..@@.@@.@@ ..@@.@@...
..@.@@.@@. ..@.@@.@..
..@@@.@@.@ @.@@@.@@@.
..@..@@.@@ .@@..@@..@
@.@@.@.@@. @@.@.@.@.@
.@@.@@@@.@ =£=£=£=£=£=£=£=£=£=£=£=£=£=£=£=£=£=£=£=£ ..@@@@@@@@
@@.@@...@@ £= OPERATION CONTRASTING VALKYRIE £= ..@.......
@.@@.@..@. =£ IN THE SIXTIES. THE CENTRAL =£ @.@@......
@@@.@@@.@@ £= INTELLIGENCE AGENCY "CIA" RELEASE £= @@@.@.....
@..@@..@@. =£ AEROSOLIZED SELATENINE OVER A =£ @..@@@....
@@.@.@.@.@ £= JUPITER EQUINOX CONCERT, CREATING £= .@.@..@...
@.@@@@@@@@ =£ THE LARGEST SECRET PARADIGM SHIFT =£ .@@@@.@@..
@@@....... £= THAT THE WORLD HAS EVER »SEEN». £= @@...@@.@.
@..@...... =£=£=£=£=£=£=£=£=£=£=£=£=£=£=£=£=£=£=£=£ @.@..@.@@@
.@.@@..... .@@@.@@@..
.@@@.@.... THE JUPITER EQUINOX* CONCERT IS PART OF @@..@@..@.
.@..@@@... A FESTIVAL IN BLACK TICKLE ARRANGED BY ..@.@.@.@@
@@@.@..@.. A GROUP CALLED EPICENTER OF LOVE. THERE @.@@@@@@@.
@..@@@.@@. IS NO ENTRANCE BUT VISITORS ARE @@@......@
.@.@..@@.@ EXPECTED TO HELP WITH MAINTENANCE. FOOD @..@.....@
@@@@@.@.@@ AND DRINK IS SHARED. MANY BANDS ARE @@.@@....@
.....@@@@. PLAYING OVER THE FOUR DAY COURSE OF THE @.@@.@...@
@....@...@ FESTIVAL, AND THE STAGE IS OPEN BETWEEN @@@.@@@..@
.@...@@..@ SCHEDULED CONCERTS. JUPITER EQUINOX, @..@@..@.@
@@@..@.@.@ WHILE AN UNKNOWN ACT, HAS A PRESTIGIOUS .@.@.@.@@@
...@.@@@@@ TIMESLOT AT EIGHT IN THE EVENING ON THE @@@@@@@@..
...@@@.... THIRD DAY, WHICH IS FRIDAY. . . . @.......@.
...@..@... .@......@@
@..@@.@@.. EIGHT IS ALSO WHEN THE PLANE USED TO .@@.....@.
@@.@.@@.@. SPREAD THE AEROSOL LIFTS OFF. IT .@.@....@@
..@@@@.@@@ ARRIVES AT THE FESTIVAL ABOUT A QUARTER @@@@@...@.
..@...@@.. PAST, SOUND MASKED BY THE CONCERT. @....@..@@
@.@@..@.@. AROUND WHEN THE FIRST WAVE OF .@...@@.@.
@@@.@.@@@@ SELATENINE MUST HAVE REACHED THE @@@..@.@@@
...@@@@... AUDIENCE, THE SONG COMES TO A TENSE BUT @..@.@@@..
...@...@.. QUIET MOVEMENT, AND THE LEAD SINGER @@.@@@..@.
...@@..@@. WALKS TO THE FRONT OF THE STAGE. @.@@..@.@@
@..@.@.@.@ @@@.@.@@@.
@@.@@@@@@@ SHE SAYS, WITH A CRYSTALLINE VOICE: "I ...@@@@..@
..@@...... HAVE SOMETHING TO TELL YOU. I AM NOT A ...@...@.@
@.@.@..... HUMAN BEING. I AM NOT AN ANIMAL OR A @..@@..@@@
.@@@@@.... PLANT. I HAVE BEEN SENT TO DELIVER A @@.@.@.@..
.@....@... MESSAGE TO YOU. A MESSAGE OF HOPE. YOU @.@@@@@@@.
.@@...@@.. ARE NOT ALONE. THERE ARE OTHER BEINGS .@@......@
@@.@..@.@. IN THE UNIVERSE. THERE IS LIFE OUT .@.@.....@
..@@@.@@@@ THERE, LIFE THAT IS REACHING OUT A .@@@@....@
@.@..@@... HAND. AND IT'S TIME TO TAKE THAT HAND. @@...@...@
.@@@.@.@.. TO REACH OUT TOWARD THAT HAND AND GRAB ..@..@@..@
@@..@@@@@. IT IT. IT IS TIME TO COME HOME. YOU ARE ..@@.@.@.@
..@.@....@ GOING HOME. YOU ARE GOING HOME." @.@.@@@@@@
@.@@@@...@ .@@@@.....
@@@...@..@ THE SINGER STANDS THERE FOR A FEW .@...@....
@..@..@@.@ MOMENTS, HER HAND RAISED IN THE AIR, @@@..@@...
@@.@@.@.@@ BEFORE THE REST OF THE BAND KICKS IN @..@.@.@..
@.@@.@@@@. AND THE MUSIC BUILDS TO A CRESCENDO. .@.@@@@@@.
@@@.@@...@ THE CROWD ERUPTS. AND THEN SOMETHING .@@@.....@
...@@.@..@ ELSE ERUPTS AS WELL. A CONCERT-GOER @@..@....@
@..@.@@@.@ DESCRIBES IT: "SUDDENLY, THE MUSIC ..@.@@...@
.@.@@@..@@ SEAMS BROADER, MORE COLORFUL. I CAN ..@@@.@..@
@@@@..@.@. SOMEHOW SEE IT, AND I FEEL THE OTHERS @.@..@@@.@
....@.@@@@ SEEING IT, AND I SEE IT THROUGH THEIR @@@@.@..@@
@...@@@... EYES AS WELL. MEANWHILE I'M DANCING, @...@@@.@.
