@##&*†«,..                                          ..,«†*&##@
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&*†«,.....                                          .....,«†*&
*†«,......                 ..&@#@&..                ......,«†*
†«,.......       ,, PITTSBURGH ELECTRONICS ,,       .......,«†
«,........              «« LIFEFORMS ««             ........,«
†«,.......               †† SV ONE ††               .......,«†
*†«,......                                          ......,«†*
&*†«,..... THIS IS  A EURORACK  MODULE BUT I BOUGHT .....,«†*&
#&*†«,.... THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. ....,«†*&#
##&*†«,...                                          ...,«†*&##
@##&*†«,.. IT SHIPS  WITH  TOO  FEW  PATCH  CABLES. ..,«†*&##@
#@##&*†«,.                                          .,«†*&##@#
@##&*†«,..             .*# CONTAINS #*.             ..,«†*&##@
##&*†«,...           MIDI TO CV CONVERTER           ...,«†*&##
#&*†«,....                TWO VCO'S                 ....,«†*&#
&*†«,..... FOUR CHANNEL  OR TWO X TWO CHANNEL MIXER .....,«†*&
*†«,......       TWO SUB OSCILLATORS I THINK        ......,«†*
†«,.......         TWO ONE TO TWO SPLITTERS         .......,«†
«,........          WHITE NOISE GENERATOR           ........,«
†«,.......             SAMPLE AND HOLD              .......,«†
*†«,......          LFO PLUS A DIGITAL LFO          ......,«†*
&*†«,.....   FILTER (LOWPASS, BANDPASS, HIGHPASS)   .....,«†*&
#&*†«,....              ADSR ENVELOPE               ....,«†*&#
##&*†«,...                  ONE VCA                 ...,«†*&##
@##&*†«,..               HEADPHONE AMP              ..,«†*&##@
#@##&*†«,.         FOURTY NINE PATCHPOINTS!         .,«†*&##@#
@##&*†«,..                                          ..,«†*&##@
##&*†«,...                 .,@#@,.                  ...,«†*&##
#&*†«,....           «** SO WHAT NOW **«            ....,«†*&#
&*†«,.....                 .,@#@,.                  .....,«†*&
*†«,......                                          ......,«†*
†«,....... CLOCK  IO  GOES  TO ASDR IN I  THINK AND .......,«†
«,........ MAYBE ALSO TO  THE SAMPLE  AND HOLD. PUT ........,«
†«,....... SUBBASE AND NOISE  IN CHANNEL  THREE AND .......,«†
*†«,...... FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL ......,«†*
&*†«,..... TWO,  AND  OSCILLATOR TWO SAW TO CHANNEL .....,«†*&
#&*†«,.... ONE.  SAMPLE   AND  HOLD  OUT   TO   THE ....,«†*&#
##&*†«,...  FILTER... MAYBE... RESONANCE AT HALF.   ...,«†*&##
@##&*†«,.. SOME  FREQUENCY  IN THE FIRST OSCILLATOR ..,«†*&##@
#@##&*†«,. AND  THEN  THE SECOND OSC FOUR SEMITONES .,«†*&##@#
@##&*†«,..                  HIGHER.                 ..,«†*&##@
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#&*†«,....                  ,«###«,                 ....,«†*&#
&*†«,.....           †&& DESKTOP SYNTH &&†          .....,«†*&
*†«,......                 ,«###«,                  ......,«†*
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