,..,,«~%$@ @$%~«,,..,
¨,,,,»«; #&;«»,,,,¨
¨,=†%¤£@@# #@@£¤%†=,¨
¨:=\=§££@¶ ¶@££§=\=:¨
,..~~«†&£# #£&†«~~..,
,.~^^=/¤§# statuette #§¤/=^^~.,
,¨¨¨,~=/$# #$/=~,¨¨¨,
.:~\%%#¶## £%£%$$%&&¤$%@¤$%««~«»»»~£@$£%£%£§$&£§%&% ##¶#%%\~:.
.¨¨,.,^^§¤ @§*%%£$%¤ ¤§^^,.,¨¨.
.^-/*@§¤@# #@¤§@*/-^.
,.,¨.«^$@¶ forests around my childhood home. thick ¶@$^«.¨,.,
.--;=§£### pine arcades that were planted and ###£§=;--.
.~,,†/*§## forgotten. wild boars roaming ##§*/†,,~.
¨,«~-=§# underneath, sniffing at the ground. it ##&§=-~«,¨
.,»=$¤£@## is dark and moist, the canopy having ##@£¤$=»,.
.^~/$$#### already soaked up all the sun. ####$$/~^.
...,^~$¤#£ £#¤$~^,...
...,.¨.†£¤ there's a river passing by, from east ¤£†.¨.,...
,¨.-~^§§£§ to west, getting broader and deeper and §£§§^~-.¨,
,.»;=££### slower as it goes. equisetum grow just ###££=;».,
.^«:*£§### where the pine hands start to let ###§£*:«^.
.¨.¨.,¨~%§ through light, horsemint on the rocky §%~¨,.¨.¨.
¨-~/%§@@## river bed. ##@@§%/~-¨
,,~†*£@£## ##£@£*†~,,
¨,~=†¤¤¶## ; ##¶¤¤†=~,¨
¨.~;%£§### ###§£%;~.¨
.~»~*†$£## the riverbanks reek of magic. tonight ##£$†*~»~.
¨~=\†£¤¶## they had been a swampworld with sylvan ##¶¤£†\=~¨
¨,~:=§#£## water, stone rings and floating moss. ##£#§=:~,¨
,,=/*@&@@# you could've found me wallowing around #@@&@*/=,,
¨.=\%%&¶## on the southern shores until i got ##¶&%%\=.¨
¨,¨.^*%$£§ bitten. §£$%*^.¨,¨
.¨.,,«»=## ##=»«,,.¨.
¨:~=*§@@@# but now i'm further back, on solid #@@@§*=~:¨
,.,,¨~=&£¶ ground, in shoulder-high grass, with an ¶£&=~¨,,.,
¨,,,¨»*%@# orange tin radio and a translucent #@%*»¨,,,¨
.~=†%£§@## umbrella which i'm sitting on. ##@§£%†=~.
¨,--«-^&¤# #¤&^-«--,¨
.~-/%&@### † ###@&%/-~.
.:~;%&@@@# #@@@&%;~:.
¨.«\*§¤£#@ somethings moving in the grass. it's @#£¤§*\«.¨
.,,¨«\¤@¤£ invisible to my eyes but i can feel £¤@¤\«¨,,.
¨~»;%£¤@## through the ground just how large it is. ##@¤£%;»~¨
¨:»;§$@@@# #@@@$§;»:¨
.-~;*$£¶## the soil is muddy. i slip when trying ##¶£$*;~-.
.,-:=£@@## to get up, still looking at the ##@@£=:-,.
.,~^%$@### direction of sound rather than at my ###@$%^~,.
,^«;*&@#@¶ hands, who are busy putting things in ¶@#@&*;«^,
,,~:^¤@#@# my pockets. #@#@¤^:~,,
¨~«†%&## ###&&%†«~¨
¨-~**&## then i run east toward my home. ###&&**~-¨
¨.~=†£¤@## ##@¤£†=~.¨
.:«*§£#### † ####£§*«:.
.,~*%$£&&@ @&&£$%*~,.
,.=;^@#@## i am not followed, and slow down in the ##@#@^;=.,
¨-=;^%@##@ clearing where you at first can spot @##@%^;=-¨
.^-:%¤£@## the house, not yet really in the ##@£¤%:-^.
,.»*^§@# backyard. from my pockets i retrieve my #@#&§^*».,
,.~***££## radio (now dented) but also a small ##££***~.,
¨~»=*$¤¶## clay figure i've never seen before. it ##¶¤$*=»~¨
,..,.«$§$# must have been laying in the wet dirt, #$§$«.,..,
.~=\§%@¶ and i must've picked it up with my ¶@#&%§\=~.
¨¨¨¨^=;*@@ other belongings. @@*;=^¨¨¨¨
¨-»\*%&£@# #@£&%*\»-¨
¨^»/*§## it's a statuette of a girl laying naked ###&§*/»^¨
,,¨,./=&@# on her stomach, feet in the air, #@&=/.,¨,,
..¨.:~:%§¶ roughly seven centimeters long. it's ¶§%:~:.¨..
¨-»^%@¤#@£ freshly made, not yet completely dried. £@#¤@%^»-¨
,.~*†£¤@@# #@@¤£†*~.,
,-»;*££#@# my mom is here now. i ask her for some #@#££*;»-,
¨,¨¨,¨:/£& particle board for it to dry on, but &£/:¨,¨¨,¨
¨-«\=£¤@## she is worried and wants me to ##@¤£=\«-¨
..=;†$§### throw it away. ###§$†;=..
..»**£#£## ##£#£**»..
.:~;†%#¶## ##¶#%†;~:.
,¨^^^\^* #&*^\^^^¨,
,-~»»=^¤@# #@¤^=»»~-,
¨.¨.~§%%¶£ £¶%%§~.¨.¨
..,.~*$$ #&$$*~.,..