.,»*%@@£## ##£@@%*»,.
¨:~\**§@## ##@§**\~:¨
.,«†^$§£@# #@£§$^†«,.
¨¨.¨,,»«^@ @^«»,,¨.¨¨
,:«^*%£@@# #@@£%*^«:,
¨¨,,,~^;£¶ statuette ¶£;^~,,,¨¨
,~.,.-;%*& &*%;-.,.~,
¨,~\§&§@## %$£@@¤$%@%%¤%$*£=»-»~~==$%@£%%&@¤£**£@&& ##@§&§\~,¨
.:«^†¤#### £%%$§¤£*% ####¤†^«:.
¨-»:%$@&¤¤ ¤¤&@$%:»-¨
¨¨¨,,~^§$¤ forests around my childhood home. thick ¤$§^~,,¨¨¨
..»††@#¶## pine arcades that were planted and ##¶#@††»..
.:~:*¤¤### forgotten. wild boars roaming ###¤¤*:~:.
,¨,¨,¨~§%¤ underneath, sniffing at the ground. it ¤%§~¨,¨,¨,
,~=;%£@@@# is dark and moist, the canopy having #@@@£%;=~,
,,»=*££@## already soaked up all the sun. ##@££*=»,,
,^»†%£££## ##£££%†»^,
..-=--=/%£ there's a river passing by, from east £%/=--=-..
..=/§$¤### to west, getting broader and deeper and ###¤$§/=..
,:~/§%§### slower as it goes. equisetum grow just ###§%§/~:,
¨^~;=$#@## where the pine hands start to let ##@#$=;~^¨
¨,«^*$## through light, horsemint on the rocky ###&$*^«,¨
.~»*§%§#@# river bed. #@#§%§*»~.
.~»=*¤£@## ##@£¤*=»~.
.~-†§$@### ; ###@$§†-~.
,,¨¨¨~^££@ @££^~¨¨¨,,
,,.,~»=%†£ the riverbanks reek of magic. tonight £†%=»~,.,,
.¨,.=~^§&& they had been a swampworld with sylvan &&§^~=.,¨.
..,,,.»-*@ water, stone rings and floating moss. @*-».,,,..
¨-»:$### you could've found me wallowing around ####&$:»-¨
¨^==§%##@# on the southern shores until i got #@##%§==^¨
,:«†*$§@## bitten. ##@§$*†«:,
¨.,,^;=*$¤ ¤$*=;^,,.¨
¨..^:^%%£¤ but now i'm further back, on solid ¤£%%^:^..¨
¨.,¨~=@&@# ground, in shoulder-high grass, with an #@&@=~¨,.¨
.^~\***¤@# orange tin radio and a translucent #@¤***\~^.
¨,¨¨=;$*£# umbrella which i'm sitting on. #£*$;=¨¨,¨
,-«:%*£### ###£*%:«-,
¨..¨^†*$£@ = @£$*†^¨..¨
,--~=%*%%¤ ¤%%*%=~--,
¨^=†^*£@## somethings moving in the grass. it's ##@£*^†=^¨
....,«†= invisible to my eyes but i can feel #&=†«,....
¨:-=$@@### through the ground just how large it is. ###@@$=-:¨
,:~/%$&@## ##@&$%/~:,
,,.^«*%%&¶ the soil is muddy. i slip when trying ¶&%%*«^.,,
..,~†\%%## to get up, still looking at the ##%%\†~,..
,¨¨¨,†*@¤§ direction of sound rather than at my §¤@*†,¨¨¨,
¨,~*†§&¶@# hands, who are busy putting things in #@¶&§†*~,¨
¨:-;%£@### my pockets. ###@£%;-:¨
¨¨,.=†§£@@ @@£§†=.,¨¨
¨¨,,¨.»=§# then i run east toward my home. #§=».¨,,¨¨
.¨¨,^†@&§@ @§&@†^,¨¨.
.-==*£§£@# / #@£§£*==-.
¨..,~/@$$# #$$@/~,..¨
¨,«=$### i am not followed, and slow down in the ####&$=«,¨
¨.,¨,-*£§@ clearing where you at first can spot @§£*-,¨,.¨
¨.,¨.,==¤# the house, not yet really in the #¤==,.¨,.¨
¨~»=%&££## backyard. from my pockets i retrieve my ##££&%=»~¨
¨.«†*£@# radio (now dented) but also a small #@#&£*†«.¨
,.:~†%%&@@ clay figure i've never seen before. it @@&%%†~:.,
,,~=%@#@@# must have been laying in the wet dirt, #@@#@%=~,,
,~»«~\^†&@ and i must've picked it up with my @&†^\~«»~,
¨-,==$=$ other belongings. #&$=$==,-¨
.^«;=¤&¶## ##¶&¤=;«^.
¨,~††### it's a statuette of a girl laying naked ####&††~,¨
,:=;%#¶@## on her stomach, feet in the air, ##@¶#%;=:,
,:~^%¤@@ roughly seven centimeters long. it's @@#&¤%^~:,
¨,~^$&@### freshly made, not yet completely dried. ###@&$^~,¨
.¨¨..--†@@ @@†--..¨¨.
¨.~/%%£@## my mom is here now. i ask her for some ##@£%%/~.¨
¨,»\$*@£## particle board for it to dry on, but ##£@*$\»,¨
,,~=*¤@#@@ she is worried and wants me to @@#@¤*=~,,
,,¨¨^:=^&¤ throw it away. ¤&^=:^¨¨,,
¨-«/^$#@## ##@#$^/«-¨
,^~;%&¤¤## ##¤¤&%;~^,
¨--\$£@¶## ##¶@£$\--¨
,,~^=¤¶### ###¶¤=^~,,
,¨¨¨:†=£ #&£=†:¨¨¨,
¨-»^%%#£@@ @@£#%%^»-¨