..^~:%@§## ##§@%:~^..
...^~:%@§# #§@%:~^...
....^~:%@§ §@%:~^....
...^~:%@§# #§@%:~^...
..^~:%@§## ##§@%:~^..
.^~:%@§### delay delay d.la# § %a. ^ .# ~ ^ ###§@%:~^.
..^~:%@§## ##§@%:~^..
...^~:%@§# #§@%:~^...
....^~:%@§ §@%:~^....
...^~:%@§# #§@%:~^...
..^~:%@§## "delay" means repetiton or likewise, ##§@%:~^..
.^~:%@§### but it's mainly useless without ###§@%:~^.
..^~:%@§## feedback, ##§@%:~^..
...^~:%@§# to allow the delay to eat of it's own #§@%:~^...
....^~:%@§ tail, like one of those eaty serpents. §@%:~^....
...^~:%@§# thus: it's the serpent effect! #§@%:~^...
..^~:%@§## ##§@%:~^..
.^~:%@§### it's to be revered as a creator of ###§@%:~^.
..^~:%@§## ambience and of space, if you treat it ##§@%:~^..
...^~:%@§# right. a somewhat more solid and #§@%:~^...
....^~:%@§ slippery sibling of reverb. §@%:~^....
...^~:%@§# #§@%:~^...
..^~:%@§## ##§@%:~^..
.^~:%@§### ###§@%:~^.
..^~:%@§## ##§@%:~^..
...^~:%@§# #§@%:~^...