,,»:*%§@##                                          ##@§%*:»,,
,,»:*%§@##                                          ##@§%*:»,,
,,,,»»:%%@                                          @%%:»»,,,,
,,,,»:%§§§                                          §§§%:»,,,,
,,»::*%%@#                                          #@%%*::»,,
,,»:*%§§§§                                          §§§§%*:»,,
,,,,,»:*%§                 ,,%###%,,                §%*:»,,,,,
,,»:*%§@##       ,, PITTSBURGH ELECTRONICS ,,       ##@§%*:»,,
,,»:*%§@##              »» LIFEFORMS »»             ##@§%*:»,,
,,,,::%%@@               :: SV ONE ::               @@%%::,,,,
,,»:*%§@##                                          ##@§%*:»,,
,,»:*%§@## THIS IS  A EURORACK MODULE  BUT I BOUGHT ##@§%*:»,,
,,,,,,:*%§ THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. §%*:,,,,,,
,,»:*%§@##                                          ##@§%*:»,,
,,,,,,:*§# IT SHIPS  WITH  TOO  FEW  PATCH  CABLES. #§*:,,,,,,
,,»:*%§###                                          ###§%*:»,,
,,,,,:**%§             ,*@ CONTAINS @*,             §%**:,,,,,
,,»:*%§@##           MIDI TO CV CONVERTER           ##@§%*:»,,
,,»:::%§@#                TWO VCO'S                 #@§%:::»,,
,,»:*%%§@@ FOUR CHANNEL OR TWO X TWO CHANNEL  MIXER @@§%%*:»,,
,,»:*%§§@#       TWO SUB OSCILLATORS I THINK        #@§§%*:»,,
,,»:*%§@##         TWO ONE TO TWO SPLITTERS         ##@§%*:»,,
,,»:*%§@##          WHITE NOISE GENERATOR           ##@§%*:»,,
,,»:*§@###              SAMPLE AND HOLD             ###@§*:»,,
,,,,::***§          LFO PLUS A DIGITAL LFO          §***::,,,,
,,,,»::%%§   FILTER (LOWPASS, BANDPASS, HIGHPASS)   §%%::»,,,,
,,»»::*%@#               ADSR ENVELOPE              #@%*::»»,,
,,,,,,:*§@                 ONE VCA                  @§*:,,,,,,
,»:*%§@###              HEADPHONE AMP               ###@§%*:»,
,,»:*%§@##         FOURTY NINE PATCHPOINTS!         ##@§%*:»,,
,,,,»*%§§§                                          §§§%*»,,,,
,,»:*%§@##                  ,,###,,                 ##@§%*:»,,
,,»»»*%§§@            »** SO WHAT NOW **»           @§§%*»»»,,
,,»:*%§@##                  ,,###,,                 ##@§%*:»,,
,,,,,,:*%@                                          @%*:,,,,,,
,,»:*%§@## CLOCK  IO  GOES  TO ASDR  IN I THINK AND ##@§%*:»,,
,,»:*%%%§# MAYBE ALSO TO THE SAMPLE  AND HOLD.  PUT #§%%%*:»,,
,,»:*%§@## SUBBASE AND  NOISE  IN CHANNEL THREE AND ##@§%*:»,,
,,»:*%§@@# FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL #@@§%*:»,,
,,»:*%§@## TWO, AND OSCILLATOR TWO SAW  TO  CHANNEL ##@§%*:»,,
,,,,»**§§§ ONE.  SAMPLE  AND   HOLD   OUT   TO  THE §§§**»,,,,
,,»:*%§@##   FILTER... MAYBE... RESONANCE AT HALF.  ##@§%*:»,,
,,,,,»*%%§ SOME  FREQUENCY IN  THE FIRST OSCILLATOR §%%*»,,,,,
,,,,:****§ AND THEN THE SECOND OSC  FOUR  SEMITONES §****:,,,,
,,»:*%§###                  HIGHER.                 ###§%*:»,,
,,»:*%§@##                                          ##@§%*:»,,
,,»:*%§@##                  ,»§@§»,                 ##@§%*:»,,
,,»:*%§@##           :%% DESKTOP SYNTH %%:          ##@§%*:»,,
,,,,,:**§§                  ,»§@§»,                 §§**:,,,,,
,,,,»**%§#                                          #§%**»,,,,
,»:*%§@###                                          ###@§%*:»,
,,,,»*%§§@                                          @§§%*»,,,,
,,»:*%§@##                                          ##@§%*:»,,
,»:*%§@###                                          ###@§%*:»,
,,,,,»:*§@                                          @§*:»,,,,,