¨#¨#¨#¨¨## ¨##¨#¨##¨#
¨#¨#¨#¨#¨# #¨#¨#¨¨#¨#
¨#¨#¨#¨#¨¨ #¨#¨#¨##¨#
¨#¨#¨#¨#¨# #¨#¨#¨¨#¨#
¨#¨#¨#¨#¨# #¨#¨#¨##¨#
¨#¨#¨#¨#¨# THE SKYSCRAPER THAT MOVES #¨#¨#¨¨#¨#
¨#¨#¨#¨#¨# #¨#¨#¨##¨#
¨#¨#¨#¨#¨# TAINARON IS A BUILDING OWNED AND #¨#¨#¨¨#¨#
¨#¨#¨#¨#¨# OPERATED BY AMATA TEXNOLOGIYASI PLACED #¨#¨#¨##¨#
¨#¨#¨#¨#¨# CLOSED TO THE HARBOR IN MALMÖ. IT'S #¨#¨#¨¨#¨#
¨#¨#¨#¨#¨# ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER #¨#¨#¨##¨#
¨#¨#¨#¨#¨# UNKNOWN), DARK BLUE AND COMPLETELY #¨#¨#¨¨#¨#
¨#¨#¨#¨#¨# RECTANGULAR. IT FEATURES NO SIGNS, #¨#¨#¨##¨#
¨#¨#¨#¨#¨# LIGHTS, OR ORNAMENTS, APART FROM A #¨#¨#¨¨#¨#
¨#¨#¨#¨#¨# HELIPAD ON TOP. MOST FLOORS HAVE #¨#¨#¨##¨#
¨#¨#¨#¨#¨# EXTERIOR WALLS COMPLETELY MADE OF GLASS. #¨#¨#¨¨#¨#
¨#¨#¨#¨#¨# #¨#¨#¨##¨#
¨#¨#¨#¨#¨# IN LATE EVENINGS, SHROUDED BY MALMö'S #¨#¨#¨¨#¨#
¨#¨#¨#¨#¨# SIGNATURE FOG ROLLING IN FROM THE SEA, #¨#¨#¨##¨#
¨#¨#¨#¨#¨# THE BUILDING COMES TO LIFE: IT MOVES ON #¨#¨#¨¨#¨#
¨#¨#¨#¨#¨# A THOUSAND ROBOTIC LEGS TO ANOTHER #¨#¨#¨##¨#
¨#¨#¨#¨#¨# (SECRET) PART OF TOWN, OR PERHAPS OUT #¨#¨#¨¨#¨#
¨#¨#¨#¨#¨# TO SEA. THIS SIGNALS A NEW AND MORE #¨#¨#¨##¨#
¨#¨#¨#¨#¨# VISCIOUS PHASE OF THE TAINARON #¨#¨#¨¨#¨#
¨#¨#¨#¨#¨# ECOSYSTEM. #¨#¨#¨##¨#
¨#¨#¨#¨#¨# #¨#¨#¨¨#¨#
¨#¨#¨#¨#¨# THE GUESTS ARRIVING DURING THE EARLY #¨#¨#¨##¨#
¨#¨#¨#¨#¨# EVENING ARE TREATED TO FOOD AND DRINK, #¨#¨#¨¨#¨#
¨#¨#¨#¨#¨# LIVE MUSIC, BEATUTIFUL VIEWS, AND A #¨#¨#¨##¨#
¨#¨#¨#¨#¨# COMFORTABLE BUT MAZE-LIKE INTERIOR #¨#¨#¨¨#¨#
¨#¨#¨#¨#¨# STRUCTURE (THE BUILDING FEATURES A #¨#¨#¨##¨#
¨#¨#¨#¨#¨# MULTITUDE OF STAIRWELLS AND ELEVATORS, #¨#¨#¨¨#¨#
¨#¨#¨#¨#¨# PLACED SEEMINGLY AT RANDOM, NONE GOING #¨#¨#¨##¨#
¨#¨#¨#¨#¨# FURTHER THAN A FEW FLOORS). #¨#¨#¨¨#¨#
¨#¨#¨#¨#¨# #¨#¨#¨##¨#
¨#¨#¨#¨#¨# AS TIME GOES ON, THE LIGHTS SLOWLY DIM, #¨#¨#¨¨#¨#
