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,^»;;;^§§¶                ,,*###*,,                 ¶§§^;;;»^,
,^»;^*§¶##       ^^ PITTSBURGH ELECTRONICS ^^       ##¶§*^;»^,
,,,,,,^;*§             »» LIFEFORMS »»              §*;^,,,,,,
,^»;^*§¶##               ;; SV ONE ;;               ##¶§*^;»^,
,^»;^*§¶##                                          ##¶§*^;»^,
,^;^*§¶### THIS IS  A EURORACK MODULE BUT  I BOUGHT ###¶§*^;^,
,^»;^*§¶## THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. ##¶§*^;»^,
,^»;^*§¶¶#                                          #¶¶§*^;»^,
,^»;^*§¶## IT  SHIPS WITH  TOO  FEW  PATCH  CABLES. ##¶§*^;»^,
,,,,^;;^*§                                          §*^;;^,,,,
,,,,»^^§§¶             ,^¶ CONTAINS ¶^,             ¶§§^^»,,,,
,^»;^*§¶##           MIDI TO CV CONVERTER           ##¶§*^;»^,
,^»;^*§¶##                 TWO VCO'S                ##¶§*^;»^,
,^»;^*§¶## FOUR  CHANNEL OR TWO X TWO CHANNEL MIXER ##¶§*^;»^,
,,^^^»;**§        TWO SUB OSCILLATORS I THINK       §**;»^^^,,
,^^^;;;*¶¶         TWO ONE TO TWO SPLITTERS         ¶¶*;;;^^^,
,»;^*§¶###           WHITE NOISE GENERATOR          ###¶§*^;»,
^»;^*§¶###              SAMPLE AND HOLD             ###¶§*^;»^
,^»;^**§¶#          LFO PLUS A DIGITAL LFO          #¶§**^;»^,
,^»;^*§¶##   FILTER (LOWPASS, BANDPASS, HIGHPASS)   ##¶§*^;»^,
,^»;^*§¶##              ADSR ENVELOPE               ##¶§*^;»^,
,^»;^*§¶##                 ONE VCA                  ##¶§*^;»^,
,^»;^*§¶##               HEADPHONE AMP              ##¶§*^;»^,
,^»;^*§¶##         FOURTY NINE PATCHPOINTS!         ##¶§*^;»^,
,^»;^*§¶##                                          ##¶§*^;»^,
,,,,,,^;*¶                 ,^###^,                  ¶*;^,,,,,,
,,,,,,»^^§            »^^ SO WHAT NOW ^^»           §^^»,,,,,,
,,,»»^*§§§                 ,^###^,                  §§§*^»»,,,
,^»;^*§¶##                                          ##¶§*^;»^,
,,,,,,^;*§ CLOCK  IO GOES  TO  ASDR IN  I THINK AND §*;^,,,,,,
,,,»»;***§ MAYBE  ALSO  TO THE SAMPLE AND HOLD. PUT §***;»»,,,
,,,,,^^»^§ SUBBASE AND NOISE  IN  CHANNEL THREE AND §^»^^,,,,,
,^»;^*§¶## FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL ##¶§*^;»^,
,,,,,»^*¶¶ TWO, AND OSCILLATOR TWO  SAW TO  CHANNEL ¶¶*^»,,,,,
,^»;^*§¶## ONE.  SAMPLE  AND   HOLD   OUT  TO   THE ##¶§*^;»^,
,^»;^*§¶##  FILTER... MAYBE... RESONANCE AT HALF.   ##¶§*^;»^,
,,,,,,,»^§ SOME FREQUENCY  IN  THE FIRST OSCILLATOR §^»,,,,,,,
,^»;^*§¶## AND THEN THE  SECOND  OSC FOUR SEMITONES ##¶§*^;»^,
,^»;^*§¶##                 HIGHER.                  ##¶§*^;»^,
,,,,»;;*§§                                          §§*;;»,,,,
,^»;^*§¶##                 ^»§¶§»^                  ##¶§*^;»^,
,^»;^*§§¶#          ;** DESKTOP SYNTH **;           #¶§§*^;»^,
,,,,^;*§§#                  ^»§¶§»^                 #§§*;^,,,,
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