¨:=/*@#£## ##£#@*/=:¨
¨¨¨¨¨¨=*@£ £@*=¨¨¨¨¨¨
¨:=/*@#### ####@*/=:¨
¨:=/*@£### ###£@*/=:¨
¨:=/*@@@## ##@@@*/=:¨
¨:=/***@££ train dream ££@***/=:¨
¨:=/*@#£## ######¨¨¨¨:=::¨¨##################### ##£#@*/=:¨
¨:==///*#£ /// £#*///==:¨
¨¨¨¨¨=*@## = ##@*=¨¨¨¨¨
¨:=/*@#### = ####@*/=:¨
¨¨¨¨¨==*@# #@*==¨¨¨¨¨
¨:=/*@#£## (situation) ##£#@*/=:¨
¨¨¨¨¨==*@£ £@*==¨¨¨¨¨
¨:=/*@#££# you find yourself in a rift - a #££#@*/=:¨
¨:=/*@#### clearing, narrow but immeasurably long. ####@*/=:¨
¨:=/*@#£## to your sides are walls made of trees, ##£#@*/=:¨
¨¨¨¨¨¨:/*# thick and ready to swallow you. the sun #*/:¨¨¨¨¨¨
¨:=/*@#£## is nowhere to be seen, but nontheless ##£#@*/=:¨
¨¨¨¨¨=/@## it is very bright - the air feels light ##@/=¨¨¨¨¨
¨:=/***@## blue, almost white. ##@***/=:¨
¨=/*@#£### ###£#@*/=¨
¨:=/*@#£## along the span of the clearing lay two ##£#@*/=:¨
¨:=/*@@### parallel silvery lines, dark hard ###@@*/=:¨
¨:=/*@@#£# metal. somehow you can see how heavy #£#@@*/=:¨
¨:=/*@#### they are. ####@*/=:¨
¨:=/*@@@@£ £@@@@*/=:¨
¨:=/*#£### they emit a high pitched whine... ###£#*/=:¨
¨:=/*@#£## ##£#@*/=:¨
¨¨¨¨¨:=/@# = #@/=:¨¨¨¨¨
¨:/*@#£### ¨¨*¨¨ ###£#@*/:¨
¨¨¨¨¨=*@££ = ££@*=¨¨¨¨¨
¨¨¨¨¨:/*@# #@*/:¨¨¨¨¨
¨:=/*@#£## (situation) ##£#@*/=:¨
¨:=/*@#£## ##£#@*/=:¨
¨¨¨¨¨=/@@£ youre at the train station, on a £@@/=¨¨¨¨¨
¨¨¨¨¨¨=/@£ catwalk above the rails. your train is £@/=¨¨¨¨¨¨
¨:=/*#£### late, or you are late to the train. ###£#*/=:¨
¨¨¨¨¨¨=*## it's a summer afternoon and the station ##*=¨¨¨¨¨¨
¨::====/@£ is busy, full of relaxed confidence. £@/====::¨
¨:=/*@#£## ##£#@*/=:¨
¨:=/*@#£## you're in high spirits, although a bit ##£#@*/=:¨
¨¨¨¨¨:/@#£ stressed about the time, while moving £#@/:¨¨¨¨¨
¨¨¨=====*# up the stairs to your platform. the #*=====¨¨¨
¨¨¨¨¨¨=**# station is in several levels, all #**=¨¨¨¨¨¨
¨:=/*@#£## placed within eachother by some ##£#@*/=:¨
¨:=/*@#### intelligent designer, and full of ####@*/=:¨
¨¨¨¨==*### stairs, elevators, shortcuts, ###*==¨¨¨¨
¨¨¨¨¨:/*#£ bazaars... you sight your train through £#*/:¨¨¨¨¨
¨:=/*@#£## some glass windows. it's... not where ##£#@*/=:¨
¨:=/*@£### it's supposed to be? ###£@*/=:¨
¨:=/*@#£££ £££#@*/=:¨
¨:::/*@@£# = #£@@*/:::¨
¨:=/*@#### ::@:: ####@*/=:¨
¨:=/*@#£## = ##£#@*/=:¨
¨¨¨¨¨¨:/*# #*/:¨¨¨¨¨¨
¨:=/*@#£## (situation) ##£#@*/=:¨
¨¨¨¨¨¨=*## ##*=¨¨¨¨¨¨
¨:=///@@## you're finally entering the city. while ##@@///=:¨
¨:=/*@#£## it is indeed a very high speed train ##£#@*/=:¨
¨:=/*@#£## you're traveling in, the journey has ##£#@*/=:¨
¨:=/*@#£## been long. but it's about to end! ##£#@*/=:¨
¨:=/*#£### ###£#*/=:¨
¨:=/*@£### society is growing denser around you, ###£@*/=:¨
¨¨¨¨¨=*@## through the windows you see first small ##@*=¨¨¨¨¨
¨:=/*#£### shacks, built of metal and stone, then ###£#*/=:¨
¨:=/*@##££ proper houses with mortar to keep them ££##@*/=:¨
¨:=/*@#£## together... who in turn make way for ##£#@*/=:¨
¨¨¨¨:=*@££ the industrial buildings, the urban ££@*=:¨¨¨¨
¨:=/**@@££ maze, protective walls, jungle ££@@**/=:¨
¨:=/**@@## network... ##@@**/=:¨
¨¨¨¨:=/*@# #@*/=:¨¨¨¨
¨¨¨¨===**# the tracks leave the ground, which is #**===¨¨¨¨
¨:=/*@#£## needed for other purposes. you are ##£#@*/=:¨
¨:=/*@##£# carried gently, curving upwards until #£##@*/=:¨
¨¨¨¨¨:/@## you're moving upward along the wall of ##@/:¨¨¨¨¨
¨:=/*@#£## a building. it's made of slabby stone, ##£#@*/=:¨
¨:=/*@#££# with great glassless window holes #££#@*/=:¨
¨:=/*@#£## looking out the way you came. it is ##£#@*/=:¨
¨:=/*@£### pitch black inside. ###£@*/=:¨
¨:=/*@#£## ##£#@*/=:¨
¨:=/*@#£## ##£#@*/=:¨
¨¨¨¨¨:/@££ ££@/:¨¨¨¨¨
:=/*@#£### ###£#@*/=:
¨:::/****# #****/:::¨