THE GLASS FACTORY.           
                                        
                                        
                                      
                                  
                                  
                                          
 SEVERAL  CENTURIES  AFTER  IT  HAD  LAST 
 BELONGED TO US, WE  WENT ON AN OUTING TO 
 THE  GLASS FACTORY THAT BORE OUR  FAMILY 
 NAME. IT HAD  CHANGED OWNERS  MANY TIMES 
 SINCE  OUR  ANCESTORS  DEATH,  AND  THEN 
 STOOD  ABANDONED  FOR  A   LONG   WHILE. 
 FINALLY,  THE NATURAL  END  STATION  FOR 
 THE BUILDINGS  THAT  SURVIVE: A  MUSEUM, 
 AND A GIFT SHOP.                         
                                          
 THERE'S  A  LONG  TIME  SINCE  MY FAMILY 
 MADE ANYTHING.  BY  MANY,  WE  WOULD  BE 
 CONSIDERED POOR.                         
                                          
 THERE ARE  TWO  MAIN  FACTORY BUILDINGS, 
 DOMED THINGS OF SEVERAL  FLOORS, MADE IN 
 YELLOW  BRICK. LARGE BUT NARROW WINDOWS, 
 REMINESCENT    OF     SOME    CATHEDRAL. 
 CUSTOM-MADE GLASS, OF COURSE, LARGE  AND 
 LEADED, AND ASHEN. A BIT TOO DARK  TO BE 
 PRACTICAL.  ON   THE  EASTERN  BUILDING, 
 SOME ARE SHATTERED.                      
                                          
 THE OTHER  ONE IS PUBLICLY OPEN. THERE'S 
 A MUSEUM,  WITH WAX  FIGURES OF MY GREAT 
 GREAT GREAT  GRANDFATHER,  OR SOMETHING. 
 VARIOUS TOOLS  (OR REPLICAS) LAID OUT ON 
 TABLES, WITH EXPLAINING TEXTS. A LOT  OF 
 GLASS     OF     VARYING      THICKNESS. 
                                          
                                        
                                      
                          
                                      
                                        
                                          
 I QUICKLY SNEAK OUT, AND  CLIMB INTO THE 
 OTHER   BUILDING.   THE   CONTRAST    IS 
 OVERWHELMING.   IT   MUST   HAVE   STOOD 
 DERELICT  FOR   A  LONG   TIME,  WINDOWS 
 BROKEN,  METALLIC  TRASH  AND  POOLS  OF 
 DARK  GLASS  ALL  OVER  THE  FLOOR.   NO 
 ELECTRIC LIGHTS,  BUT  I  CAN SEE BY THE 
 LIGHT THAT  SHINES  IN WHEREVER THE DARK 
 WINDOWS    ARE    MISSING    A     PANE. 
                                          
 HOWEVER, THE GREATEST DIFFERENCE IS  THE 
 HIGHER FLOORS: THIS  BUILDING HAS  NONE. 
 IT IS ONE MASSIVE HALL,  STRETCHING AWAY 
 INFINITELY  ABOVE ME. SOMEWHERE UP THERE 
 IS  SOME  GREAT  IRON LATTICEWORK,  FROM 
 WHERE CHAINS  ARE  SUSPENDED,  AND PARTS 
 OF  MACHINERY  HAS  BEEN  FALLING  DOWN. 
                                          
 THERE  IS,  IN THE  MIDDLE OF THE  GREAT 
 HALL,  A  THIN  SPIRAL  STAIRCASE   THAT 
 LEADS UP THERE. I SNEAK OVER  THERE, AND 
 TAKE A FEW RELUCTANT  STEPS.  AFTER JUST 
 A  REVOLUTION, I  NOTICE THAT  FOR  EACH 
 STEP  THE  BUILDING STARTS TO GLOW,  THE 
 BRICKS  TURNING  A DARK  RED,  AND  THEN 
 ORANGE, ALL THE  PILED  UP DEBREE  BEING 
 LIT FROM BEHIND.                         
                                          
 I  STOP READY TO RUN  DOWN AND  OUT, BUT 
 THERE'S  SOMEONE ELSE  ON  THE STAIRCASE 
 WITH  ME   NOW,   PRESSED   CLOSE.  HE'S 
 LOOKING  LIKE  ME, SHORT  HAIR  AND THIN 
 ARMS,  BUT  WITH EARS FROM SOME  ANIMAL, 
 AND MORE DISTURBINGLY,  COMPLETELY  MADE 
 OF DARK LIQUID GLASS.                    
                                          
                                        
                                      
                          
                                      
                                        
                                          
