...=;*$§¶# #¶§$*;=...
..=;*$§¶## ##¶§$*;=..
...=;*$§¶# #¶§$*;=...
....=;*$§¶ ¶§$*;=....
...=;*$§¶# #¶§$*;=...
..=;*$§¶## THE SKYSCRAPER THAT MOVES ##¶§$*;=..
...=;*$§¶# #¶§$*;=...
....=;*$§¶ TAINARON IS A BUILDING OWNED AND ¶§$*;=....
...=;*$§¶# OPERATED BY AMATA TEXNOLOGIYASI PLACED #¶§$*;=...
..=;*$§¶## CLOSED TO THE HARBOR IN MALMÖ. IT'S ##¶§$*;=..
...=;*$§¶# ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER #¶§$*;=...
....=;*$§¶ UNKNOWN), DARK BLUE AND COMPLETELY ¶§$*;=....
...=;*$§¶# RECTANGULAR. IT FEATURES NO SIGNS, #¶§$*;=...
..=;*$§¶## LIGHTS, OR ORNAMENTS, APART FROM A ##¶§$*;=..
...=;*$§¶# HELIPAD ON TOP. MOST FLOORS HAVE #¶§$*;=...
....=;*$§¶ EXTERIOR WALLS COMPLETELY MADE OF GLASS. ¶§$*;=....
...=;*$§¶# #¶§$*;=...
..=;*$§¶## IN LATE EVENINGS, SHROUDED BY MALMö'S ##¶§$*;=..
...=;*$§¶# SIGNATURE FOG ROLLING IN FROM THE SEA, #¶§$*;=...
....=;*$§¶ THE BUILDING COMES TO LIFE: IT MOVES ON ¶§$*;=....
...=;*$§¶# A THOUSAND ROBOTIC LEGS TO ANOTHER #¶§$*;=...
..=;*$§¶## (SECRET) PART OF TOWN, OR PERHAPS OUT ##¶§$*;=..
...=;*$§¶# TO SEA. THIS SIGNALS A NEW AND MORE #¶§$*;=...
....=;*$§¶ VISCIOUS PHASE OF THE TAINARON ¶§$*;=....
...=;*$§¶# ECOSYSTEM. #¶§$*;=...
..=;*$§¶## ##¶§$*;=..
...=;*$§¶# THE GUESTS ARRIVING DURING THE EARLY #¶§$*;=...
....=;*$§¶ EVENING ARE TREATED TO FOOD AND DRINK, ¶§$*;=....
...=;*$§¶# LIVE MUSIC, BEATUTIFUL VIEWS, AND A #¶§$*;=...
..=;*$§¶## COMFORTABLE BUT MAZE-LIKE INTERIOR ##¶§$*;=..
...=;*$§¶# STRUCTURE (THE BUILDING FEATURES A #¶§$*;=...
....=;*$§¶ MULTITUDE OF STAIRWELLS AND ELEVATORS, ¶§$*;=....
...=;*$§¶# PLACED SEEMINGLY AT RANDOM, NONE GOING #¶§$*;=...
..=;*$§¶## FURTHER THAN A FEW FLOORS). ##¶§$*;=..
...=;*$§¶# #¶§$*;=...
....=;*$§¶ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ¶§$*;=....
...=;*$§¶# UNTIL THE AIR INSIDE HAS TAKEN ON THE #¶§$*;=...
..=;*$§¶## SAME QUALITY AS THE SURROUNDING MIST: ##¶§$*;=..
...=;*$§¶# BLUE-GRAY, SPRINKLED WITH THE SMALL RED #¶§$*;=...
....=;*$§¶ DOT'S BY DOOR LOCKS AND CONTROL PANELS. ¶§$*;=....
...=;*$§¶# IF YOU WOULD LOOK THROUGH THE WINDOWS #¶§$*;=...
..=;*$§¶## YOU WOULD SEE THE MIST ROLLING BY, AND ##¶§$*;=..
...=;*$§¶# PERHAPS THE OUTLINE OF SOME OTHER #¶§$*;=...
....=;*$§¶ BUILDING, FAR BELOW. ¶§$*;=....
...=;*$§¶# #¶§$*;=...
..=;*$§¶## DURING THE NIGHT, AFTER TAINARON HAS ##¶§$*;=..
...=;*$§¶# STARTED MOVING, THE LOWER FLOORS ARE #¶§$*;=...
....=;*$§¶ SHUT OFF, PREVENTING ENTRY OR EXIT FOR ¶§$*;=....
...=;*$§¶# THE GUESTS. FOOD IS NO LONGER SERVED, #¶§$*;=...
..=;*$§¶## BUT THE DRINKS BECOME MORE EXTRAVAGANT. ##¶§$*;=..
...=;*$§¶# IT'S AT THIS POINT THAT THE SECOND SET #¶§$*;=...
....=;*$§¶ OF GUEST ARRIVES, VIA HELICOPTER - ¶§$*;=....
...=;*$§¶# AMATA TEXNOLOGIYASI AND THEIR FRIENDS. #¶§$*;=...
..=;*$§¶## ##¶§$*;=..
...=;*$§¶# ===== #¶§$*;=...
....=;*$§¶ ¶§$*;=....
...=;*$§¶# IN MY DREAM I AM INVITED AS A FRIEND OF #¶§$*;=...
..=;*$§¶## ONE OF THE SERVERS, AND THUS SAFE. WE ##¶§$*;=..
...=;*$§¶# SIT IN ONE OF THE LARGE WINDOWS, #¶§$*;=...
....=;*$§¶ LOOKING THROUGH THE MIST FOR ANY ¶§$*;=....
...=;*$§¶# LANDMARKS TO PIERCE THROUGH THE MIST. #¶§$*;=...
..=;*$§¶## SHE TELLS ME THAT APART FROM COMING AND ##¶§$*;=..
...=;*$§¶# GOING FROM WORK, SHE'S NEVER SEEN THE #¶§$*;=...
....=;*$§¶ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ¶§$*;=....
...=;*$§¶# #¶§$*;=...
..=;*$§¶## THE NEXT DAY I AM INVITED TO THE PUBLIC ##¶§$*;=..
...=;*$§¶# DEMONSTRATION OF THE EXOBUBBLE. #¶§$*;=...
....=;*$§¶ ¶§$*;=....
...=;*$§¶# #¶§$*;=...
..=;*$§¶## ##¶§$*;=..
...=;*$§¶# #¶§$*;=...
....=;*$§¶ ¶§$*;=....