.,-**&@### ###@&**-,.
..-»*$#@## ##@#$*»-..
.:»/%§#### ####§%/»:.
¨,-~:£££## ##£££:~-,¨
.-»/$&#@## ##@#&$/»-.
.¨,~\$@### statuette ###@$\~,¨.
¨,~†$§@### ###@§$†~,¨
,¨.~/%@¶## ¤%$&@£**$*§£%£$@«««»~»~«£%$£££**%§%*¤£&$ ##¶@%/~.¨,
.,~^$&#### *@£&¤§¤§* ####&$^~,.
..--;&#@@# #@@#&;--..
.:~/$##@## forests around my childhood home. thick ##@##$/~:.
,¨^«*£@### pine arcades that were planted and ###@£*«^¨,
¨:»^*&#### forgotten. wild boars roaming ####&*^»:¨
,¨-~=%&@## underneath, sniffing at the ground. it ##@&%=~-¨,
,,»*@£#### is dark and moist, the canopy having ####£@*»,,
,,^-**#@@# already soaked up all the sun. #@@#**-^,,
.~»;£#¶@## ##@¶#£;»~.
,,-»*%@### there's a river passing by, from east ###@%*»-,,
.-«†£¤@### to west, getting broader and deeper and ###@¤£†«-.
.¨~«^¤¤### slower as it goes. equisetum grow just ###¤¤^«~¨.
.~~=£#£@## where the pine hands start to let ##@£#£=~~.
.,~-^@##@# through light, horsemint on the rocky #@##@^-~,.
¨:~*§§@### river bed. ###@§§*~:¨
,,-~\@§#@# #@#§@\~-,,
.:=;£#@### * ###@#£;=:.
..~~*@&@## ##@&@*~~..
,,«*£@#### the riverbanks reek of magic. tonight ####@£*«,,
.¨~«;£@### they had been a swampworld with sylvan ###@£;«~¨.
.:-\%##### water, stone rings and floating moss. #####%\-:.
,¨:=†¤£¶## you could've found me wallowing around ##¶£¤†=:¨,
,~=*§§¶### on the southern shores until i got ###¶§§*=~,
.¨:-\$£@## bitten. ##@£$\-:¨.
¨,=;£¤#### ####¤£;=,¨
¨.~-/@¤#@# but now i'm further back, on solid #@#¤@/-~.¨
.^-=&£#### ground, in shoulder-high grass, with an ####£&=-^.
,¨^=^%&¶## orange tin radio and a translucent ##¶&%^=^¨,
,,»:@@@@## umbrella which i'm sitting on. ##@@@@:»,,
.,:~=&¤@## ##@¤&=~:,.
.~~;*§£### ; ###£§*;~~.
¨¨:»^@#@## ##@#@^»:¨¨
,,~\$#@### somethings moving in the grass. it's ###@#$\~,,
¨¨,~^*§#@# invisible to my eyes but i can feel #@#§*^~,¨¨
.:»=$§£### through the ground just how large it is. ###£§$=»:.
..:=;§&£@# #@£&§;=:..
¨-»=*@¶### the soil is muddy. i slip when trying ###¶@*=»-¨
..,»*£@### to get up, still looking at the ###@£*»,..
¨,-=*&£@## direction of sound rather than at my ##@£&*=-,¨
.¨.»\¤#### hands, who are busy putting things in ####¤\».¨.
,~«*$§#@## my pockets. ##@#§$*«~,
¨.,=*£#### ####£*=,.¨
.^«;$##### then i run east toward my home. #####$;«^.
,¨.»:%§£## ##£§%:».¨,
,.~†@&@### * ###@&@†~.,
.,,~/¤@### ###@¤/~,,.
¨,-*$£#@## i am not followed, and slow down in the ##@#£$*-,¨
.¨:«^@@¶## clearing where you at first can spot ##¶@@^«:¨.
,--=*&@### the house, not yet really in the ###@&*=--,
¨¨~~^%#£## backyard. from my pockets i retrieve my ##£#%^~~¨¨
,.»\¤£#### radio (now dented) but also a small ####£¤\».,
,¨,=*@£@## clay figure i've never seen before. it ##@£@*=,¨,
.^«;$@#@## must have been laying in the wet dirt, ##@#@$;«^.
¨¨^~^&¤### and i must've picked it up with my ###¤&^~^¨¨
.~-=*§£@## other belongings. ##@£§*=-~.
.,:~†£&£## ##£&£†~:,.
¨-~^&#@### it's a statuette of a girl laying naked ###@#&^~-¨
.,.»\%£@## on her stomach, feet in the air, ##@£%\».,.
¨,»†%§@### roughly seven centimeters long. it's ###@§%†»,¨
¨.^~^£¤£@# freshly made, not yet completely dried. #@£¤£^~^.¨
,,»/¤##### #####¤/»,,
.¨~«=£§@## my mom is here now. i ask her for some ##@§£=«~¨.
¨^~/$§¶### particle board for it to dry on, but ###¶§$/~^¨
,,.~/*¤@@# she is worried and wants me to #@@¤*/~.,,
¨.«*@@#@## throw it away. ##@#@@*«.¨
,,.=*§£#@# #@#£§*=.,,
.,==&@£### ###£@&==,.
¨,-~;%&¶## ##¶&%;~-,¨
¨^~=£§#### ####§£=~^¨
¨.--;¤#### ####¤;--.¨
,,«†$&#@## ##@#&$†«,,