...^^=**§@ @§**=^^...
..^===*§@@ @@§*===^..
.^=/*§§### ###§§*/=^.
.^=/*§#@## ##@#§*/=^.
.^=/*§#@## ##@#§*/=^.
....=**#@@ the phosphor .///// a dark, wet, @@#**=....
......^=*# reality check .****/ concrete #*=^......
.^=/§#@### system: .§§§§/ building, a damp ###@#§/=^.
.^=/*§#@## improving .##### smell - ##@#§*/=^.
.^=/*§#@## accuracy and .@@@@# something is ##@#§*/=^.
.^=/*§#### efficiency in .##### growing here. ####§*/=^.
.^=/*§#@## law enforcement .##### algae? those ##@#§*/=^.
..^^///§## .##### inhabiting the ##§///^^..
.^=*§#@### ./#### labyrinth care ###@#§*=^.
..^=/*§§@# ..#### not so much #@§§*/=^..
.....^/§## ../### about the ##§/^.....
.....=/*§@ ...### janitorial @§*/=.....
...^=**§§@ .../## side of things. @§§**=^...
.^=/*§#@## so, a green tint then, on the walls and ##@#§*/=^.
.^=/*§#@## floors. that's fine, there's a much ##@#§*/=^.
.^=/*§#@@# more important color - the crimson #@@#§*/=^.
......^/*# fire. hidden away, deep in bureaucratic #*/^......
.^=/*§#### and architectural mazes both, the only ####§*/=^.
.^=/*§#@## place where they dare set it ablaze, ##@#§*/=^.
.^=/*§#@@@ and thus where they need to go to @@@#§*/=^.
.^=/*§#@## utilize the flame. ##@#§*/=^.
.^=/*§###@ @###§*/=^.
.^=//*§§## a thought, a face, a flicker in the red ##§§*//=^.
.^=///*#@# fire. another thought, the presumed #@#*///=^.
...^^/§#@@ contact, another shiver in the light. @@#§/^^...
.^=/*§#@@# then, the interrogator imagining their #@@#§*/=^.
.^=/*§#@## meeting, talking perhaps, exchanging ##@#§*/=^.
.^=/*§#### notes. the fire is still. no resonance. ####§*/=^.
.^=/*§#@## ##@#§*/=^.
.^=/*§#@## ##@#§*/=^.
..^^===*#@ @#*===^^..
...^///**# #**///^...
^=/*§#@### ###@#§*/=^