@.,¤§&.¨&& &@¨,@.,.¨#
¨.¨¨@.¨.¨¤ &¨.¨¨,@@,¨
@,¨.§§¨¨ ,¨§§¤,.,.¤
&£,,&¨,,.# £.¨§,.££¨,
¨¨,..¨@@.¨ .,¨.,.,,.¨
£@¤&@.,,,, statuette ¨§£¤§@#§
££§¤,.£&§& ..&§££#&¤§
¤@£.¨,¨&£¤ ¤§*$%$$££%£££%%¤==»~=~~-@£$&*§&¤&%¤&%¤$£ ¨¨¨#¤#¤£§&
#@,,§¤¨¨@¤ £££%@£¤%¤ #£,¨#££&£@
@,¨¨,,¨¨¨. ¨..¨¨£@£#¤
..@@&&@@&§ forests around my childhood home. thick ¤¤@¤¨.@@@&
,,.¤£§&§@# pine arcades that were planted and .&&,¨¨¨&¤.
¤#.,@£&¤¤# forgotten. wild boars roaming ¨,.¨#@¨,,¨
,.¨,¨&&§§¤ underneath, sniffing at the ground. it #§£,¨.,§&¨
&&£&¨¨¤@@& is dark and moist, the canopy having ¤§¨,£¤¨¨¨¨
¨#£,¨¨,§¤& already soaked up all the sun. @,.¨.¨¨&&,
¨.,,£¤.¨&& ,,£§@¤¨.¨¨
¤§§.¨¨.,,§ there's a river passing by, from east §¨¨#§.¨&
@§.,@#&¤,, to west, getting broader and deeper and ,,.,.¨,¨¤¤
&.,,.£¤¨.¨ slower as it goes. equisetum grow just @£§¤§¤&¨¨§
¨¨§&,¨,, where the pine hands start to let ¤¤¤§&£,,¨.
&¨,..¤¤,., through light, horsemint on the rocky .##&@..@¤£
.¨£@,¨,¨£& river bed. ¨,.,¨.¤£
,...,£#.¨# &¨.,,#§.,¨
@££§,¨,,.. : ..¤£¨,.,&§
@£§.¨&¤&¤# ¨¨,,¨#&,¨£
&§....£¤@¤ the riverbanks reek of magic. tonight &&@&.,¨,¨.
.¨¨§¤,¨££& they had been a swampworld with sylvan §#¤..££§#,
@@.¨¨¨,.§¤ water, stone rings and floating moss. .¨¨¨£@,.
,..#¤#&.¨§ you could've found me wallowing around ¤,¨&¤..,.¨
¤¤¨,@§,.,. on the southern shores until i got .,,¨¨¨&£§£
&.,,¨,.@§# bitten. .§@&¤..¤£¤
.¨£¤££,.&, ..#¤¨.,,#¤
,,¨¨¨¨¨. but now i'm further back, on solid ¨¨¨.¨&@.¨.
##..,.@#¤, ground, in shoulder-high grass, with an @£§@¨,,¨@&
#..¤&,,&.. orange tin radio and a translucent ¨£@,.#&..£
...,.,,,,¨ umbrella which i'm sitting on. ,...,,¨¨.,
¤&¤§£¤¤§§£ #£#&¤§¤&£@
#¤§§§&&¤ = §¤&&£#£#¤§
¤§#&§#§§§§ §@£&£##£££
#£¤£#@¤¤ somethings moving in the grass. it's £&¤§@¤@&&£
¤¤¤§¤#¤@££ invisible to my eyes but i can feel @#¤#£§§§¤§
§£££§¤¤£££ through the ground just how large it is. &£§@¤§§££¤
£§£@¤¤§& ££&@&&&@
@&§£¤##£ the soil is muddy. i slip when trying §&§¤¤£@£
@&£¤@#@# to get up, still looking at the ##¤@&@§£§§
#@¤£&¤¤§¤¤ direction of sound rather than at my £#£#£¤&§§§
£#&¤@#§£&¤ hands, who are busy putting things in @@@@#¤#§#@
@##¤&§#§§& my pockets. &¤#¤§¤@£@@
#¤££@£@£ ¤##¤£§¤#§@
§£&#§#¤# then i run east toward my home. &£¤¤£££&&§
£¤§§¤¤¤@ &¤&££¤¤&£&
£##&&&§#&£ ^ @@#¤¤§££##
@&§&¤§&£ #&&¤£§¤###
#¤£@£#@& i am not followed, and slow down in the ##@&@##¤#§
#§¤&§¤&@¤# clearing where you at first can spot ¤@§#&¤&§¤£
§@¤@&§§&££ the house, not yet really in the ¤£¤§£§£§&¤
£§@&£§§@#§ backyard. from my pockets i retrieve my &§§£&@#§&£
@§@@#&§#@@ radio (now dented) but also a small ££§¤#££§£&
&§##¤@@§&§ clay figure i've never seen before. it §£¤£§&¤¤&£
¤§§##@£§¤£ must have been laying in the wet dirt, &&@¤@£&£¤&
¤§§&£&£¤ and i must've picked it up with my #£#@#&@¤@@
##§@#¤@& other belongings. &@£&@¤¤@£&
@@#§§§&£@£ #£§@&&&@#@
£#@#£¤¤@§@ it's a statuette of a girl laying naked ¤§§@¤&
&£@¤££¤#£¤ on her stomach, feet in the air, ££§#@&§¤@#
§¤£@£&@@@¤ roughly seven centimeters long. it's #@£@§###§¤
#&£#¤@#§#@ freshly made, not yet completely dried. #£&£####£#
@§@£¤¤£# ¤£&@¤¤#@#¤
&&@#@&££ my mom is here now. i ask her for some £#§&@£¤#@&
@££#¤@¤§&¤ particle board for it to dry on, but ¤&@@@#§@¤£
¤§¤£§£#&¤£ she is worried and wants me to ££&§@&@£&&
@#¤¤@¤#££¤ throw it away. £§#@@@£#¤&
§#§¤§@¤#@¤ §#@§@£&¤@§
¤#@#§§££@¤ @¤§&£#@¤
§#§#@#&£ @¤@#¤£&££#
¤@£§&§¤£@£ £§£¤§#¤@@@
£##£¤#§¤§§ @¤¤¤#§§@#£
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