.,,,-§$#£# #£#$§-,,,.
,¨¨¨,-$£§@ @§£$-,¨¨¨,
.¨,~~^§@#@ @#@§^~~,¨.
.,.~^¤¤### ###¤¤^~.,.
.~~$£#@### ###@#£$~~.
..,-*£§### statuette ###§£*-,..
,¨.:«*%@¶# #¶@%*«:.¨,
¨¨.,^-†££@ £@%%@&%£*&*&$%$@~~=-~»-«£&%£§£¤@&%£@£*£% @££†-^,.¨¨
.¨¨~=^§&@# $§§*&£%¤$ #@&§^=~¨¨.
¨¨.«§%@#@# #@#@%§«.¨¨
,~~§§@¶### forests around my childhood home. thick ###¶@§§~~,
.,,«%&§@@# pine arcades that were planted and #@@§&%«,,.
.¨.--^$@ forgotten. wild boars roaming @#&$^--.¨.
.¨,¨-~§¤&£ underneath, sniffing at the ground. it £&¤§~-¨,¨.
¨,,,~^%¤## is dark and moist, the canopy having ##¤%^~,,,¨
¨¨,«*%## already soaked up all the sun. ###&%*«,¨¨
¨,-§%££### ###££%§-,¨
,¨,«=%#£## there's a river passing by, from east ##£#%=«,¨,
¨.¨^-$%@## to west, getting broader and deeper and ##@%$-^¨.¨
..,,,=†@&£ slower as it goes. equisetum grow just £&@†=,,,..
¨,,,-%%&£@ where the pine hands start to let @£&%%-,,,¨
,,^~*$#£@# through light, horsemint on the rocky #@£#$*~^,,
¨.=%@£#### river bed. ####£@%=.¨
..,«§$§@## ##@§$§«,..
.,.-=$*&£# / #£&*$=-.,.
,¨,.~-=@§@ @§@=-~.,¨,
¨..,~†£@#@ the riverbanks reek of magic. tonight @#@£†~,..¨
..,~^&¤@## they had been a swampworld with sylvan ##@¤&^~,..
¨.~§@§£### water, stone rings and floating moss. ###£§@§~.¨
¨¨.~†§¤@## you could've found me wallowing around ##@¤§†~.¨¨
..¨,«§§##@ on the southern shores until i got @##§§«,¨..
.,,.^«=§#@ bitten. @#§=«^.,,.
¨¨.,-^¤@@# #@@¤^-,.¨¨
.¨.~=%§#@# but now i'm further back, on solid #@#§%=~.¨.
¨.«†$##@## ground, in shoulder-high grass, with an ##@##$†«.¨
,..-%¤&@## orange tin radio and a translucent ##@&¤%-..,
.¨¨~~%&&£# umbrella which i'm sitting on. #£&&%~~¨¨.
,..¨:«*%@¶ ¶@%*«:¨..,
,.,-«%%&@# ; #@&%%«-,.,
¨¨-»$£¤#@# #@#¤£$»-¨¨
,,«%$£@### somethings moving in the grass. it's ###@£$%«,,
.,^=§§§@## invisible to my eyes but i can feel ##@§§§=^,.
,¨.-»§$¤## through the ground just how large it is. ##¤$§»-.¨,
.¨¨.:-=%¤@ @¤%=-:.¨¨.
¨,¨.«*¤### the soil is muddy. i slip when trying ###¤*«.¨,¨
¨¨,»**£@@# to get up, still looking at the #@@£**»,¨¨
.,«*%@## direction of sound rather than at my ##@#&%*«,.
,¨,-%£&@@# hands, who are busy putting things in #@@&£%-,¨,
¨¨¨.»*$@@# my pockets. #@@$*».¨¨¨
¨..,-=^*## ##*^=-,..¨
.¨¨,~%&# then i run east toward my home. ##&&%~,¨¨.
¨,^«^£## ###&£^«^,¨
¨~»%&¤¶### ^ ###¶¤&%»~¨
¨.-=§%¤### ###¤%§=-.¨
¨¨.~=^£§¶# i am not followed, and slow down in the #¶§£^=~.¨¨
.¨.,^~§%§¶ clearing where you at first can spot ¶§%§~^,.¨.
,,,-«%£&@# the house, not yet really in the #@&£%«-,,,
¨.,=§*£¶## backyard. from my pockets i retrieve my ##¶£*§=,.¨
¨,=$§&£### radio (now dented) but also a small ###£&§$=,¨
,¨,«$*£@@# clay figure i've never seen before. it #@@£*$«,¨,
.¨,,-=$@@@ must have been laying in the wet dirt, @@@$=-,,¨.
¨,¨..~§%&¶ and i must've picked it up with my ¶&%§~..¨,¨
..¨.=^£@£# other belongings. #£@£^=.¨..
¨.:»§&&£## ##£&&§»:.¨
,,~^&&@### it's a statuette of a girl laying naked ###@&&^~,,
,..»§$¤#@# on her stomach, feet in the air, #@#¤$§»..,
¨.,~«=%&@# roughly seven centimeters long. it's #@&%=«~,.¨
.¨,.-«*£@# freshly made, not yet completely dried. #@£*«-.,¨.
,¨,.~^@££# #££@^~.,¨,
..^-%%#### my mom is here now. i ask her for some ####%%-^..
¨^-§¤§@### particle board for it to dry on, but ###@§¤§-^¨
,¨,«†&@# she is worried and wants me to #@#&&†«,¨,
¨...=^*#£@ throw it away. @£#*^=...¨
,,,.-«*$§@ @§$*«-.,,,
,¨.^»*@&£# #£&@*»^.¨,
¨..~*$§@@# #@@§$*~..¨
¨^-§*£#### ####£*§-^¨
¨,,~*@@¶@# #@¶@@*~,,¨
.,¨^~*$@£# #£@$*~^¨,.