,.~/%%&@##                                          ##@&%%/~.,
,.~/%%&@@#                                          #@@&%%/~.,
,.~/%%&@##                                          ##@&%%/~.,
,,,,,.~/%&                                          &%/~.,,,,,
,.~///%%&#                                          #&%%///~.,
,,,,~%%%%@                                          @%%%%~,,,,
,.~///%&@#                 ,,%###%,,                #@&%///~.,
,,,,,,~~%&       .. Pittsburgh Electronics ..       &%~~,,,,,,
,.~/%%&@##              ~~ Lifeforms ~~             ##@&%%/~.,
,.~/%%&@##               // Sv One //               ##@&%%/~.,
,,,,,.//%&                                          &%//.,,,,,
,.~/%%&@## This Is A Eurorack  Module But I  Bought ##@&%%/~.,
,,,.~/%%%& The  Blackbox  One  So  It'S  Also  Not. &%%%/~.,,,
,,,../%&&@                                          @&&%/..,,,
,.~/%%&@## It  Ships  With Too  Few  Patch  Cables. ##@&%%/~.,
,.~/%%&&@#                                          #@&&%%/~.,
,,,,.///%@             ,%@ Contains @%,             @%///.,,,,
,,,../%%&&           Midi To Cv Converter           &&%%/..,,,
,,,,.~%&@@                 Two Vco'S                @@&%~.,,,,
,.~/%%&@@@ Four  Channel Or Two X Two Channel Mixer @@@&%%/~.,
,,,,~//%&&       Two Sub Oscillators I Think        &&%//~,,,,
,.~/%%&###         Two One To Two Splitters         ###&%%/~.,
,.~~~~%%@@          White Noise Generator           @@%%~~~~.,
,.~/%%&&&@              Sample And Hold             @&&&%%/~.,
,.~/%%&@##          Lfo Plus A Digital Lfo          ##@&%%/~.,
,,,,,,.~%&   Filter (Lowpass, Bandpass, Highpass)   &%~.,,,,,,
,,,,,.~%&&              Adsr Envelope               &&%~.,,,,,
,.~/%%&@##                  One Vca                 ##@&%%/~.,
,.~/%%&@##               Headphone Amp              ##@&%%/~.,
,,,,,..~%&         Fourty Nine Patchpoints!         &%~..,,,,,
,.~/%%&@@#                                          #@@&%%/~.,
,.~/%%%%&#                  ,.###.,                 #&%%%%/~.,
,.~/%%%%&#            ~%% So What Now %%~           #&%%%%/~.,
,,,,.//%&&                  ,.###.,                 &&%//.,,,,
,,,.~%%&&@                                          @&&%%~.,,,
,,,,.~%&@@ Clock  Io Goes  To Asdr In  I Think  And @@&%~.,,,,
,.~/%%&@## Maybe Also To The  Sample  And Hold. Put ##@&%%/~.,
,.~/%%&@## Subbase  And  Noise In Channel Three And ##@&%%/~.,
,,,.~%%&@# Four.  Oscillator  One  Saw  To  Channel #@&%%~.,,,
,.~/%%&### Two, And Oscillator Two  Saw To  Channel ###&%%/~.,
,.~/%%&@## One.   Sample   And  Hold  Out   To  The ##@&%%/~.,
,.~/%%&@##  Filter... Maybe... Resonance At Half.   ##@&%%/~.,
.~/%%&@### Some Frequency  In The First  Oscillator ###@&%%/~.
,.~/%&@### And  Then The Second Osc Four  Semitones ###@&%/~.,
,,,~~~/%%&                  Higher.                 &%%/~~~,,,
,.~/%%&@##                                          ##@&%%/~.,
,,,,./%&@@                 .~&@&~.                  @@&%/.,,,,
,.~/%%&@##          /%% Desktop Synth %%/           ##@&%%/~.,
,,,..~~%&@                  .~&@&~.                 @&%~~..,,,
,.~/%%&@##                                          ##@&%%/~.,
,,,..~%&&&                                          &&&%~..,,,
,.~/%%&@##                                          ##@&%%/~.,
,.~/%%&@##                                          ##@&%%/~.,
,.~/%%&@@#                                          #@@&%%/~.,
,.~/%%&@##                                          ##@&%%/~.,