,~~:*&£### ###£&*:~~,
.-»\%%£### ###£%%\»-.
.,~^$£&@@# #@@&£$^~,.
,:»\=£#@## ##@#£=\»:,
.,~;†%&£@# #@£&%†;~,.
,,~††$&@@# statuette #@@&$††~,,
¨--\*%§@## ##@§%*\--¨
¨^-»=»«\*¤ £&*&*££*¤$§££$&§-~=»»~=~%$$**§$$%&$$@**$ ¤*\«»=»-^¨
¨:~=†^$# $*%@@$%$* ##&$^†=~:¨
.,-=§%&£## ##£&%§=-,.
,.«^$$## forests around my childhood home. thick ###&$$^«.,
,¨¨,»~~§&@ pine arcades that were planted and @&§~~»,¨¨,
,.,...~†%@ forgotten. wild boars roaming @%†~...,.,
.¨,¨.^^†£# underneath, sniffing at the ground. it #£†^^.¨,¨.
.¨¨¨¨,,~%§ is dark and moist, the canopy having §%~,,¨¨¨¨.
,-«=%&&£## already soaked up all the sun. ##£&&%=«-,
..~;%£#@@# #@@#£%;~..
.~=*§%&@## there's a river passing by, from east ##@&%§*=~.
.:»**&££## to west, getting broader and deeper and ##££&**»:.
,¨¨¨.«~*=@ slower as it goes. equisetum grow just @=*~«.¨¨¨,
,~»:**#£## where the pine hands start to let ##£#**:»~,
.,»†*£¤### through light, horsemint on the rocky ###¤£*†»,.
¨¨.¨~=;*§@ river bed. @§*;=~¨.¨¨
¨,-=†*&@## ##@&*†=-,¨
¨^«;%£## * ###&£%;«^¨
^~††£@£### ###£@£††~^
¨,-/§%@¶## the riverbanks reek of magic. tonight ##¶@%§/-,¨
¨,=*†%§£@§ they had been a swampworld with sylvan §@£§%†*=,¨
.,~^%%¤@## water, stone rings and floating moss. ##@¤%%^~,.
.,¨..,,;*¶ you could've found me wallowing around ¶*;,,..¨,.
¨,,,-=^££@ on the southern shores until i got @££^=-,,,¨
.:=\§£#@## bitten. ##@#£§\=:.
.,,,=$=§£# #£§=$=,,,.
.,=\§£## but now i'm further back, on solid ###&£§\=,.
,,~=§££¶## ground, in shoulder-high grass, with an ##¶££§=~,,
,,:»^§=%## orange tin radio and a translucent ##%=§^»:,,
..»^*%@# umbrella which i'm sitting on. #@#&%*^»..
¨,~**@## ###&@**~,¨
,,»:%$§£@# / #@£§$%:»,,
¨,¨»«†%%@# #@%%†«»¨,¨
¨:~:^@#### somethings moving in the grass. it's ####@^:~:¨
¨,^†£@£### invisible to my eyes but i can feel ###£@£†^,¨
¨.»==££@## through the ground just how large it is. ##@££==».¨
¨~«/§§¤@## ##@¤§§/«~¨
,:-/*$£#@# the soil is muddy. i slip when trying #@#£$*/-:,
¨.~^*££%¤# to get up, still looking at the #¤%££*^~.¨
¨.=;^@@@## direction of sound rather than at my ##@@@^;=.¨
,.»†**&@@# hands, who are busy putting things in #@@&**†».,
.^«:†$¤### my pockets. ###¤$†:«^.
,,«\*$§@## ##@§$*\«,,
.¨.¨~†*§*£ then i run east toward my home. £*§*†~¨.¨.
¨,~^=$§£## ##£§$=^~,¨
¨¨..,.==^¤ = ¤^==.,..¨¨
.,~††§#¶## ##¶#§††~,.
.--/§%¤@£# i am not followed, and slow down in the #£@¤%§/--.
,,-^%¤§@## clearing where you at first can spot ##@§¤%^-,,
¨.~**$£### the house, not yet really in the ###£$**~.¨
¨,=*=%&@## backyard. from my pockets i retrieve my ##@&%=*=,¨
,~»=§$## radio (now dented) but also a small ###&$§=»~,
¨¨¨,.,=$§§ clay figure i've never seen before. it §§$=,.,¨¨¨
.:-%$§@@## must have been laying in the wet dirt, ##@@§$%-:.
,.«;%¤#£## and i must've picked it up with my ##£#¤%;«.,
¨,=^=£&¶@# other belongings. #@¶&£=^=,¨
.,~†*$¤#@# #@#¤$*†~,.
,.~:*¤#£§# it's a statuette of a girl laying naked #§£#¤*:~.,
,,~*^%££## on her stomach, feet in the air, ##££%^*~,,
¨.~/*%&£## roughly seven centimeters long. it's ##£&%*/~.¨
,.¨,,,;%$# freshly made, not yet completely dried. #$%;,,,¨.,
,-~:^@## ##@#&^:~-,
,:~/*@&@## my mom is here now. i ask her for some ##@&@*/~:,
¨¨¨~/=†§$¤ particle board for it to dry on, but ¤$§†=/~¨¨¨
¨.~;$¤*££¶ she is worried and wants me to ¶££*¤$;~.¨
,:«†**&@@@ throw it away. @@@&**†«:,
,.,-:=@£@# #@£@=:-,.,
..,¨¨,\£¤£ £¤£\,¨¨,..
.,,:-=†/$§ §$/†=-:,,.
.~-=†£@@## ##@@£†=-~.
¨^«^%&¤@## ##@¤&%^«^¨
¨..,^~†:&¶ ¶&:†~^,..¨