.¨~=:§%#£# #£#%§:=~¨.
,..,«\=£¤¶ ¶¤£=\«,..,
,¨..^=:$@§ §@$:=^..¨,
,¨¨,=*^§§£ £§§^*=,¨¨,
.,^~;%§£## ##£§%;~^,.
¨:-^=&¤@@# statuette #@@¤&=^-:¨
,,~~:=&@#@ @#@&=:~~,,
...,~=†*§# &@*%$$¤£$&§*%£%£-~«-«~«=$%@%%$£%*£*££%$£ #§*†=~,...
..¨,.-\†§# %$£¤¤¤%@% #§†\-.,¨..
¨,.:=†^*§@ @§*^†=:.,¨
.,-~/§*£¶# forests around my childhood home. thick #¶£*§/~-,.
.~=;$&¤@## pine arcades that were planted and ##@¤&$;=~.
,.:~^§@### forgotten. wild boars roaming ###@§^~:.,
¨..^~;%%@@ underneath, sniffing at the ground. it @@%%;~^..¨
,.¨,:-^*%£ is dark and moist, the canopy having £%*^-:,¨.,
¨¨¨,~;$¤¤@ already soaked up all the sun. @¤¤$;~,¨¨¨
¨,^»;%£&£# #£&£%;»^,¨
¨^»:*&@#@# there's a river passing by, from east #@#@&*:»^¨
¨,,«†=%### to west, getting broader and deeper and ###%=†«,,¨
,¨.^-/§%@£ slower as it goes. equisetum grow just £@%§/-^.¨,
.,,,,«=%¤& where the pine hands start to let &¤%=«,,,,.
¨.¨,»:%$£# through light, horsemint on the rocky #£$%:»,¨.¨
,¨.=^%*@£@ river bed. @£@*%^=.¨,
,,-:%&¤£@# #@£¤&%:-,,
,,,«†%*# † ##&*%†«,,,
,¨,:«^%$£@ @£$%^«:,¨,
,,..,=;§£# the riverbanks reek of magic. tonight #£§;=,..,,
.¨,,»\†£¤¶ they had been a swampworld with sylvan ¶¤£†\»,,¨.
,,,-=*$### water, stone rings and floating moss. ###$*=-,,,
¨-«^^££¶@# you could've found me wallowing around #@¶££^^«-¨
,,^~;**&£# on the southern shores until i got #£&**;~^,,
,¨,^~†$¤¤# bitten. #¤¤$†~^,¨,
¨.¨.^«=$*§ §*$=«^.¨.¨
,.,:~=^$££ but now i'm further back, on solid ££$^=~:,.,
¨..=^†£@ ground, in shoulder-high grass, with an @#&£†^=..¨
,^~*^££¶## orange tin radio and a translucent ##¶££^*~^,
.,~«;%$§£@ umbrella which i'm sitting on. @£§$%;«~,.
,¨.,»†%§£@ @£§%†»,.¨,
.¨.,~«:%¤# : #¤%:«~,.¨.
¨¨,:»=%&£@ @£&%=»:,¨¨
,¨~«=^$§## somethings moving in the grass. it's ##§$^=«~¨,
¨^=:=&£### invisible to my eyes but i can feel ###£&=:=^¨
,,,=^*&&£# through the ground just how large it is. #£&&*^=,,,
¨,,.-;%&&@ @&&%;-.,,¨
¨¨,.~»†%¤@ the soil is muddy. i slip when trying @¤%†»~.,¨¨
¨.¨-»/$¤@£ to get up, still looking at the £@¤$/»-¨.¨
¨.--\=¤£## direction of sound rather than at my ##£¤=\--.¨
¨,==*£#¶## hands, who are busy putting things in ##¶#£*==,¨
,¨,=:=*§## my pockets. ##§*=:=,¨,
¨,¨^-;=@&£ £&@=;-^¨,¨
.¨¨¨~»;^%@ then i run east toward my home. @%^;»~¨¨¨.
.¨¨:»*%$@# #@$%*»:¨¨.
..,-^*$§@# ^ #@§$*^-,..
.:=:^$§¶## ##¶§$^:=:.
..,~^$$£#@ i am not followed, and slow down in the @#£$$^~,..
,¨.:-/§%## clearing where you at first can spot ##%§/-:.¨,
...¨~»;%&£ the house, not yet really in the £&%;»~¨...
¨.¨--†$$## backyard. from my pockets i retrieve my ##$$†--¨.¨
.¨.=\%*### radio (now dented) but also a small ###*%\=.¨.
,,«==$§#@# clay figure i've never seen before. it #@#§$==«,,
¨.,»/^%@£# must have been laying in the wet dirt, #£@%^/»,.¨
¨,,,-:**§# and i must've picked it up with my #§**:-,,,¨
¨¨.¨,«=§*¤ other belongings. ¤*§=«,¨.¨¨
.,,:-=%$@@ @@$%=-:,,.
..-«†%¤@## it's a statuette of a girl laying naked ##@¤%†«-..
¨,~^†&## on her stomach, feet in the air, ###&&†^~,¨
.¨,»\^¤§## roughly seven centimeters long. it's ##§¤^\»,¨.
,,,-«=*&&£ freshly made, not yet completely dried. £&&*=«-,,,
,¨¨,:-^=£¤ ¤£=^-:,¨¨,
,,.~«^*@ my mom is here now. i ask her for some #&@*^«~.,,
,..=^†$§## particle board for it to dry on, but ##§$†^=..,
,.=;%¤§£## she is worried and wants me to ##£§¤%;=.,
..~«†%§@£# throw it away. #£@§%†«~..
¨...-;%$¤£ £¤$%;-...¨
¨..¨~=;§@£ £@§;=~¨..¨
¨.¨--;†$#@ @#$†;--¨.¨
,.,~^%$##@ @##$%^~,.,
.~=;*@&¶## ##¶&@*;=~.
,¨~~\=¤£@# #@£¤=\~~¨,