THE GLASS FACTORY.           
                                        
                                        
                                      
                                  
                                  
                                          
 SEVERAL  CENTURIES  AFTER  IT  HAD  LAST 
 BELONGED TO  US, WE WENT ON AN OUTING TO 
 THE  GLASS  FACTORY THAT BORE OUR FAMILY 
 NAME. IT HAD CHANGED OWNERS  MANY  TIMES 
 SINCE  OUR  ANCESTORS  DEATH,  AND  THEN 
 STOOD  ABANDONED  FOR   A   LONG  WHILE. 
 FINALLY, THE  NATURAL  END  STATION  FOR 
 THE  BUILDINGS  THAT  SURVIVE: A MUSEUM, 
 AND A GIFT SHOP.                         
                                          
 THERE'S A  LONG  TIME  SINCE  MY  FAMILY 
 MADE  ANYTHING.  BY  MANY,  WE WOULD  BE 
 CONSIDERED POOR.                         
                                          
 THERE ARE  TWO MAIN  FACTORY  BUILDINGS, 
 DOMED THINGS OF SEVERAL FLOORS, MADE  IN 
 YELLOW  BRICK. LARGE BUT NARROW WINDOWS, 
 REMINESCENT    OF     SOME    CATHEDRAL. 
 CUSTOM-MADE GLASS, OF COURSE, LARGE  AND 
 LEADED, AND ASHEN. A BIT TOO DARK  TO BE 
 PRACTICAL.  ON   THE  EASTERN  BUILDING, 
 SOME ARE SHATTERED.                      
                                          
 THE OTHER  ONE IS PUBLICLY OPEN. THERE'S 
 A  MUSEUM, WITH WAX FIGURES  OF MY GREAT 
 GREAT GREAT  GRANDFATHER, OR  SOMETHING. 
 VARIOUS TOOLS (OR REPLICAS) LAID  OUT ON 
 TABLES, WITH EXPLAINING TEXTS. A  LOT OF 
 GLASS     OF      VARYING     THICKNESS. 
                                          
                                        
                                      
                          
                                      
                                        
                                          
 I QUICKLY SNEAK OUT, AND CLIMB INTO  THE 
 OTHER   BUILDING.   THE    CONTRAST   IS 
 OVERWHELMING.   IT   MUST   HAVE   STOOD 
 DERELICT  FOR  A   LONG  TIME,   WINDOWS 
 BROKEN,  METALLIC  TRASH  AND  POOLS  OF 
 DARK  GLASS  ALL   OVER  THE  FLOOR.  NO 
 ELECTRIC LIGHTS, BUT  I  CAN  SEE BY THE 
 LIGHT  THAT SHINES  IN WHEREVER THE DARK 
 WINDOWS     ARE    MISSING    A    PANE. 
                                          
 HOWEVER, THE GREATEST DIFFERENCE IS  THE 
 HIGHER FLOORS:  THIS  BUILDING HAS NONE. 
 IT IS ONE MASSIVE HALL, STRETCHING  AWAY 
 INFINITELY ABOVE ME. SOMEWHERE  UP THERE 
 IS SOME  GREAT  IRON  LATTICEWORK,  FROM 
 WHERE  CHAINS ARE SUSPENDED,  AND  PARTS 
 OF  MACHINERY  HAS  BEEN  FALLING  DOWN. 
                                          
 THERE IS,  IN  THE  MIDDLE OF  THE GREAT 
 HALL,  A  THIN  SPIRAL  STAIRCASE   THAT 
 LEADS  UP THERE. I SNEAK OVER THERE, AND 
 TAKE A FEW RELUCTANT  STEPS. AFTER  JUST 
 A  REVOLUTION, I  NOTICE THAT  FOR  EACH 
 STEP  THE BUILDING STARTS  TO  GLOW, THE 
 BRICKS TURNING  A  DARK  RED,  AND  THEN 
 ORANGE, ALL  THE  PILED UP  DEBREE BEING 
 LIT FROM BEHIND.                         
                                          
 I  STOP  READY TO RUN DOWN AND OUT,  BUT 
 THERE'S SOMEONE ELSE  ON  THE  STAIRCASE 
 WITH   ME  NOW,   PRESSED  CLOSE.   HE'S 
 LOOKING  LIKE ME, SHORT  HAIR  AND  THIN 
 ARMS, BUT WITH  EARS  FROM  SOME ANIMAL, 
 AND MORE  DISTURBINGLY,  COMPLETELY MADE 
 OF DARK LIQUID GLASS.                    
                                          
                                        
                                      
                          
                                      
                                        
                                          
