.@@...@... @....@..@@
.@@@...@.. .@....@.@@
.@.@@...@. ..@.....@@
...@@@...@ @..@....@@
@..@.@@... @@..@...@@
@@...@@@.. .- ««««««« ««««««« ««««««« -. @@@..@..@.
@@@..@.@@. NICK WILDE IS A RED FOX AND A CONMAN. @.@@..@...
@.@@...@@@ .- ««««««« ««««««« ««««««« -. ..@@@..@..
..@@@..@.@ ..@.@@..@.
..@.@@...@ HE'S NOT ABOVE PETTY CRIME, BUT HE ....@@@..@
@...@@@..@ KNOWS THAT IF HE PUTS IN A BIT OF WORK, @...@.@@..
.@..@.@@.. HE WILL FIND MUCH MORE LUCRATIVE @@....@@@.
..@...@@@. REWARDS. @@@...@.@@
@..@..@.@@ @.@@....@@
@@..@...@@ AND THUS HE'S CURRENTLY WORKING ..@@@...@.
@@@..@..@. ALONGSIDE HATSUNE MIKU FOR A COMPANY ..@.@@....
@.@@..@... THAT MAKES SYNTHETIC MEAL REPLACEMENTS. ....@@@...
..@@@..@.. HE'S GOT A VAGUE OUTLINE OF A PLAN, TO @...@.@@..
..@.@@..@. SCATTER WITH SOME PRODUCT, OR EVEN .@....@@@.
....@@@..@ BETTER, SOME FORMULA? THESE THINGS ARE ..@...@.@@
@...@.@@.. WORTH A LOT TO A COMPETITOR. @..@....@@
@@....@@@. @@..@...@.
@@@...@.@@ HE'S BEEN LUCKY; THE PLACE IS .@@..@....
@.@@....@@ SURPRISINGLY UNGUARDED. ONCE HE'S GOT .@@@..@...
..@@@...@. HIS PAWS ON SOMETHING WORTHWHILE, IT'LL .@.@@..@..
..@.@@.... BE EASY TO JUST WALTZ OUT. UNTIL THEN, ...@@@..@.
....@@@... KEEP DOING THE WORK... ...@.@@..@
@...@.@@.. @....@@@..
.@....@@@. COME TO THINK OF IT, THE PLACE IS .@...@.@@.
..@...@.@@ ALMOST EERILY EMPTY. THERE ARE FEW ..@....@@@
@..@....@@ COWORKERS. (IN FACT THE COMPANY IS @..@...@.@
@@..@...@. AI-RUN AND ONLY A FEW KEY ROLES ARE .@..@....@
.@@..@.... FILLED BY ACTUAL PEOPLE. ..@..@...@
.@@@..@... @..@..@...
.@.@@..@.. NONE OF THE EMPLOYEES KNOW THIS.) @@..@..@..
...@@@..@. .@@..@..@.
...@.@@..@ ««« ««« .@@@..@..@
@....@@@.. ««« ««« ««« .@.@@..@..
.@...@.@@. ««« ««« ...@@@..@.
..@....@@@ ...@.@@..@
@..@...@.@ NICK AND MIKU ARE BOTH STATIONED IN .....@@@..
.@..@....@ EARLY PROCESSING, HOUSED IN A STATE OF @....@.@@.
..@..@...@ THE ART FACTORY CLOSE TO THE DOCKS. .@.....@@@
@..@..@... THEY CREATE THE EARLY BUILDING BLOCKS ..@....@.@
@@..@..@.. THAT ARE LATER COMBINED INTO THE MEALS ...@.....@
.@@..@..@. THAT'S SOLD TO CUSTOMERS. ....@....@
.@@@..@..@ @....@....
.@.@@..@.. THE BASES ARE MOSTLY SLUDGES .@....@...
...@@@..@. OR PASTES, SUCH AS: ..@....@..
...@.@@..@ ...@....@.
.....@@@.. †« PLANT MATTER @...@....@
@....@.@@. †« BLOOD COLONY @@...@....
.@.....@@@ (MADE WITH A TYPE OF BACTERIA) .@@...@...
..@....@.@ †« WILD FLESH .@@@...@..
...@.....@ (FREE ROAMING ANIMALS) .@.@@...@.
....@....@ †« ORGANS ...@@@...@
@....@.... (TAKEN FROM A LIVING HUMAN THAT @..@.@@...
.@....@... IS WILLING TO SELL) @@...@@@..
..@....@.. †« MINERALS @@@..@.@@.
...@....@. †« BLOOD COLONY TWO @.@@...@@@
@...@....@ †« INSECTS ..@@@..@.@
@@...@.... (WHICH ARE MAINLY USED FOR THEIR ..@.@@...@
.@@...@... BRAIN, WHICH IS USED TO EXTRACT @...@@@..@
.@@@...@.. RECEPTORS THAT DETECT PHEROMONES) .@..@.@@..
.@.@@...@. ..@...@@@.
...@@@...@ ««« ««« @..@..@.@@
@..@.@@... ««« ««« ««« @@..@...@@
@@...@@@.. ««« ««« @@@..@..@.
@@@..@.@@. @.@@..@...
@.@@...@@@ MIKU IS IN CHARGE OF THE BLOOD ..@@@..@..
..@@@..@.@ COLONIES. THERE'S LARGE VATS OF THE ..@.@@..@.
..@.@@...@ ORIGINAL CULTURE WHICH IS FED BLOOD ....@@@..@
@...@@@..@ MEAL, BONE MEAL, WHAT DOESN'T QUALIFY @...@.@@..
.@..@.@@.. TO GO IN THE "WILD FLESH" PASTE, AND @@....@@@.
..@...@@@. SOME PROCESSING CHEMICALS. ALL THESE @@@...@.@@
@..@..@.@@ INGREDIENTS HAVE AN EFFECT ON THE BLOOD @.@@....@@
@@..@...@@ WHICH IN TURN AFFECTS MIKU. ..@@@...@.
@@@..@..@. ..@.@@....
@.@@..@... THERE IS A LARGE TANK BEHIND THE ....@@@...
..@@@..@.. FACTORY THAT CONTAINS A VAST NUMBER OF @...@.@@..
..@.@@..@. AUXILLIARY BLOOD COLONIES. MIKU WATCHES .@....@@@.
....@@@..@ OVER THESE AS WELL. THEIR PURPOSE IS ..@...@.@@
@...@.@@.. UNCLEAR. @..@....@@
@@....@@@. @@..@...@.
@@@...@.@@ THE FACTORY IS SURROUNDED BY THE BLOOD .@@..@....
@.@@....@@ MEAL FARMS. THERE IS A CONSTANT .@@@..@...
..@@@...@. EXCHANGE OF BLOOD AND BLOOD MEAL. THIS .@.@@..@..
..@.@@.... PROVIDES TWO OF THE MAJOR MATERIALS FOR ...@@@..@.
....@@@... BOTH THE COLONIES AND MIKU. ...@.@@..@
@...@.@@.. @....@@@..
.@....@@@. ««« ««« .@...@.@@.
..@...@.@@ ««« ««« ««« ..@....@@@
@..@....@@ ««« ««« @..@...@.@
@@..@...@. .@..@....@
.@@..@.... NICK IS UNCOMFORTABLE AROUND ..@..@...@
.@@@..@... THE "WILD FLESH" VATS. @..@..@...
.@.@@..@.. @@..@..@..
...@@@..@. .@@..@..@.
...@.@@..@ .@@@..@..@
@....@@@.. .@.@@..@..
.@...@.@@. ...@@@..@.