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,.=:$%&£## ##£&%$:=.,
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,.=:$%£### the last song on side b (and to some ###£%$:=.,
,,,,..:$&& extent the first song on side a) talks &&$:..,,,,
,.=:$%&&&& for the whole album, not just their &&&&%$:=.,
,.=:$%&£## side. the last song on side b is ##£&%$:=.,
,.=:$%&£## probably the most important ##£&%$:=.,
,.=:$%&£## opportunity, the most charged slot. ##£&%$:=.,
,.=:$%&£## ##£&%$:=.,
,.=:$%&£## ,£#£, ##£&%$:=.,
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,.=:$%&£## the album is a singularity, an anomaly ##£&%$:=.,
,.=:$%## in spacetime, a creature that knows ###&%$:=.,
,.=:$%&£## exactly how beautiful it is. ##£&%$:=.,
,,,,,.::%£ , £%::.,,,,,
,.=:$%&£## and the thing is: it sees itself in ##£&%$:=.,
,.=:$%&£## three d. it knows that it's dying. ##£&%$:=.,
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,.=:%&£### . dolphins and cats . ###£&%:=.,
,.=:$%&£## bring us ##£&%$:=.,
,.=:$%£### , flowers and honey , ###£%$:=.,
,.=:$%£### ###£%$:=.,
,.=:$%&£## . dolphins and cats . ##£&%$:=.,
,,,,=:::%& bring us &%:::=,,,,
,...::$% , fairies and bees , #&%$::...,
,,,,,,,=$& &$=,,,,,,,
,.=:$%&£## our boat is afloat ##£&%$:=.,
,.=:$%£### on a surface of lilies ###£%$:=.,
,.=:$$%&££ . dolphins and cats . ££&%$$:=.,
,.=:$%&££# drag us down #££&%$:=.,
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,.==:$%% #&%%$:==.,
,.=:$%## side a is foresty, and side b might ###&%$:=.,
,,,,,,=:$& be lizardy. but the last song is full &$:=,,,,,,
,.=:$%%%%& of space. &%%%%$:=.,
,.=:$%&& #&&&%$:=.,
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