¨^«^=$£### ###£$=^«^¨
..-»^$§@## ##@§$^»-..
,,..~^†*¤¶ ¶¤*†^~..,,
.¨.,-«/*%@ @%*/«-,.¨.
.¨¨:-/†%&¶ ¶&%†/-:¨¨.
¨.,==*$§## statuette ##§$*==,.¨
.~«/*%§@## ##@§%*/«~.
¨¨,=**@@¶# @£*%¤@¤¤$@&*£¤¤*~==»~==«¤£¤&@¤&¤£@¤%%§** #¶@@**=,¨¨
..,^==^*&@ %*%%££$$£ @&*^==^,..
.¨,¨~-††£& &£††-~¨,¨.
.,¨-»^§£¤# forests around my childhood home. thick #¤£§^»-¨,.
¨.:==§%£@# pine arcades that were planted and #@£%§==:.¨
,:»/†§#### forgotten. wild boars roaming ####§†/»:,
,,^~†%%&@# underneath, sniffing at the ground. it #@&%%†~^,,
¨.,~»^%¤¤@ is dark and moist, the canopy having @¤¤%^»~,.¨
,¨¨.-~/§£¤ already soaked up all the sun. ¤£§/~-.¨¨,
.,.~~\=¤£# #£¤=\~~.,.
,.-=\%%¤@# there's a river passing by, from east #@¤%%\=-.,
.,~:%¤#@## to west, getting broader and deeper and ##@#¤%:~,.
.,:=;†££@# slower as it goes. equisetum grow just #@££†;=:,.
¨,,^~\%§£@ where the pine hands start to let @£§%\~^,,¨
¨,¨,,=;%@& through light, horsemint on the rocky &@%;=,,¨,¨
,,.,~\$%¤# river bed. #¤%$\~,.,,
..:»\**#¶# #¶#**\»:..
,,-\§$&@## ^ ##@&$§\-,,
..:~\%%# ##&%%\~:..
..¨.~^=@£# the riverbanks reek of magic. tonight #£@=^~.¨..
....:-^*§§ they had been a swampworld with sylvan §§*^-:....
,.,~-†^$@# water, stone rings and floating moss. #@$^†-~,.,
..-=:*$§@# you could've found me wallowing around #@§$*:=-..
¨--/*¤@### on the southern shores until i got ###@¤*/--¨
.,^-;*§### bitten. ###§*;-^,.
,.¨,-†%%£# #£%%†-,¨.,
¨¨.¨.»^^%§ but now i'm further back, on solid §%^^».¨.¨¨
¨,..»:=£§@ ground, in shoulder-high grass, with an @§£=:»..,¨
,..~^^§££# orange tin radio and a translucent #££§^^~..,
,-»*$$£### umbrella which i'm sitting on. ###£$$*»-,
¨¨,==†@&@# #@&@†==,¨¨
..,--^†$£@ † @£$†^--,..
.,,¨,«\$%@ @%$\«,¨,,.
.,,^«=$£@£ somethings moving in the grass. it's £@£$=«^,,.
..,~/^%@@# invisible to my eyes but i can feel #@@%^/~,..
.,«^*&@### through the ground just how large it is. ###@&*^«,.
.¨~-==%&@# #@&%==-~¨.
.¨.-~^†$@# the soil is muddy. i slip when trying #@$†^~-.¨.
,.¨.:-*^%@ to get up, still looking at the @%^*-:.¨.,
..¨,-***## direction of sound rather than at my ##***-,¨..
¨¨,-†=§¤¶# hands, who are busy putting things in #¶¤§=†-,¨¨
¨,~†**@¶## my pockets. ##¶@**†~,¨
.,.=/^%£## ##£%^/=.,.
¨¨,-«††¤## then i run east toward my home. ##¤††«-,¨¨
¨.¨¨:-†*$£ £$*†-:¨¨.¨
¨.,:=†*# = ##&*†=:,.¨
,..~;%*§## ##§*%;~..,
¨-«;^@¤@## i am not followed, and slow down in the ##@¤@^;«-¨
¨¨.»†*££## clearing where you at first can spot ##££*†».¨¨
,.¨,»*%%#£ the house, not yet really in the £#%%*»,¨.,
¨,¨¨,~:†£@ backyard. from my pockets i retrieve my @£†:~,¨¨,¨
...^==$%§# radio (now dented) but also a small #§%$==^...
¨..=:%£# clay figure i've never seen before. it ##&£%:=..¨
.,~^=%@@## must have been laying in the wet dirt, ##@@%=^~,.
,,.-^^%£@# and i must've picked it up with my #@£%^^-.,,
¨¨¨-~:§%§£ other belongings. £§%§:~-¨¨¨
.¨¨.~»;%§# #§%;»~.¨¨.
,,,--;%$#¶ it's a statuette of a girl laying naked ¶#$%;--,,,
¨¨,~:$@@£# on her stomach, feet in the air, #£@@$:~,¨¨
,^»\$&§@## roughly seven centimeters long. it's ##@§&$\»^,
..~-*%## freshly made, not yet completely dried. ###&%*-~..
¨..^~==%§@ @§%==~^..¨
,.¨,,«;§§¤ my mom is here now. i ask her for some ¤§§;«,,¨.,
.,,.~*†@¤@ particle board for it to dry on, but @¤@†*~.,,.
,¨,-\%§#£# she is worried and wants me to #£#§%\-,¨,
¨-~=†@¤¶## throw it away. ##¶¤@†=~-¨
.¨.~\*§£@# #@£§*\~.¨.
,¨¨,-†%*£# #£*%†-,¨¨,
,,¨.,~;*¤§ §¤*;~,.¨,,
,.¨:=:†@¤@ @¤@†:=:¨.,
.,~~^*%### ###%*^~~,.
¨:~/†*#@## ##@#*†/~:¨