THE GLASS FACTORY.           
                                        
                                        
                                      
                                  
                                  
                                          
 SEVERAL  CENTURIES  AFTER  IT  HAD  LAST 
 BELONGED TO US, WE WENT  ON AN OUTING TO 
 THE GLASS FACTORY  THAT BORE OUR  FAMILY 
 NAME. IT HAD CHANGED OWNERS  MANY  TIMES 
 SINCE  OUR  ANCESTORS  DEATH,  AND  THEN 
 STOOD  ABANDONED   FOR  A   LONG  WHILE. 
 FINALLY, THE  NATURAL  END  STATION  FOR 
 THE  BUILDINGS  THAT SURVIVE:  A MUSEUM, 
 AND A GIFT SHOP.                         
                                          
 THERE'S  A  LONG  TIME  SINCE MY  FAMILY 
 MADE  ANYTHING.  BY  MANY, WE  WOULD  BE 
 CONSIDERED POOR.                         
                                          
 THERE  ARE  TWO MAIN FACTORY  BUILDINGS, 
 DOMED THINGS OF SEVERAL  FLOORS, MADE IN 
 YELLOW BRICK. LARGE BUT NARROW  WINDOWS, 
 REMINESCENT    OF     SOME    CATHEDRAL. 
 CUSTOM-MADE GLASS, OF COURSE, LARGE  AND 
 LEADED, AND ASHEN. A  BIT TOO DARK TO BE 
 PRACTICAL.  ON   THE  EASTERN  BUILDING, 
 SOME ARE SHATTERED.                      
                                          
 THE OTHER ONE IS  PUBLICLY OPEN. THERE'S 
 A MUSEUM, WITH  WAX FIGURES  OF MY GREAT 
 GREAT GREAT GRANDFATHER,  OR  SOMETHING. 
 VARIOUS TOOLS (OR  REPLICAS) LAID OUT ON 
 TABLES, WITH EXPLAINING TEXTS. A  LOT OF 
 GLASS     OF      VARYING     THICKNESS. 
                                          
                                        
                                      
                          
                                      
                                        
                                          
 I QUICKLY SNEAK OUT,  AND CLIMB INTO THE 
 OTHER    BUILDING.   THE   CONTRAST   IS 
 OVERWHELMING.   IT   MUST   HAVE   STOOD 
 DERELICT  FOR   A   LONG  TIME,  WINDOWS 
 BROKEN,  METALLIC  TRASH  AND  POOLS  OF 
 DARK   GLASS  ALL  OVER  THE  FLOOR.  NO 
 ELECTRIC  LIGHTS, BUT  I CAN SEE BY  THE 
 LIGHT THAT SHINES  IN WHEREVER THE  DARK 
 WINDOWS    ARE     MISSING    A    PANE. 
                                          
 HOWEVER, THE GREATEST  DIFFERENCE IS THE 
 HIGHER FLOORS: THIS BUILDING  HAS  NONE. 
 IT IS ONE MASSIVE HALL,  STRETCHING AWAY 
 INFINITELY ABOVE  ME. SOMEWHERE UP THERE 
 IS SOME  GREAT  IRON  LATTICEWORK,  FROM 
 WHERE CHAINS ARE  SUSPENDED,  AND  PARTS 
 OF  MACHINERY  HAS  BEEN  FALLING  DOWN. 
                                          
 THERE  IS, IN THE  MIDDLE  OF  THE GREAT 
 HALL,  A  THIN  SPIRAL  STAIRCASE   THAT 
 LEADS UP THERE.  I SNEAK OVER THERE, AND 
 TAKE A  FEW RELUCTANT  STEPS. AFTER JUST 
 A  REVOLUTION,  I  NOTICE  THAT FOR EACH 
 STEP  THE BUILDING  STARTS TO  GLOW, THE 
 BRICKS TURNING  A  DARK  RED,  AND  THEN 
 ORANGE,  ALL THE  PILED UP DEBREE  BEING 
 LIT FROM BEHIND.                         
                                          
 I STOP READY  TO RUN DOWN  AND OUT,  BUT 
 THERE'S  SOMEONE ELSE  ON  THE STAIRCASE 
 WITH  ME   NOW,   PRESSED   CLOSE.  HE'S 
 LOOKING  LIKE ME,  SHORT  HAIR  AND THIN 
 ARMS, BUT  WITH EARS  FROM SOME  ANIMAL, 
 AND MORE  DISTURBINGLY,  COMPLETELY MADE 
 OF DARK LIQUID GLASS.                    
                                          
                                        
                                      
                          
                                      
                                        
                                          
