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%;~.......                ..§###§..                 .......~;%
§%;~......       .. PITTSBURGH ELECTRONICS ..       ......~;%§
£§%;~.....             ~~ LIFEFORMS ~~              .....~;%§£
#£§%;~....               ;; SV ONE ;;               ....~;%§£#
##£§%;~...                                          ...~;%§£##
###£§%;~.. THIS IS  A EURORACK MODULE  BUT I BOUGHT ..~;%§£###
##£§%;~... THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. ...~;%§£##
#£§%;~....                                          ....~;%§£#
£§%;~..... IT SHIPS  WITH  TOO  FEW  PATCH  CABLES. .....~;%§£
§%;~......                                          ......~;%§
%;~.......             .%£ CONTAINS £%.             .......~;%
;~........           MIDI TO CV CONVERTER           ........~;
~.........                TWO VCO'S                 .........~
.......... FOUR CHANNEL  OR TWO X TWO CHANNEL MIXER ..........
..........        TWO SUB OSCILLATORS I THINK       ..........
..........         TWO ONE TO TWO SPLITTERS         ..........
..........          WHITE NOISE GENERATOR           ..........
..........             SAMPLE AND HOLD              ..........
..........          LFO PLUS A DIGITAL LFO          ..........
..........   FILTER (LOWPASS, BANDPASS, HIGHPASS)   ..........
..........               ADSR ENVELOPE              ..........
..........                  ONE VCA                 ..........
~.........               HEADPHONE AMP              .........~
;~........         FOURTY NINE PATCHPOINTS!         ........~;
%;~.......                                          .......~;%
§%;~......                 ..###..                  ......~;%§
£§%;~.....            ~%% SO WHAT NOW %%~           .....~;%§£
#£§%;~....                  ..###..                 ....~;%§£#
##£§%;~...                                          ...~;%§£##
###£§%;~.. CLOCK IO  GOES  TO ASDR  IN  I THINK AND ..~;%§£###
##£§%;~... MAYBE  ALSO  TO THE SAMPLE AND HOLD. PUT ...~;%§£##
#£§%;~.... SUBBASE AND  NOISE  IN CHANNEL THREE AND ....~;%§£#
£§%;~..... FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL .....~;%§£
§%;~...... TWO, AND OSCILLATOR TWO SAW  TO  CHANNEL ......~;%§
%;~....... ONE.   SAMPLE  AND  HOLD   OUT  TO   THE .......~;%
;~........   FILTER... MAYBE... RESONANCE AT HALF.  ........~;
~......... SOME FREQUENCY IN  THE  FIRST OSCILLATOR .........~
.......... AND THEN THE  SECOND  OSC FOUR SEMITONES ..........
..........                 HIGHER.                  ..........
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..........                 .~£££~.                  ..........
..........          ;§§ DESKTOP SYNTH §§;           ..........
..........                 .~£££~.                  ..........
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