.,,,..=†*§ §*†=..,,,.
¨-»^%§&£## ##£&§%^»-¨
¨~~\%#@### ###@#%\~~¨
,^~=*§¤£§¤ ¤§£¤§*=~^,
¨,,,=-†=¤¤ ¤¤=†-=,,,¨
,~«/*£§@## statuette ##@§£*/«~,
¨.^~-^$££# #££$^-~^.¨
¨:«^*%¤@@@ %@§$$&*&§@%&$§§£»««»~=»»£@§*%£££§§¤¤§§$@ @@@¤%*^«:¨
,,-\§@#@## *$¤&&§$$§ ##@#@§\-,,
,..¨¨.†*£@ @£*†.¨¨..,
¨..-~:**@£ forests around my childhood home. thick £@**:~-..¨
¨¨¨,¨»=:%¤ pine arcades that were planted and ¤%:=»¨,¨¨¨
,,~:%$#¶## forgotten. wild boars roaming ##¶#$%:~,,
¨,»;§¤¤### underneath, sniffing at the ground. it ###¤¤§;»,¨
¨.=*§%££$§ is dark and moist, the canopy having §$££%§*=.¨
¨.«\%$&¶@# already soaked up all the sun. #@¶&$%\«.¨
.:»†=£&£@# #@£&£=†»:.
.--;^££@## there's a river passing by, from east ##@££^;--.
,,¨.,,;%&@ to west, getting broader and deeper and @&%;,,.¨,,
¨.~;*$§@## slower as it goes. equisetum grow just ##@§$*;~.¨
¨.~;*&£@## where the pine hands start to let ##@£&*;~.¨
,.»:$$## through light, horsemint on the rocky ###&$$:».,
¨-~**&§¶@# river bed. #@¶§&**~-¨
..-†=†%§## ##§%†=†-..
,^~;=$## † ###&$=;~^,
,.~=^### ####&^=~.,
.-=:†@§#@# the riverbanks reek of magic. tonight #@#§@†:=-.
,,=~†*$#§# they had been a swampworld with sylvan #§#$*†~=,,
.,»/*^§$%# water, stone rings and floating moss. #%$§^*/»,.
.-«\*$&@@£ you could've found me wallowing around £@@&$*\«-.
¨,-/%@#@¶# on the southern shores until i got #¶@#@%/-,¨
¨.,.-,/£ bitten. #&£/,-.,.¨
¨¨¨¨,-\%@@ @@%\-,¨¨¨¨
.¨--^=%†£@ but now i'm further back, on solid @£†%=^--¨.
,,=/%*## ground, in shoulder-high grass, with an ###&*%/=,,
¨-^.-~†%£§ orange tin radio and a translucent §£%†~-.^-¨
.,-\%£§@#@ umbrella which i'm sitting on. @#@§£%\-,.
¨-~/^$@### ###@$^/~-¨
,,«:%¤§### * ###§¤%:«,,
¨,~/*%£@@@ @@@£%*/~,¨
.,»;%@#@## somethings moving in the grass. it's ##@#@%;»,.
¨^-:†**%¤# invisible to my eyes but i can feel #¤%**†:-^¨
.:-=$&£### through the ground just how large it is. ###£&$=-:.
,¨¨,.¨~*%# #%*~¨.,¨¨,
,..,=~=$*# the soil is muddy. i slip when trying #*$=~=,..,
¨,«†%%%=£# to get up, still looking at the #£=%%%†«,¨
,,¨.¨-\*%# direction of sound rather than at my #%*\-¨.¨,,
,~~;*%§@#¤ hands, who are busy putting things in ¤#@§%*;~~,
¨.~;*%@¤§£ my pockets. £§¤@%*;~.¨
,¨...~*%¤¤ ¤¤%*~...¨,
,--^$$#### then i run east toward my home. ####$$^--,
,~~-†*£@#@ @#@£*†-~~,
¨.¨,~=@£@¶ ; ¶@£@=~,¨.¨
,,»;%¤#### ####¤%;»,,
¨-»†=$&@## i am not followed, and slow down in the ##@&$=†»-¨
.:-:§&@@@# clearing where you at first can spot #@@@&§:-:.
,.=^^%&@§# the house, not yet really in the #§@&%^^=.,
.~»;§&§@## backyard. from my pockets i retrieve my ##@§&§;»~.
,,,.«;%£@@ radio (now dented) but also a small @@£%;«.,,,
..~†%%§$$@ clay figure i've never seen before. it @$$§%%†~..
,¨¨,«=^@ must have been laying in the wet dirt, @#&^=«,¨¨,
,:==%### and i must've picked it up with my ####&%==:,
¨-»†=@§@@# other belongings. #@@§@=†»-¨
¨~-=*$§#@# #@#§$*=-~¨
,.~=%%@£@# it's a statuette of a girl laying naked #@£@%%=~.,
,-~;*£@@## on her stomach, feet in the air, ##@@£*;~-,
¨¨¨-,*%#@& roughly seven centimeters long. it's &@#%*,-¨¨¨
.~=**&§@## freshly made, not yet completely dried. ##@§&**=~.
.,==$%£££@ @£££%$==,.
.¨¨.-%@#§§ my mom is here now. i ask her for some §§#@%-.¨¨.
,,...,~/*& particle board for it to dry on, but &*/~,...,,
,^=/*&£££¶ she is worried and wants me to ¶£££&*/=^,
,^»*^*@### throw it away. ###@*^*»^,
¨¨,¨,==£§¤ ¤§£==,¨,¨¨
.,»\*§£¶## ##¶£§*\»,.
,,,.,-†%@@ @@%†-,.,,,
,.~~*$£¤$¶ ¶$¤£$*~~.,
¨,¨.,»/%£# #£%/»,.¨,¨
.:«~:*%£## ##£%*:~«:.