.¤¤¤.....¤ .¤...¤¤.¤¤
.¤.¤¤..... ..¤..¤¤.¤¤
...¤¤¤.... ¤..¤.¤¤.¤¤
¤..¤.¤¤... ¤¤...¤¤.¤¤
¤¤...¤¤¤.. ¤¤¤..¤¤.¤.
¤¤¤..¤.¤¤. THE SKYSCRAPER THAT MOVES ¤.¤¤.¤¤...
¤.¤¤...¤¤¤ ..¤¤.¤¤¤..
..¤¤¤..¤.¤ TAINARON IS A BUILDING OWNED AND ..¤¤.¤.¤¤.
..¤.¤¤...¤ OPERATED BY AMATA TEXNOLOGIYASI PLACED ..¤¤...¤¤¤
¤...¤¤¤..¤ CLOSED TO THE HARBOR IN MALMÖ. IT'S ¤.¤¤¤..¤.¤
¤¤..¤.¤¤.. ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ..¤.¤¤...¤
.¤¤...¤¤¤. UNKNOWN), DARK BLUE AND COMPLETELY ....¤¤¤..¤
.¤¤¤..¤.¤¤ RECTANGULAR. IT FEATURES NO SIGNS, ....¤.¤¤..
.¤.¤¤...¤¤ LIGHTS, OR ORNAMENTS, APART FROM A ......¤¤¤.
...¤¤¤..¤. HELIPAD ON TOP. MOST FLOORS HAVE ......¤.¤¤
¤..¤.¤¤... EXTERIOR WALLS COMPLETELY MADE OF GLASS. ........¤¤
¤¤...¤¤¤.. ........¤.
¤¤¤..¤.¤¤. IN LATE EVENINGS, SHROUDED BY MALMö'S ¤.........
¤.¤¤...¤¤¤ SIGNATURE FOG ROLLING IN FROM THE SEA, .¤........
..¤¤¤..¤.¤ THE BUILDING COMES TO LIFE: IT MOVES ON ..¤.......
..¤.¤¤...¤ A THOUSAND ROBOTIC LEGS TO ANOTHER ...¤......
....¤¤¤..¤ (SECRET) PART OF TOWN, OR PERHAPS OUT ....¤.....
....¤.¤¤.. TO SEA. THIS SIGNALS A NEW AND MORE .....¤....
......¤¤¤. VISCIOUS PHASE OF THE TAINARON ......¤...
......¤.¤¤ ECOSYSTEM. ¤......¤..
........¤¤ ¤¤......¤.
........¤. THE GUESTS ARRIVING DURING THE EARLY .¤¤......¤
¤......... EVENING ARE TREATED TO FOOD AND DRINK, .¤¤¤......
.¤........ LIVE MUSIC, BEATUTIFUL VIEWS, AND A .¤.¤¤.....
..¤....... COMFORTABLE BUT MAZE-LIKE INTERIOR ...¤¤¤....
...¤...... STRUCTURE (THE BUILDING FEATURES A ...¤.¤¤...
....¤..... MULTITUDE OF STAIRWELLS AND ELEVATORS, ¤....¤¤¤..
.....¤.... PLACED SEEMINGLY AT RANDOM, NONE GOING .¤...¤.¤¤.
......¤... FURTHER THAN A FEW FLOORS). ..¤....¤¤¤
¤......¤.. ¤..¤...¤.¤
¤¤......¤. AS TIME GOES ON, THE LIGHTS SLOWLY DIM, .¤..¤....¤
.¤¤......¤ UNTIL THE AIR INSIDE HAS TAKEN ON THE ..¤..¤...¤
.¤¤¤...... SAME QUALITY AS THE SURROUNDING MIST: ¤..¤..¤...
.¤.¤¤..... BLUE-GRAY, SPRINKLED WITH THE SMALL RED ¤¤..¤..¤..
...¤¤¤.... DOT'S BY DOOR LOCKS AND CONTROL PANELS. ¤¤¤..¤..¤.
...¤.¤¤... IF YOU WOULD LOOK THROUGH THE WINDOWS ¤.¤¤..¤..¤
¤....¤¤¤.. YOU WOULD SEE THE MIST ROLLING BY, AND ..¤¤¤..¤..
.¤...¤.¤¤. PERHAPS THE OUTLINE OF SOME OTHER ..¤.¤¤..¤.
..¤....¤¤¤ BUILDING, FAR BELOW. ¤...¤¤¤..¤
¤..¤...¤.¤ .¤..¤.¤¤..
.¤..¤....¤ DURING THE NIGHT, AFTER TAINARON HAS ..¤...¤¤¤.
..¤..¤...¤ STARTED MOVING, THE LOWER FLOORS ARE ...¤..¤.¤¤
¤..¤..¤... SHUT OFF, PREVENTING ENTRY OR EXIT FOR ....¤...¤¤
¤¤..¤..¤.. THE GUESTS. FOOD IS NO LONGER SERVED, .....¤..¤.
¤¤¤..¤..¤. BUT THE DRINKS BECOME MORE EXTRAVAGANT. ¤.....¤...
¤.¤¤..¤..¤ IT'S AT THIS POINT THAT THE SECOND SET ¤¤.....¤..
..¤¤¤..¤.. OF GUEST ARRIVES, VIA HELICOPTER - .¤¤.....¤.
..¤.¤¤..¤. AMATA TEXNOLOGIYASI AND THEIR FRIENDS. .¤¤¤.....¤
¤...¤¤¤..¤ .¤.¤¤.....
.¤..¤.¤¤.. ««««« ...¤¤¤....
..¤...¤¤¤. ¤..¤.¤¤...
...¤..¤.¤¤ IN MY DREAM I AM INVITED AS A FRIEND OF ¤¤...¤¤¤..
....¤...¤¤ ONE OF THE SERVERS, AND THUS SAFE. WE ¤¤¤..¤.¤¤.
.....¤..¤. SIT IN ONE OF THE LARGE WINDOWS, ¤.¤¤...¤¤¤
¤.....¤... LOOKING THROUGH THE MIST FOR ANY ..¤¤¤..¤.¤
¤¤.....¤.. LANDMARKS TO PIERCE THROUGH THE MIST. ..¤.¤¤...¤
.¤¤.....¤. SHE TELLS ME THAT APART FROM COMING AND ¤...¤¤¤..¤
.¤¤¤.....¤ GOING FROM WORK, SHE'S NEVER SEEN THE ¤¤..¤.¤¤..
.¤.¤¤..... BUILDING FROM THE OUTSIDE. WE BOTH SIGH. .¤¤...¤¤¤.
...¤¤¤.... .¤¤¤..¤.¤¤
¤..¤.¤¤... THE NEXT DAY I AM INVITED TO THE PUBLIC .¤.¤¤...¤¤
¤¤...¤¤¤.. DEMONSTRATION OF THE EXOBUBBLE. ...¤¤¤..¤.
¤¤¤..¤.¤¤. ¤..¤.¤¤...
¤.¤¤...¤¤¤ ¤¤...¤¤¤..
..¤¤¤..¤.¤ ¤¤¤..¤.¤¤.
..¤.¤¤...¤ ¤.¤¤...¤¤¤
¤...¤¤¤..¤ ..¤¤¤..¤.¤