,-=/=£¤### ###¤£=/=-,
..«*$@£$@@ @@$£@$*«..
.,¨...~:§# #§:~...¨,.
.,,.,--^*§ §*^--,.,,.
..^,«-%£*# #*£%-«,^..
¨¨,,,,,-%& statuette &%-,,,,,¨¨
.-=\†%@@## ##@@%†\=-.
.,-^*¤@### $%§§£&&£¤££$*%£@~«=-»»-=£%¤*$££*%§§$&£$$ ###@¤*^-,.
,..-==£$@# $*%*@£¤@$ #@$£==-..,
,~«\*£§@## ##@§£*\«~,
¨:=†=§¤#@# forests around my childhood home. thick #@#¤§=†=:¨
¨,¨.-~**§# pine arcades that were planted and #§**~-.¨,¨
¨,-:†$£¤¶# forgotten. wild boars roaming #¶¤£$†:-,¨
¨.,.¨,,=*# underneath, sniffing at the ground. it #*=,,¨.,.¨
.:~†$¤§@@# is dark and moist, the canopy having #@@§¤$†~:.
..,^^=:%££ already soaked up all the sun. ££%:=^^,..
¨,=\=£#### ####£=\=,¨
¨.,,¨,,»§¤ there's a river passing by, from east ¤§»,,¨,,.¨
,^-/*%#@@# to west, getting broader and deeper and #@@#%*/-^,
¨~»†$¤£### slower as it goes. equisetum grow just ###£¤$†»~¨
..¨.¨«*$*@ where the pine hands start to let @*$*«¨.¨..
,.,.«»^^#@ through light, horsemint on the rocky @#^^»«.,.,
¨^~»;\%£&¶ river bed. ¶&£%\;»~^¨
,:,,~\£@££ ££@£\~,,:,
,,==^*¤¶@# = #@¶¤*^==,,
,.¨..~:$ #&$:~..¨.,
.~^%§&@### the riverbanks reek of magic. tonight ###@&§%^~.
,~~:^%&¤@@ they had been a swampworld with sylvan @@¤&%^:~~,
.,..¨~^*¤¶ water, stone rings and floating moss. ¶¤*^~¨..,.
,-=«\//£#& you could've found me wallowing around £//\«=-,
,,~\$$§### on the southern shores until i got ###§$$\~,,
,^«\§$&@@# bitten. #@@&$§\«^,
.^~:^%@### ###@%^:~^.
,.=*%#¶### but now i'm further back, on solid ###¶#%*=.,
¨,,:==%§@# ground, in shoulder-high grass, with an #@§%==:,,¨
¨.-=†%$%¶@ orange tin radio and a translucent @¶%$%†=-.¨
¨:~;%£@£## umbrella which i'm sitting on. ##£@£%;~:¨
¨-»:§### ####&§:»-¨
¨,~*%$@¶## \ ##¶@$%*~,¨
..»*\;:§£@ @£§:;\*»..
¨¨,,,^~§$£ somethings moving in the grass. it's £$§~^,,,¨¨
,^~**&@### invisible to my eyes but i can feel ###@&**~^,
.,-\%%@### through the ground just how large it is. ###@%%\-,.
¨¨¨.»*£@££ ££@£*».¨¨¨
.¨¨,,,~^ the soil is muddy. i slip when trying #&^~,,,¨¨.
,-~\*§¤@@@ to get up, still looking at the @@@¤§*\~-,
.,~**@¤¶## direction of sound rather than at my ##¶¤@**~,.
,¨,:=^*:§& hands, who are busy putting things in &§:*^=:,¨,
¨..¨.~*££& my pockets. &££*~.¨..¨
.,..,-:§ #&§:-,..,.
¨,.~~=†%£# then i run east toward my home. #£%†=~~.,¨
.,,¨:«†*£@ @£*†«:¨,,.
,-«†*$¤### \ ###¤$*†«-,
..«^*§¤@£# #£@¤§*^«..
,~«\*§§### i am not followed, and slow down in the ###§§*\«~,
¨,»=/^†$$§ clearing where you at first can spot §$$†^/=»,¨
,~=*†&§### the house, not yet really in the ###§&†*=~,
¨-=†%£§### backyard. from my pockets i retrieve my ###§£%†=-¨
.,.:^†:/†§ radio (now dented) but also a small §†/:†^:.,.
¨-~^%*@#@@ clay figure i've never seen before. it @@#@*%^~-¨
¨.-/*%&@## must have been laying in the wet dirt, ##@&%*/-.¨
.^~:†£§@## and i must've picked it up with my ##@§£†:~^.
.,...,^«$# other belongings. #$«^,...,.
¨-»;§*@### ###@*§;»-¨
.,~:**££@# it's a statuette of a girl laying naked #@££**:~,.
.^«:=£#@## on her stomach, feet in the air, ##@#£=:«^.
¨.»*%$§£## roughly seven centimeters long. it's ##£§$%*».¨
¨,.-,=^¤¤# freshly made, not yet completely dried. #¤¤^=,-.,¨
.¨,.-^:%@@ @@%:^-.,¨.
¨:~*%@¤@## my mom is here now. i ask her for some ##@¤@%*~:¨
¨,~~.-*@## particle board for it to dry on, but ##@*-.~~,¨
,,=†*£@#@# she is worried and wants me to #@#@£*†=,,
¨,«/*$@### throw it away. ###@$*/«,¨
¨.~^=¤§### ###§¤=^~.¨
¨.-=*£@# #@£#&*=-.¨
,~=:†%@£@# #@£@%†:=~,
¨-«=*%#@ @##&%*=«-¨
,,,:=**¤§¤ ¤§¤**=:,,,
,¨,,.==†¤¤ ¤¤†==.,,¨,