,,,,,,,,,, ,,,,,,,,,,
,,,,,,,,,, ,,,,,,,,,,
,,,,,,,,,, ,,,,,,,,,,
,,,,,,,,,: :,,,,,,,,,
,,,,,,,,:= =:,,,,,,,,
,,,,,,,:=^ THE SKYSCRAPER THAT MOVES ^=:,,,,,,,
,,,,,,:=^£ £^=:,,,,,,
,,,,,:=^£@ TAINARON IS A BUILDING OWNED AND @£^=:,,,,,
,,,,:=^£@# OPERATED BY AMATA TEXNOLOGIYASI PLACED #@£^=:,,,,
,,,:=^£@#@ CLOSED TO THE HARBOR IN MALMÖ. IT'S @#@£^=:,,,
,,:=^£@#@# ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER #@#@£^=:,,
,:=^£@#@## UNKNOWN), DARK BLUE AND COMPLETELY ##@#@£^=:,
,,:=^£@#@# RECTANGULAR. IT FEATURES NO SIGNS, #@#@£^=:,,
,,,:=^£@#@ LIGHTS, OR ORNAMENTS, APART FROM A @#@£^=:,,,
,,,,:=^£@# HELIPAD ON TOP. MOST FLOORS HAVE #@£^=:,,,,
,,,,,:=^£@ EXTERIOR WALLS COMPLETELY MADE OF GLASS. @£^=:,,,,,
,,,,,,:=^£ £^=:,,,,,,
,,,,,,,:=^ IN LATE EVENINGS, SHROUDED BY MALMö'S ^=:,,,,,,,
,,,,,,,,:= SIGNATURE FOG ROLLING IN FROM THE SEA, =:,,,,,,,,
,,,,,,,,,: THE BUILDING COMES TO LIFE: IT MOVES ON :,,,,,,,,,
,,,,,,,,,, A THOUSAND ROBOTIC LEGS TO ANOTHER ,,,,,,,,,,
,,,,,,,,,, (SECRET) PART OF TOWN, OR PERHAPS OUT ,,,,,,,,,,
,,,,,,,,,, TO SEA. THIS SIGNALS A NEW AND MORE ,,,,,,,,,,
,,,,,,,,,: VISCIOUS PHASE OF THE TAINARON :,,,,,,,,,
,,,,,,,,:= ECOSYSTEM. =:,,,,,,,,
,,,,,,,:=^ ^=:,,,,,,,
,,,,,,:=^£ THE GUESTS ARRIVING DURING THE EARLY £^=:,,,,,,
,,,,,:=^£@ EVENING ARE TREATED TO FOOD AND DRINK, @£^=:,,,,,
,,,,:=^£@# LIVE MUSIC, BEATUTIFUL VIEWS, AND A #@£^=:,,,,
,,,:=^£@#@ COMFORTABLE BUT MAZE-LIKE INTERIOR @#@£^=:,,,
,,:=^£@#@# STRUCTURE (THE BUILDING FEATURES A #@#@£^=:,,
,:=^£@#@## MULTITUDE OF STAIRWELLS AND ELEVATORS, ##@#@£^=:,
,,:=^£@#@# PLACED SEEMINGLY AT RANDOM, NONE GOING #@#@£^=:,,
,,,:=^£@#@ FURTHER THAN A FEW FLOORS). @#@£^=:,,,
,,,,:=^£@# #@£^=:,,,,
,,,,,:=^£@ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, @£^=:,,,,,
,,,,,,:=^£ UNTIL THE AIR INSIDE HAS TAKEN ON THE £^=:,,,,,,
,,,,,,,:=^ SAME QUALITY AS THE SURROUNDING MIST: ^=:,,,,,,,
,,,,,,,,:= BLUE-GRAY, SPRINKLED WITH THE SMALL RED =:,,,,,,,,
,,,,,,,,,: DOT'S BY DOOR LOCKS AND CONTROL PANELS. :,,,,,,,,,
,,,,,,,,,, IF YOU WOULD LOOK THROUGH THE WINDOWS ,,,,,,,,,,
,,,,,,,,,, YOU WOULD SEE THE MIST ROLLING BY, AND ,,,,,,,,,,
,,,,,,,,,, PERHAPS THE OUTLINE OF SOME OTHER ,,,,,,,,,,
,,,,,,,,,: BUILDING, FAR BELOW. :,,,,,,,,,
,,,,,,,,:= =:,,,,,,,,
,,,,,,,:=^ DURING THE NIGHT, AFTER TAINARON HAS ^=:,,,,,,,
,,,,,,:=^£ STARTED MOVING, THE LOWER FLOORS ARE £^=:,,,,,,
,,,,,:=^£@ SHUT OFF, PREVENTING ENTRY OR EXIT FOR @£^=:,,,,,
,,,,:=^£@# THE GUESTS. FOOD IS NO LONGER SERVED, #@£^=:,,,,
,,,:=^£@#@ BUT THE DRINKS BECOME MORE EXTRAVAGANT. @#@£^=:,,,
,,:=^£@#@# IT'S AT THIS POINT THAT THE SECOND SET #@#@£^=:,,
,:=^£@#@## OF GUEST ARRIVES, VIA HELICOPTER - ##@#@£^=:,
,,:=^£@#@# AMATA TEXNOLOGIYASI AND THEIR FRIENDS. #@#@£^=:,,
,,,:=^£@#@ @#@£^=:,,,
,,,,:=^£@# ===== #@£^=:,,,,
,,,,,:=^£@ @£^=:,,,,,
,,,,,,:=^£ IN MY DREAM I AM INVITED AS A FRIEND OF £^=:,,,,,,
,,,,,,,:=^ ONE OF THE SERVERS, AND THUS SAFE. WE ^=:,,,,,,,
,,,,,,,,:= SIT IN ONE OF THE LARGE WINDOWS, =:,,,,,,,,
,,,,,,,,,: LOOKING THROUGH THE MIST FOR ANY :,,,,,,,,,
,,,,,,,,,, LANDMARKS TO PIERCE THROUGH THE MIST. ,,,,,,,,,,
,,,,,,,,,, SHE TELLS ME THAT APART FROM COMING AND ,,,,,,,,,,
,,,,,,,,,, GOING FROM WORK, SHE'S NEVER SEEN THE ,,,,,,,,,,
,,,,,,,,,: BUILDING FROM THE OUTSIDE. WE BOTH SIGH. :,,,,,,,,,
,,,,,,,,:= =:,,,,,,,,
,,,,,,,:=^ THE NEXT DAY I AM INVITED TO THE PUBLIC ^=:,,,,,,,
,,,,,,:=^£ DEMONSTRATION OF THE EXOBUBBLE. £^=:,,,,,,
,,,,,:=^£@ @£^=:,,,,,
,,,,:=^£@# #@£^=:,,,,
,,,:=^£@#@ @#@£^=:,,,
,,:=^£@#@# #@#@£^=:,,
,:=^£@#@## ##@#@£^=:,