 MY FEAR  HOLDS  ME  IN  PLACE  WHILE  HE 
 STARTS OPERATING  LEVERS AND  DIALS  SET 
 IN THE CENTER OF  THE STAIRCASE. SLOWLY, 
 IT  STARTS SPINNING,  CIRCLING  UPWARDS. 
 IT'S   AN  ELEVATOR!  I   START  TO  RUN 
 DOWNWARDS,   BUT  NOW   THE  LIQUID  BOY 
 CREATURE  GRABS  HOLD  OF  ME.  I TRY TO 
 SHAKE HIM OFF, BUT  HE'S TOO STRONG, AND 
 PULLS   ME    BACK   UP    BESIDE   HIM. 
                                          
 THIS  TIME, I TURN  ANGRY INSTEAD.  WHAT 
 THE  HELL? WHO IS THIS GUY,  ACTING LIKE 
 THIS?  I REACH OUT MY FREE ARM  AND SLAM 
 A  RANDOM  LEVER.   SOME  METAL  BAR  IS 
 SUDDENLY RELEASED  BETWEEN  US,  HITTING 
 HIM  ON  THE ARM, FORCING MY  RELEASE. I 
 SHOVE  HIM OFF OF ME, AND HE  FALLS INTO 
 THE    LEVERS,    MESSING    THEM    UP. 
 IMMEDIATELY,  A  THIN  RUSTY   CHAINMAIL 
 CURTAIN  IS DROPPED  AROUND ME. BUT  THE 
 ELEVATOR ALSO SPEEDS  UP  SIGNIFICANTLY. 
                                          
 THE   WALLS  ARE  FLARING  NOW,  YELLOW, 
 WHITE, ALMOST BLUE.  I CLOSE MY EYES AND 
 CURL  INTO  A BALL.  BUT THEN, THE GLASS 
 BOY  SCREAMS,  A  PIERCING   SOUND  THAT 
 FORCES MY EYES BACK OPEN. I WATCH  AS HE 
 BECOMES  TOO LIQUID,  HIS  BODY  POOLING 
 DOWN IN HIS NOW MASSIVE  TAIL,  AND  THE 
 TIP OF IT SUDDENLY BREAKS  OF IN A GLASS 
 DROP  THAT  FALLS  TOWARD  THE   FACTORY 
 FLOOR.                                   
                                          
 HE'S  CRAWLING ON THE STAIRS, UNABLE  TO 
 KEEP  HIS BODY UPRIGHT.  CAN'T REACH THE 
 LEVERS,  CLAWS  AT  MY  CHAINMAIL  CAGE, 
 WHILE  HIS  BODY  IS  TURNING  INTO DARK 
 PEARLS. FINALLY,  HE'S LOST  TOO MUCH OF 
 HIMSELF  AND  THE  SCREAM IS CUT  SHORT. 
 THE   LAST    OF    HIM   RAINS    DOWN. 
                                          
 I  STILL CAN'T  REACH  THE  LEVERS  FROM 
 WITHIN MY  CAGE.  LOOKING UP,  I  TRY TO 
 MAKE  OUT THE  CEILING,  BUT  IT'S ALL A 
 WHIRLING SEA OF COLOURS. BELOW ME  GLOWS 
 THE  HELLFIRE  OF THE FACTORY WALLS, BUT 
 VERY FAINT. I  SIT DOWN,  CURL  BACK UP, 
 BECOME STILL.                            
                                          
                                        
                                      
                          
                                      
                                        
                                          
 A  LARGE  CLUNK SHAKES MY  ENTIRE  BODY, 
 AND  SNAPS ME  BACK  INTO  REALITY.  I'M 
 BACK  AT  THE  FACTORY  FLOOR,  BUT  THE 
 STAIRS   ARE  STILL   MOVING   SLIGHTLY, 
 CLICKING IN PLACE, CARRYING  ME THE LAST 
 FEW  CENTIMETERS.  I  CAME  FROM  BELOW, 
 SOMEHOW.  THE  CHAINMAIL  IS  RETRACTED, 
 AND  I  SLOWLY   DISMOUNT  THE   STAIRS. 
                                          
 SHAKING  AND CRYING, I  MAKE MY WAY OVER 
 THE  FACTORY  FLOOR, WADING THROUGH DARK 
 GLASS MARBLES. A  QUICK GLANCE DOWN, AND 
 I SEE  THERE'S  SOMETHING  FAINT  INSIDE 
 THEM.   EMBRYOS?   ARE    THESE    EGGS? 
                                          
 I   SHUDDER,   AND   CLIMB   BACK   OUT.