,,,~/*@@##                                          ##@@*/~,,,
,,~/*@@###                                          ###@@*/~,,
,,,~/*@@##                                          ##@@*/~,,,
,,,,~/*@@#                                          #@@*/~,,,,
,,,~/*@@##                                          ##@@*/~,,,
,,~/*@@###                                          ###@@*/~,,
,,,~/*@@##                 ,,@###@,,                ##@@*/~,,,
,,,,~/*@@#       ,, PITTSBURGH ELECTRONICS ,,       #@@*/~,,,,
,,,~/*@@##             ~~ LIFEFORMS ~~              ##@@*/~,,,
,,~/*@@###               // SV ONE //               ###@@*/~,,
,,,~/*@@##                                          ##@@*/~,,,
,,,,~/*@@# THIS IS A  EURORACK MODULE  BUT I BOUGHT #@@*/~,,,,
,,,~/*@@## THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. ##@@*/~,,,
,,~/*@@###                                          ###@@*/~,,
,,,~/*@@## IT SHIPS  WITH  TOO  FEW  PATCH  CABLES. ##@@*/~,,,
,,,,~/*@@#                                          #@@*/~,,,,
,,,~/*@@##             ,*@ CONTAINS @*,             ##@@*/~,,,
,,~/*@@###           MIDI TO CV CONVERTER           ###@@*/~,,
,,,~/*@@##                TWO VCO'S                 ##@@*/~,,,
,,,,~/*@@# FOUR CHANNEL OR TWO X TWO CHANNEL  MIXER #@@*/~,,,,
,,,~/*@@##        TWO SUB OSCILLATORS I THINK       ##@@*/~,,,
,,~/*@@###         TWO ONE TO TWO SPLITTERS         ###@@*/~,,
,,,~/*@@##          WHITE NOISE GENERATOR           ##@@*/~,,,
,,,,~/*@@#              SAMPLE AND HOLD             #@@*/~,,,,
,,,~/*@@##          LFO PLUS A DIGITAL LFO          ##@@*/~,,,
,,~/*@@###   FILTER (LOWPASS, BANDPASS, HIGHPASS)   ###@@*/~,,
,,,~/*@@##              ADSR ENVELOPE               ##@@*/~,,,
,,,,~/*@@#                 ONE VCA                  #@@*/~,,,,
,,,~/*@@##              HEADPHONE AMP               ##@@*/~,,,
,,~/*@@###         FOURTY NINE PATCHPOINTS!         ###@@*/~,,
,,,~/*@@##                                          ##@@*/~,,,
,,,,~/*@@#                  ,,###,,                 #@@*/~,,,,
,,,~/*@@##            ~** SO WHAT NOW **~           ##@@*/~,,,
,,~/*@@###                  ,,###,,                 ###@@*/~,,
,,,~/*@@##                                          ##@@*/~,,,
,,,,~/*@@# CLOCK  IO  GOES  TO ASDR IN  I THINK AND #@@*/~,,,,
,,,~/*@@## MAYBE ALSO TO THE  SAMPLE  AND HOLD. PUT ##@@*/~,,,
,,~/*@@### SUBBASE  AND NOISE IN CHANNEL  THREE AND ###@@*/~,,
,,,~/*@@## FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL ##@@*/~,,,
,,,,~/*@@# TWO,  AND OSCILLATOR  TWO SAW TO CHANNEL #@@*/~,,,,
,,,~/*@@## ONE.   SAMPLE   AND  HOLD  OUT  TO   THE ##@@*/~,,,
,,~/*@@###   FILTER... MAYBE... RESONANCE AT HALF.  ###@@*/~,,
,,,~/*@@## SOME FREQUENCY  IN THE FIRST  OSCILLATOR ##@@*/~,,,
,,,,~/*@@# AND THEN THE SECOND  OSC  FOUR SEMITONES #@@*/~,,,,
,,,~/*@@##                 HIGHER.                  ##@@*/~,,,
,,~/*@@###                                          ###@@*/~,,
,,,~/*@@##                  ,~@@@~,                 ##@@*/~,,,
,,,,~/*@@#          /@@ DESKTOP SYNTH @@/           #@@*/~,,,,
,,,~/*@@##                  ,~@@@~,                 ##@@*/~,,,
,,~/*@@###                                          ###@@*/~,,
,,,~/*@@##                                          ##@@*/~,,,
,,,,~/*@@#                                          #@@*/~,,,,
,,,~/*@@##                                          ##@@*/~,,,
,,~/*@@###                                          ###@@*/~,,
,,,~/*@@##                                          ##@@*/~,,,