,@,,,@,@,,                                          @@@@@,@,,@
,@,,@@,@,,                                          ,@@@@,@,@@
,@,@,@,@,@                                          ,,@@@,@,,@
,@,@,@,@,,                                          ,@,@@,@,@@
,@,@,@,@,@                                          ,@,,@,@,,@
,@,@,@,@,,                                          ,@,@@,@,@@
,@,@,@,@,@                 ,,&@#@&,,                ,@,,@,@,,@
,@,@,@,@,,       ~~ PITTSBURGH ELECTRONICS ~~       ,@,@@,@,@@
,@,@,@,@,@             ~~ LIFEFORMS ~~              ,@,,@,@,,@
,@,@,@,@,,               ^^ SV ONE ^^               ,@,@@,@,@@
,@,@,@,@,@                                          ,@,,@,@,,@
,@,@,@,@,, THIS IS  A EURORACK MODULE  BUT I BOUGHT ,@,@@,@,@@
,@,@,@,@,@ THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. ,@,,@,@,,@
,@,@,@,@,,                                          ,@,@@,@,@@
,@,@,@,@,@ IT SHIPS  WITH  TOO  FEW  PATCH  CABLES. ,@,,@,@,,@
,@,@,@,@,,                                          ,@,@@,@,@@
,@,@,@,@,@             ,^# CONTAINS #^,             ,@,,@,@,,@
,@,@,@,@,,           MIDI TO CV CONVERTER           ,@,@@,@,@@
,@,@,@,@,@                 TWO VCO'S                ,@,,@,@,,@
,@,@,@,@,, FOUR CHANNEL  OR TWO X TWO CHANNEL MIXER ,@,@@,@,@@
,@,@,@,@,@        TWO SUB OSCILLATORS I THINK       ,@,,@,@,,@
,@,@,@,@,,         TWO ONE TO TWO SPLITTERS         ,@,@@,@,@@
,@,@,@,@,@          WHITE NOISE GENERATOR           ,@,,@,@,,@
,@,@,@,@,,             SAMPLE AND HOLD              ,@,@@,@,@@
,@,@,@,@,@          LFO PLUS A DIGITAL LFO          ,@,,@,@,,@
,@,@,@,@,,   FILTER (LOWPASS, BANDPASS, HIGHPASS)   ,@,@@,@,@@
,@,@,@,@,@               ADSR ENVELOPE              ,@,,@,@,,@
,@,@,@,@,,                  ONE VCA                 ,@,@@,@,@@
,@,@,@,@,@              HEADPHONE AMP               ,@,,@,@,,@
,@,@,@,@,,         FOURTY NINE PATCHPOINTS!         ,@,@@,@,@@
,@,@,@,@,@                                          ,@,,@,@,,@
,@,@,@,@,,                 ,~@#@~,                  ,@,@@,@,@@
,@,@,@,@,@            ~^^ SO WHAT NOW ^^~           ,@,,@,@,,@
,@,@,@,@,,                  ,~@#@~,                 ,@,@@,@,@@
,@,@,@,@,@                                          ,@,,@,@,,@
,@,@,@,@,, CLOCK  IO GOES  TO  ASDR IN  I THINK AND ,@,@@,@,@@
,@,@,@,@,@ MAYBE ALSO  TO  THE SAMPLE AND HOLD. PUT ,@,,@,@,,@
,@,@,@,@,, SUBBASE AND  NOISE IN  CHANNEL THREE AND ,@,@@,@,@@
,@,@,@,@,@ FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL ,@,,@,@,,@
,@,@,@,@,, TWO, AND  OSCILLATOR TWO  SAW TO CHANNEL ,@,@@,@,@@
,@,@,@,@,@ ONE.   SAMPLE  AND   HOLD  OUT  TO   THE ,@,,@,@,,@
,@,@,@,@,,  FILTER... MAYBE... RESONANCE AT HALF.   ,@,@@,@,@@
,@,@,@,@,@ SOME FREQUENCY IN THE  FIRST  OSCILLATOR ,@,,@,@,,@
,@,@,@,@,, AND THEN  THE SECOND  OSC FOUR SEMITONES ,@,@@,@,@@
,@,@,@,@,@                  HIGHER.                 ,@,,@,@,,@
,@,@,@,@,,                                          ,@,@@,@,@@
,@,@,@,@,@                 ~~@#@~~                  ,@,,@,@,,@
,@,@,@,@,,           ^&& DESKTOP SYNTH &&^          ,@,@@,@,@@
,@,@,@,@,@                  ~~@#@~~                 ,@,,@,@,,@
,@,@,@,@,,                                          ,@,@@,@,@@
,@,@,@,@,@                                          ,@,,@,@,,@
,@,@,@,@,,                                          ,@,@@,@,@@
,@,@,@,@,@                                          ,@,,@,@,,@
,@,@,@,@,,                                          ,@,@@,@,@@
,@,@,@,@,@                                          ,@,,@,@,,@