,,,,,,-=%@ @%=-,,,,,,
,,,--====# #====--,,,
,,-;===%@@ @@%===;-,,
,,,,,,,;%# #%;,,,,,,,
,,-;=%#@@# #@@#%=;-,,
,,,,;==%@@ @@@@ ##### @@%==;,,,,
,,,,,,;;%@ tape dream @%;;,,,,,,
,,-;=%#@@# #### @@@@@ #@@#%=;-,,
,,-;=%@@## ##@@%=;-,,
,,-;=%#@@# for storing music on. also data but #@@#%=;-,,
,,-;=%%%%# at this point in time that's not #%%%%=;-,,
,,-;=%#@@# really important i think. #@@#%=;-,,
,,,,,,-=%@ @%=-,,,,,,
,,,,,-=%@@ @@%=-,,,,,
,,,,,-;;%@ ;;;;;;;; types of tape ;;;;;;;; @%;;-,,,,,
,,-;=%#@@# #@@#%=;-,,
,,-;=#@@## class i - "bad" iron ##@@#=;-,,
,,,,,,--=# class ii - good chromium #=--,,,,,,
,,-;=%@@## class iii - bad iron part two ##@@%=;-,,
,,-;=%#@@# class iv - dangerous metals #@@#%=;-,,
,,,,--;==# #==;--,,,,
,,,,,;;;=# rumors exist about a secret class v tape #=;;;,,,,,
,,-;=%#@@# that is actually useful. #@@#%=;-,,
,,-;=%#@@@ @@@#%=;-,,
,,-=%#@@## ;; bias ;; ##@@#%=-,,
,,,,,-=%%# #%%=-,,,,,
,,-;=%#@@# class i uses one hundred and twenty #@@#%=;-,,
,,-;=%#@@@ micro-something while the others all @@@#%=;-,,
,,-;=%#@@# use seventy of the same unit. #@@#%=;-,,
,,-;=%#@## ##@#%=;-,,
,,-;=%%%@@ @@%%%=;-,,
,,,,,-;;=# ========= aha and ========= #=;;-,,,,,
,,-;=%#@@@ @@@#%=;-,,
,,,,,--=#@ class iv is apparently too strong to @#=--,,,,,
,,-;=%#@@# be used on class i players. it will #@@#%=;-,,
,,,,,-==#@ sound too lound and it cannot be @#==-,,,,,
,,,,;===## completely erased. this is very well. ##===;,,,,
,,;=%#@@## maybe some wonderful blending effects ##@@#%=;,,
,,-;=%#@@# could be achieved? #@@#%=;-,,
,,;=%#@@## ##@@#%=;,,
,,,,,,,;%# they also gnaw at the tape heads a bit #%;,,,,,,,
,,-;=%%%@@ better than earlier tape types. @@%%%=;-,,
,,,,,,;=#@ @#=;,,,,,,
,,-;=%#@@# #@@#%=;-,,
,,,,,-;=%@ ;;;;;;;; artifacts ;;;;;;;; @%=;-,,,,,
,,,,,-;;%# #%;;-,,,,,
,,-;;;==%# good tapes are decent and have a good #%==;;;-,,
,,-;=%#@@# high frequency presence, bad tapes are #@@#%=;-,,
,,,,,-=%#@ lofi if not outright bad. idk, i kinda @#%=-,,,,,
,,-;=%#@@# like it. #@@#%=;-,,
,,-;=%@@## ##@@%=;-,,
,,-;=%#@## bias loss: if you forget the bias who ##@#%=;-,,
,,-;=%#@## knows whats even on there anymore ##@#%=;-,,
,,-;=%#@@# #@@#%=;-,,
,,-;=%#@@# flutter: kinda quick pitch variations. #@@#%=;-,,
,,--;;==%# beautiful, wonderful, extraordinary. #%==;;--,,
,,-;=%#@@@ @@@#%=;-,,
,,-;=%#@## wow: a slower flutter, usually several ##@#%=;-,,
,,-;=%#@@# seconds long. what up. both of these #@@#%=;-,,
,,,,,-=%## increase when tape speed decreases. ##%=-,,,,,
,,,,,;%%%@ @%%%;,,,,,
,,-;=%#@@# print through: tapes rub sound on each #@@#%=;-,,
,,-;=%#@@@ other if theyre alone for too long @@@#%=;-,,
,,-;==%#@@ @@#%==;-,,
,,-;=%#@@@ @@@#%=;-,,
,,-;%#@@## ##@@#%;-,,
,,-;=%%%## ##%%%=;-,,
,,-;=%#@## ##@#%=;-,,
,,,,,,;=#@ @#=;,,,,,,