THE GLASS FACTORY.           
                                        
                                        
                                      
                                  
                                  
                                          
 SEVERAL  CENTURIES  AFTER  IT  HAD  LAST 
 BELONGED TO US, WE WENT ON AN OUTING  TO 
 THE  GLASS FACTORY  THAT BORE OUR FAMILY 
 NAME. IT HAD CHANGED  OWNERS  MANY TIMES 
 SINCE  OUR  ANCESTORS  DEATH,  AND  THEN 
 STOOD   ABANDONED   FOR  A  LONG  WHILE. 
 FINALLY,  THE  NATURAL  END  STATION FOR 
 THE  BUILDINGS  THAT SURVIVE: A  MUSEUM, 
 AND A GIFT SHOP.                         
                                          
 THERE'S  A  LONG  TIME  SINCE MY  FAMILY 
 MADE  ANYTHING. BY  MANY,  WE  WOULD  BE 
 CONSIDERED POOR.                         
                                          
 THERE ARE  TWO  MAIN  FACTORY BUILDINGS, 
 DOMED THINGS OF  SEVERAL FLOORS, MADE IN 
 YELLOW BRICK. LARGE BUT NARROW  WINDOWS, 
 REMINESCENT    OF    SOME     CATHEDRAL. 
 CUSTOM-MADE GLASS, OF  COURSE, LARGE AND 
 LEADED, AND ASHEN. A BIT  TOO DARK TO BE 
 PRACTICAL.  ON  THE  EASTERN   BUILDING, 
 SOME ARE SHATTERED.                      
                                          
 THE OTHER ONE IS PUBLICLY  OPEN. THERE'S 
 A MUSEUM, WITH  WAX  FIGURES OF MY GREAT 
 GREAT GREAT GRANDFATHER,  OR  SOMETHING. 
 VARIOUS TOOLS (OR  REPLICAS) LAID OUT ON 
 TABLES, WITH EXPLAINING TEXTS.  A LOT OF 
 GLASS      OF     VARYING     THICKNESS. 
                                          
                                        
                                      
                          
                                      
                                        
                                          
 I QUICKLY  SNEAK OUT, AND CLIMB INTO THE 
 OTHER    BUILDING.   THE   CONTRAST   IS 
 OVERWHELMING.   IT   MUST   HAVE   STOOD 
 DERELICT  FOR   A  LONG  TIME,   WINDOWS 
 BROKEN,  METALLIC  TRASH  AND  POOLS  OF 
 DARK  GLASS  ALL  OVER   THE  FLOOR.  NO 
 ELECTRIC LIGHTS,  BUT  I CAN SEE BY  THE 
 LIGHT THAT  SHINES IN WHEREVER THE  DARK 
 WINDOWS    ARE    MISSING     A    PANE. 
                                          
 HOWEVER, THE GREATEST DIFFERENCE  IS THE 
 HIGHER FLOORS:  THIS BUILDING  HAS NONE. 
 IT IS ONE  MASSIVE HALL, STRETCHING AWAY 
 INFINITELY ABOVE ME.  SOMEWHERE UP THERE 
 IS  SOME  GREAT  IRON  LATTICEWORK, FROM 
 WHERE  CHAINS ARE SUSPENDED,  AND  PARTS 
 OF  MACHINERY  HAS  BEEN  FALLING  DOWN. 
                                          
 THERE  IS, IN  THE  MIDDLE OF THE  GREAT 
 HALL,  A  THIN  SPIRAL   STAIRCASE  THAT 
 LEADS UP THERE. I SNEAK OVER THERE,  AND 
 TAKE  A FEW RELUCTANT STEPS.  AFTER JUST 
 A  REVOLUTION, I  NOTICE  THAT  FOR EACH 
 STEP THE  BUILDING  STARTS  TO GLOW, THE 
 BRICKS  TURNING  A  DARK  RED, AND  THEN 
 ORANGE, ALL THE  PILED  UP DEBREE  BEING 
 LIT FROM BEHIND.                         
                                          
 I  STOP  READY TO RUN DOWN AND OUT,  BUT 
 THERE'S  SOMEONE ELSE  ON THE  STAIRCASE 
 WITH  ME  NOW,   PRESSED   CLOSE.   HE'S 
 LOOKING  LIKE  ME, SHORT HAIR  AND  THIN 
 ARMS,  BUT  WITH EARS FROM  SOME ANIMAL, 
 AND MORE DISTURBINGLY,  COMPLETELY  MADE 
 OF DARK LIQUID GLASS.                    
                                          
                                        
                                      
                          
                                      
                                        
                                          
