#@@§\«,,,, ,,,,«\§@@#
#§%\\«,,,, ,,,,«\\%§#
#@§\\«,,,, ,,,,«\\§@#
#§§§§%\«,, ,,«\%§§§§#
####@§%\,, ,,\%§@####
@§%\,,,,,, the last song on side b (and to some ,,,,,,\%§@
###@§%\«,, extent the first song on side a) talks ,,«\%§@###
####§%\«,, for the whole album, not just their ,,«\%§####
###@§%\«,, side. the last song on side b is ,,«\%§@###
###@§%\«,, probably the most important ,,«\%§@###
##@§%«,,,, opportunity, the most charged slot. ,,,,«%§@##
@@§§\\«,,, ,,,«\\§§@@
##@§\\,,,, ,###, ,,,,\\§@##
@@@§\,,,,, ,,,,,\§@@@
###@§%\«,, the album is a singularity, an anomaly ,,«\%§@###
@%\«,,,,,, in spacetime, a creature that knows ,,,,,,«\%@
#§\«,,,,,, exactly how beautiful it is. ,,,,,,«\§#
###@§%\«,, , ,,«\%§@###
#@§%\\\«,, and the thing is: it sees itself in ,,«\\\%§@#
#@@§\,,,,, three d. it knows that it's dying. ,,,,,\§@@#
@§\\,,,,,, ,,,,,,\\§@
###@§%\«,, %%§§%%§§%%§§%%§§%%§@@§%%§§%%§§%%§§%%§§%% ,,«\%§@###
@§%««,,,,, ,,,,,««%§@
##§§§%\«,, , dolphins and cats , ,,«\%§§§##
#§\«,,,,,, bring us ,,,,,,«\§#
####§%\«,, , flowers and honey , ,,«\%§####
###@§%\«,, ,,«\%§@###
@§%\,,,,,, , dolphins and cats , ,,,,,,\%§@
###@§%\«,, bring us ,,«\%§@###
###@§%\«,, , fairies and bees , ,,«\%§@###
###@§%\«,, ,,«\%§@###
###@§%\«,, our boat is afloat ,,«\%§@###
#§§§§%\«,, on a surface of lilies ,,«\%§§§§#
##@§%«,,,, , dolphins and cats , ,,,,«%§@##
@§§§\,,,,, drag us down ,,,,,\§§§@
###@§%\«,, ,«% underneath %«, ,,«\%§@###
##§%%««,,, ,,,««%%§##
#@§%««,,,, %%§§%%§§%%§§%%§§%%§@@§%%§§%%§§%%§§%%§§%% ,,,,««%§@#
###@§%\«,, ,,«\%§@###
###@§%\«,, side a is foresty, and side b might ,,«\%§@###
@@%%\«,,,, be lizardy. but the last song is full ,,,,«\%%@@
#@%%%«,,,, of space. ,,,,«%%%@#
##§%«,,,,, ,,,,,«%§##
###@§%\«,, ,,«\%§@###
@%«,,,,,,, ,,,,,,,«%@
@%\,,,,,,, ,,,,,,,\%@
##§\\«««,, ,,«««\\§##