£%%:^,,,,,                                          ,,,,,^:%%£
##@£*%:-^,                                          ,^-:%*£@##
##@#£*%-^,                                          ,^-%*£#@##
@#*:^^,,,,                                          ,,,,^^:*#@
£%::-,,,,,                                          ,,,,,-::%£
##@#*%:-^, the  feeling fo "somethign is wrong with ,^-:%*#@##
@£%-^,,,,, the  world"  - in a  very  profound way, ,,,,,^-%£@
£****%:-^,   in a doubt-your-every-qualia way, it   ,^-:%****£
#@#£*%:-^, never dissipated. just  grew used to it, ,^-:%*£#@#
#@#£*%:-^,                numb to it                ,^-:%*£#@#
£%%%%-,,,,                                          ,,,,-%%%%£
@@#£*%:-^,   maybe even filtered subconsciously to  ,^-:%*£#@@
#@#£*%:-^,      relieve the growing tension and     ,^-:%*£#@#
#@#£*%:-^,             disillusionment              ,^-:%*£#@#
@@#£*%:-^,                                          ,^-:%*£#@@
@#££*%:-^, that's  perhaps  the  draw  of  stories, ,^-:%*££#@
##@#£*%-^,  mysteries and "magiscal realism", most  ,^-%*£#@##
#@#£*%:-^, horror   stories   even   -   there   is ,^-:%*£#@#
##@#*%:-^,   confirmation. something really ^is^    ,^-:%*#@##
#@#£*%:-^, there.  what it is is not that important ,^-:%*£#@#
#£***%:-^,                                          ,^-:%***£#
#*:^^^,,,,                                          ,,,,^^^:*#
@££*::^,,,                                          ,,,^::*££@
#@#£*%:-^,                                          ,^-:%*£#@#
###£*%:-^,                                          ,^-:%*£###