 MY  FEAR  HOLDS  ME  IN  PLACE  WHILE HE 
 STARTS  OPERATING  LEVERS AND  DIALS SET 
 IN  THE CENTER OF THE STAIRCASE. SLOWLY, 
 IT  STARTS  SPINNING,  CIRCLING UPWARDS. 
 IT'S  AN   ELEVATOR!   I  START  TO  RUN 
 DOWNWARDS,  BUT   NOW  THE   LIQUID  BOY 
 CREATURE  GRABS  HOLD  OF  ME. I  TRY TO 
 SHAKE HIM OFF, BUT  HE'S TOO STRONG, AND 
 PULLS   ME    BACK   UP   BESIDE    HIM. 
                                          
 THIS TIME, I  TURN  ANGRY  INSTEAD. WHAT 
 THE HELL?  WHO IS THIS  GUY, ACTING LIKE 
 THIS?  I  REACH OUT MY FREE ARM AND SLAM 
 A   RANDOM  LEVER.  SOME  METAL  BAR  IS 
 SUDDENLY  RELEASED  BETWEEN US,  HITTING 
 HIM ON  THE ARM, FORCING  MY  RELEASE. I 
 SHOVE HIM OFF  OF ME,  AND HE FALLS INTO 
 THE    LEVERS,    MESSING    THEM    UP. 
 IMMEDIATELY,  A   THIN  RUSTY  CHAINMAIL 
 CURTAIN  IS DROPPED  AROUND ME.  BUT THE 
 ELEVATOR ALSO  SPEEDS UP  SIGNIFICANTLY. 
                                          
 THE  WALLS  ARE  FLARING  NOW,   YELLOW, 
 WHITE, ALMOST BLUE. I CLOSE  MY EYES AND 
 CURL  INTO  A BALL. BUT  THEN, THE GLASS 
 BOY  SCREAMS,  A  PIERCING   SOUND  THAT 
 FORCES MY  EYES BACK OPEN. I WATCH AS HE 
 BECOMES  TOO  LIQUID,  HIS BODY  POOLING 
 DOWN IN  HIS NOW MASSIVE  TAIL, AND  THE 
 TIP OF  IT SUDDENLY BREAKS OF IN A GLASS 
 DROP  THAT  FALLS   TOWARD  THE  FACTORY 
 FLOOR.                                   
                                          
 HE'S CRAWLING ON THE  STAIRS,  UNABLE TO 
 KEEP HIS  BODY UPRIGHT. CAN'T REACH  THE 
 LEVERS,  CLAWS  AT  MY  CHAINMAIL  CAGE, 
 WHILE  HIS  BODY IS  TURNING  INTO  DARK 
 PEARLS. FINALLY, HE'S  LOST TOO  MUCH OF 
 HIMSELF AND  THE  SCREAM  IS  CUT SHORT. 
 THE    LAST   OF    HIM    RAINS   DOWN. 
                                          
 I  STILL  CAN'T  REACH  THE  LEVERS FROM 
 WITHIN MY CAGE.  LOOKING  UP,  I TRY  TO 
 MAKE  OUT THE CEILING,  BUT  IT'S ALL  A 
 WHIRLING SEA OF COLOURS. BELOW  ME GLOWS 
 THE  HELLFIRE OF THE FACTORY WALLS,  BUT 
 VERY  FAINT. I SIT  DOWN, CURL  BACK UP, 
 BECOME STILL.                            
                                          
                                        
                                      
                          
                                      
                                        
                                          
 A  LARGE  CLUNK SHAKES  MY  ENTIRE BODY, 
 AND  SNAPS  ME  BACK  INTO REALITY.  I'M 
 BACK  AT  THE  FACTORY  FLOOR,  BUT  THE 
 STAIRS   ARE  STILL   MOVING   SLIGHTLY, 
 CLICKING IN  PLACE, CARRYING ME THE LAST 
 FEW  CENTIMETERS.  I  CAME  FROM  BELOW, 
 SOMEHOW.  THE  CHAINMAIL  IS  RETRACTED, 
 AND   I  SLOWLY  DISMOUNT  THE   STAIRS. 
                                          
 SHAKING AND CRYING,  I MAKE MY  WAY OVER 
 THE FACTORY  FLOOR, WADING  THROUGH DARK 
 GLASS MARBLES. A QUICK GLANCE  DOWN, AND 
 I  SEE  THERE'S SOMETHING  FAINT  INSIDE 
 THEM.   EMBRYOS?   ARE    THESE    EGGS? 
                                          
 I   SHUDDER,   AND   CLIMB   BACK   OUT.