,,,-;;$$*# #*$$;;-,,,
,,,,--;**# #**;--,,,,
,-=;$*£### ###£*$;=-,
,-=;$$$**£ £**$$$;=-,
,-=;$*£### ###£*$;=-,
,,,,=$$**£ the last song on side b (and to some £**$$=,,,,
,-=;*£#### extent the first song on side a) talks ####£*;=-,
,-=;$$$$££ for the whole album, not just their ££$$$$;=-,
,-=;$*£### side. the last song on side b is ###£*$;=-,
,,,,,,-;$£ probably the most important £$;-,,,,,,
,-=;$*£### opportunity, the most charged slot. ###£*$;=-,
,-=;$*#### ####*$;=-,
,-=;$*£### ,###, ###£*$;=-,
,,,,=;$*## ##*$;=,,,,
,-=;$*£### the album is a singularity, an anomaly ###£*$;=-,
,-===;**## in spacetime, a creature that knows ##**;===-,
,---==;*## exactly how beautiful it is. ##*;==---,
,,,,,,,=$£ , £$=,,,,,,,
,-=;$*£### and the thing is: it sees itself in ###£*$;=-,
,,,-=;**## three d. it knows that it's dying. ##**;=-,,,
,-=;$*£### ###£*$;=-,
,---==;;*# $$**$$**$$**$$**$$*££*$$**$$**$$**$$**$$ #*;;==---,
,,,,-;$$£# #£$$;-,,,,
,-=;$*£### - dolphins and cats - ###£*$;=-,
,-=;$$$*## bring us ##*$$$;=-,
,-=;$*£### , flowers and honey , ###£*$;=-,
,,,,,,=;*# #*;=,,,,,,
,,-===;$$£ - dolphins and cats - £$$;===-,,
,-=;$*£### bring us ###£*$;=-,
,-=;$*£### , fairies and bees , ###£*$;=-,
,-=;$*£### ###£*$;=-,
,,,-;;$*## our boat is afloat ##*$;;-,,,
,-=;$*£### on a surface of lilies ###£*$;=-,
,-=;$*£### - dolphins and cats - ###£*$;=-,
,,,,---=$£ drag us down £$=---,,,,
,-=;$*£### ,=$ underneath $=, ###£*$;=-,
,-===$*£## ##£*$===-,
,-=;$*£### $$**$$**$$**$$**$$*££*$$**$$**$$**$$**$$ ###£*$;=-,
,,,,,==;$£ £$;==,,,,,
,,,,,,-=$£ side a is foresty, and side b might £$=-,,,,,,
,-=;$*£### be lizardy. but the last song is full ###£*$;=-,
,,,,,--=$£ of space. £$=--,,,,,
,-=;$*£### ###£*$;=-,
,,,,,,-;*£ £*;-,,,,,,
,-=;$*#### ####*$;=-,
,,,,=$*££# #££*$=,,,,
,,,--=;*££ ££*;=--,,,