,-~\*@¤@¤& &¤@¤@*\~-,
,,«††§#@## ##@#§††«,,
¨-~:†£$£@£ £@£$£†:~-¨
¨~«**&¤£@¶ ¶@£¤&**«~¨
¨~=/†£§£## ##£§£†/=~¨
¨^~*$££### statuette ###££$*~^¨
¨:-:§@@### ###@@§:-:¨
¨~-=§@@@@# @$¤&%§§$£&¤££%¤$~««~~~»~*%§$$$*§@££$@$££ #@@@@§=-~¨
.~«:*§@### $%¤&$%%@% ###@§*:«~.
.,«*^$@¶## ##¶@$^*«,.
,.,.»†^$ forests around my childhood home. thick #&$^†».,.,
.:~=*§%$%# pine arcades that were planted and #%$%§*=~:.
¨~=;*¤#@#@ forgotten. wild boars roaming @#@#¤*;=~¨
.¨...-;$@# underneath, sniffing at the ground. it #@$;-...¨.
,-»;%&&@@# is dark and moist, the canopy having #@@&&%;»-,
¨.»;=&@@## already soaked up all the sun. ##@@&=;».¨
.~~†\§%$¤@ @¤$%§\†~~.
,:~\§$§### there's a river passing by, from east ###§$§\~:,
,:-:%@## to west, getting broader and deeper and ##@#&%:-:,
,^~;%£&@@# slower as it goes. equisetum grow just #@@&£%;~^,
,~«†$*§§¤# where the pine hands start to let #¤§§*$†«~,
.,,~~,«-=§ through light, horsemint on the rocky §=-«,~~,,.
,^~:^%##@# river bed. #@##%^:~^,
,.»\%@&¶## ##¶&@%\».,
.:«\†@#¶## ; ##¶#@†\«:.
.^~=*£¤### ###¤£*=~^.
,^~\*%&¶## the riverbanks reek of magic. tonight ##¶&%*\~^,
¨^«^%£§@@# they had been a swampworld with sylvan #@@§£%^«^¨
,-~\=*=^¤# water, stone rings and floating moss. #¤^=*=\~-,
,~«†^§§@@# you could've found me wallowing around #@@§§^†«~,
¨,.,~;†%%# on the southern shores until i got #%%†;~,.,¨
,,..:~^¤#@ bitten. @#¤^~:..,,
.¨,.,¨=$ #&$=¨,.,¨.
¨,-\£##@## but now i'm further back, on solid ##@##£\-,¨
,^=:*§%*$¶ ground, in shoulder-high grass, with an ¶$*%§*:=^,
¨,~\†%¤#@# orange tin radio and a translucent #@#¤%†\~,¨
,,...,^$¶@ umbrella which i'm sitting on. @¶$^,...,,
¨:~~~»»;%& &%;»»~~~:¨
,,~;†%§@ / @§#&%†;~,,
,,~*=@@@## ##@@@=*~,,
¨,~=*$#@@£ somethings moving in the grass. it's £@@#$*=~,¨
,,.¨¨.^=£# invisible to my eyes but i can feel #£=^.¨¨.,,
,,-^†§#@## through the ground just how large it is. ##@#§†^-,,
.,»*$¤## ###&¤$*»,.
.,-/%£@@## the soil is muddy. i slip when trying ##@@£%/-,.
.,..,~^¤%@ to get up, still looking at the @%¤^~,..,.
,,-^*$@@## direction of sound rather than at my ##@@$*^-,,
,:«=†$## hands, who are busy putting things in ###&$†=«:,
.^-=^£&¶## my pockets. ##¶&£^=-^.
.¨,.¨-;*$@ @$*;-¨.,¨.
,.~=*£¶### then i run east toward my home. ###¶£*=~.,
¨~~†*§§£## ##£§§*†~~¨
.-~**$¤@## / ##@¤$**~-.
,,»/%*§@@£ £@@§*%/»,,
,~»\*$@¶## i am not followed, and slow down in the ##¶@$*\»~,
,,»;†$#@## clearing where you at first can spot ##@#$†;»,,
¨,-†$£@@## the house, not yet really in the ##@@£$†-,¨
.¨..¨,~%§£ backyard. from my pockets i retrieve my £§%~,¨..¨.
¨^»«-%=£¶# radio (now dented) but also a small #¶£=%-«»^¨
.-~\*%¤#@# clay figure i've never seen before. it #@#¤%*\~-.
¨.¨,~*^†@# must have been laying in the wet dirt, #@†^*~,¨.¨
.¨¨,«««*## and i must've picked it up with my ##*«««,¨¨.
¨,,,,¨,:$¶ other belongings. ¶$:,¨,,,,¨
¨~~:^§¤##@ @##¤§^:~~¨
,~/%*¤@### it's a statuette of a girl laying naked ###@¤*%/~,
.,..;†&£@# on her stomach, feet in the air, #@£&†;..,.
.,«/=@@@@# roughly seven centimeters long. it's #@@@@=/«,.
¨,»\$*@$#@ freshly made, not yet completely dried. @#$@*$\»,¨
.¨.,¨-/§@# #@§/-¨,.¨.
,:~†§¤##@# my mom is here now. i ask her for some #@##¤§†~:,
,:-/^### particle board for it to dry on, but ####&^/-:,
,«=%££#### she is worried and wants me to ####££%=«,
.^~=^§#§¶# throw it away. #¶§#§^=~^.
¨.,,.-^$$# #$$^-.,,.¨
¨¨..¨.~*&& &&*~.¨..¨¨
¨:-=§£@@@@ @@@@£§=-:¨
.:-*†££@#@ @#@££†*-:.
,¨,.=^%%## ##%%^=.,¨,
.-~:=£§##@ @##§£=:~-.