¨,-^†%## ###&%†^-,¨
¨,-^†%## ###&%†^-,¨
¨,-^†%## ###&%†^-,¨
¨¨¨¨,,,-†& &†-,,,¨¨¨¨
¨,-^†%&& #&&&%†^-,¨
¨,-^†%## delay delay d¨la# & †a¨ , ¨# - , ###&%†^-,¨
,-^†%### ####&%†^-,
¨,-^†%## ###&%†^-,¨
¨,-^†%## ###&%†^-,¨
¨,-^†%## ###&%†^-,¨
¨,-^†%## "delay" means repetiton or likewise, ###&%†^-,¨
¨,-^†%## but it's mainly useless without ###&%†^-,¨
¨,-^†%## feedback, ###&%†^-,¨
¨,-^†%## to allow the delay to eat of it's own ###&%†^-,¨
¨,-^†%## tail, like one of those eaty serpents. ###&%†^-,¨
¨¨¨,-^^††& thus: it's the serpent effect! &††^^-,¨¨¨
¨¨,--^^%%# #%%^^--,¨¨
¨¨¨¨¨¨¨-†& it's to be revered as a creator of &†-¨¨¨¨¨¨¨
¨¨¨¨,,^% ambience and of space, if you treat it #&%^,,¨¨¨¨
¨,-^†%## right. a somewhat more solid and ###&%†^-,¨
¨,-^†%&& slippery sibling of reverb. #&&&%†^-,¨
¨¨,-^^††%# #%††^^-,¨¨
¨¨,,-^^%%# #%%^^-,,¨¨
¨,-^†%## ###&%†^-,¨
¨,-^†%## ###&%†^-,¨
¨,-^†%&& #&&&%†^-,¨