¨..~\%$£## ##£$%\~..¨
¨^-/=¤§### ###§¤=/-^¨
...~†$$# ##&$$†~...
,,¨^=:†*£# #£*†:=^¨,,
¨¨^»†§$¤## ##¤$§†»^¨¨
.~«:%%§@## statuette ##@§%%:«~.
,.:~*=%&@# #@&%=*~:.,
,¨.^=:*%@# $%$@§%£$£&$£$%$$»~«»-==~¤%%%*$&**%@@@@*¤ #@%*:=^.¨,
.,~-:*%@## $££$&£§@$ ##@%*:-~,.
,~~/†@¤### ###¤@†/~~,
¨,-~;*%§@# forests around my childhood home. thick #@§%*;~-,¨
.¨¨-~^%@ pine arcades that were planted and @#&%^~-¨¨.
,¨,~†^£### forgotten. wild boars roaming ###£^†~,¨,
,-«†^$§### underneath, sniffing at the ground. it ###§$^†«-,
,.~»**$£@# is dark and moist, the canopy having #@£$**»~.,
,.¨.«:*¤ already soaked up all the sun. #&¤*:«.¨.,
¨¨~~^$¤¤## ##¤¤$^~~¨¨
,:=/$£¤### there's a river passing by, from east ###¤£$/=:,
,,^-;^$§## to west, getting broader and deeper and ##§$^;-^,,
,,,-»/$$¤# slower as it goes. equisetum grow just #¤$$/»-,,,
..,~=%&§## where the pine hands start to let ##§&%=~,..
.~«:*%¤### through light, horsemint on the rocky ###¤%*:«~.
,.^~**£¤@# river bed. #@¤£**~^.,
,¨¨,«†§§&@ @&§§†«,¨¨,
¨,:~;%*§@# * #@§*%;~:,¨
,.=*^££@## ##@££^*=.,
,.:=^*%@## the riverbanks reek of magic. tonight ##@%*^=:.,
..¨,«=§$@# they had been a swampworld with sylvan #@$§=«,¨..
¨¨,«**%@@# water, stone rings and floating moss. #@@%**«,¨¨
¨^~:=@## you could've found me wallowing around ##@#&=:~^¨
¨..=*%&§## on the southern shores until i got ##§&%*=..¨
¨..~-=%& bitten. #&&%=-~..¨
..,~^†&£## ##£&†^~,..
,-~^$¤¤### but now i'm further back, on solid ###¤¤$^~-,
,,.~:*## ground, in shoulder-high grass, with an ###&*:~.,,
,,¨:«;*%&@ orange tin radio and a translucent @&%*;«:¨,,
¨.:«*†£¤@# umbrella which i'm sitting on. #@¤£†*«:.¨
¨~~†§@¤@## ##@¤@§†~~¨
,¨^=†=&£## = ##£&=†=^¨,
,.¨,»\%@@@ @@@%\»,¨.,
..:~:$§@## somethings moving in the grass. it's ##@§$:~:..
¨^~/*$@@## invisible to my eyes but i can feel ##@@$*/~^¨
¨,~~*%*@## through the ground just how large it is. ##@*%*~~,¨
¨,,,»=%@ #&@%=»,,,¨
.,^~†*§§## the soil is muddy. i slip when trying ##§§*†~^,.
¨^=^%&@### to get up, still looking at the ###@&%^=^¨
,,:-\§@£## direction of sound rather than at my ##£@§\-:,,
¨¨,,=;*%## hands, who are busy putting things in ##%*;=,,¨¨
¨,.~/%%§## my pockets. ##§%%/~.,¨
,-«;^££### ###££^;«-,
,,^=^%*£@# then i run east toward my home. #@£*%^=^,,
,¨.-»:§§£# #£§§:»-.¨,
¨¨.-/*£¤## ^ ##¤£*/-.¨¨
¨~~/$%@### ###@%$/~~¨
,,,»;%££## i am not followed, and slow down in the ##££%;»,,,
¨..,-:§¤## clearing where you at first can spot ##¤§:-,..¨
¨¨~=\§§¤## the house, not yet really in the ##¤§§\=~¨¨
.^==*¤@@## backyard. from my pockets i retrieve my ##@@¤*==^.
,.,-;$@¤@# radio (now dented) but also a small #@¤@$;-,.,
¨¨.~-=§$¤# clay figure i've never seen before. it #¤$§=-~.¨¨
,,,~;*§£## must have been laying in the wet dirt, ##£§*;~,,,
¨~-^$£@@## and i must've picked it up with my ##@@£$^-~¨
¨,~»=%@¤@# other belongings. #@¤@%=»~,¨
,,,.-/%@#@ @#@%/-.,,,
,.-«†*%¤@# it's a statuette of a girl laying naked #@¤%*†«-.,
,^-;$%£### on her stomach, feet in the air, ###£%$;-^,
¨,,-=^£¤## roughly seven centimeters long. it's ##¤£^=-,,¨
.,.:==**@@ freshly made, not yet completely dried. @@**==:.,.
..-~;^%¤@# #@¤%^;~-..
,.«;$%## my mom is here now. i ask her for some ###&%$;«.,
,,.=†$%### particle board for it to dry on, but ###%$†=.,,
¨,,^=;**@# she is worried and wants me to #@**;=^,,¨
¨,,=:†§£## throw it away. ##£§†:=,,¨
..-†^¤## ###&¤^†-..
,..-=§§@@# #@@§§=-..,
.,¨~~:§@§# #§@§:~~¨,.
¨.^==^%### ###%^==^.¨
¨^~†*££### ###££*†~^¨
¨.,-^%¤¤@# #@¤¤%^-,.¨