¨¨,=/^$@£# #£@$^/=,¨¨
¨¨¨,=/^$@£ £@$^/=,¨¨¨
¨¨,=/^$@£# #£@$^/=,¨¨
¨,=/^$@£## ##£@$^/=,¨
¨¨,=/^$@£# #£@$^/=,¨¨
¨¨¨,=/^$@£ THE SKYSCRAPER THAT MOVES £@$^/=,¨¨¨
¨¨,=/^$@£# #£@$^/=,¨¨
¨,=/^$@£## TAINARON IS A BUILDING OWNED AND ##£@$^/=,¨
¨¨,=/^$@£# OPERATED BY AMATA TEXNOLOGIYASI PLACED #£@$^/=,¨¨
¨¨¨,=/^$@£ CLOSED TO THE HARBOR IN MALMÖ. IT'S £@$^/=,¨¨¨
¨¨,=/^$@£# ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER #£@$^/=,¨¨
¨,=/^$@£## UNKNOWN), DARK BLUE AND COMPLETELY ##£@$^/=,¨
¨¨,=/^$@£# RECTANGULAR. IT FEATURES NO SIGNS, #£@$^/=,¨¨
¨¨¨,=/^$@£ LIGHTS, OR ORNAMENTS, APART FROM A £@$^/=,¨¨¨
¨¨,=/^$@£# HELIPAD ON TOP. MOST FLOORS HAVE #£@$^/=,¨¨
¨,=/^$@£## EXTERIOR WALLS COMPLETELY MADE OF GLASS. ##£@$^/=,¨
¨¨,=/^$@£# #£@$^/=,¨¨
¨¨¨,=/^$@£ IN LATE EVENINGS, SHROUDED BY MALMö'S £@$^/=,¨¨¨
¨¨,=/^$@£# SIGNATURE FOG ROLLING IN FROM THE SEA, #£@$^/=,¨¨
¨,=/^$@£## THE BUILDING COMES TO LIFE: IT MOVES ON ##£@$^/=,¨
¨¨,=/^$@£# A THOUSAND ROBOTIC LEGS TO ANOTHER #£@$^/=,¨¨
¨¨¨,=/^$@£ (SECRET) PART OF TOWN, OR PERHAPS OUT £@$^/=,¨¨¨
¨¨,=/^$@£# TO SEA. THIS SIGNALS A NEW AND MORE #£@$^/=,¨¨
¨,=/^$@£## VISCIOUS PHASE OF THE TAINARON ##£@$^/=,¨
¨¨,=/^$@£# ECOSYSTEM. #£@$^/=,¨¨
¨¨¨,=/^$@£ £@$^/=,¨¨¨
¨¨,=/^$@£# THE GUESTS ARRIVING DURING THE EARLY #£@$^/=,¨¨
¨,=/^$@£## EVENING ARE TREATED TO FOOD AND DRINK, ##£@$^/=,¨
¨¨,=/^$@£# LIVE MUSIC, BEATUTIFUL VIEWS, AND A #£@$^/=,¨¨
¨¨¨,=/^$@£ COMFORTABLE BUT MAZE-LIKE INTERIOR £@$^/=,¨¨¨
¨¨,=/^$@£# STRUCTURE (THE BUILDING FEATURES A #£@$^/=,¨¨
¨,=/^$@£## MULTITUDE OF STAIRWELLS AND ELEVATORS, ##£@$^/=,¨
¨¨,=/^$@£# PLACED SEEMINGLY AT RANDOM, NONE GOING #£@$^/=,¨¨
¨¨¨,=/^$@£ FURTHER THAN A FEW FLOORS). £@$^/=,¨¨¨
¨¨,=/^$@£# #£@$^/=,¨¨
¨,=/^$@£## AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ##£@$^/=,¨
¨¨,=/^$@£# UNTIL THE AIR INSIDE HAS TAKEN ON THE #£@$^/=,¨¨
¨¨¨,=/^$@£ SAME QUALITY AS THE SURROUNDING MIST: £@$^/=,¨¨¨
¨¨,=/^$@£# BLUE-GRAY, SPRINKLED WITH THE SMALL RED #£@$^/=,¨¨
¨,=/^$@£## DOT'S BY DOOR LOCKS AND CONTROL PANELS. ##£@$^/=,¨
¨¨,=/^$@£# IF YOU WOULD LOOK THROUGH THE WINDOWS #£@$^/=,¨¨
¨¨¨,=/^$@£ YOU WOULD SEE THE MIST ROLLING BY, AND £@$^/=,¨¨¨
¨¨,=/^$@£# PERHAPS THE OUTLINE OF SOME OTHER #£@$^/=,¨¨
¨,=/^$@£## BUILDING, FAR BELOW. ##£@$^/=,¨
¨¨,=/^$@£# #£@$^/=,¨¨
¨¨¨,=/^$@£ DURING THE NIGHT, AFTER TAINARON HAS £@$^/=,¨¨¨
¨¨,=/^$@£# STARTED MOVING, THE LOWER FLOORS ARE #£@$^/=,¨¨
¨,=/^$@£## SHUT OFF, PREVENTING ENTRY OR EXIT FOR ##£@$^/=,¨
¨¨,=/^$@£# THE GUESTS. FOOD IS NO LONGER SERVED, #£@$^/=,¨¨
¨¨¨,=/^$@£ BUT THE DRINKS BECOME MORE EXTRAVAGANT. £@$^/=,¨¨¨
¨¨,=/^$@£# IT'S AT THIS POINT THAT THE SECOND SET #£@$^/=,¨¨
¨,=/^$@£## OF GUEST ARRIVES, VIA HELICOPTER - ##£@$^/=,¨
¨¨,=/^$@£# AMATA TEXNOLOGIYASI AND THEIR FRIENDS. #£@$^/=,¨¨
¨¨¨,=/^$@£ £@$^/=,¨¨¨
¨¨,=/^$@£# ===== #£@$^/=,¨¨
¨,=/^$@£## ##£@$^/=,¨
¨¨,=/^$@£# IN MY DREAM I AM INVITED AS A FRIEND OF #£@$^/=,¨¨
¨¨¨,=/^$@£ ONE OF THE SERVERS, AND THUS SAFE. WE £@$^/=,¨¨¨
¨¨,=/^$@£# SIT IN ONE OF THE LARGE WINDOWS, #£@$^/=,¨¨
¨,=/^$@£## LOOKING THROUGH THE MIST FOR ANY ##£@$^/=,¨
¨¨,=/^$@£# LANDMARKS TO PIERCE THROUGH THE MIST. #£@$^/=,¨¨
¨¨¨,=/^$@£ SHE TELLS ME THAT APART FROM COMING AND £@$^/=,¨¨¨
¨¨,=/^$@£# GOING FROM WORK, SHE'S NEVER SEEN THE #£@$^/=,¨¨
¨,=/^$@£## BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ##£@$^/=,¨
¨¨,=/^$@£# #£@$^/=,¨¨
¨¨¨,=/^$@£ THE NEXT DAY I AM INVITED TO THE PUBLIC £@$^/=,¨¨¨
¨¨,=/^$@£# DEMONSTRATION OF THE EXOBUBBLE. #£@$^/=,¨¨
¨,=/^$@£## ##£@$^/=,¨
¨¨,=/^$@£# #£@$^/=,¨¨
¨¨¨,=/^$@£ £@$^/=,¨¨¨
¨¨,=/^$@£# #£@$^/=,¨¨
¨,=/^$@£## ##£@$^/=,¨