,,~;^*§### ###§*^;~,,
,,,,~;^§## ##§^;~,,,,
,,,,,~;^*# #*^;~,,,,,
,,~;^^^**§ §**^^^;~,,
,,~;^*§### ###§*^;~,,
,,~;^*§### the last song on side b (and to some ###§*^;~,,
,,~;^*§### extent the first song on side a) talks ###§*^;~,,
,,~;^*#### for the whole album, not just their ####*^;~,,
,,~;^*§### side. the last song on side b is ###§*^;~,,
,,,,,~~;*# probably the most important #*;~~,,,,,
,,,~;^*§## opportunity, the most charged slot. ##§*^;~,,,
,,~;^*§### ###§*^;~,,
,,~;^*§### ,###, ###§*^;~,,
,,~;^*§### ###§*^;~,,
,,~;^*§### the album is a singularity, an anomaly ###§*^;~,,
,,~;^*§### in spacetime, a creature that knows ###§*^;~,,
,,~;^*§### exactly how beautiful it is. ###§*^;~,,
,,~;^*§### , ###§*^;~,,
,,~;;;^^*§ and the thing is: it sees itself in §*^^;;;~,,
,,~;;;;*## three d. it knows that it's dying. ##*;;;;~,,
,,~;^*§### ###§*^;~,,
,,~;^*§### ^^**^^**^^**^^**^^*§§*^^**^^**^^**^^**^^ ###§*^;~,,
,,~;^^^§§§ §§§^^^;~,,
,,,,;;;*## , dolphins and cats , ##*;;;,,,,
,,,,,,,;*§ bring us §*;,,,,,,,
,,,,,~;*§# , flowers and honey , #§*;~,,,,,
,,~;^*§### ###§*^;~,,
,,,,~^^§§§ , dolphins and cats , §§§^^~,,,,
,,~;^*§### bring us ###§*^;~,,
,,~;^*§### , fairies and bees , ###§*^;~,,
,,,,,,~^§# #§^~,,,,,,
,,~;^§#### our boat is afloat ####§^;~,,
,,~;^*§### on a surface of lilies ###§*^;~,,
,,,,;;;;*§ , dolphins and cats , §*;;;;,,,,
,,~;^*#### drag us down ####*^;~,,
,,,,,,~;*# ,~^ underneath ^~, #*;~,,,,,,
,,~;^*§### ###§*^;~,,
,,~;^^^§## ^^**^^**^^**^^**^^*§§*^^**^^**^^**^^**^^ ##§^^^;~,,
,,;^*§#### ####§*^;,,
,,~;^*§### side a is foresty, and side b might ###§*^;~,,
,,~;^*§### be lizardy. but the last song is full ###§*^;~,,
,,~;^*§### of space. ###§*^;~,,
,,~;^*§### ###§*^;~,,
,,,,,;*§§§ §§§*;,,,,,
,,,,,~~^*§ §*^~~,,,,,
,,~;^*§### ###§*^;~,,
,,,,,;;*## ##*;;,,,,,