@@,@,@,,@@ @@,@,,@,,@
,@@@@@,@,, ,@@@,@@,@,
@,,,,@@@,, @,,@@,@@@,
@,,,@,,@,, @,@,@@,,@@
@,,@@,@@,, @@@@,@,@,,
@,@,@@,@,@ train dream ,,,@@@@@,@
@@@@,@@@@@ ######,,,,.~..,,##################### ,,@,,,,@@,
,,,@@,,,,@ ::: ,@@,,,@,@@
,,@,@,,,@@ ~ @,@,,@@@,@
,@@@@,,@,, ~ @@@,@,,@@@
@,,,@,@@,@ ,,@@@,@,,@
@,,@@@,@@, (situation) ,@,,@@@,@,
@,@,,@@,@@ @@,@,,@@@@
@@@,@,@@,@ you find yourself in a rift - a ,@@@,@,,,,
,,@@@@,@@@ clearing, narrow but immeasurably long. @,,@@@,,,@
,@,,,@@,,, to your sides are walls made of trees, @,@,,@,,@@
@@,,@,@,,, thick and ready to swallow you. the sun @@@,@@,@,@
,@,@@@@,,, is nowhere to be seen, but nontheless ,,@@,@@@@,
@@@,,,@,,, it is very bright - the air feels light ,@,@@,,,@,
,,@,,@@,,, blue, almost white. @@@,@,,@@@
,@@,@,@,,, ,,@@@,@,,@
@,@@@@@,,@ along the span of the clearing lay two ,@,,@@@,@@
@@,,,,@,@@ parallel silvery lines, dark hard @@,@,,@@,,
,@,,,@@@,, metal. somehow you can see how heavy ,@@@,@,@,@
@@,,@,,@,@ they are. @,,@@@@@@@
,@,@@,@@@, @,@,,,,,,,
@@@,@@,,@@ they emit a high pitched whine... @@@,,,,,,,
,,@@,@,@,@ ,,@,,,,,,@
,@,@@@@@@@ ~ ,@@,,,,,@@
@@@,,,,,,@ ,,=,, @,@,,,,@,@
,,@,,,,,@, ~ @@@,,,@@@,
,@@,,,,@@, ,,@,,@,,@,
@,@,,,@,@, (situation) ,@@,@@,@@,
@@@,,@@@@, @,@@,@@,@@
,,@,@,,,@@ youre at the train station, on a @@,@@,@@,,
,@@@@,,@,, catwalk above the rails. your train is ,@@,@@,@,,
@,,,@,@@,, late, or you are late to the train. @,@@,@@@,,
@,,@@@,@,, it's a summer afternoon and the station @@,@@,,@,@
@,@,,@@@,@ is busy, full of relaxed confidence. ,@@,@,@@@,
@@@,@,,@@, @,@@@@,,@@
,,@@@,@,@@ you're in high spirits, although a bit @@,,,@,@,,
,@,,@@@@,, stressed about the time, while moving ,@,,@@@@,,
@@,@,,,@,, up the stairs to your platform. the @@,@,,,@,,
,@@@,,@@,, station is in several levels, all ,@@@,,@@,@
@,,@,@,@,@ placed within eachother by some @,,@,@,@@@
@,@@@@@@@@ intelligent designer, and full of @,@@@@@,,,
@@,,,,,,,@ stairs, elevators, shortcuts, @@,,,,@,,@
,@,,,,,,@@ bazaars... you sight your train through ,@,,,@@,@,
@@,,,,,@,@ some glass windows. it's... not where @@,,@,@@@,
,@,,,,@@@@ it's supposed to be? ,@,@@@,,@@
@@,,,@,,,@ @@@,,@,@,@
,@,,@@,,@@ ~ ,,@,@@@@@,
@@,@,@,@,@ ..$.. ,@@@,,,,@,
,@@@@@@@@@ ~ @,,@,,,@@@
@,,,,,,,,@ @,@@,,@,,@
@,,,,,,,@@ (situation) @@,@,@@,@,
@,,,,,,@,, ,@@@@,@@@@
@,,,,,@@,, you're finally entering the city. while @,,,@@,,,,
@,,,,@,@,, it is indeed a very high speed train @,,@,@,,,@
@,,,@@@@,, you're traveling in, the journey has @,@@@@,,@,
@,,@,,,@,@ been long. but it's about to end! @@,,,@,@@@
@,@@,,@@@, ,@,,@@@,,,
@@,@,@,,@@ society is growing denser around you, @@,@,,@,,@
,@@@@@,@,, through the windows you see first small ,@@@,@@,@,
@,,,,@@@,, shacks, built of metal and stone, then @,,@@,@@@,
@,,,@,,@,, proper houses with mortar to keep them @,@,@@,,@@
@,,@@,@@,, together... who in turn make way for @@@@,@,@,,
@,@,@@,@,@ the industrial buildings, the urban ,,,@@@@@,@
@@@@,@@@@@ maze, protective walls, jungle ,,@,,,,@@,
,,,@@,,,,@ network... ,@@,,,@,@@
,,@,@,,,@@ @,@,,@@@,@
,@@@@,,@,, the tracks leave the ground, which is @@@,@,,@@@
@,,,@,@@,@ needed for other purposes. you are ,,@@@,@,,@
@,,@@@,@@, carried gently, curving upwards until ,@,,@@@,@,
@,@,,@@,@@ you're moving upward along the wall of @@,@,,@@@@
@@@,@,@@,@ a building. it's made of slabby stone, ,@@@,@,,,,
,,@@@@,@@@ with great glassless window holes @,,@@@,,,@
,@,,,@@,,, looking out the way you came. it is @,@,,@,,@@
@@,,@,@,,, pitch black inside. @@@,@@,@,@
,@,@@@@,,, ,,@@,@@@@,
@@@,,,@,,, ,@,@@,,,@,
,,@,,@@,,, @@@,@,,@@@
,@@,@,@,,, ,,@@@,@,,@
@,@@@@@,,@ ,@,,@@@,@@