,,»†*@£@## ##@£@*†»,,
,,~;%£@%&£ £&%@£%;~,,
¨,..==^$§& &§$^==..,¨
,.~=~=§%†& &†%§=~=~.,
.,~==:*%¤¤ ¤¤%*:==~,.
.-»/§§&@@# statuette #@@&§§/»-.
,.~*%&§¶@# #@¶§&%*~.,
¨¨,^^=*%†@ £§@¤££¤*§££$%*£$~-~=«=~»%$%$%§%£@*&£&*$* @†%*=^^,¨¨
,.¨.-/;$¤& ¤*%*%&%$* &¤$;/-.¨.,
,..¨,,:%&& &&%:,,¨..,
,,=:=@#### forests around my childhood home. thick ####@=:=,,
.¨¨.¨,/=$£ pine arcades that were planted and £$=/,¨.¨¨.
,.»/^££¶## forgotten. wild boars roaming ##¶££^/».,
,-«/%$## underneath, sniffing at the ground. it ###&$%/«-,
,,~\%$#¶## is dark and moist, the canopy having ##¶#$%\~,,
¨,-*=£¤¶## already soaked up all the sun. ##¶¤£=*-,¨
¨,.¨¨¨-%=¤ ¤=%-¨¨¨.,¨
.^»*=£§@#@ there's a river passing by, from east @#@§£=*»^.
,,»†$=^@@¶ to west, getting broader and deeper and ¶@@^=$†»,,
¨-«\*&@¶@# slower as it goes. equisetum grow just #@¶@&*\«-¨
¨,~.«:^$#@ where the pine hands start to let @#$^:«.~,¨
..»=@#¶### through light, horsemint on the rocky ###¶#@=»..
.:=†%¤#@@# river bed. #@@#¤%†=:.
,..¨¨.~=¤§ §¤=~.¨¨..,
¨:=/%£@@## / ##@@£%/=:¨
,..,«^†%%£ £%%†^«,..,
,.,~-\;%§£ the riverbanks reek of magic. tonight £§%;\-~,.,
,~~;*$#@## they had been a swampworld with sylvan ##@#$*;~~,
¨..¨-:§££¶ water, stone rings and floating moss. ¶££§:-¨..¨
,~^=£§#@## you could've found me wallowing around ##@#§£=^~,
,,~:$*#### on the southern shores until i got ####*$:~,,
.,,,-*%§£@ bitten. @£§%*-,,,.
,,»\^%§@£@ @£@§%^\»,,
....¨¨»%%£ but now i'm further back, on solid £%%»¨¨....
..,.¨,=%$& ground, in shoulder-high grass, with an &$%=,¨.,..
¨,=\%&¤@@# orange tin radio and a translucent #@@¤&%\=,¨
.-,,/:†%%¤ umbrella which i'm sitting on. ¤%%†:/,,-.
.,-\^§§£&¤ ¤&£§§^\-,.
.,~:*%¤### : ###¤%*:~,.
.~=~*\:%%& &%%:\*~=~.
¨.,¨:*¤$§¤ somethings moving in the grass. it's ¤§$¤*:¨,.¨
.,¨..-»*£# invisible to my eyes but i can feel #£*»-..¨,.
,:=/§$¤### through the ground just how large it is. ###¤$§/=:,
,,~~~~=/%¤ ¤%/=~~~~,,
.,»*$#@### the soil is muddy. i slip when trying ###@#$*»,.
¨,«\%%&¤@¶ to get up, still looking at the ¶@¤&%%\«,¨
,-~^*§¤@&£ direction of sound rather than at my £&@¤§*^~-,
,^=/%§¤£@£ hands, who are busy putting things in £@£¤§%/=^,
,^~/§£§@## my pockets. ##@§£§/~^,
¨.=/*&§£## ##£§&*/=.¨
¨--*†¤###@ then i run east toward my home. @###¤†*--¨
,¨¨,¨¨~;£@ @£;~¨¨,¨¨,
,.¨,¨.,=†§ ^ §†=,.¨,¨.,
,,¨¨,.-=%# #%=-.,¨¨,,
,,»**§@#@# i am not followed, and slow down in the #@#@§**»,,
.¨....=~§£ clearing where you at first can spot £§~=....¨.
¨-«^=@#@## the house, not yet really in the ##@#@=^«-¨
.,-^$%£@## backyard. from my pockets i retrieve my ##@£%$^-,.
¨^-^/\%# radio (now dented) but also a small ##&%\/^-^¨
¨.~†*&@# clay figure i've never seen before. it #@#&&*†~.¨
,.~:%*£@## must have been laying in the wet dirt, ##@£*%:~.,
..~=*%#### and i must've picked it up with my ####%*=~..
,-»=:§$*%§ other belongings. §%*$§:=»-,
,~«*%&¤@@# #@@¤&%*«~,
.~-†$%†&@¤ it's a statuette of a girl laying naked ¤@&†%$†-~.
,:=^$*§### on her stomach, feet in the air, ###§*$^=:,
,:«:$§&@#@ roughly seven centimeters long. it's @#@&§$:«:,
¨..¨,/^$§# freshly made, not yet completely dried. #§$^/,¨..¨
,~»;*%£### ###£%*;»~,
,-~:*:\;$¤ my mom is here now. i ask her for some ¤$;\:*:~-,
..«;%@@@## particle board for it to dry on, but ##@@@%;«..
,:»†**@@## she is worried and wants me to ##@@**†»:,
¨:»\*%§£## throw it away. ##£§%*\»:¨
,,,-=$%=%# #%=%$=-,,,
¨.¨¨,=«$£¶ ¶£$«=,¨¨.¨
,,-=%*@### ###@*%=-,,
,¨.,¨¨=§@# #@§=¨¨,.¨,
.,¨¨,¨-*#§ §#*-¨,¨¨,.
¨.¨¨,~»†¤# #¤†»~,¨¨.¨