###@£§=~,¨ ¨,~=§£@###
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#@£==~¨¨¨¨ ¨¨¨¨~==£@#
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###@£§=~,¨ ¨,~=§£@###
@@£=,¨¨¨¨¨ THE SKYSCRAPER THAT MOVES ¨¨¨¨¨,=£@@
###@£§=~,¨ ¨,~=§£@###
####@£§=~¨ TAINARON IS A BUILDING OWNED AND ¨~=§£@####
@£=,,,¨¨¨¨ OPERATED BY AMATA TEXNOLOGIYASI PLACED ¨¨¨¨,,,=£@
#@@§~¨¨¨¨¨ CLOSED TO THE HARBOR IN MALMÖ. IT'S ¨¨¨¨¨~§@@#
#@@§§==~,¨ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ¨,~==§§@@#
###@£§=~,¨ UNKNOWN), DARK BLUE AND COMPLETELY ¨,~=§£@###
###@£§=~,¨ RECTANGULAR. IT FEATURES NO SIGNS, ¨,~=§£@###
@£=~~,¨¨¨¨ LIGHTS, OR ORNAMENTS, APART FROM A ¨¨¨¨,~~=£@
###@£§=~,¨ HELIPAD ON TOP. MOST FLOORS HAVE ¨,~=§£@###
@£§§~,¨¨¨¨ EXTERIOR WALLS COMPLETELY MADE OF GLASS. ¨¨¨¨,~§§£@
##£§=~,,¨¨ ¨¨,,~=§£##
####@£=~,¨ IN LATE EVENINGS, SHROUDED BY MALMö'S ¨,~=£@####
###@£§=~,¨ SIGNATURE FOG ROLLING IN FROM THE SEA, ¨,~=§£@###
###@£§=~,¨ THE BUILDING COMES TO LIFE: IT MOVES ON ¨,~=§£@###
###@£§=~,¨ A THOUSAND ROBOTIC LEGS TO ANOTHER ¨,~=§£@###
###@£§=~,¨ (SECRET) PART OF TOWN, OR PERHAPS OUT ¨,~=§£@###
@£====~~,¨ TO SEA. THIS SIGNALS A NEW AND MORE ¨,~~====£@
@@§~,¨¨¨¨¨ VISCIOUS PHASE OF THE TAINARON ¨¨¨¨¨,~§@@
##@§~¨¨¨¨¨ ECOSYSTEM. ¨¨¨¨¨~§@##
#@@§§~¨¨¨¨ ¨¨¨¨~§§@@#
###@£§=~,¨ THE GUESTS ARRIVING DURING THE EARLY ¨,~=§£@###
@££§§~,,¨¨ EVENING ARE TREATED TO FOOD AND DRINK, ¨¨,,~§§££@
####£§=~,¨ LIVE MUSIC, BEATUTIFUL VIEWS, AND A ¨,~=§£####
###@£§=~,¨ COMFORTABLE BUT MAZE-LIKE INTERIOR ¨,~=§£@###
@@§~,¨¨¨¨¨ STRUCTURE (THE BUILDING FEATURES A ¨¨¨¨¨,~§@@
##@@£§=~,¨ MULTITUDE OF STAIRWELLS AND ELEVATORS, ¨,~=§£@@##
###@£§=~,¨ PLACED SEEMINGLY AT RANDOM, NONE GOING ¨,~=§£@###
###@£§=~,¨ FURTHER THAN A FEW FLOORS). ¨,~=§£@###
###@£§=~,¨ ¨,~=§£@###
###@£§=~,¨ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ¨,~=§£@###
@§==~¨¨¨¨¨ UNTIL THE AIR INSIDE HAS TAKEN ON THE ¨¨¨¨¨~==§@
@@£§~¨¨¨¨¨ SAME QUALITY AS THE SURROUNDING MIST: ¨¨¨¨¨~§£@@
@§§===~,¨¨ BLUE-GRAY, SPRINKLED WITH THE SMALL RED ¨¨,~===§§@
###@£§=~,¨ DOT'S BY DOOR LOCKS AND CONTROL PANELS. ¨,~=§£@###
###@£§=~,¨ IF YOU WOULD LOOK THROUGH THE WINDOWS ¨,~=§£@###
#@§§=,,¨¨¨ YOU WOULD SEE THE MIST ROLLING BY, AND ¨¨¨,,=§§@#
#£=,¨¨¨¨¨¨ PERHAPS THE OUTLINE OF SOME OTHER ¨¨¨¨¨¨,=£#
###@£§=~,¨ BUILDING, FAR BELOW. ¨,~=§£@###
##@@£§=~,¨ ¨,~=§£@@##
###@£§=~,¨ DURING THE NIGHT, AFTER TAINARON HAS ¨,~=§£@###
####£§=~,¨ STARTED MOVING, THE LOWER FLOORS ARE ¨,~=§£####
###@£§=~,¨ SHUT OFF, PREVENTING ENTRY OR EXIT FOR ¨,~=§£@###
###@£§=~,¨ THE GUESTS. FOOD IS NO LONGER SERVED, ¨,~=§£@###
@£§~¨¨¨¨¨¨ BUT THE DRINKS BECOME MORE EXTRAVAGANT. ¨¨¨¨¨¨~§£@
###@£§=~,¨ IT'S AT THIS POINT THAT THE SECOND SET ¨,~=§£@###
#££=,¨¨¨¨¨ OF GUEST ARRIVES, VIA HELICOPTER - ¨¨¨¨¨,=££#
##£§§==~,¨ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ¨,~==§§£##
#@§~~,¨¨¨¨ ¨¨¨¨,~~§@#
@@@@£§=~,¨ ~~~~~ ¨,~=§£@@@@
###@£§=~,¨ ¨,~=§£@###
@£===,¨¨¨¨ IN MY DREAM I AM INVITED AS A FRIEND OF ¨¨¨¨,===£@
##£=,¨¨¨¨¨ ONE OF THE SERVERS, AND THUS SAFE. WE ¨¨¨¨¨,=£##
###@£§=~,¨ SIT IN ONE OF THE LARGE WINDOWS, ¨,~=§£@###
###@£§=~,¨ LOOKING THROUGH THE MIST FOR ANY ¨,~=§£@###
#@££§§=~,¨ LANDMARKS TO PIERCE THROUGH THE MIST. ¨,~=§§££@#
###@£§=~,¨ SHE TELLS ME THAT APART FROM COMING AND ¨,~=§£@###
###@£§=~,¨ GOING FROM WORK, SHE'S NEVER SEEN THE ¨,~=§£@###
###@£§=~,¨ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ¨,~=§£@###
###@£§=~,¨ ¨,~=§£@###
###@£§=~,¨ THE NEXT DAY I AM INVITED TO THE PUBLIC ¨,~=§£@###
@§~~~~,¨¨¨ DEMONSTRATION OF THE EXOBUBBLE. ¨¨¨,~~~~§@
###@£§=~,¨ ¨,~=§£@###
##££§§=~,¨ ¨,~=§§££##
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##£££§=~,¨ ¨,~=§£££##