THE GLASS FACTORY.           
                                        
                                        
                                      
                                  
                                  
                                          
 SEVERAL  CENTURIES  AFTER  IT  HAD  LAST 
 BELONGED TO  US, WE WENT ON AN OUTING TO 
 THE  GLASS FACTORY  THAT BORE OUR FAMILY 
 NAME.  IT HAD CHANGED  OWNERS MANY TIMES 
 SINCE  OUR  ANCESTORS  DEATH,  AND  THEN 
 STOOD   ABANDONED  FOR  A  LONG   WHILE. 
 FINALLY,  THE NATURAL  END  STATION  FOR 
 THE  BUILDINGS  THAT  SURVIVE: A MUSEUM, 
 AND A GIFT SHOP.                         
                                          
 THERE'S  A  LONG  TIME  SINCE MY  FAMILY 
 MADE  ANYTHING.  BY MANY,  WE  WOULD  BE 
 CONSIDERED POOR.                         
                                          
 THERE ARE  TWO  MAIN  FACTORY BUILDINGS, 
 DOMED  THINGS OF SEVERAL FLOORS, MADE IN 
 YELLOW BRICK. LARGE BUT NARROW  WINDOWS, 
 REMINESCENT    OF    SOME     CATHEDRAL. 
 CUSTOM-MADE GLASS,  OF COURSE, LARGE AND 
 LEADED, AND ASHEN. A BIT TOO DARK TO  BE 
 PRACTICAL.   ON  THE  EASTERN  BUILDING, 
 SOME ARE SHATTERED.                      
                                          
 THE OTHER ONE  IS PUBLICLY OPEN. THERE'S 
 A MUSEUM,  WITH WAX FIGURES  OF MY GREAT 
 GREAT GREAT  GRANDFATHER,  OR SOMETHING. 
 VARIOUS TOOLS  (OR REPLICAS) LAID OUT ON 
 TABLES,  WITH EXPLAINING TEXTS. A LOT OF 
 GLASS     OF     VARYING      THICKNESS. 
                                          
                                        
                                      
                          
                                      
                                        
                                          
 I QUICKLY SNEAK  OUT, AND CLIMB INTO THE 
 OTHER   BUILDING.    THE   CONTRAST   IS 
 OVERWHELMING.   IT   MUST   HAVE   STOOD 
 DERELICT  FOR  A   LONG  TIME,   WINDOWS 
 BROKEN,  METALLIC  TRASH  AND  POOLS  OF 
 DARK  GLASS   ALL  OVER  THE  FLOOR.  NO 
 ELECTRIC LIGHTS, BUT I  CAN  SEE  BY THE 
 LIGHT  THAT  SHINES IN WHEREVER THE DARK 
 WINDOWS    ARE     MISSING    A    PANE. 
                                          
 HOWEVER, THE GREATEST DIFFERENCE IS  THE 
 HIGHER FLOORS: THIS  BUILDING HAS  NONE. 
 IT IS ONE  MASSIVE HALL, STRETCHING AWAY 
 INFINITELY ABOVE ME. SOMEWHERE  UP THERE 
 IS  SOME GREAT  IRON  LATTICEWORK,  FROM 
 WHERE  CHAINS  ARE SUSPENDED,  AND PARTS 
 OF  MACHINERY  HAS  BEEN  FALLING  DOWN. 
                                          
 THERE IS,  IN  THE  MIDDLE OF  THE GREAT 
 HALL,  A  THIN  SPIRAL  STAIRCASE   THAT 
 LEADS UP THERE. I SNEAK OVER THERE,  AND 
 TAKE  A FEW RELUCTANT STEPS. AFTER  JUST 
 A  REVOLUTION, I NOTICE  THAT  FOR  EACH 
 STEP THE BUILDING STARTS  TO  GLOW,  THE 
 BRICKS  TURNING  A  DARK  RED,  AND THEN 
 ORANGE, ALL  THE  PILED  UP DEBREE BEING 
 LIT FROM BEHIND.                         
                                          
 I STOP  READY  TO RUN  DOWN AND OUT, BUT 
 THERE'S SOMEONE  ELSE  ON THE  STAIRCASE 
 WITH   ME  NOW,   PRESSED  CLOSE.   HE'S 
 LOOKING LIKE ME,  SHORT  HAIR  AND  THIN 
 ARMS,  BUT WITH  EARS FROM  SOME ANIMAL, 
 AND MORE  DISTURBINGLY, COMPLETELY  MADE 
 OF DARK LIQUID GLASS.                    
                                          
                                        
                                      
                          
                                      
                                        
                                          
