....««^@&@ @&@^««....
.,«†^^^@@@ @@@^^^†«,.
.,«†^@&@@# #@@&@^†«,.
.,«†^@&@## ##@&@^†«,.
.,,,«^@&@@ @@&@^«,,,.
.,«†^@&@@@ THE SKYSCRAPER THAT MOVES @@@&@^†«,.
.,«†^@@@## ##@@@^†«,.
.,«†^@&@@@ TAINARON IS A BUILDING OWNED AND @@@&@^†«,.
.,«†^@&@@# OPERATED BY AMATA TEXNOLOGIYASI PLACED #@@&@^†«,.
....,†@@&& CLOSED TO THE HARBOR IN MALMÖ. IT'S &&@@†,....
.,,,,,†@&@ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER @&@†,,,,,.
.....,†^&& UNKNOWN), DARK BLUE AND COMPLETELY &&^†,.....
.,,««†^@@@ RECTANGULAR. IT FEATURES NO SIGNS, @@@^†««,,.
...,,,†@&& LIGHTS, OR ORNAMENTS, APART FROM A &&@†,,,...
.,«««†@&@@ HELIPAD ON TOP. MOST FLOORS HAVE @@&@†«««,.
.,«†^@&@@# EXTERIOR WALLS COMPLETELY MADE OF GLASS. #@@&@^†«,.
.,«†^@&@@# #@@&@^†«,.
.,«†^@&@@# IN LATE EVENINGS, SHROUDED BY MALMö'S #@@&@^†«,.
.,««††^&@@ SIGNATURE FOG ROLLING IN FROM THE SEA, @@&^††««,.
.....,†^@@ THE BUILDING COMES TO LIFE: IT MOVES ON @@^†,.....
..,,,«†^&@ A THOUSAND ROBOTIC LEGS TO ANOTHER @&^†«,,,..
.,«†^@&@@# (SECRET) PART OF TOWN, OR PERHAPS OUT #@@&@^†«,.
.,«†^@&@@# TO SEA. THIS SIGNALS A NEW AND MORE #@@&@^†«,.
.,«†^@&@@@ VISCIOUS PHASE OF THE TAINARON @@@&@^†«,.
.,«†^@&@@# ECOSYSTEM. #@@&@^†«,.
.,«††^^@&@ @&@^^††«,.
.,««†^@@&@ THE GUESTS ARRIVING DURING THE EARLY @&@@^†««,.
.,«†^@&@@@ EVENING ARE TREATED TO FOOD AND DRINK, @@@&@^†«,.
.,«†^&@@## LIVE MUSIC, BEATUTIFUL VIEWS, AND A ##@@&^†«,.
....«««†@& COMFORTABLE BUT MAZE-LIKE INTERIOR &@†«««....
....,,«^@@ STRUCTURE (THE BUILDING FEATURES A @@^«,,....
.,«†^@&@## MULTITUDE OF STAIRWELLS AND ELEVATORS, ##@&@^†«,.
..,,«^^@@& PLACED SEEMINGLY AT RANDOM, NONE GOING &@@^^«,,..
.,«†^@&@@# FURTHER THAN A FEW FLOORS). #@@&@^†«,.
...,††^@&& &&@^††,...
.,«†^@@@## AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ##@@@^†«,.
.,«†^@&@@# UNTIL THE AIR INSIDE HAS TAKEN ON THE #@@&@^†«,.
.,«†^@&@@@ SAME QUALITY AS THE SURROUNDING MIST: @@@&@^†«,.
.,«†^^^@&& BLUE-GRAY, SPRINKLED WITH THE SMALL RED &&@^^^†«,.
....,«††^& DOT'S BY DOOR LOCKS AND CONTROL PANELS. &^††«,....
.,«†^@&@## IF YOU WOULD LOOK THROUGH THE WINDOWS ##@&@^†«,.
.,«†^@&@@# YOU WOULD SEE THE MIST ROLLING BY, AND #@@&@^†«,.
.,«†^@@&@@ PERHAPS THE OUTLINE OF SOME OTHER @@&@@^†«,.
.,«†^@&@## BUILDING, FAR BELOW. ##@&@^†«,.
....,††^&@ @&^††,....
.,«††^^@@@ DURING THE NIGHT, AFTER TAINARON HAS @@@^^††«,.
.,,,«†@@@@ STARTED MOVING, THE LOWER FLOORS ARE @@@@†«,,,.
.,«†^@&@## SHUT OFF, PREVENTING ENTRY OR EXIT FOR ##@&@^†«,.
.,«†^@&&&& THE GUESTS. FOOD IS NO LONGER SERVED, &&&&@^†«,.
......,†^& BUT THE DRINKS BECOME MORE EXTRAVAGANT. &^†,......
......,†@@ IT'S AT THIS POINT THAT THE SECOND SET @@†,......
.,«†^@&@@# OF GUEST ARRIVES, VIA HELICOPTER - #@@&@^†«,.
.,«†^@&@## AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ##@&@^†«,.
.«†^@&@@## ##@@&@^†«.
.....,,†@& ««««« &@†,,.....
...,,««^&@ @&^««,,...
.,«†^@&@@# IN MY DREAM I AM INVITED AS A FRIEND OF #@@&@^†«,.
.,«†^@&@@# ONE OF THE SERVERS, AND THUS SAFE. WE #@@&@^†«,.
.,«†^@&@@@ SIT IN ONE OF THE LARGE WINDOWS, @@@&@^†«,.
.,«†^@&@@# LOOKING THROUGH THE MIST FOR ANY #@@&@^†«,.
....,,«^&@ LANDMARKS TO PIERCE THROUGH THE MIST. @&^«,,....
.,«†^&@@## SHE TELLS ME THAT APART FROM COMING AND ##@@&^†«,.
.,«†^@&@@# GOING FROM WORK, SHE'S NEVER SEEN THE #@@&@^†«,.
.,«†^@&@@# BUILDING FROM THE OUTSIDE. WE BOTH SIGH. #@@&@^†«,.
.,«†@&@@## ##@@&@†«,.
.,«†^@&@@# THE NEXT DAY I AM INVITED TO THE PUBLIC #@@&@^†«,.
....,,†^^& DEMONSTRATION OF THE EXOBUBBLE. &^^†,,....
.,«†^^^^@& &@^^^^†«,.
.,«†^^@&@@ @@&@^^†«,.
....«««†@& &@†«««....
.,«†^@&@@@ @@@&@^†«,.
.,«†^@&&&& &&&&@^†«,.