¨#¨#¨#¨#¨# UNTIL THE AIR INSIDE HAS TAKEN ON THE #¨#¨#¨##¨#
¨#¨#¨#¨#¨# SAME QUALITY AS THE SURROUNDING MIST: #¨#¨#¨¨#¨#
¨#¨#¨#¨#¨# BLUE-GRAY, SPRINKLED WITH THE SMALL RED #¨#¨#¨##¨#
¨#¨#¨#¨#¨# DOT'S BY DOOR LOCKS AND CONTROL PANELS. #¨#¨#¨¨#¨#
¨#¨#¨#¨#¨# IF YOU WOULD LOOK THROUGH THE WINDOWS #¨#¨#¨##¨#
¨#¨#¨#¨#¨# YOU WOULD SEE THE MIST ROLLING BY, AND #¨#¨#¨¨#¨#
¨#¨#¨#¨#¨# PERHAPS THE OUTLINE OF SOME OTHER #¨#¨#¨##¨#
¨#¨#¨#¨#¨# BUILDING, FAR BELOW. #¨#¨#¨¨#¨#
¨#¨#¨#¨#¨# #¨#¨#¨##¨#
¨#¨#¨#¨#¨# DURING THE NIGHT, AFTER TAINARON HAS #¨#¨#¨¨#¨#
¨#¨#¨#¨#¨# STARTED MOVING, THE LOWER FLOORS ARE #¨#¨#¨##¨#
¨#¨#¨#¨#¨# SHUT OFF, PREVENTING ENTRY OR EXIT FOR #¨#¨#¨¨#¨#
¨#¨#¨#¨#¨# THE GUESTS. FOOD IS NO LONGER SERVED, #¨#¨#¨##¨#
¨#¨#¨#¨#¨# BUT THE DRINKS BECOME MORE EXTRAVAGANT. #¨#¨#¨¨#¨#
¨#¨#¨#¨#¨# IT'S AT THIS POINT THAT THE SECOND SET #¨#¨#¨##¨#
¨#¨#¨#¨#¨# OF GUEST ARRIVES, VIA HELICOPTER - #¨#¨#¨¨#¨#
¨#¨#¨#¨#¨# AMATA TEXNOLOGIYASI AND THEIR FRIENDS. #¨#¨#¨##¨#
¨#¨#¨#¨#¨# #¨#¨#¨¨#¨#
¨#¨#¨#¨#¨# ~~~~~ #¨#¨#¨##¨#
¨#¨#¨#¨#¨# #¨#¨#¨¨#¨#
¨#¨#¨#¨#¨# IN MY DREAM I AM INVITED AS A FRIEND OF #¨#¨#¨##¨#
¨#¨#¨#¨#¨# ONE OF THE SERVERS, AND THUS SAFE. WE #¨#¨#¨¨#¨#
¨#¨#¨#¨#¨# SIT IN ONE OF THE LARGE WINDOWS, #¨#¨#¨##¨#
¨#¨#¨#¨#¨# LOOKING THROUGH THE MIST FOR ANY #¨#¨#¨¨#¨#
¨#¨#¨#¨#¨# LANDMARKS TO PIERCE THROUGH THE MIST. #¨#¨#¨##¨#
¨#¨#¨#¨#¨# SHE TELLS ME THAT APART FROM COMING AND #¨#¨#¨¨#¨#
¨#¨#¨#¨#¨# GOING FROM WORK, SHE'S NEVER SEEN THE #¨#¨#¨##¨#
¨#¨#¨#¨#¨# BUILDING FROM THE OUTSIDE. WE BOTH SIGH. #¨#¨#¨¨#¨#
¨#¨#¨#¨#¨# #¨#¨#¨##¨#
¨#¨#¨#¨#¨# THE NEXT DAY I AM INVITED TO THE PUBLIC #¨#¨#¨¨#¨#
¨#¨#¨#¨#¨# DEMONSTRATION OF THE EXOBUBBLE. #¨#¨#¨##¨#
¨#¨#¨#¨#¨# #¨#¨#¨¨#¨#
¨#¨#¨#¨#¨# #¨#¨#¨##¨#
¨#¨#¨#¨#¨# #¨#¨#¨¨#¨#
¨#¨#¨#¨#¨# #¨#¨#¨##¨#
¨#¨#¨#¨#¨# #¨#¨#¨¨#¨#