,,¨¨,&@,¨, ,..¨¨..¨.@
¨@@#.,.,@# ¤@¤#§§¨.
,,¤¨,£#.¨@ @§@£¤¤£..§
.,..,,,¨., &£#£¤¤,¨¨.
@££&¤§##§& #£@.,¤£§
&§&&¤#@@ statuette @@&@¨.,.§#
§¤§&£¤&¤&£ £&£¨,@@..¤
#¤¤&¤§@§@¤ $@$%§$%&¤&¤&$$*§»~-««-~«%$&*££*¤§$$§£@£§ @¤,¨.,,¨..
¨&¤&¤§#£¤& %%&£@$£$$ .¨¨&§§@.
,.&§#@¤¤¤¤ §¤,,£¤£&.,
@,.@&££# forests around my childhood home. thick ,.¨.,&@,.&
,..¨@¤¤££. pine arcades that were planted and £@&£¨¨.,,.
¤@¤.,£&§.¨ forgotten. wild boars roaming ,@£,¨&¤&§§
¤&.,,¨£,¨¨ underneath, sniffing at the ground. it .,.¨¨.¤@£¤
£..§£.,.£§ is dark and moist, the canopy having ££#@¤,,§§@
.¨,¨,¨&.¨, already soaked up all the sun. ¤§£@,.,.
¨£§¤£¨.¨¤§ .£#.,@#.¨,
¨¨#£.¨£¨,¨ there's a river passing by, from east ¨.¨,,¨..@&
,¨..¨¨¨¨§£ to west, getting broader and deeper and ##§£¤&&.¨¨
¤¤¤@£§@,.. slower as it goes. equisetum grow just §§¤¤&¤,¨£&
##¤£§£,,££ where the pine hands start to let .&§£#,..,&
#¤##§,¨.,, through light, horsemint on the rocky ..¤#¨.§¤.,
.#¤&,.§§## river bed. ¤¨¨,.¨.,..
,¨&,,.¨§ ,.&£¤§#@¤§
,..,##.,@@ ; &.,¤#&@£&.
¤@#,,,,¨,. .,,¨§#¨.
,&¨.¤£@&@§ the riverbanks reek of magic. tonight @&£,¨@§,¨.
,,...§§¤&, they had been a swampworld with sylvan &§¨,¨,¨¨§@
.§#&,¨£&,. water, stone rings and floating moss. ...&@@¤¨¨.
..§,...,.¨ you could've found me wallowing around §¤¨.&£..@&
,,,,£¤ on the southern shores until i got ¨¨,.¨,¨.,¨
¤##¨.@£@&. bitten. ¤&¤&&£¤@£§
£¤¨.,,¤£¨, @££¤#§#&@¤
¤¨,¤#,,.¨, but now i'm further back, on solid @#£#&@£#&&
.¨,,,.@@@§ ground, in shoulder-high grass, with an ,§#¤¤¤¤¤@@
,¤¤¤@,¨¤@£ orange tin radio and a translucent ¨.§£§&£§@.
,,@@¨,,¨&§ umbrella which i'm sitting on. ¨,,§@£@£,,
§,¨.¨§£¨.§ @#¨,&&&,.&
.,§&,..¨,¨ † ,.,,.&,,,,
£...,§@¨ @@#@...£@§
¨,§#,¨¤@,, somethings moving in the grass. it's ¨§#..&¨,££
,..¨,¨.¨¨, invisible to my eyes but i can feel ,¨¨¨,¨¨¨.,
¤&¤§&£&@ through the ground just how large it is. §@¤&§#§¤§&
£@££¤¤¤¤ £@¤¤@@¤§
§§£¤&£¤&£& the soil is muddy. i slip when trying #@&£§¤@£¤#
¤##§#@#§&¤ to get up, still looking at the £@£&£&£@§£
£§¤#&&@§#§ direction of sound rather than at my ¤&£@&§£¤&¤
¤¤@§¤@£¤§§ hands, who are busy putting things in ££#§£&@¤#¤
£#¤@££§¤£@ my pockets. &£#§¤¤&£&§
£#£#£¤¤@¤@ £&¤§¤&£@§@
&&¤¤&@#££# then i run east toward my home. §&@#§@&@£¤
¤¤£¤¤#&£#¤ ¤££§&@§@
£@&&§#¤¤¤§ = #¤#§§§¤##¤
@@¤§£@£§§# ¤¤#§£&££
¤§§§¤@#£ i am not followed, and slow down in the @§¤&§§@¤&¤
#¤&¤§¤£#¤£ clearing where you at first can spot #§§§#§£#
@@¤&£##@@¤ the house, not yet really in the £¤§¤#&@#¤@
£¤¤#§##£ backyard. from my pockets i retrieve my &&§&§@@#
§#&&&@&@#& radio (now dented) but also a small @§&§£@¤£¤&
¤¤@£¤§§£ clay figure i've never seen before. it ££&£&£&£§¤
§@#¤§£#§#¤ must have been laying in the wet dirt, #£#¤&£§&¤¤
#¤##@&¤#£¤ and i must've picked it up with my @§£&&£##
¤¤#¤¤&&£§@ other belongings. #£§§&£&£§@
§@§##££# §¤££@££@£@
¤§§@£§@¤££ it's a statuette of a girl laying naked @£¤#£&§@
§&£@##£##§ on her stomach, feet in the air, @£§&&¤#¤#£
¤@¤¤¤@#&¤§ roughly seven centimeters long. it's &@¤£¤§¤@
@#§§§££@¤£ freshly made, not yet completely dried. @¤£#¤¤§£§£
@£#&&¤ £¤#@££#§#§
£@@@#¤¤@ my mom is here now. i ask her for some #¤§&£@#§
@&¤§@&£¤ particle board for it to dry on, but ¤§&@§#¤#&£
@£¤§#§@¤£# she is worried and wants me to #£§§#&§§§§
¤£&¤&@£¤ throw it away. ¤@&£#&£¤
¤&¤£&£&§§¤ @&¤@&&¤@#@
§&£#¤&¤£¤& ###£§£@¤#¤
#@¤#&§£&&£ &@£@&£&¤#£
@&&@¤@&¤¤@ &§£#§¤§&
&§&@@¤¤#¤@ §¤@&§§¤§@@
##@§£#@& £££@§&¤¤£§