¨,-=$$@@## ##@@$$=-,¨
¨,-=$$$$@@ @@$$$$=-,¨
¨,-=$$@@@@ @@@@$$=-,¨
¨,-=$$$$@@ @@$$$$=-,¨
¨,-=$$@@@@ @@@@$$=-,¨
¨,-=$$@@@# THE SKYSCRAPER THAT MOVES #@@@$$=-,¨
¨,-=$$@@## ##@@$$=-,¨
,-=$$@@### TAINARON IS A BUILDING OWNED AND ###@@$$=-,
¨¨¨¨¨¨,=$@ OPERATED BY AMATA TEXNOLOGIYASI PLACED @$=,¨¨¨¨¨¨
¨,-===$@@@ CLOSED TO THE HARBOR IN MALMÖ. IT'S @@@$===-,¨
¨¨¨,=$$$@@ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER @@$$$=,¨¨¨
¨¨¨¨,=$$$@ UNKNOWN), DARK BLUE AND COMPLETELY @$$$=,¨¨¨¨
¨¨¨¨¨-=$@@ RECTANGULAR. IT FEATURES NO SIGNS, @@$=-¨¨¨¨¨
¨,-=$$@@## LIGHTS, OR ORNAMENTS, APART FROM A ##@@$$=-,¨
¨,-=$$@@## HELIPAD ON TOP. MOST FLOORS HAVE ##@@$$=-,¨
¨¨¨¨¨-=$$@ EXTERIOR WALLS COMPLETELY MADE OF GLASS. @$$=-¨¨¨¨¨
¨,-=$$$@@@ @@@$$$=-,¨
,-=$$@@### IN LATE EVENINGS, SHROUDED BY MALMö'S ###@@$$=-,
¨,-=$$@@## SIGNATURE FOG ROLLING IN FROM THE SEA, ##@@$$=-,¨
¨¨¨¨¨¨-$@@ THE BUILDING COMES TO LIFE: IT MOVES ON @@$-¨¨¨¨¨¨
¨,-=$$@### A THOUSAND ROBOTIC LEGS TO ANOTHER ###@$$=-,¨
¨,-=$$@@## (SECRET) PART OF TOWN, OR PERHAPS OUT ##@@$$=-,¨
¨¨¨,-=$$$@ TO SEA. THIS SIGNALS A NEW AND MORE @$$$=-,¨¨¨
¨¨¨¨¨,-$$@ VISCIOUS PHASE OF THE TAINARON @$$-,¨¨¨¨¨
¨,-=$$@@## ECOSYSTEM. ##@@$$=-,¨
¨,-=$$@@## ##@@$$=-,¨
¨,-=$$$$$@ THE GUESTS ARRIVING DURING THE EARLY @$$$$$=-,¨
¨¨¨¨¨¨-=$@ EVENING ARE TREATED TO FOOD AND DRINK, @$=-¨¨¨¨¨¨
¨¨¨,--$@@# LIVE MUSIC, BEATUTIFUL VIEWS, AND A #@@$--,¨¨¨
¨¨¨---$$@@ COMFORTABLE BUT MAZE-LIKE INTERIOR @@$$---¨¨¨
¨¨¨¨¨,=$@@ STRUCTURE (THE BUILDING FEATURES A @@$=,¨¨¨¨¨
¨,-=$$$@@# MULTITUDE OF STAIRWELLS AND ELEVATORS, #@@$$$=-,¨
¨,-=$$@@@# PLACED SEEMINGLY AT RANDOM, NONE GOING #@@@$$=-,¨
¨,-===$$@# FURTHER THAN A FEW FLOORS). #@$$===-,¨
¨,-=$$@@## ##@@$$=-,¨
¨¨¨¨¨---$@ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, @$---¨¨¨¨¨
¨,-=$$@@## UNTIL THE AIR INSIDE HAS TAKEN ON THE ##@@$$=-,¨
¨,-=$$@@## SAME QUALITY AS THE SURROUNDING MIST: ##@@$$=-,¨
¨,-=$$@@## BLUE-GRAY, SPRINKLED WITH THE SMALL RED ##@@$$=-,¨
¨,-=$$@@@@ DOT'S BY DOOR LOCKS AND CONTROL PANELS. @@@@$$=-,¨
¨,-=$$@### IF YOU WOULD LOOK THROUGH THE WINDOWS ###@$$=-,¨
¨,-=$$@@@# YOU WOULD SEE THE MIST ROLLING BY, AND #@@@$$=-,¨
¨,-=$$@@@@ PERHAPS THE OUTLINE OF SOME OTHER @@@@$$=-,¨
¨,-=$$@@## BUILDING, FAR BELOW. ##@@$$=-,¨
¨¨¨¨¨,,=$@ @$=,,¨¨¨¨¨
¨,-=$$@@## DURING THE NIGHT, AFTER TAINARON HAS ##@@$$=-,¨
¨¨¨¨,---$@ STARTED MOVING, THE LOWER FLOORS ARE @$---,¨¨¨¨
¨¨,----=$@ SHUT OFF, PREVENTING ENTRY OR EXIT FOR @$=----,¨¨
¨,-=$$@@## THE GUESTS. FOOD IS NO LONGER SERVED, ##@@$$=-,¨
¨,-=$$@@@@ BUT THE DRINKS BECOME MORE EXTRAVAGANT. @@@@$$=-,¨
¨¨¨¨,-$$@@ IT'S AT THIS POINT THAT THE SECOND SET @@$$-,¨¨¨¨
¨,-=$$@@## OF GUEST ARRIVES, VIA HELICOPTER - ##@@$$=-,¨
¨,-=$$$@@# AMATA TEXNOLOGIYASI AND THEIR FRIENDS. #@@$$$=-,¨
¨,-=$@@### ###@@$=-,¨
¨,-=$$@@@# ----- #@@@$$=-,¨
¨,-=$$@@## ##@@$$=-,¨
¨¨¨¨,-$$@@ IN MY DREAM I AM INVITED AS A FRIEND OF @@$$-,¨¨¨¨
¨,-=$@@### ONE OF THE SERVERS, AND THUS SAFE. WE ###@@$=-,¨
¨,-=$$@@## SIT IN ONE OF THE LARGE WINDOWS, ##@@$$=-,¨
¨¨¨¨¨¨-$@@ LOOKING THROUGH THE MIST FOR ANY @@$-¨¨¨¨¨¨
¨,-=====$@ LANDMARKS TO PIERCE THROUGH THE MIST. @$=====-,¨
¨,-=$$@@## SHE TELLS ME THAT APART FROM COMING AND ##@@$$=-,¨
¨,-=$@@### GOING FROM WORK, SHE'S NEVER SEEN THE ###@@$=-,¨
¨,-=$$@@## BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ##@@$$=-,¨
¨,-=$$$$@# #@$$$$=-,¨
¨¨¨¨,--$$@ THE NEXT DAY I AM INVITED TO THE PUBLIC @$$--,¨¨¨¨
¨,-=$$@@## DEMONSTRATION OF THE EXOBUBBLE. ##@@$$=-,¨
¨¨¨¨,=$@@@ @@@$=,¨¨¨¨
¨¨¨¨,---$@ @$---,¨¨¨¨
¨,-=$$@@## ##@@$$=-,¨
¨,-=$$@@## ##@@$$=-,¨
¨¨¨¨¨¨¨-$@ @$-¨¨¨¨¨¨¨