 MY  FEAR  HOLDS  ME  IN  PLACE WHILE  HE 
 STARTS OPERATING  LEVERS  AND  DIALS SET 
 IN THE CENTER OF THE  STAIRCASE. SLOWLY, 
 IT STARTS  SPINNING,  CIRCLING  UPWARDS. 
 IT'S   AN  ELEVATOR!  I   START  TO  RUN 
 DOWNWARDS,  BUT  NOW  THE   LIQUID   BOY 
 CREATURE  GRABS  HOLD  OF ME.  I  TRY TO 
 SHAKE HIM OFF,  BUT HE'S TOO STRONG, AND 
 PULLS    ME    BACK   UP   BESIDE   HIM. 
                                          
 THIS TIME,  I TURN  ANGRY  INSTEAD. WHAT 
 THE  HELL?  WHO IS THIS GUY, ACTING LIKE 
 THIS?  I REACH OUT MY FREE  ARM AND SLAM 
 A  RANDOM  LEVER.  SOME  METAL  BAR   IS 
 SUDDENLY  RELEASED  BETWEEN US,  HITTING 
 HIM ON THE  ARM, FORCING  MY RELEASE.  I 
 SHOVE HIM OFF OF ME, AND  HE  FALLS INTO 
 THE    LEVERS,    MESSING    THEM    UP. 
 IMMEDIATELY,  A  THIN  RUSTY   CHAINMAIL 
 CURTAIN IS  DROPPED  AROUND  ME. BUT THE 
 ELEVATOR  ALSO SPEEDS UP  SIGNIFICANTLY. 
                                          
 THE   WALLS  ARE  FLARING  NOW,  YELLOW, 
 WHITE, ALMOST BLUE. I CLOSE MY EYES  AND 
 CURL  INTO  A BALL. BUT THEN,  THE GLASS 
 BOY  SCREAMS,  A  PIERCING   SOUND  THAT 
 FORCES MY EYES BACK OPEN. I WATCH  AS HE 
 BECOMES  TOO  LIQUID,  HIS  BODY POOLING 
 DOWN IN  HIS  NOW MASSIVE  TAIL, AND THE 
 TIP OF IT SUDDENLY BREAKS OF  IN A GLASS 
 DROP  THAT  FALLS  TOWARD   THE  FACTORY 
 FLOOR.                                   
                                          
 HE'S CRAWLING ON THE STAIRS,  UNABLE  TO 
 KEEP  HIS  BODY UPRIGHT. CAN'T REACH THE 
 LEVERS,  CLAWS  AT  MY  CHAINMAIL  CAGE, 
 WHILE  HIS  BODY  IS  TURNING  INTO DARK 
 PEARLS.  FINALLY, HE'S  LOST TOO MUCH OF 
 HIMSELF  AND THE  SCREAM  IS CUT  SHORT. 
 THE   LAST    OF    HIM   RAINS    DOWN. 
                                          
 I  STILL  CAN'T  REACH  THE LEVERS  FROM 
 WITHIN  MY CAGE. LOOKING  UP, I  TRY  TO 
 MAKE OUT THE  CEILING,  BUT  IT'S ALL  A 
 WHIRLING SEA OF COLOURS. BELOW  ME GLOWS 
 THE HELLFIRE OF THE  FACTORY WALLS,  BUT 
 VERY FAINT.  I SIT  DOWN, CURL  BACK UP, 
 BECOME STILL.                            
                                          
                                        
                                      
                          
                                      
                                        
                                          
 A  LARGE CLUNK  SHAKES  MY ENTIRE  BODY, 
 AND  SNAPS  ME  BACK INTO  REALITY.  I'M 
 BACK  AT  THE  FACTORY  FLOOR,  BUT  THE 
 STAIRS   ARE   STILL   MOVING  SLIGHTLY, 
 CLICKING IN PLACE, CARRYING ME  THE LAST 
 FEW  CENTIMETERS.  I  CAME  FROM  BELOW, 
 SOMEHOW.  THE  CHAINMAIL  IS  RETRACTED, 
 AND  I   SLOWLY  DISMOUNT   THE  STAIRS. 
                                          
 SHAKING  AND CRYING, I MAKE MY WAY  OVER 
 THE FACTORY FLOOR,  WADING THROUGH  DARK 
 GLASS MARBLES.  A QUICK GLANCE DOWN, AND 
 I SEE  THERE'S  SOMETHING  FAINT  INSIDE 
 THEM.   EMBRYOS?   ARE    THESE    EGGS? 
                                          
 I   SHUDDER,   AND   CLIMB   BACK   OUT.