##@&§==«~.                                          .~«==§&@##
#@&§==«~..                                          ..~«==§&@#
@&§==«~...                                          ...~«==§&@
&§==«~....                                          ....~«==§&
@&§==«~...                                          ...~«==§&@
#@&§==«~..                                          ..~«==§&@#
##@&§==«~.                 ..§###§..                .~«==§&@##
#@&§==«~..       ~~ PITTSBURGH ELECTRONICS ~~       ..~«==§&@#
@&§==«~...              «« LIFEFORMS ««             ...~«==§&@
&§==«~....               == SV ONE ==               ....~«==§&
@&§==«~...                                          ...~«==§&@
#@&§==«~.. THIS IS A EURORACK MODULE BUT  I  BOUGHT ..~«==§&@#
##@&§==«~. THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. .~«==§&@##
#@&§==«~..                                          ..~«==§&@#
@&§==«~... IT  SHIPS  WITH  TOO FEW  PATCH  CABLES. ...~«==§&@
&§==«~....                                          ....~«==§&
@&§==«~...             .=@ CONTAINS @=.             ...~«==§&@
#@&§==«~..           MIDI TO CV CONVERTER           ..~«==§&@#
##@&§==«~.                TWO VCO'S                 .~«==§&@##
#@&§==«~.. FOUR CHANNEL OR TWO  X TWO CHANNEL MIXER ..~«==§&@#
@&§==«~...       TWO SUB OSCILLATORS I THINK        ...~«==§&@
&§==«~....         TWO ONE TO TWO SPLITTERS         ....~«==§&
@&§==«~...           WHITE NOISE GENERATOR          ...~«==§&@
#@&§==«~..              SAMPLE AND HOLD             ..~«==§&@#
##@&§==«~.          LFO PLUS A DIGITAL LFO          .~«==§&@##
#@&§==«~..   FILTER (LOWPASS, BANDPASS, HIGHPASS)   ..~«==§&@#
@&§==«~...               ADSR ENVELOPE              ...~«==§&@
&§==«~....                 ONE VCA                  ....~«==§&
@&§==«~...              HEADPHONE AMP               ...~«==§&@
#@&§==«~..         FOURTY NINE PATCHPOINTS!         ..~«==§&@#
##@&§==«~.                                          .~«==§&@##
#@&§==«~..                  .~###~.                 ..~«==§&@#
@&§==«~...            «== SO WHAT NOW ==«           ...~«==§&@
&§==«~....                  .~###~.                 ....~«==§&
@&§==«~...                                          ...~«==§&@
#@&§==«~.. CLOCK IO  GOES TO  ASDR IN  I  THINK AND ..~«==§&@#
##@&§==«~. MAYBE ALSO  TO THE SAMPLE  AND HOLD. PUT .~«==§&@##
#@&§==«~.. SUBBASE AND NOISE IN  CHANNEL  THREE AND ..~«==§&@#
@&§==«~... FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL ...~«==§&@
&§==«~.... TWO, AND OSCILLATOR  TWO SAW  TO CHANNEL ....~«==§&
@&§==«~... ONE.   SAMPLE  AND  HOLD   OUT  TO   THE ...~«==§&@
#@&§==«~..  FILTER... MAYBE... RESONANCE AT HALF.   ..~«==§&@#
##@&§==«~. SOME FREQUENCY  IN THE  FIRST OSCILLATOR .~«==§&@##
#@&§==«~.. AND THEN THE  SECOND  OSC FOUR SEMITONES ..~«==§&@#
@&§==«~...                 HIGHER.                  ...~«==§&@
&§==«~....                                          ....~«==§&
@&§==«~...                 ~«&@&«~                  ...~«==§&@
#@&§==«~..           =§§ DESKTOP SYNTH §§=          ..~«==§&@#
##@&§==«~.                 ~«&@&«~                  .~«==§&@##
#@&§==«~..                                          ..~«==§&@#
@&§==«~...                                          ...~«==§&@
&§==«~....                                          ....~«==§&
@&§==«~...                                          ...~«==§&@
#@&§==«~..                                          ..~«==§&@#
##@&§==«~.                                          .~«==§&@##