,.~=%$@¶##                                          ##¶@$%=~.,
,,.~=%$@¶#                                          #¶@$%=~.,,
,,,.~=%$@¶                                          ¶@$%=~.,,,
,,,,.~=%$@                                          @$%=~.,,,,
,,,.~=%$@¶                                          ¶@$%=~.,,,
,,.~=%$@¶#                                          #¶@$%=~.,,
,.~=%$@¶##                ,,$###$,,                 ##¶@$%=~.,
,,.~=%$@¶#       .. Pittsburgh Electronics ..       #¶@$%=~.,,
,,,.~=%$@¶             ~~ Lifeforms ~~              ¶@$%=~.,,,
,,,,.~=%$@               == Sv One ==               @$%=~.,,,,
,,,.~=%$@¶                                          ¶@$%=~.,,,
,,.~=%$@¶# This Is A Eurorack  Module But  I Bought #¶@$%=~.,,
,.~=%$@¶## The  Blackbox  One  So  It'S  Also  Not. ##¶@$%=~.,
,,.~=%$@¶#                                          #¶@$%=~.,,
,,,.~=%$@¶ It  Ships  With Too  Few  Patch  Cables. ¶@$%=~.,,,
,,,,.~=%$@                                          @$%=~.,,,,
,,,.~=%$@¶             ,%¶ Contains ¶%,             ¶@$%=~.,,,
,,.~=%$@¶#           Midi To Cv Converter           #¶@$%=~.,,
,.~=%$@¶##                Two Vco'S                 ##¶@$%=~.,
,,.~=%$@¶# Four Channel Or Two X Two Channel  Mixer #¶@$%=~.,,
,,,.~=%$@¶        Two Sub Oscillators I Think       ¶@$%=~.,,,
,,,,.~=%$@         Two One To Two Splitters         @$%=~.,,,,
,,,.~=%$@¶           White Noise Generator          ¶@$%=~.,,,
,,.~=%$@¶#              Sample And Hold             #¶@$%=~.,,
,.~=%$@¶##          Lfo Plus A Digital Lfo          ##¶@$%=~.,
,,.~=%$@¶#   Filter (Lowpass, Bandpass, Highpass)   #¶@$%=~.,,
,,,.~=%$@¶              Adsr Envelope               ¶@$%=~.,,,
,,,,.~=%$@                  One Vca                 @$%=~.,,,,
,,,.~=%$@¶              Headphone Amp               ¶@$%=~.,,,
,,.~=%$@¶#         Fourty Nine Patchpoints!         #¶@$%=~.,,
,.~=%$@¶##                                          ##¶@$%=~.,
,,.~=%$@¶#                 ,.###.,                  #¶@$%=~.,,
,,,.~=%$@¶           ~%% So What Now %%~            ¶@$%=~.,,,
,,,,.~=%$@                  ,.###.,                 @$%=~.,,,,
,,,.~=%$@¶                                          ¶@$%=~.,,,
,,.~=%$@¶# Clock Io  Goes  To  Asdr In  I Think And #¶@$%=~.,,
,.~=%$@¶## Maybe Also To The Sample  And Hold.  Put ##¶@$%=~.,
,,.~=%$@¶# Subbase And  Noise In Channel  Three And #¶@$%=~.,,
,,,.~=%$@¶ Four.  Oscillator  One  Saw  To  Channel ¶@$%=~.,,,
,,,,.~=%$@ Two,  And  Oscillator Two Saw To Channel @$%=~.,,,,
,,,.~=%$@¶ One.  Sample  And  Hold   Out   To   The ¶@$%=~.,,,
,,.~=%$@¶#   Filter... Maybe... Resonance At Half.  #¶@$%=~.,,
,.~=%$@¶## Some  Frequency In  The First Oscillator ##¶@$%=~.,
,,.~=%$@¶# And Then The  Second Osc Four  Semitones #¶@$%=~.,,
,,,.~=%$@¶                 Higher.                  ¶@$%=~.,,,
,,,,.~=%$@                                          @$%=~.,,,,
,,,.~=%$@¶                  .~@¶@~.                 ¶@$%=~.,,,
,,.~=%$@¶#          =$$ Desktop Synth $$=           #¶@$%=~.,,
,.~=%$@¶##                 .~@¶@~.                  ##¶@$%=~.,
,,.~=%$@¶#                                          #¶@$%=~.,,
,,,.~=%$@¶                                          ¶@$%=~.,,,
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,,,.~=%$@¶                                          ¶@$%=~.,,,
,,.~=%$@¶#                                          #¶@$%=~.,,
,.~=%$@¶##                                          ##¶@$%=~.,