.¨.»$*#### ####*$».¨.
.¨¨~»%@&@# #@&@%»~¨¨.
..~~%¤&@## ##@&¤%~~..
..=*&¤¶@## ##@¶¤&*=..
¨,-~**##@# #@##**~-,¨
¨.¨.~§££## statuette ##££§~.¨.¨
,,,«*£§### ###§£*«,,,
¨:~§%£@### %&@%&£&@@@§£§&§£«»~=-~-~$§%££££¤¤§@£&§£§ ###@£%§~:¨
,.,»$$§@## &%%¤§§&@* ##@§$$»,.,
¨,.:~=¤@ @#&¤=~:.,¨
¨.-~%@§#@# forests around my childhood home. thick #@#§@%~-.¨
.,-*§¤#### pine arcades that were planted and ####¤§*-,.
¨.,»§@## forgotten. wild boars roaming ###&@§»,.¨
,.,-«^£&@# underneath, sniffing at the ground. it #@&£^«-,.,
.¨,-%£#### is dark and moist, the canopy having ####£%-,¨.
¨,-**££@## already soaked up all the sun. ##@££**-,¨
..,~=¤@#@# #@#@¤=~,..
¨..,~*&@£# there's a river passing by, from east #£@&*~,..¨
¨¨:=%¤§¶@# to west, getting broader and deeper and #@¶§¤%=:¨¨
,-=*£§@@## slower as it goes. equisetum grow just ##@@§£*=-,
.¨,~^*@£@# where the pine hands start to let #@£@*^~,¨.
...,~^@&¶# through light, horsemint on the rocky #¶&@^~,...
,¨,~%%£¶## river bed. ##¶£%%~,¨,
,.~†@@@### ###@@@†~.,
,¨,»^@§£## = ##£§@^»,¨,
,¨.^»^¤@£# #£@¤^»^.¨,
,¨^=^$@### the riverbanks reek of magic. tonight ###@$^=^¨,
.-~^*@#### they had been a swampworld with sylvan ####@*^~-.
.,-~%§£¶@# water, stone rings and floating moss. #@¶£§%~-,.
.¨.,-†&@@@ you could've found me wallowing around @@@&†-,.¨.
.,-»*$§@## on the southern shores until i got ##@§$*»-,.
,--=§&¶### bitten. ###¶&§=--,
,,~«=$§¶@# #@¶§$=«~,,
.¨.:~%£### but now i'm further back, on solid ###£%~:.¨.
.¨:«^%§@## ground, in shoulder-high grass, with an ##@§%^«:¨.
,:~*¤§@### orange tin radio and a translucent ###@§¤*~:,
..-»^££@## umbrella which i'm sitting on. ##@££^»-..
..¨~=%£§#@ @#§£%=~¨..
.,,=†$£@@# ; #@@£$†=,,.
¨-«*$¤@### ###@¤$*«-¨
..,«**¤£## somethings moving in the grass. it's ##£¤**«,..
¨,.:~%&§¶@ invisible to my eyes but i can feel @¶§&%~:.,¨
¨¨:«%&¤### through the ground just how large it is. ###¤&%«:¨¨
.,=§%§#### ####§%§=,.
..~-%§## the soil is muddy. i slip when trying ###&§%-~..
¨.,-=§&&@# to get up, still looking at the #@&&§=-,.¨
¨.^«§£££## direction of sound rather than at my ##£££§«^.¨
.~-^*#@@## hands, who are busy putting things in ##@@#*^-~.
.¨~«*@§@## my pockets. ##@§@*«~¨.
.,.:~=@&@# #@&@=~:.,.
¨¨~=%%¤@@# then i run east toward my home. #@@¤%%=~¨¨
.,=§$¤@### ###@¤$§=,.
¨.~~^&&¶## * ##¶&&^~~.¨
.,¨^=*@§#@ @#§@*=^¨,.
,¨-==¤&@## i am not followed, and slow down in the ##@&¤==-¨,
.-~†$£#### clearing where you at first can spot ####£$†~-.
.,-»*$@£@# the house, not yet really in the #@£@$*»-,.
,¨¨-=^¤@¶# backyard. from my pockets i retrieve my #¶@¤^=-¨¨,
.¨^«*@§£## radio (now dented) but also a small ##£§@*«^¨.
¨~~*¤### clay figure i've never seen before. it ####&¤*~~¨
¨,~-*&¤#@# must have been laying in the wet dirt, #@#¤&*-~,¨
¨,,~~$*&@@ and i must've picked it up with my @@&*$~~,,¨
¨,~«=£## other belongings. ##£#&=«~,¨
.,=$%@#### ####@%$=,.
,¨^~*$@### it's a statuette of a girl laying naked ###@$*~^¨,
.,,~»^&¤#@ on her stomach, feet in the air, @#¤&^»~,,.
.¨.»†&§@## roughly seven centimeters long. it's ##@§&†».¨.
.~=†$@#### freshly made, not yet completely dried. ####@$†=~.
,,^-^£¤¶## ##¶¤£^-^,,
¨¨,^~*¤§@# my mom is here now. i ask her for some #@§¤*~^,¨¨
,,-»^@&@@# particle board for it to dry on, but #@@&@^»-,,
.,-§¤££### she is worried and wants me to ###££¤§-,.
¨¨:~$$§### throw it away. ###§$$~:¨¨
.,,:~*§£## ##£§*~:,,.
.¨^»*%£### ###£%*»^¨.
,.»=@@## ##@#&@=».,
.¨,«†£## ##£#&†«,¨.
,,..~%£@¶# #¶@£%~..,,
¨¨.»$££@@# #@@££$».¨¨