,,,,,,,,~^ ^~,,,,,,,,
,,,,,,,~^$ $^~,,,,,,,
,,,,,,~^$$ $$^~,,,,,,
,,,,,~^$$& &$$^~,,,,,
,,,,~^$$&£ £&$$^~,,,,
,,,~^$$&£# THE SKYSCRAPER THAT MOVES #£&$$^~,,,
,,~^$$&£## ##£&$$^~,,
,,,~^$$&£# TAINARON IS A BUILDING OWNED AND #£&$$^~,,,
,,,,~^$$&£ OPERATED BY AMATA TEXNOLOGIYASI PLACED £&$$^~,,,,
,,,,,~^$$& CLOSED TO THE HARBOR IN MALMÖ. IT'S &$$^~,,,,,
,,,,,,~^$$ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER $$^~,,,,,,
,,,,,,,~^$ UNKNOWN), DARK BLUE AND COMPLETELY $^~,,,,,,,
,,,,,,,,~^ RECTANGULAR. IT FEATURES NO SIGNS, ^~,,,,,,,,
,,,,,,,,,~ LIGHTS, OR ORNAMENTS, APART FROM A ~,,,,,,,,,
,,,,,,,,~^ HELIPAD ON TOP. MOST FLOORS HAVE ^~,,,,,,,,
,,,,,,,~^$ EXTERIOR WALLS COMPLETELY MADE OF GLASS. $^~,,,,,,,
,,,,,,~^$$ $$^~,,,,,,
,,,,,~^$$& IN LATE EVENINGS, SHROUDED BY MALMö'S &$$^~,,,,,
,,,,~^$$&£ SIGNATURE FOG ROLLING IN FROM THE SEA, £&$$^~,,,,
,,,~^$$&£# THE BUILDING COMES TO LIFE: IT MOVES ON #£&$$^~,,,
,,~^$$&£## A THOUSAND ROBOTIC LEGS TO ANOTHER ##£&$$^~,,
,,,~^$$&£# (SECRET) PART OF TOWN, OR PERHAPS OUT #£&$$^~,,,
,,,,~^$$&£ TO SEA. THIS SIGNALS A NEW AND MORE £&$$^~,,,,
,,,,,~^$$& VISCIOUS PHASE OF THE TAINARON &$$^~,,,,,
,,,,,,~^$$ ECOSYSTEM. $$^~,,,,,,
,,,,,,,~^$ $^~,,,,,,,
,,,,,,,,~^ THE GUESTS ARRIVING DURING THE EARLY ^~,,,,,,,,
,,,,,,,,,~ EVENING ARE TREATED TO FOOD AND DRINK, ~,,,,,,,,,
,,,,,,,,~^ LIVE MUSIC, BEATUTIFUL VIEWS, AND A ^~,,,,,,,,
,,,,,,,~^$ COMFORTABLE BUT MAZE-LIKE INTERIOR $^~,,,,,,,
,,,,,,~^$$ STRUCTURE (THE BUILDING FEATURES A $$^~,,,,,,
,,,,,~^$$& MULTITUDE OF STAIRWELLS AND ELEVATORS, &$$^~,,,,,
,,,,~^$$&£ PLACED SEEMINGLY AT RANDOM, NONE GOING £&$$^~,,,,
,,,~^$$&£# FURTHER THAN A FEW FLOORS). #£&$$^~,,,
,,~^$$&£## ##£&$$^~,,
,,,~^$$&£# AS TIME GOES ON, THE LIGHTS SLOWLY DIM, #£&$$^~,,,
,,,,~^$$&£ UNTIL THE AIR INSIDE HAS TAKEN ON THE £&$$^~,,,,
,,,,,~^$$& SAME QUALITY AS THE SURROUNDING MIST: &$$^~,,,,,
,,,,,,~^$$ BLUE-GRAY, SPRINKLED WITH THE SMALL RED $$^~,,,,,,
,,,,,,,~^$ DOT'S BY DOOR LOCKS AND CONTROL PANELS. $^~,,,,,,,
,,,,,,,,~^ IF YOU WOULD LOOK THROUGH THE WINDOWS ^~,,,,,,,,
,,,,,,,,,~ YOU WOULD SEE THE MIST ROLLING BY, AND ~,,,,,,,,,
,,,,,,,,~^ PERHAPS THE OUTLINE OF SOME OTHER ^~,,,,,,,,
,,,,,,,~^$ BUILDING, FAR BELOW. $^~,,,,,,,
,,,,,,~^$$ $$^~,,,,,,
,,,,,~^$$& DURING THE NIGHT, AFTER TAINARON HAS &$$^~,,,,,
,,,,~^$$&£ STARTED MOVING, THE LOWER FLOORS ARE £&$$^~,,,,
,,,~^$$&£# SHUT OFF, PREVENTING ENTRY OR EXIT FOR #£&$$^~,,,
,,~^$$&£## THE GUESTS. FOOD IS NO LONGER SERVED, ##£&$$^~,,
,,,~^$$&£# BUT THE DRINKS BECOME MORE EXTRAVAGANT. #£&$$^~,,,
,,,,~^$$&£ IT'S AT THIS POINT THAT THE SECOND SET £&$$^~,,,,
,,,,,~^$$& OF GUEST ARRIVES, VIA HELICOPTER - &$$^~,,,,,
,,,,,,~^$$ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. $$^~,,,,,,
,,,,,,,~^$ $^~,,,,,,,
,,,,,,,,~^ ~~~~~ ^~,,,,,,,,
,,,,,,,,,~ ~,,,,,,,,,
,,,,,,,,~^ IN MY DREAM I AM INVITED AS A FRIEND OF ^~,,,,,,,,
,,,,,,,~^$ ONE OF THE SERVERS, AND THUS SAFE. WE $^~,,,,,,,
,,,,,,~^$$ SIT IN ONE OF THE LARGE WINDOWS, $$^~,,,,,,
,,,,,~^$$& LOOKING THROUGH THE MIST FOR ANY &$$^~,,,,,
,,,,~^$$&£ LANDMARKS TO PIERCE THROUGH THE MIST. £&$$^~,,,,
,,,~^$$&£# SHE TELLS ME THAT APART FROM COMING AND #£&$$^~,,,
,,~^$$&£## GOING FROM WORK, SHE'S NEVER SEEN THE ##£&$$^~,,
,,,~^$$&£# BUILDING FROM THE OUTSIDE. WE BOTH SIGH. #£&$$^~,,,
,,,,~^$$&£ £&$$^~,,,,
,,,,,~^$$& THE NEXT DAY I AM INVITED TO THE PUBLIC &$$^~,,,,,
,,,,,,~^$$ DEMONSTRATION OF THE EXOBUBBLE. $$^~,,,,,,
,,,,,,,~^$ $^~,,,,,,,
,,,,,,,,~^ ^~,,,,,,,,
,,,,,,,,,~ ~,,,,,,,,,
,,,,,,,,~^ ^~,,,,,,,,
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