,,,,~^%%%#                                          #%%%^~,,,,
,.~^$%&#@#                                          #@#&%$^~.,
,.~^$%&#@#                                          #@#&%$^~.,
,,,,,,.^$&                                          &$^.,,,,,,
,.~^$&#@##                                          ##@#&$^~.,
,.~~^^$$$&                                          &$$$^^~~.,
,.~^$%&&#@                ,,%@#@%,,                 @#&&%$^~.,
,.~^$%&##@       .. PITTSBURGH ELECTRONICS ..       @##&%$^~.,
,.~^$%&#@#              ~~ LIFEFORMS ~~             #@#&%$^~.,
,.~^$%&#@#               ^^ SV ONE ^^               #@#&%$^~.,
,.~^$%&#@#                                          #@#&%$^~.,
,.~^$%&### THIS IS A EURORACK  MODULE BUT I  BOUGHT ###&%$^~.,
,,,,,..^%& THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. &%^..,,,,,
,,,,~^$&##                                          ##&$^~,,,,
,.~^$$$&&& IT  SHIPS  WITH  TOO  FEW PATCH  CABLES. &&&$$$^~.,
,.~^$%&###                                          ###&%$^~.,
,.~^$%&#@#             ,$# CONTAINS #$,             #@#&%$^~.,
,.~^$%&#@#           MIDI TO CV CONVERTER           #@#&%$^~.,
,.~^$%&#@#                 TWO VCO'S                #@#&%$^~.,
,.~^$%&#@@ FOUR CHANNEL OR TWO X  TWO CHANNEL MIXER @@#&%$^~.,
,,.~^^^$$&        TWO SUB OSCILLATORS I THINK       &$$^^^~.,,
,.~^$%&@##         TWO ONE TO TWO SPLITTERS         ##@&%$^~.,
,,,,~^$&##           WHITE NOISE GENERATOR          ##&$^~,,,,
,.~^$%%%&&              SAMPLE AND HOLD             &&%%%$^~.,
,.~^$%&#@#          LFO PLUS A DIGITAL LFO          #@#&%$^~.,
,.~^$%&#@@   FILTER (LOWPASS, BANDPASS, HIGHPASS)   @@#&%$^~.,
,.~^^$%%&@               ADSR ENVELOPE              @&%%$^^~.,
,.~^$%&#@#                  ONE VCA                 #@#&%$^~.,
,,,,.~$$&@               HEADPHONE AMP              @&$$~.,,,,
,.~^$%&#@#         FOURTY NINE PATCHPOINTS!         #@#&%$^~.,
,.~^$%&###                                          ###&%$^~.,
,.~^$%&#@#                  ,.@#@.,                 #@#&%$^~.,
,.~^$%&#@#            ~$$ SO WHAT NOW $$~           #@#&%$^~.,
,,,,,,.^$&                  ,.@#@.,                 &$^.,,,,,,
,,,,.~^$%#                                          #%$^~.,,,,
,.~^$%&#@# CLOCK  IO GOES  TO ASDR  IN I  THINK AND #@#&%$^~.,
,,,,.^^$&# MAYBE  ALSO TO THE  SAMPLE AND HOLD. PUT #&$^^.,,,,
,.~^$%&#@# SUBBASE  AND NOISE  IN CHANNEL THREE AND #@#&%$^~.,
,,,,~$%&#@ FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL @#&%$~,,,,
,,,,.^^%&# TWO,  AND  OSCILLATOR TWO SAW TO CHANNEL #&%^^.,,,,
,,,,,,~$%& ONE.   SAMPLE   AND   HOLD  OUT  TO  THE &%$~,,,,,,
,,,,,,~$&@  FILTER... MAYBE... RESONANCE AT HALF.   @&$~,,,,,,
,,,,~$$&&& SOME FREQUENCY IN THE  FIRST  OSCILLATOR &&&$$~,,,,
,.~~^$%&&& AND  THEN THE SECOND  OSC FOUR SEMITONES &&&%$^~~.,
,.~^$%&#@#                  HIGHER.                 #@#&%$^~.,
,.~^$%&#@#                                          #@#&%$^~.,
,,,~~$$$&&                 .~&#&~.                  &&$$$~~,,,
,.~^$%&@##          ^%% DESKTOP SYNTH %%^           ##@&%$^~.,
,,,.~^^%&&                  .~&#&~.                 &&%^^~.,,,
,.~^$%&&##                                          ##&&%$^~.,
,,,,,,.^%#                                          #%^.,,,,,,
,.~^$%&#@#                                          #@#&%$^~.,
,,...^^%%#                                          #%%^^...,,
,,,,,~~^%&                                          &%^~~,,,,,
,,,~^^^%##                                          ##%^^^~,,,