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#@@&£^\«-. THE SKYSCRAPER THAT MOVES .-«\^£&@@#
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@&£^\«-... TAINARON IS A BUILDING OWNED AND ...-«\^£&@
@@&£^\«-.. OPERATED BY AMATA TEXNOLOGIYASI PLACED ..-«\^£&@@
#@@&£^\«-. CLOSED TO THE HARBOR IN MALMÖ. IT'S .-«\^£&@@#
@@&£^\«-.. ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ..-«\^£&@@
@&£^\«-... UNKNOWN), DARK BLUE AND COMPLETELY ...-«\^£&@
@@&£^\«-.. RECTANGULAR. IT FEATURES NO SIGNS, ..-«\^£&@@
#@@&£^\«-. LIGHTS, OR ORNAMENTS, APART FROM A .-«\^£&@@#
@@&£^\«-.. HELIPAD ON TOP. MOST FLOORS HAVE ..-«\^£&@@
@&£^\«-... EXTERIOR WALLS COMPLETELY MADE OF GLASS. ...-«\^£&@
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#@@&£^\«-. IN LATE EVENINGS, SHROUDED BY MALMö'S .-«\^£&@@#
@@&£^\«-.. SIGNATURE FOG ROLLING IN FROM THE SEA, ..-«\^£&@@
@&£^\«-... THE BUILDING COMES TO LIFE: IT MOVES ON ...-«\^£&@
@@&£^\«-.. A THOUSAND ROBOTIC LEGS TO ANOTHER ..-«\^£&@@
#@@&£^\«-. (SECRET) PART OF TOWN, OR PERHAPS OUT .-«\^£&@@#
@@&£^\«-.. TO SEA. THIS SIGNALS A NEW AND MORE ..-«\^£&@@
@&£^\«-... VISCIOUS PHASE OF THE TAINARON ...-«\^£&@
@@&£^\«-.. ECOSYSTEM. ..-«\^£&@@
#@@&£^\«-. .-«\^£&@@#
@@&£^\«-.. THE GUESTS ARRIVING DURING THE EARLY ..-«\^£&@@
@&£^\«-... EVENING ARE TREATED TO FOOD AND DRINK, ...-«\^£&@
@@&£^\«-.. LIVE MUSIC, BEATUTIFUL VIEWS, AND A ..-«\^£&@@
#@@&£^\«-. COMFORTABLE BUT MAZE-LIKE INTERIOR .-«\^£&@@#
@@&£^\«-.. STRUCTURE (THE BUILDING FEATURES A ..-«\^£&@@
@&£^\«-... MULTITUDE OF STAIRWELLS AND ELEVATORS, ...-«\^£&@
@@&£^\«-.. PLACED SEEMINGLY AT RANDOM, NONE GOING ..-«\^£&@@
#@@&£^\«-. FURTHER THAN A FEW FLOORS). .-«\^£&@@#
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@&£^\«-... AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ...-«\^£&@
@@&£^\«-.. UNTIL THE AIR INSIDE HAS TAKEN ON THE ..-«\^£&@@
#@@&£^\«-. SAME QUALITY AS THE SURROUNDING MIST: .-«\^£&@@#
@@&£^\«-.. BLUE-GRAY, SPRINKLED WITH THE SMALL RED ..-«\^£&@@
@&£^\«-... DOT'S BY DOOR LOCKS AND CONTROL PANELS. ...-«\^£&@
@@&£^\«-.. IF YOU WOULD LOOK THROUGH THE WINDOWS ..-«\^£&@@
#@@&£^\«-. YOU WOULD SEE THE MIST ROLLING BY, AND .-«\^£&@@#
@@&£^\«-.. PERHAPS THE OUTLINE OF SOME OTHER ..-«\^£&@@
@&£^\«-... BUILDING, FAR BELOW. ...-«\^£&@
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#@@&£^\«-. DURING THE NIGHT, AFTER TAINARON HAS .-«\^£&@@#
@@&£^\«-.. STARTED MOVING, THE LOWER FLOORS ARE ..-«\^£&@@
@&£^\«-... SHUT OFF, PREVENTING ENTRY OR EXIT FOR ...-«\^£&@
@@&£^\«-.. THE GUESTS. FOOD IS NO LONGER SERVED, ..-«\^£&@@
#@@&£^\«-. BUT THE DRINKS BECOME MORE EXTRAVAGANT. .-«\^£&@@#
@@&£^\«-.. IT'S AT THIS POINT THAT THE SECOND SET ..-«\^£&@@
@&£^\«-... OF GUEST ARRIVES, VIA HELICOPTER - ...-«\^£&@
@@&£^\«-.. AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ..-«\^£&@@
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@@&£^\«-.. IN MY DREAM I AM INVITED AS A FRIEND OF ..-«\^£&@@
#@@&£^\«-. ONE OF THE SERVERS, AND THUS SAFE. WE .-«\^£&@@#
@@&£^\«-.. SIT IN ONE OF THE LARGE WINDOWS, ..-«\^£&@@
@&£^\«-... LOOKING THROUGH THE MIST FOR ANY ...-«\^£&@
@@&£^\«-.. LANDMARKS TO PIERCE THROUGH THE MIST. ..-«\^£&@@
#@@&£^\«-. SHE TELLS ME THAT APART FROM COMING AND .-«\^£&@@#
@@&£^\«-.. GOING FROM WORK, SHE'S NEVER SEEN THE ..-«\^£&@@
@&£^\«-... BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ...-«\^£&@
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#@@&£^\«-. THE NEXT DAY I AM INVITED TO THE PUBLIC .-«\^£&@@#
@@&£^\«-.. DEMONSTRATION OF THE EXOBUBBLE. ..-«\^£&@@
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