.§.         THAT IS ACTUALLY USEFUL.         .§.§§.§.§.
§.§.§.§.§.                                          .§..§.§.§.
§.§.§.§.§.                :: BIAS ::                .§.§§.§.§.
§.§.§.§.§.                                          .§..§.§.§.
§.§.§.§.§. CLASS  I  USES ONE  HUNDRED  AND  TWENTY .§.§§.§.§.
§.§.§.§.§.   MICRO-SOMETHING WHILE THE OTHERS ALL   .§..§.§.§.
§.§.§.§.§. USE   SEVENTY    OF   THE   SAME   UNIT. .§.§§.§.§.
§.§.§.§.§.                                          .§..§.§.§.
§.§.§.§.§.                                          .§.§§.§.§.
§.§.§.§.§.       ††††††††† AHA AND †††††††††        .§..§.§.§.
§.§.§.§.§.                                          .§.§§.§.§.
§.§.§.§.§. CLASS IV  IS APPARENTLY  TOO  STRONG  TO .§..§.§.§.
§.§.§.§.§. BE  USED  ON  CLASS I PLAYERS.  IT  WILL .§.§§.§.§.
§.§.§.§.§. SOUND   TOO  LOUND  AND  IT   CANNOT  BE .§..§.§.§.
§.§.§.§.§. COMPLETELY  ERASED. THIS  IS VERY  WELL. .§.§§.§.§.
§.§.§.§.§.   MAYBE SOME WONDERFUL BLENDING EFFECTS  .§..§.§.§.
§.§.§.§.§.            COULD BE ACHIEVED?            .§.§§.§.§.
§.§.§.§.§.                                          .§..§.§.§.
§.§.§.§.§. THEY ALSO GNAW AT THE  TAPE HEADS  A BIT .§.§§.§.§.
§.§.§.§.§.     BETTER THAN EARLIER TAPE TYPES.      .§..§.§.§.
§.§.§.§.§.                                          .§.§§.§.§.
§.§.§.§.§.                                          .§..§.§.§.
§.§.§.§.§.       :::::::: ARTIFACTS ::::::::        .§.§§.§.§.
§.§.§.§.§.                                          .§..§.§.§.
§.§.§.§.§. GOOD  TAPES  ARE DECENT AND HAVE A  GOOD .§.§§.§.§.
§.§.§.§.§. HIGH FREQUENCY  PRESENCE,  BAD TAPES ARE .§..§.§.§.
§.§.§.§.§. LOFI  IF  NOT OUTRIGHT BAD. IDK, I KINDA .§.§§.§.§.
§.§.§.§.§.                 LIKE IT.                 .§..§.§.§.
§.§.§.§.§.                                          .§.§§.§.§.
§.§.§.§.§. BIAS LOSS:  IF  YOU FORGET THE BIAS  WHO .§..§.§.§.
§.§.§.§.§. KNOWS  WHATS   EVEN   ON  THERE  ANYMORE .§.§§.§.§.
§.§.§.§.§.                                          .§..§.§.§.
§.§.§.§.§.  FLUTTER: KINDA QUICK PITCH VARIATIONS.  .§.§§.§.§.
§.§.§.§.§.   BEAUTIFUL, WONDERFUL, EXTRAORDINARY.   .§..§.§.§.
§.§.§.§.§.                                          .§.§§.§.§.
§.§.§.§.§. WOW: A SLOWER FLUTTER,  USUALLY  SEVERAL .§..§.§.§.
§.§.§.§.§. SECONDS LONG. WHAT  UP.  BOTH  OF  THESE .§.§§.§.§.
§.§.§.§.§.    INCREASE WHEN TAPE SPEED DECREASES.   .§..§.§.§.
§.§.§.§.§.                                          .§.§§.§.§.
§.§.§.§.§. PRINT THROUGH:  TAPES RUB SOUND  ON EACH .§..§.§.§.
§.§.§.§.§. OTHER  IF  THEYRE  ALONE  FOR  TOO  LONG .§.§§.§.§.
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