#@#§$§*-~,                                          ,~-*§$§#@#
@#§$§*-~,,                                          ,,~-*§$§#@
#@#§$§*-~,                                          ,~-*§$§#@#
@#§$§*-~,,                                          ,,~-*§$§#@
#@#§$§*-~,                                          ,~-*§$§#@#
@#§$§*-~,,                                          ,,~-*§$§#@
#@#§$§*-~,                 ,,$@#@$,,                ,~-*§$§#@#
@#§$§*-~,,       ~~ PITTSBURGH ELECTRONICS ~~       ,,~-*§$§#@
#@#§$§*-~,              -- LIFEFORMS --             ,~-*§$§#@#
@#§$§*-~,,               ** SV ONE **               ,,~-*§$§#@
#@#§$§*-~,                                          ,~-*§$§#@#
@#§$§*-~,, THIS IS A  EURORACK  MODULE BUT I BOUGHT ,,~-*§$§#@
#@#§$§*-~, THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. ,~-*§$§#@#
@#§$§*-~,,                                          ,,~-*§$§#@
#@#§$§*-~, IT  SHIPS WITH  TOO  FEW  PATCH  CABLES. ,~-*§$§#@#
@#§$§*-~,,                                          ,,~-*§$§#@
#@#§$§*-~,             ,§# CONTAINS #§,             ,~-*§$§#@#
@#§$§*-~,,           MIDI TO CV CONVERTER           ,,~-*§$§#@
#@#§$§*-~,                 TWO VCO'S                ,~-*§$§#@#
@#§$§*-~,, FOUR  CHANNEL OR TWO X TWO CHANNEL MIXER ,,~-*§$§#@
#@#§$§*-~,        TWO SUB OSCILLATORS I THINK       ,~-*§$§#@#
@#§$§*-~,,         TWO ONE TO TWO SPLITTERS         ,,~-*§$§#@
#@#§$§*-~,          WHITE NOISE GENERATOR           ,~-*§$§#@#
@#§$§*-~,,              SAMPLE AND HOLD             ,,~-*§$§#@
#@#§$§*-~,          LFO PLUS A DIGITAL LFO          ,~-*§$§#@#
@#§$§*-~,,   FILTER (LOWPASS, BANDPASS, HIGHPASS)   ,,~-*§$§#@
#@#§$§*-~,              ADSR ENVELOPE               ,~-*§$§#@#
@#§$§*-~,,                  ONE VCA                 ,,~-*§$§#@
#@#§$§*-~,               HEADPHONE AMP              ,~-*§$§#@#
@#§$§*-~,,         FOURTY NINE PATCHPOINTS!         ,,~-*§$§#@
#@#§$§*-~,                                          ,~-*§$§#@#
@#§$§*-~,,                 ,~@#@~,                  ,,~-*§$§#@
#@#§$§*-~,            -§§ SO WHAT NOW §§-           ,~-*§$§#@#
@#§$§*-~,,                  ,~@#@~,                 ,,~-*§$§#@
#@#§$§*-~,                                          ,~-*§$§#@#
@#§$§*-~,, CLOCK  IO  GOES TO ASDR IN I  THINK  AND ,,~-*§$§#@
#@#§$§*-~, MAYBE  ALSO  TO THE SAMPLE AND HOLD. PUT ,~-*§$§#@#
@#§$§*-~,, SUBBASE AND  NOISE IN CHANNEL  THREE AND ,,~-*§$§#@
#@#§$§*-~, FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL ,~-*§$§#@#
@#§$§*-~,, TWO,  AND OSCILLATOR  TWO SAW TO CHANNEL ,,~-*§$§#@
#@#§$§*-~, ONE.  SAMPLE   AND  HOLD   OUT  TO   THE ,~-*§$§#@#
@#§$§*-~,,  FILTER... MAYBE... RESONANCE AT HALF.   ,,~-*§$§#@
#@#§$§*-~, SOME  FREQUENCY IN THE FIRST  OSCILLATOR ,~-*§$§#@#
@#§$§*-~,, AND THEN THE SECOND OSC  FOUR  SEMITONES ,,~-*§$§#@
#@#§$§*-~,                 HIGHER.                  ,~-*§$§#@#
@#§$§*-~,,                                          ,,~-*§$§#@
#@#§$§*-~,                  ~-§#§-~                 ,~-*§$§#@#
@#§$§*-~,,           *$$ DESKTOP SYNTH $$*          ,,~-*§$§#@
#@#§$§*-~,                  ~-§#§-~                 ,~-*§$§#@#
@#§$§*-~,,                                          ,,~-*§$§#@
#@#§$§*-~,                                          ,~-*§$§#@#
@#§$§*-~,,                                          ,,~-*§$§#@
#@#§$§*-~,                                          ,~-*§$§#@#
@#§$§*-~,,                                          ,,~-*§$§#@
#@#§$§*-~,                                          ,~-*§$§#@#