 MY  FEAR  HOLDS  ME  IN  PLACE  WHILE HE 
 STARTS  OPERATING  LEVERS AND  DIALS SET 
 IN THE CENTER OF  THE STAIRCASE. SLOWLY, 
 IT  STARTS  SPINNING,  CIRCLING UPWARDS. 
 IT'S  AN  ELEVATOR!   I  START   TO  RUN 
 DOWNWARDS,   BUT  NOW   THE  LIQUID  BOY 
 CREATURE GRABS  HOLD OF  ME.  I  TRY  TO 
 SHAKE HIM OFF, BUT HE'S  TOO STRONG, AND 
 PULLS   ME   BACK   UP    BESIDE    HIM. 
                                          
 THIS  TIME,  I  TURN ANGRY INSTEAD. WHAT 
 THE  HELL?  WHO IS THIS GUY, ACTING LIKE 
 THIS? I REACH  OUT  MY FREE ARM AND SLAM 
 A  RANDOM  LEVER.  SOME  METAL  BAR   IS 
 SUDDENLY  RELEASED  BETWEEN US,  HITTING 
 HIM ON  THE ARM,  FORCING MY RELEASE.  I 
 SHOVE HIM  OFF OF ME, AND  HE FALLS INTO 
 THE    LEVERS,    MESSING    THEM    UP. 
 IMMEDIATELY,   A  THIN  RUSTY  CHAINMAIL 
 CURTAIN  IS DROPPED  AROUND  ME. BUT THE 
 ELEVATOR ALSO SPEEDS  UP  SIGNIFICANTLY. 
                                          
 THE  WALLS  ARE   FLARING  NOW,  YELLOW, 
 WHITE, ALMOST BLUE. I CLOSE MY EYES  AND 
 CURL INTO A  BALL.  BUT THEN, THE  GLASS 
 BOY  SCREAMS,  A   PIERCING  SOUND  THAT 
 FORCES MY  EYES BACK OPEN. I WATCH AS HE 
 BECOMES  TOO LIQUID,  HIS  BODY  POOLING 
 DOWN IN HIS  NOW  MASSIVE TAIL, AND  THE 
 TIP OF IT SUDDENLY BREAKS OF  IN A GLASS 
 DROP  THAT   FALLS  TOWARD  THE  FACTORY 
 FLOOR.                                   
                                          
 HE'S  CRAWLING ON  THE STAIRS, UNABLE TO 
 KEEP  HIS  BODY UPRIGHT. CAN'T REACH THE 
 LEVERS,  CLAWS  AT  MY  CHAINMAIL  CAGE, 
 WHILE  HIS  BODY  IS TURNING  INTO  DARK 
 PEARLS. FINALLY,  HE'S LOST TOO MUCH  OF 
 HIMSELF AND  THE  SCREAM  IS CUT  SHORT. 
 THE   LAST   OF    HIM    RAINS    DOWN. 
                                          
 I  STILL  CAN'T  REACH  THE LEVERS  FROM 
 WITHIN  MY CAGE. LOOKING  UP,  I TRY  TO 
 MAKE OUT THE  CEILING,  BUT  IT'S ALL  A 
 WHIRLING  SEA OF COLOURS. BELOW ME GLOWS 
 THE  HELLFIRE OF THE  FACTORY WALLS, BUT 
 VERY  FAINT. I SIT DOWN,  CURL BACK  UP, 
 BECOME STILL.                            
                                          
                                        
                                      
                          
                                      
                                        
                                          
 A  LARGE  CLUNK SHAKES  MY ENTIRE  BODY, 
 AND  SNAPS  ME  BACK INTO  REALITY.  I'M 
 BACK  AT  THE  FACTORY  FLOOR,  BUT  THE 
 STAIRS   ARE   STILL   MOVING  SLIGHTLY, 
 CLICKING IN  PLACE, CARRYING ME THE LAST 
 FEW  CENTIMETERS.  I  CAME  FROM  BELOW, 
 SOMEHOW.  THE  CHAINMAIL  IS  RETRACTED, 
 AND  I  SLOWLY   DISMOUNT  THE   STAIRS. 
                                          
 SHAKING AND  CRYING, I MAKE  MY WAY OVER 
 THE FACTORY FLOOR, WADING  THROUGH  DARK 
 GLASS MARBLES. A  QUICK GLANCE DOWN, AND 
 I  SEE  THERE'S  SOMETHING  FAINT INSIDE 
 THEM.    EMBRYOS?    ARE   THESE   EGGS? 
                                          
 I   SHUDDER,   AND   CLIMB   BACK   OUT.