,,,,,,,,~=                                          =~,,,,,,,,
,,,,,,,~=/                                          /=~,,,,,,,
,,,,,,~=/$                                          $/=~,,,,,,
,,,,,~=/$*                                          *$/=~,,,,,
,,,,~=/$*&                                          &*$/=~,,,,
,,,~=/$*&#                                          #&*$/=~,,,
,,~=/$*&##                 ,,*###*,,                ##&*$/=~,,
,~=/$*&###       ~~ PITTSBURGH ELECTRONICS ~~       ###&*$/=~,
,,~=/$*&##              == LIFEFORMS ==             ##&*$/=~,,
,,,~=/$*&#               // SV ONE //               #&*$/=~,,,
,,,,~=/$*&                                          &*$/=~,,,,
,,,,,~=/$* THIS IS A  EURORACK  MODULE BUT I BOUGHT *$/=~,,,,,
,,,,,,~=/$ THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. $/=~,,,,,,
,,,,,,,~=/                                          /=~,,,,,,,
,,,,,,,,~= IT  SHIPS WITH  TOO  FEW  PATCH  CABLES. =~,,,,,,,,
,,,,,,,,,~                                          ~,,,,,,,,,
,,,,,,,,,,             ,$# CONTAINS #$,             ,,,,,,,,,,
,,,,,,,,,,           MIDI TO CV CONVERTER           ,,,,,,,,,,
,,,,,,,,,,                 TWO VCO'S                ,,,,,,,,,,
,,,,,,,,,, FOUR CHANNEL OR TWO X TWO  CHANNEL MIXER ,,,,,,,,,,
,,,,,,,,,,       TWO SUB OSCILLATORS I THINK        ,,,,,,,,,,
,,,,,,,,,,         TWO ONE TO TWO SPLITTERS         ,,,,,,,,,,
,,,,,,,,,,           WHITE NOISE GENERATOR          ,,,,,,,,,,
,,,,,,,,,,              SAMPLE AND HOLD             ,,,,,,,,,,
,,,,,,,,,,          LFO PLUS A DIGITAL LFO          ,,,,,,,,,,
,,,,,,,,,~   FILTER (LOWPASS, BANDPASS, HIGHPASS)   ~,,,,,,,,,
,,,,,,,,~=               ADSR ENVELOPE              =~,,,,,,,,
,,,,,,,~=/                  ONE VCA                 /=~,,,,,,,
,,,,,,~=/$              HEADPHONE AMP               $/=~,,,,,,
,,,,,~=/$*         FOURTY NINE PATCHPOINTS!         *$/=~,,,,,
,,,,~=/$*&                                          &*$/=~,,,,
,,,~=/$*&#                  ,~###~,                 #&*$/=~,,,
,,~=/$*&##            =$$ SO WHAT NOW $$=           ##&*$/=~,,
,~=/$*&###                 ,~###~,                  ###&*$/=~,
,,~=/$*&##                                          ##&*$/=~,,
,,,~=/$*&# CLOCK IO GOES  TO  ASDR IN I  THINK  AND #&*$/=~,,,
,,,,~=/$*& MAYBE ALSO  TO THE SAMPLE AND  HOLD. PUT &*$/=~,,,,
,,,,,~=/$* SUBBASE AND  NOISE IN CHANNEL THREE  AND *$/=~,,,,,
,,,,,,~=/$ FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL $/=~,,,,,,
,,,,,,,~=/ TWO,  AND OSCILLATOR TWO  SAW TO CHANNEL /=~,,,,,,,
,,,,,,,,~= ONE.   SAMPLE   AND  HOLD  OUT   TO  THE =~,,,,,,,,
,,,,,,,,,~  FILTER... MAYBE... RESONANCE AT HALF.   ~,,,,,,,,,
,,,,,,,,,, SOME  FREQUENCY  IN THE FIRST OSCILLATOR ,,,,,,,,,,
,,,,,,,,,, AND  THEN THE SECOND  OSC FOUR SEMITONES ,,,,,,,,,,
,,,,,,,,,,                  HIGHER.                 ,,,,,,,,,,
,,,,,,,,,,                                          ,,,,,,,,,,
,,,,,,,,,,                  ~=&#&=~                 ,,,,,,,,,,
,,,,,,,,,,          /** DESKTOP SYNTH **/           ,,,,,,,,,,
,,,,,,,,,,                 ~=&#&=~                  ,,,,,,,,,,
,,,,,,,,,,                                          ,,,,,,,,,,
,,,,,,,,,,                                          ,,,,,,,,,,
,,,,,,,,,~                                          ~,,,,,,,,,
,,,,,,,,~=                                          =~,,,,,,,,
,,,,,,,~=/                                          /=~,,,,,,,
,,,,,,~=/$                                          $/=~,,,,,,