,,,,-«/%$£ £$%/«-,,,,
,,,-«/%$£# #£$%/«-,,,
,,-«/%$£## ##£$%/«-,,
,-«/%$£### ###£$%/«-,
,,-«/%$£## ##£$%/«-,,
,,,-«/%$£# the last song on side b (and to some #£$%/«-,,,
,,,,-«/%$£ extent the first song on side a) talks £$%/«-,,,,
,,,,,-«/%$ for the whole album, not just their $%/«-,,,,,
,,,,-«/%$£ side. the last song on side b is £$%/«-,,,,
,,,-«/%$£# probably the most important #£$%/«-,,,
,,-«/%$£## opportunity, the most charged slot. ##£$%/«-,,
,-«/%$£### ###£$%/«-,
,,-«/%$£## ,£#£, ##£$%/«-,,
,,,-«/%$£# #£$%/«-,,,
,,,,-«/%$£ the album is a singularity, an anomaly £$%/«-,,,,
,,,,,-«/%$ in spacetime, a creature that knows $%/«-,,,,,
,,,,-«/%$£ exactly how beautiful it is. £$%/«-,,,,
,,,-«/%$£# , #£$%/«-,,,
,,-«/%$£## and the thing is: it sees itself in ##£$%/«-,,
,-«/%$£### three d. it knows that it's dying. ###£$%/«-,
,,-«/%$£## ##£$%/«-,,
,,,-«/%$£# %%$$%%$$%%$$%%$$%%$&&$%%$$%%$$%%$$%%$$%% #£$%/«-,,,
,,,,-«/%$£ £$%/«-,,,,
,,,,,-«/%$ - dolphins and cats - $%/«-,,,,,
,,,,-«/%$£ bring us £$%/«-,,,,
,,,-«/%$£# , flowers and honey , #£$%/«-,,,
,,-«/%$£## ##£$%/«-,,
,-«/%$£### - dolphins and cats - ###£$%/«-,
,,-«/%$£## bring us ##£$%/«-,,
,,,-«/%$£# , fairies and bees , #£$%/«-,,,
,,,,-«/%$£ £$%/«-,,,,
,,,,,-«/%$ our boat is afloat $%/«-,,,,,
,,,,-«/%$£ on a surface of lilies £$%/«-,,,,
,,,-«/%$£# - dolphins and cats - #£$%/«-,,,
,,-«/%$£## drag us down ##£$%/«-,,
,-«/%$£### ,«% underneath %«, ###£$%/«-,
,,-«/%$£## ##£$%/«-,,
,,,-«/%$£# %%$$%%$$%%$$%%$$%%$&&$%%$$%%$$%%$$%%$$%% #£$%/«-,,,
,,,,-«/%$£ £$%/«-,,,,
,,,,,-«/%$ side a is foresty, and side b might $%/«-,,,,,
,,,,-«/%$£ be lizardy. but the last song is full £$%/«-,,,,
,,,-«/%$£# of space. #£$%/«-,,,
,,-«/%$£## ##£$%/«-,,
,-«/%$£### ###£$%/«-,
,,-«/%$£## ##£$%/«-,,
,,,-«/%$£# #£$%/«-,,,
,,,,-«/%$£ £$%/«-,,,,