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,,=†*§#¶## ##¶#§*†=,,
,:=:%$§#@# statuette #@#§$%:=:,
¨.,¨,=*&@# #@&*=,¨,.¨
¨^~=%$££## %£&%%&§$*$£@&&£%»»»=»«=»$@*£&%%%$$¤@¤§£¤ ##££$%=~^¨
.,»;=££### *$&$£&*¤¤ ###££=;»,.
,:»;:^%%£¤ ¤£%%^:;»:,
,^~;†¤£#@# forests around my childhood home. thick #@#£¤†;~^,
¨^~†*$@¶## pine arcades that were planted and ##¶@$*†~^¨
.,¨¨,:~%£# forgotten. wild boars roaming #£%~:,¨¨,.
.,,,»%*&§@ underneath, sniffing at the ground. it @§&*%»,,,.
.-»*%*£#@# is dark and moist, the canopy having #@#£*%*»-.
,,,,-*†¤@# already soaked up all the sun. #@¤†*-,,,,
¨-«^$£#### ####£$^«-¨
.-==**#£## there's a river passing by, from east ##£#**==-.
¨,-:*$#@@# to west, getting broader and deeper and #@@#$*:-,¨
,~~/%£§¶@# slower as it goes. equisetum grow just #@¶§£%/~~,
,:«:%£&@## where the pine hands start to let ##@&£%:«:,
¨,«^*$@# through light, horsemint on the rocky #@#&$*^«,¨
.:~:*$#¶@# river bed. #@¶#$*:~:.
,.~^†$£@@# #@@£$†^~.,
¨.=*=:$%¤£ = £¤%$:=*=.¨
.,-\^&%&£# #£&%&^\-,.
.,»^§¤§### the riverbanks reek of magic. tonight ###§¤§^»,.
,.¨~=:*^#£ they had been a swampworld with sylvan £#^*:=~¨.,
¨.«:%¤§@@# water, stone rings and floating moss. #@@§¤%:«.¨
.,«†/=^£¤# you could've found me wallowing around #¤£^=/†«,.
¨~»=$§¤¶#@ on the southern shores until i got @#¶¤§$=»~¨
.,«:*$£%@£ bitten. £@%£$*:«,.
.^~=*$£@## ##@£$*=~^.
,.¨~=;*†§# but now i'm further back, on solid #§†*;=~¨.,
,,,=/^;%§# ground, in shoulder-high grass, with an #§%;^/=,,,
,~-\^%#@## orange tin radio and a translucent ##@#%^\-~,
,^«;*$£¶## umbrella which i'm sitting on. ##¶£$*;«^,
¨¨,,.^~;$@ @$;~^.,,¨¨
,.«\†££### ^ ###££†\«.,
¨-~;%¤£### ###£¤%;~-¨
¨:=^%£@££# somethings moving in the grass. it's #££@£%^=:¨
-«;%¤&@### invisible to my eyes but i can feel ###@&¤%;«-
¨~~**&&£## through the ground just how large it is. ##£&&**~~¨
.^-;*%@¶## ##¶@%*;-^.
.,~/*### the soil is muddy. i slip when trying ####&*/~,.
...¨,=*=§@ to get up, still looking at the @§=*=,¨...
....,..-*& direction of sound rather than at my &*-..,....
.~=*$%@@## hands, who are busy putting things in ##@@%$*=~.
.~~=^$§@## my pockets. ##@§$^=~~.
..=*$¤&@@# #@@&¤$*=..
.^-=§£&@## then i run east toward my home. ##@&£§=-^.
¨:-†%@¤¶## ##¶¤@%†-:¨
,,«*%$&@#¶ ; ¶#@&$%*«,,
.:~*=¤&%§@ @§%&¤=*~:.
¨:~^†%£@## i am not followed, and slow down in the ##@£%†^~:¨
¨:~\%&¤¶## clearing where you at first can spot ##¶¤&%\~:¨
¨.¨,.:%$$£ the house, not yet really in the £$$%:.,¨.¨
¨:=;%$¶@## backyard. from my pockets i retrieve my ##@¶$%;=:¨
,¨,==††%§# radio (now dented) but also a small #§%††==,¨,
.-~*=¤§@## clay figure i've never seen before. it ##@§¤=*~-.
,^~:†*@### must have been laying in the wet dirt, ###@*†:~^,
,,~†=$#@## and i must've picked it up with my ##@#$=†~,,
.,~^*@## other belongings. ##@#&*^~,.
¨,:--»=†£¤ ¤£†=»--:,¨
.,-/§£§£@# it's a statuette of a girl laying naked #@£§£§/-,.
~=*%¤&£@## on her stomach, feet in the air, ##@£&¤%*=~
,-/^@@#@## roughly seven centimeters long. it's ##@#@@^/-,
.,,~~-%£%§ freshly made, not yet completely dried. §%£%-~~,,.
,:»=$£§@@# #@@§£$=»:,
¨,-^=%*§¶£ my mom is here now. i ask her for some £¶§*%=^-,¨
...,=^$&@# particle board for it to dry on, but #@&$^=,...
¨,~;*£@£@# she is worried and wants me to #@£@£*;~,¨
,..,¨-^/$# throw it away. #$/^-¨,..,
.:-;$§&@## ##@&§$;-:.
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