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**** ****
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#@¶££*;=~. several centuries after it had last .~=;*££¶@#
@¶££*;=~.. belonged to us, we went on an outing to ..~=;*££¶@
#@¶££*;=~. the glass factory that bore our family .~=;*££¶@#
@¶££*;=~.. name. it had changed owners many times ..~=;*££¶@
#@¶££*;=~. since our ancestors death, and then .~=;*££¶@#
@¶££*;=~.. stood abandoned for a long while. ..~=;*££¶@
#@¶££*;=~. finally, the natural end station for .~=;*££¶@#
@¶££*;=~.. the buildings that survive: a museum, ..~=;*££¶@
#@¶££*;=~. and a gift shop. .~=;*££¶@#
@¶££*;=~.. ..~=;*££¶@
#@¶££*;=~. there's a long time since my family .~=;*££¶@#
@¶££*;=~.. made anything. by many, we would be ..~=;*££¶@
#@¶££*;=~. considered poor. .~=;*££¶@#
@¶££*;=~.. ..~=;*££¶@
#@¶££*;=~. there are two main factory buildings, .~=;*££¶@#
@¶££*;=~.. domed things of several floors, made in ..~=;*££¶@
#@¶££*;=~. yellow brick. large but narrow windows, .~=;*££¶@#
@¶££*;=~.. reminescent of some cathedral. ..~=;*££¶@
#@¶££*;=~. custom-made glass, of course, large and .~=;*££¶@#
@¶££*;=~.. leaded, and ashen. a bit too dark to be ..~=;*££¶@
#@¶££*;=~. practical. on the eastern building, .~=;*££¶@#
@¶££*;=~.. some are shattered. ..~=;*££¶@
#@¶££*;=~. .~=;*££¶@#
@¶££*;=~.. the other one is publicly open. there's ..~=;*££¶@
#@¶££*;=~. a museum, with wax figures of my great .~=;*££¶@#
@¶££*;=~.. great great grandfather, or something. ..~=;*££¶@
#@¶££*;=~. various tools (or replicas) laid out on .~=;*££¶@#
@¶££*;=~.. tables, with explaining texts. a lot of ..~=;*££¶@
#@¶££*;=~. glass of varying thickness. .~=;*££¶@#
@¶££*;=~.. ..~=;*££¶@
#@¶££*;=~. ** .~=;*££¶@#
@¶££*;=~.. ** ** ..~=;*££¶@
#@¶££*;=~. ======= * * ======= .~=;*££¶@#
@¶££*;=~.. ** ** ..~=;*££¶@
#@¶££*;=~. ** .~=;*££¶@#
@¶££*;=~.. ..~=;*££¶@
#@¶££*;=~. i quickly sneak out, and climb into the .~=;*££¶@#
@¶££*;=~.. other building. the contrast is ..~=;*££¶@
#@¶££*;=~. overwhelming. it must have stood .~=;*££¶@#
@¶££*;=~.. derelict for a long time, windows ..~=;*££¶@
#@¶££*;=~. broken, metallic trash and pools of .~=;*££¶@#
@¶££*;=~.. dark glass all over the floor. no ..~=;*££¶@
#@¶££*;=~. electric lights, but i can see by the .~=;*££¶@#
@¶££*;=~.. light that shines in wherever the dark ..~=;*££¶@
#@¶££*;=~. windows are missing a pane. .~=;*££¶@#
@¶££*;=~.. ..~=;*££¶@
#@¶££*;=~. however, the greatest difference is the .~=;*££¶@#
@¶££*;=~.. higher floors: this building has none. ..~=;*££¶@
#@¶££*;=~. it is one massive hall, stretching away .~=;*££¶@#
@¶££*;=~.. infinitely above me. somewhere up there ..~=;*££¶@
#@¶££*;=~. is some great iron latticework, from .~=;*££¶@#
@¶££*;=~.. where chains are suspended, and parts ..~=;*££¶@
#@¶££*;=~. of machinery has been falling down. .~=;*££¶@#
@¶££*;=~.. ..~=;*££¶@
#@¶££*;=~. there is, in the middle of the great .~=;*££¶@#
@¶££*;=~.. hall, a thin spiral staircase that ..~=;*££¶@
#@¶££*;=~. leads up there. i sneak over there, and .~=;*££¶@#
@¶££*;=~.. take a few reluctant steps. after just ..~=;*££¶@
#@¶££*;=~. a revolution, i notice that for each .~=;*££¶@#
@¶££*;=~.. step the building starts to glow, the ..~=;*££¶@
#@¶££*;=~. bricks turning a dark red, and then .~=;*££¶@#
@¶££*;=~.. orange, all the piled up debree being ..~=;*££¶@
#@¶££*;=~. lit from behind. .~=;*££¶@#
@¶££*;=~.. ..~=;*££¶@
#@¶££*;=~. i stop ready to run down and out, but .~=;*££¶@#
@¶££*;=~.. there's someone else on the staircase ..~=;*££¶@
#@¶££*;=~. with me now, pressed close. he's .~=;*££¶@#
@¶££*;=~.. looking like me, short hair and thin ..~=;*££¶@
#@¶££*;=~. arms, but with ears from some animal, .~=;*££¶@#
@¶££*;=~.. and more disturbingly, completely made ..~=;*££¶@
#@¶££*;=~. of dark liquid glass. .~=;*££¶@#
@¶££*;=~.. ..~=;*££¶@
#@¶££*;=~. ** .~=;*££¶@#
@¶££*;=~.. ** ** ..~=;*££¶@