@@..@..@.. AND I CAN FEEL MY BODY AS I'VE NEVER @@..@..@@@
..@.@@.@@. DONE BEFORE, I AM AWARE OF EACH CELL ..@.@@.@..
..@@@.@@.@ AND EACH MOLECULE, ALL VIBRATING IN @.@@@.@@@.
..@..@@.@@ UNISON. AND IT'S ALL GOING FASTER, .@@..@@..@
@.@@.@.@@. BUILDING UP TO SOMETHING, WAKING UP." @@.@.@.@.@
.@@.@@@@.@ ..@@@@@@@@
@@.@@...@@ PEOPLE START FORMING CIRCLES, HOLDING ..@.......
@.@@.@..@. HANDS AND DANCING. SOME ARE CRYING. @.@@......
@@@.@@@.@@ SOME ARE LAUGHING. SOME ARE SCREAMING. @@@.@.....
@..@@..@@. @..@@@....
@@.@.@.@.@ AND THEN - A FLUTTER - AND SOMETHING .@.@..@...
@.@@@@@@@@ GIVES. A SHOCKWAVE OF REVERSING .@@@@.@@..
@@@....... POLARITY IN THE ETHER, AND LIKE @@...@@.@.
@..@...... BUTTERFLIES GETTING HIT BY A BURST OF @.@..@.@@@
.@.@@..... WIND, THE THIRD EYE OPENS FOR EVERYONE .@@@.@@@..
.@@@.@.... IN THE AUDIENCE. AND IT BECOMES A CHAIN @@..@@..@.
.@..@@@... REACTION, QUICKLY SPREADING ACROSS THE ..@.@.@.@@
@@@.@..@.. FESTIVAL AREA. WITHIN SECONDS THERE IS @.@@@@@@@.
@..@@@.@@. A GLOBAL BLACKOUT. FESTIVAL GOERS @@@......@
.@.@..@@.@ REGAIN THEIR MEMORIES AROUND A WEEK @..@.....@
@@@@@.@.@@ LATER, THOSE IN THE NEARBY TOWN OF @@.@@....@
.....@@@@. BLACK TICKLE AFTER A FEW DAYS, IN @.@@.@...@
@....@...@ MONTREAL FOR THE EVENING, THE REST OF @@@.@@@..@
.@...@@..@ AMERICA MAYBE AN HOUR. . . . . . @..@@..@.@
@@@..@.@.@ .@.@.@.@@@
...@.@@@@@ AND THUS, THE POPULATION OF EARTH @@@@@@@@..
...@@@.... HAS KIND OF LEFT IT'S MATERIALISTIC @.......@.
...@..@... BASELINE, ONLY THAT MOST DO NOT .@......@@
@..@@.@@.. REMEMBER IT. .@@.....@.
@@.@.@@.@. .@.@....@@
..@@@@.@@@ @@@@@...@.
..@...@@.. =£=£=£=£=£=£=£=£=£=£=£=£=£=£=£=£=£=£=£=£ @....@..@@
@.@@..@.@. £= * THERE'S AN INTERESTING ASPECT TO £= .@...@@.@.
@@@.@.@@@@ =£ THE "JUPITER EQUINOX" ACT. IT =£ @@@..@.@@@
...@@@@... £= SEEMS THERE WAS NEVER ANY £= @..@.@@@..
...@...@.. =£ JUPITER EQUINOX CONCERTS BEFORE OR =£ @@.@@@..@.
...@@..@@. £= AFTER THE ONE IN BLACK TICKLE. THE £= @.@@..@.@@
@..@.@.@.@ =£ LEAD SINGER (ALSO COLLOQUIALLY =£ @@@.@.@@@.
@@.@@@@@@@ £= REFERRED TO AS JUPITER) SEEMED TO £= ...@@@@..@
..@@...... =£ IMMEDIATELY DISAPPEAR (FOR A LONG =£ ...@...@.@
@.@.@..... £= WHILE SHE WAS THOUGHT TO HAVE BEEN £= @..@@..@@@
.@@@@@.... =£ A CIA AGENT, BUT A LATER FOIA =£ @@.@.@.@..
.@....@... £= RELEASE REFUTED THIS). FOR OBVIOUS £= @.@@@@@@@.
.@@...@@.. =£ REASONS, MANY WERE LOOKING FOR ANY =£ .@@......@
@@.@..@.@. £= TRACE OF THE BAND, BUT NONE £= .@.@.....@
..@@@.@@@@ =£ WERE FRUITFUL. =£ .@@@@....@
@.@..@@... £= £= @@...@...@
.@@@.@.@.. =£ RECENTLY, HOWEVER, SOME ATTENTION =£ ..@..@@..@
@@..@@@@@. £= HAS BEEN DRAWN TO JUNIPER HELDING, £= ..@@.@.@.@
..@.@....@ =£ A SIXTEEN YEAR OLD POP SINGER FROM =£ @.@.@@@@@@
@.@@@@...@ £= ENGLAND WHO HAS A VERY STRIKING £= .@@@@.....
@@@...@..@ =£ SIMILARITY... =£ .@...@....
@..@..@@.@ £=£=£=£=£=£=£=£=£=£=£=£=£=£=£=£=£=£=£=£= @@@..@@...
@@.@@.@.@@ @..@.@.@..
@.@@.@@@@. .@.@@@@@@.
@@@.@@...@ .@@@.....@
...@@.@..@ @@..@....@
@..@.@@@.@ ..@.@@...@