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.,~/**¤£## (SITUATION) ##£¤**/~,.
.,~/**¤£## ##£¤**/~,.
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.,~/**¤£## CLEARING, NARROW BUT IMMEASURABLY LONG. ##£¤**/~,.
.,~////*¤# TO YOUR SIDES ARE WALLS MADE OF TREES, #¤*////~,.
...,/**¤£# THICK AND READY TO SWALLOW YOU. THE SUN #£¤**/,...
.,,~///*¤# IS NOWHERE TO BE SEEN, BUT NONTHELESS #¤*///~,,.
.,~/**¤£## IT IS VERY BRIGHT - THE AIR FEELS LIGHT ##£¤**/~,.
....,~~**£ BLUE, ALMOST WHITE. £**~~,....
.,~/**¤£## ##£¤**/~,.
.,~/**¤£## ALONG THE SPAN OF THE CLEARING LAY TWO ##£¤**/~,.
.,,,,,~/*¤ PARALLEL SILVERY LINES, DARK HARD ¤*/~,,,,,.
.,~/**¤£## METAL. SOMEHOW YOU CAN SEE HOW HEAVY ##£¤**/~,.
.,~/**¤¤¤£ THEY ARE. £¤¤¤**/~,.
.,~/**¤£## ##£¤**/~,.
.,~/**¤£## THEY EMIT A HIGH PITCHED WHINE... ##£¤**/~,.
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.,~/**¤£## CATWALK ABOVE THE RAILS. YOUR TRAIN IS ##£¤**/~,.
...,,,/*£# LATE, OR YOU ARE LATE TO THE TRAIN. #£*/,,,...
.,~/**¤### IT'S A SUMMER AFTERNOON AND THE STATION ###¤**/~,.
.......~*¤ IS BUSY, FULL OF RELAXED CONFIDENCE. ¤*~.......
...~~***£# #£***~~...
.,~/**¤£## YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT ##£¤**/~,.
.,~/****¤£ STRESSED ABOUT THE TIME, WHILE MOVING £¤****/~,.
.,~/**¤£## UP THE STAIRS TO YOUR PLATFORM. THE ##£¤**/~,.
.,~/**¤£## STATION IS IN SEVERAL LEVELS, ALL ##£¤**/~,.
.,~/**¤£££ PLACED WITHIN EACHOTHER BY SOME £££¤**/~,.
...,~***¤£ INTELLIGENT DESIGNER, AND FULL OF £¤***~,...
.,~/**¤£## STAIRS, ELEVATORS, SHORTCUTS, ##£¤**/~,.
....,,/*¤# BAZAARS... YOU SIGHT YOUR TRAIN THROUGH #¤*/,,....
.,,,,,,/*£ SOME GLASS WINDOWS. IT'S... NOT WHERE £*/,,,,,,.
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.,~/**¤£## YOU'RE FINALLY ENTERING THE CITY. WHILE ##£¤**/~,.
.,~/**¤¤¤£ IT IS INDEED A VERY HIGH SPEED TRAIN £¤¤¤**/~,.
.,~/**¤£## YOU'RE TRAVELING IN, THE JOURNEY HAS ##£¤**/~,.
.,~/**¤£## BEEN LONG. BUT IT'S ABOUT TO END! ##£¤**/~,.
.....,//*£ £*//,.....
......,~*¤ SOCIETY IS GROWING DENSER AROUND YOU, ¤*~,......
..,,,,/*¤¤ THROUGH THE WINDOWS YOU SEE FIRST SMALL ¤¤*/,,,,..
....,//**£ SHACKS, BUILT OF METAL AND STONE, THEN £**//,....
.,~/**¤£## PROPER HOUSES WITH MORTAR TO KEEP THEM ##£¤**/~,.
.,~/**¤£## TOGETHER... WHO IN TURN MAKE WAY FOR ##£¤**/~,.
...,,~~*¤¤ THE INDUSTRIAL BUILDINGS, THE URBAN ¤¤*~~,,...
.,~/**£### MAZE, PROTECTIVE WALLS, JUNGLE ###£**/~,.
.,~/**¤£## NETWORK... ##£¤**/~,.
...,~/*¤¤£ £¤¤*/~,...
.,~/**¤### THE TRACKS LEAVE THE GROUND, WHICH IS ###¤**/~,.
.,~/**¤£## NEEDED FOR OTHER PURPOSES. YOU ARE ##£¤**/~,.
......~**£ CARRIED GENTLY, CURVING UPWARDS UNTIL £**~......
.,~/****££ YOU'RE MOVING UPWARD ALONG THE WALL OF ££****/~,.
.,~/**¤£## A BUILDING. IT'S MADE OF SLABBY STONE, ##£¤**/~,.
.,~/**¤£## WITH GREAT GLASSLESS WINDOW HOLES ##£¤**/~,.
....~/*¤¤# LOOKING OUT THE WAY YOU CAME. IT IS #¤¤*/~....
.,~/**¤### PITCH BLACK INSIDE. ###¤**/~,.
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