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##@&$†=,..                                          ..,=†$&@##
###@&$†=,.                 ..&###&..                .,=†$&@###
##@&$†=,..       ,, PITTSBURGH ELECTRONICS ,,       ..,=†$&@##
###@&$†=,.              == LIFEFORMS ==             .,=†$&@###
##@&$†=,..               †† SV ONE ††               ..,=†$&@##
###@&$†=,.                                          .,=†$&@###
##@&$†=,.. THIS  IS A EURORACK  MODULE BUT I BOUGHT ..,=†$&@##
###@&$†=,. THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. .,=†$&@###
##@&$†=,..                                          ..,=†$&@##
###@&$†=,. IT  SHIPS  WITH TOO  FEW  PATCH  CABLES. .,=†$&@###
##@&$†=,..                                          ..,=†$&@##
###@&$†=,.             .$# CONTAINS #$.             .,=†$&@###
##@&$†=,..           MIDI TO CV CONVERTER           ..,=†$&@##
###@&$†=,.                TWO VCO'S                 .,=†$&@###
##@&$†=,.. FOUR  CHANNEL OR TWO X TWO CHANNEL MIXER ..,=†$&@##
###@&$†=,.        TWO SUB OSCILLATORS I THINK       .,=†$&@###
##@&$†=,..         TWO ONE TO TWO SPLITTERS         ..,=†$&@##
###@&$†=,.           WHITE NOISE GENERATOR          .,=†$&@###
##@&$†=,..              SAMPLE AND HOLD             ..,=†$&@##
###@&$†=,.          LFO PLUS A DIGITAL LFO          .,=†$&@###
##@&$†=,..   FILTER (LOWPASS, BANDPASS, HIGHPASS)   ..,=†$&@##
###@&$†=,.              ADSR ENVELOPE               .,=†$&@###
##@&$†=,..                  ONE VCA                 ..,=†$&@##
###@&$†=,.               HEADPHONE AMP              .,=†$&@###
##@&$†=,..         FOURTY NINE PATCHPOINTS!         ..,=†$&@##
###@&$†=,.                                          .,=†$&@###
##@&$†=,..                 .,###,.                  ..,=†$&@##
###@&$†=,.            =$$ SO WHAT NOW $$=           .,=†$&@###
##@&$†=,..                 .,###,.                  ..,=†$&@##
###@&$†=,.                                          .,=†$&@###
##@&$†=,.. CLOCK IO GOES TO ASDR  IN  I  THINK  AND ..,=†$&@##
###@&$†=,. MAYBE  ALSO TO THE SAMPLE  AND HOLD. PUT .,=†$&@###
##@&$†=,.. SUBBASE  AND NOISE IN CHANNEL  THREE AND ..,=†$&@##
###@&$†=,. FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL .,=†$&@###
##@&$†=,.. TWO, AND OSCILLATOR  TWO  SAW TO CHANNEL ..,=†$&@##
###@&$†=,. ONE.  SAMPLE   AND  HOLD   OUT  TO   THE .,=†$&@###
##@&$†=,..   FILTER... MAYBE... RESONANCE AT HALF.  ..,=†$&@##
###@&$†=,. SOME  FREQUENCY IN THE FIRST  OSCILLATOR .,=†$&@###
##@&$†=,.. AND THEN  THE SECOND OSC FOUR  SEMITONES ..,=†$&@##
###@&$†=,.                 HIGHER.                  .,=†$&@###
##@&$†=,..                                          ..,=†$&@##
###@&$†=,.                 ,=@#@=,                  .,=†$&@###
##@&$†=,..          †&& DESKTOP SYNTH &&†           ..,=†$&@##
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