,,»\%£#@## ##@#£%\»,,
¨,^«^^## ###&^^«^,¨
¨,-:%££### ###££%:-,¨
¨.^-†^%¶## ##¶%^†-^.¨
.-=**&@### ###@&**=-.
,¨.=\$%@## statuette ##@%$\=.¨,
.~~:%%#### ####%%:~~.
,,.«;§&£## ¤£%%%££$£§£*¤*&£-«~«~=«=*%%$$@@¤%££**§¤& ##£&§;«.,,
¨,~:%$#### £*%&@%%%* ####$%:~,¨
.¨.=;*¤### ###¤*;=.¨.
¨.~\^§@### forests around my childhood home. thick ###@§^\~.¨
,.,»=%*@## pine arcades that were planted and ##@*%=»,.,
,-«^*£@@## forgotten. wild boars roaming ##@@£*^«-,
..-=;§¤#@# underneath, sniffing at the ground. it #@#¤§;=-..
..»\**@@## is dark and moist, the canopy having ##@@**\»..
,.:=^^§#@# already soaked up all the sun. #@#§^^=:.,
,,=/*%£### ###£%*/=,,
.,^»*§£@@# there's a river passing by, from east #@@£§*»^,.
.,»^$£#### to west, getting broader and deeper and ####£$^»,.
.,:=\$%£@# slower as it goes. equisetum grow just #@£%$\=:,.
,.=†$£@@## where the pine hands start to let ##@@£$†=.,
¨,,«/$%¶@# through light, horsemint on the rocky #@¶%$/«,,¨
.-«=^¤@### river bed. ###@¤^=«-.
,,:-:=*¶## ##¶*=:-:,,
¨-»^%§#### ; ####§%^»-¨
¨¨,«:†¤### ###¤†:«,¨¨
,,~;=@@@## the riverbanks reek of magic. tonight ##@@@=;~,,
.¨~~*†%#@# they had been a swampworld with sylvan #@#%†*~~¨.
¨,»*†@@@## water, stone rings and floating moss. ##@@@†*»,¨
,,^»†=$@## you could've found me wallowing around ##@$=†»^,,
.,~*†%¶@## on the southern shores until i got ##@¶%†*~,.
.¨,«*†££## bitten. ##££†*«,¨.
¨:»\$$#### ####$$\»:¨
.¨:-:=£@## but now i'm further back, on solid ##@£=:-:¨.
.,~:%$#### ground, in shoulder-high grass, with an ####$%:~,.
,¨--:*&¶@# orange tin radio and a translucent #@¶&*:--¨,
,.===$@@## umbrella which i'm sitting on. ##@@$===.,
,,--^%$#@# #@#$%^--,,
,:=*§$#@## : ##@#$§*=:,
.,,=;%§@@# #@@§%;=,,.
¨-~*†£#@## somethings moving in the grass. it's ##@#£†*~-¨
..~-:§%#@# invisible to my eyes but i can feel #@#%§:-~..
,.~:^§¶@## through the ground just how large it is. ##@¶§^:~.,
.,,«^%££## ##££%^«,,.
..-;=### the soil is muddy. i slip when trying ####&=;-..
,.,~=†@### to get up, still looking at the ###@†=~,.,
,^~=§%@@## direction of sound rather than at my ##@@%§=~^,
¨..=;†¤### hands, who are busy putting things in ###¤†;=..¨
¨:»=*%@@## my pockets. ##@@%*=»:¨
¨.~-;*£### ###£*;-~.¨
..«^†§¶### then i run east toward my home. ###¶§†^«..
,,.»^*¤#@# #@#¤*^».,,
¨:~;%£#### ^ ####£%;~:¨
.,-~=%££@# #@££%=~-,.
,,«/†$#### i am not followed, and slow down in the ####$†/«,,
..^~=^%### clearing where you at first can spot ###%^=~^..
¨~»^§&@### the house, not yet really in the ###@&§^»~¨
.¨,«;†£@## backyard. from my pockets i retrieve my ##@£†;«,¨.
¨^»/§### radio (now dented) but also a small ####&§/»^¨
,,,«:†¤### clay figure i've never seen before. it ###¤†:«,,,
¨,»†*%@### must have been laying in the wet dirt, ###@%*†»,¨
..~~/†%@@# and i must've picked it up with my #@@%†/~~..
¨-==*$#### other belongings. ####$*==-¨
,.:-/†&£@# #@£&†/-:.,
,,~/^*@### it's a statuette of a girl laying naked ###@*^/~,,
,¨:»;%*#@# on her stomach, feet in the air, #@#*%;»:¨,
,,«:§¤¶### roughly seven centimeters long. it's ###¶¤§:«,,
¨,-«\%£@@# freshly made, not yet completely dried. #@@£%\«-,¨
.:«*%%@### ###@%%*«:.
.,,~**%¶## my mom is here now. i ask her for some ##¶%**~,,.
,:=\§&@### particle board for it to dry on, but ###@&§\=:,
,.^~;%@@## she is worried and wants me to ##@@%;~^.,
,^~:†@## throw it away. ##@#&†:~^,
,,--;$@# #@#&$;--,,
.^=^*$£### ###£$*^=^.
,.,-\$%@## ##@%$\-,.,
¨:«†*%¶### ###¶%*†«:¨
.,-~;=@### ###@=;~-,.
,~=**$@@## ##@@$**=~,