#@¶££*;=~. ======= * * ======= .~=;*££¶@#
@¶££*;=~.. ** ** ..~=;*££¶@
#@¶££*;=~. ** .~=;*££¶@#
@¶££*;=~.. ..~=;*££¶@
#@¶££*;=~. my fear holds me in place while he .~=;*££¶@#
@¶££*;=~.. starts operating levers and dials set ..~=;*££¶@
#@¶££*;=~. in the center of the staircase. slowly, .~=;*££¶@#
@¶££*;=~.. it starts spinning, circling upwards. ..~=;*££¶@
#@¶££*;=~. it's an elevator! i start to run .~=;*££¶@#
@¶££*;=~.. downwards, but now the liquid boy ..~=;*££¶@
#@¶££*;=~. creature grabs hold of me. i try to .~=;*££¶@#
@¶££*;=~.. shake him off, but he's too strong, and ..~=;*££¶@
#@¶££*;=~. pulls me back up beside him. .~=;*££¶@#
@¶££*;=~.. ..~=;*££¶@
#@¶££*;=~. this time, i turn angry instead. what .~=;*££¶@#
@¶££*;=~.. the hell? who is this guy, acting like ..~=;*££¶@
#@¶££*;=~. this? i reach out my free arm and slam .~=;*££¶@#
@¶££*;=~.. a random lever. some metal bar is ..~=;*££¶@
#@¶££*;=~. suddenly released between us, hitting .~=;*££¶@#
@¶££*;=~.. him on the arm, forcing my release. i ..~=;*££¶@
#@¶££*;=~. shove him off of me, and he falls into .~=;*££¶@#
@¶££*;=~.. the levers, messing them up. ..~=;*££¶@
#@¶££*;=~. immediately, a thin rusty chainmail .~=;*££¶@#
@¶££*;=~.. curtain is dropped around me. but the ..~=;*££¶@
#@¶££*;=~. elevator also speeds up significantly. .~=;*££¶@#
@¶££*;=~.. ..~=;*££¶@
#@¶££*;=~. the walls are flaring now, yellow, .~=;*££¶@#
@¶££*;=~.. white, almost blue. i close my eyes and ..~=;*££¶@
#@¶££*;=~. curl into a ball. but then, the glass .~=;*££¶@#
@¶££*;=~.. boy screams, a piercing sound that ..~=;*££¶@
#@¶££*;=~. forces my eyes back open. i watch as he .~=;*££¶@#
@¶££*;=~.. becomes too liquid, his body pooling ..~=;*££¶@
#@¶££*;=~. down in his now massive tail, and the .~=;*££¶@#
@¶££*;=~.. tip of it suddenly breaks of in a glass ..~=;*££¶@
#@¶££*;=~. drop that falls toward the factory .~=;*££¶@#
@¶££*;=~.. floor. ..~=;*££¶@
#@¶££*;=~. .~=;*££¶@#
@¶££*;=~.. he's crawling on the stairs, unable to ..~=;*££¶@
#@¶££*;=~. keep his body upright. can't reach the .~=;*££¶@#
@¶££*;=~.. levers, claws at my chainmail cage, ..~=;*££¶@
#@¶££*;=~. while his body is turning into dark .~=;*££¶@#
@¶££*;=~.. pearls. finally, he's lost too much of ..~=;*££¶@
#@¶££*;=~. himself and the scream is cut short. .~=;*££¶@#
@¶££*;=~.. the last of him rains down. ..~=;*££¶@
#@¶££*;=~. .~=;*££¶@#
@¶££*;=~.. i still can't reach the levers from ..~=;*££¶@
#@¶££*;=~. within my cage. looking up, i try to .~=;*££¶@#
@¶££*;=~.. make out the ceiling, but it's all a ..~=;*££¶@
#@¶££*;=~. whirling sea of colours. below me glows .~=;*££¶@#
@¶££*;=~.. the hellfire of the factory walls, but ..~=;*££¶@
#@¶££*;=~. very faint. i sit down, curl back up, .~=;*££¶@#
@¶££*;=~.. become still. ..~=;*££¶@
#@¶££*;=~. .~=;*££¶@#
@¶££*;=~.. ** ..~=;*££¶@
#@¶££*;=~. ** ** .~=;*££¶@#
@¶££*;=~.. ======= * * ======= ..~=;*££¶@
#@¶££*;=~. ** ** .~=;*££¶@#
@¶££*;=~.. ** ..~=;*££¶@
#@¶££*;=~. .~=;*££¶@#
@¶££*;=~.. a large clunk shakes my entire body, ..~=;*££¶@
#@¶££*;=~. and snaps me back into reality. i'm .~=;*££¶@#
@¶££*;=~.. back at the factory floor, but the ..~=;*££¶@
#@¶££*;=~. stairs are still moving slightly, .~=;*££¶@#
@¶££*;=~.. clicking in place, carrying me the last ..~=;*££¶@
#@¶££*;=~. few centimeters. i came from below, .~=;*££¶@#
@¶££*;=~.. somehow. the chainmail is retracted, ..~=;*££¶@
#@¶££*;=~. and i slowly dismount the stairs. .~=;*££¶@#
@¶££*;=~.. ..~=;*££¶@
#@¶££*;=~. shaking and crying, i make my way over .~=;*££¶@#
@¶££*;=~.. the factory floor, wading through dark ..~=;*££¶@
#@¶££*;=~. glass marbles. a quick glance down, and .~=;*££¶@#
@¶££*;=~.. i see there's something faint inside ..~=;*££¶@
#@¶££*;=~. them. embryos? are these eggs? .~=;*££¶@#
@¶££*;=~.. ..~=;*££¶@
#@¶££*;=~. i shudder, and climb back out. .~=;*££¶@#
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