¨,»=%£@£## ##£@£%=»,¨
,.~-^§§&£# #£&§§^-~.,
¨~~^=¤@@@# #@@@¤=^~~¨
¨¨,-\*$#¶# #¶#$*\-,¨¨
.,»††§£@## ##@£§††»,.
,.,=*§£@¶# statuette #¶@£§*=,.,
,,«:%$¤¶@# #@¶¤$%:«,,
..~~\%£§## §$£¤**$@&¤@£$@&¤~«===~~-&£§@$%§%%£@¤&@£& ##§£%\~~..
..«*%$§@## %&£@*§%&¤ ##@§$%*«..
,,:»;*$@@@ @@@$*;»:,,
¨,«;§$£#@# forests around my childhood home. thick #@#£$§;«,¨
..^«*=£§£@ pine arcades that were planted and @£§£=*«^..
.,«=%@£¶## forgotten. wild boars roaming ##¶£@%=«,.
¨¨^«^=¤@£# underneath, sniffing at the ground. it #£@¤=^«^¨¨
¨,»==%§@## is dark and moist, the canopy having ##@§%==»,¨
.,,=:$$&¶@ already soaked up all the sun. @¶&$$:=,,.
¨,«:%$#@@# #@@#$%:«,¨
..:=^$$# there's a river passing by, from east ##&$$^=:..
,,~;%@##@# to west, getting broader and deeper and #@##@%;~,,
..~~\*$£@@ slower as it goes. equisetum grow just @@£$*\~~..
,:~;*¤#¶@# where the pine hands start to let #@¶#¤*;~:,
¨,~=\%@£¶# through light, horsemint on the rocky #¶£@%\=~,¨
¨.=;=$## river bed. ###&$=;=.¨
.,,«;$£¤@# #@¤£$;«,,.
¨,-\†$¤### * ###¤$†\-,¨
¨¨-~†*$§#@ @#§$*†~-¨¨
¨,-*§%¤### the riverbanks reek of magic. tonight ###¤%§*-,¨
¨,-~=*¤£@# they had been a swampworld with sylvan #@£¤*=~-,¨
¨--/†$§### water, stone rings and floating moss. ###§$†/--¨
¨,^-†%§@@# you could've found me wallowing around #@@§%†-^,¨
,-~*^%#@## on the southern shores until i got ##@#%^*~-,
,¨.~*%¤¤@# bitten. #@¤¤%*~.¨,
,,==^§§### ###§§^==,,
¨.:~:**@¶# but now i'm further back, on solid #¶@**:~:.¨
.--:=%¤@@# ground, in shoulder-high grass, with an #@@¤%=:--.
.,,»=%$&@# orange tin radio and a translucent #@&$%=»,,.
¨-~†^$#### umbrella which i'm sitting on. ####$^†~-¨
,,,=/=¤£#@ @#£¤=/=,,,
.:«;%$#@## ; ##@#$%;«:.
,.:=;*%¤¶# #¶¤%*;=:.,
.:»†^$§¶## somethings moving in the grass. it's ##¶§$^†»:.
¨.:~;*£&@# invisible to my eyes but i can feel #@&£*;~:.¨
.,~=§%@@@# through the ground just how large it is. #@@@%§=~,.
,,-«;§%§@@ @@§%§;«-,,
¨.~:=%@£@# the soil is muddy. i slip when trying #@£@%=:~.¨
...»:*@£@# to get up, still looking at the #@£@*:»...
,-«;^*##@# direction of sound rather than at my #@##*^;«-,
,.-~^$££¶# hands, who are busy putting things in #¶££$^~-.,
,~«\*£## my pockets. ###&£*\«~,
¨¨~«^$§&@# #@&§$^«~¨¨
,:=^*@## then i run east toward my home. ##@#&*^=:,
,.^~:%$# ##&$%:~^.,
¨^-;=£¤@## ^ ##@¤£=;-^¨
,¨.=^=&¤## ##¤&=^=.¨,
¨^»:*£§### i am not followed, and slow down in the ###§£*:»^¨
,¨,~;§$#@# clearing where you at first can spot #@#$§;~,¨,
.~~^%%§#@# the house, not yet really in the #@#§%%^~~.
¨¨,-\*%#@@ backyard. from my pockets i retrieve my @@#%*\-,¨¨
.^-\=&@£## radio (now dented) but also a small ##£@&=\-^.
..,~=§§#@# clay figure i've never seen before. it #@#§§=~,..
,.~†%&¤### must have been laying in the wet dirt, ###¤&%†~.,
¨.~-^$@§¶# and i must've picked it up with my #¶§@$^-~.¨
¨.»†$&£### other belongings. ###£&$†».¨
¨¨.«:†$¤#@ @#¤$†:«.¨¨
,,»/%$#£## it's a statuette of a girl laying naked ##£#$%/»,,
.¨-»*%£§@# on her stomach, feet in the air, #@§£%*»-¨.
.~~†§@£@## roughly seven centimeters long. it's ##@£@§†~~.
¨.-~/§@# freshly made, not yet completely dried. ##&@§/~-.¨
,:»=*$§### ###§$*=»:,
¨,-==*¤¤## my mom is here now. i ask her for some ##¤¤*==-,¨
,.-/=£#@@# particle board for it to dry on, but #@@#£=/-.,
..~~=*%£@@ she is worried and wants me to @@£%*=~~..
.-=^$¤#@## throw it away. ##@#¤$^=-.
.,,-;%§@#@ @#@§%;-,,.
.-«:$@£@## ##@£@$:«-.
,¨,«^%&§£@ @£§&%^«,¨,
.,=;$%#@@# #@@#%$;=,.
¨,,»^$@### ###@$^»,,¨
¨~===%¤#@# #@#¤%===~¨