¨.¨¨,»~*@@ @@*~»,¨¨.¨
¨^~;%*&@#@ @#@&*%;~^¨
,^-=§$££#@ @#££$§=-^,
¨,-:^$&&£¤ ¤£&&$^:-,¨
,¨¨~/:*¤££ ££¤*:/~¨¨,
.,~*$§#@## statuette ##@#§$*~,.
¨¨,::/%£§# #§£%/::,¨¨
,.=*=$§£## §§@¤£&%*¤¤£*$@$$«~«-»«»«&*§%£$*%§$¤%§£%$ ##£§$=*=.,
.^=;%$£#&@ £%¤§££@@* @£$%;=^.
,,,,,./£## ##£/.,,,,,
.,,~-*%§#§ forests around my childhood home. thick §#§%*-~,,.
,~:-»»~*§# pine arcades that were planted and #§*~»»-:~,
¨,.:»=*%£@ forgotten. wild boars roaming @£%*=»:.,¨
.,¨.¨=;&@¶ underneath, sniffing at the ground. it ¶@&;=¨.¨,.
,:»:†§§¶## is dark and moist, the canopy having ##¶§§†:»:,
¨~~=†$$$%@ already soaked up all the sun. @%$$$†=~~¨
.,..¨¨.-†# #†-.¨¨..,.
¨:-;%&@@## there's a river passing by, from east ##@@&%;-:¨
¨,~\%£@&@# to west, getting broader and deeper and #@&@£%\~,¨
¨.¨.,.^*$§ slower as it goes. equisetum grow just §$*^.,.¨.¨
,,«\=$@¶@# where the pine hands start to let #@¶@$=\«,,
¨.=\;;§£@# through light, horsemint on the rocky #@£§;;\=.¨
..,,¨.=§*& river bed. &*§=.¨,,..
,~,«/:%$@@ @@$%:/«,~,
...,,,:»*@ ^ @*»:,,,...
,^=:*%## ###&%*:=^,
,,-:%$¤£## the riverbanks reek of magic. tonight ##£¤$%:-,,
¨,~*$$¤@## they had been a swampworld with sylvan ##@¤$$*~,¨
.~~**$@### water, stone rings and floating moss. ###@$**~~.
¨¨,¨,,«%¤@ you could've found me wallowing around @¤%«,,¨,¨¨
,,~*=$¤@@# on the southern shores until i got #@@¤$=*~,,
.~«\=†%$¤¶ bitten. ¶¤$%†=\«~.
¨.~*$£@### ###@£$*~.¨
,.~\%£#¶## but now i'm further back, on solid ##¶#£%\~.,
,.,.¨,.~%¤ ground, in shoulder-high grass, with an ¤%~.,¨.,.,
.,~/=%§### orange tin radio and a translucent ###§%=/~,.
.^~;*$¤@@# umbrella which i'm sitting on. #@@¤$*;~^.
.,«=§§@@@# #@@@§§=«,.
¨¨¨,~«=$#@ ^ @#$=«~,¨¨¨
..,.¨:~*%@ @%*~:¨.,..
,,»:†$#£¤@ somethings moving in the grass. it's @¤£#$†:»,,
¨-»;%£§#@# invisible to my eyes but i can feel #@#§£%;»-¨
¨.~\*£§### through the ground just how large it is. ###§£*\~.¨
.-~=%§§£## ##£§§%=~-.
¨~~††¤£§@£ the soil is muddy. i slip when trying £@§£¤††~~¨
,,==%@£#¤# to get up, still looking at the #¤#£@%==,,
,~-;$¤@# direction of sound rather than at my #@#&¤$;-~,
..«/†%&@## hands, who are busy putting things in ##@&%†/«..
¨~~==$@@## my pockets. ##@@$==~~¨
¨,~*/^§§#§ §#§§^/*~,¨
,,¨...=%&@ then i run east toward my home. @&%=...¨,,
.¨¨¨.-/;£& &£;/-.¨¨¨.
¨,~†=§#### ^ ####§=†~,¨
¨^-=†£%§&£ £&§%£†=-^¨
.~===££#@# i am not followed, and slow down in the #@#££===~.
¨~»\=%¤### clearing where you at first can spot ###¤%=\»~¨
,.»/^@§@#@ the house, not yet really in the @#@§@^/».,
,,»=%£§### backyard. from my pockets i retrieve my ###§£%=»,,
,¨,,,¨:*£¶ radio (now dented) but also a small ¶£*:¨,,,¨,
,.,¨»*=$£# clay figure i've never seen before. it #£$=*»¨,.,
,¨¨,,:†%@# must have been laying in the wet dirt, #@%†:,,¨¨,
,-«/*&£#@# and i must've picked it up with my #@#£&*/«-,
,.»†§$#### other belongings. ####$§†».,
¨,«*%=$£§£ £§£$=%*«,¨
...^»~†£¶# it's a statuette of a girl laying naked #¶£†~»^...
,:~:=§$£§£ on her stomach, feet in the air, £§£$§=:~:,
¨,=*=&££## roughly seven centimeters long. it's ##££&=*=,¨
.-:»-~†$@§ freshly made, not yet completely dried. §@$†~-»:-.
,¨..,~«*§@ @§*«~,..¨,
¨,=/*£§##@ my mom is here now. i ask her for some @##§£*/=,¨
,.¨,,==†## particle board for it to dry on, but ##†==,,¨.,
,,,,.¨»*¤# she is worried and wants me to #¤*»¨.,,,,
,^«**£## throw it away. ###&£**«^,
.,¨..~%§¶# #¶§%~..¨,.
,-»/=$#&¤# #¤$=/»-,
,¨:^~\=§@# #@§=\~^:¨,
¨¨.¨:~=$## ##$=~:¨.¨¨
,,»†*%£@## ##@£%*†»,,
.:«=†$@@@# #@@@$†=«:.