 MY FEAR  HOLDS  ME  IN  PLACE  WHILE  HE 
 STARTS OPERATING LEVERS  AND  DIALS  SET 
 IN THE CENTER OF THE STAIRCASE.  SLOWLY, 
 IT  STARTS  SPINNING,  CIRCLING UPWARDS. 
 IT'S   AN   ELEVATOR!  I  START  TO  RUN 
 DOWNWARDS,  BUT   NOW  THE  LIQUID   BOY 
 CREATURE GRABS  HOLD  OF  ME.  I TRY  TO 
 SHAKE HIM OFF, BUT HE'S  TOO STRONG, AND 
 PULLS    ME   BACK   UP   BESIDE    HIM. 
                                          
 THIS TIME, I  TURN ANGRY  INSTEAD.  WHAT 
 THE  HELL? WHO IS THIS  GUY, ACTING LIKE 
 THIS?  I REACH OUT MY FREE ARM  AND SLAM 
 A  RANDOM  LEVER.  SOME  METAL  BAR   IS 
 SUDDENLY  RELEASED BETWEEN  US,  HITTING 
 HIM  ON THE ARM, FORCING  MY RELEASE.  I 
 SHOVE  HIM OFF OF ME, AND HE FALLS  INTO 
 THE    LEVERS,    MESSING    THEM    UP. 
 IMMEDIATELY,  A   THIN  RUSTY  CHAINMAIL 
 CURTAIN IS DROPPED AROUND  ME.  BUT  THE 
 ELEVATOR ALSO  SPEEDS  UP SIGNIFICANTLY. 
                                          
 THE  WALLS  ARE  FLARING  NOW,   YELLOW, 
 WHITE, ALMOST BLUE. I  CLOSE MY EYES AND 
 CURL  INTO A  BALL. BUT THEN, THE  GLASS 
 BOY  SCREAMS,  A  PIERCING  SOUND   THAT 
 FORCES MY  EYES BACK OPEN. I WATCH AS HE 
 BECOMES  TOO  LIQUID,  HIS  BODY POOLING 
 DOWN IN HIS NOW  MASSIVE  TAIL,  AND THE 
 TIP OF IT  SUDDENLY BREAKS OF IN A GLASS 
 DROP  THAT   FALLS  TOWARD  THE  FACTORY 
 FLOOR.                                   
                                          
 HE'S CRAWLING  ON THE STAIRS,  UNABLE TO 
 KEEP HIS BODY UPRIGHT. CAN'T  REACH  THE 
 LEVERS,  CLAWS  AT  MY  CHAINMAIL  CAGE, 
 WHILE  HIS BODY  IS  TURNING  INTO  DARK 
 PEARLS. FINALLY, HE'S LOST  TOO  MUCH OF 
 HIMSELF  AND  THE  SCREAM  IS CUT SHORT. 
 THE    LAST    OF    HIM   RAINS   DOWN. 
                                          
 I  STILL  CAN'T  REACH  THE  LEVERS FROM 
 WITHIN  MY  CAGE. LOOKING UP, I  TRY  TO 
 MAKE  OUT THE  CEILING, BUT  IT'S ALL  A 
 WHIRLING  SEA OF COLOURS. BELOW ME GLOWS 
 THE HELLFIRE OF THE  FACTORY  WALLS, BUT 
 VERY  FAINT. I  SIT DOWN, CURL  BACK UP, 
 BECOME STILL.                            
                                          
                                        
                                      
                          
                                      
                                        
                                          
 A  LARGE CLUNK  SHAKES  MY ENTIRE  BODY, 
 AND  SNAPS ME  BACK  INTO  REALITY.  I'M 
 BACK  AT  THE  FACTORY  FLOOR,  BUT  THE 
 STAIRS  ARE   STILL   MOVING   SLIGHTLY, 
 CLICKING IN PLACE, CARRYING ME THE  LAST 
 FEW  CENTIMETERS.  I  CAME  FROM  BELOW, 
 SOMEHOW.  THE  CHAINMAIL  IS  RETRACTED, 
 AND  I  SLOWLY   DISMOUNT   THE  STAIRS. 
                                          
 SHAKING AND CRYING,  I MAKE  MY WAY OVER 
 THE FACTORY FLOOR, WADING  THROUGH  DARK 
 GLASS MARBLES. A QUICK  GLANCE DOWN, AND 
 I  SEE THERE'S  SOMETHING  FAINT  INSIDE 
 THEM.   EMBRYOS?    ARE    THESE   EGGS? 
                                          
 I   SHUDDER,   AND   CLIMB   BACK   OUT.