,,-»/^$@## ##@$^/»-,,
,-»/^$@### ###@$^/»-,
,,-»/^$@## ##@$^/»-,,
,,,-»/^$@# #@$^/»-,,,
,,,,-»/^$@ @$^/»-,,,,
,,,,,-»/^$ # $^/»-,,,,,
,,,,,,-»/^ ,LIZARDRY ^/»-,,,,,,
,,,,,,,-»/ » # ## ### ################## /»-,,,,,,,
,,,,,,-»/^ ## THE ART OF C-NNECTING ^/»-,,,,,,
,,,,,-»/^$ , WITH THE OLD MIND $^/»-,,,,,
,,,,-»/^$@ @$^/»-,,,,
,,,-»/^$@# MY MIND IS BEING SKEWED. MI #@$^/»-,,,
,,-»/^$@## SKELETON IS STRINGY AND OLD AND ALIEN ##@$^/»-,,
,-»/^$@### THE SITUATION IS LITERALLY ###@$^/»-,
,,-»/^$@## PRESSED OUT THROUGH MY EYES, IT'S ##@$^/»-,,
,,,-»/^$@# ECHOING LIKE #@$^/»-,,,
,,,,-»/^$@ THE SUNSET OF THE ETERNAL @$^/»-,,,,
,,,,,-»/^$ OCEAN $^/»-,,,,,
,,,,,,-»/^ PERSISTENTLY AGAINST MY EMULSION ^/»-,,,,,,
,,,,,,,-»/ /»-,,,,,,,
,,,,,,-»/^ IT'S UNGRASPABLE TO ME, WHAT OTHER ^/»-,,,,,,
,,,,,-»/^$ HUMANS ARE DOING AND ABSTRACTING, $^/»-,,,,,
,,,,-»/^$@ AND ABOVE ALL ELSE, WHAT TIME THEY USE? @$^/»-,,,,
,,,-»/^$@# HOW LONG A TIME HAS PASSED, FOR THEM? #@$^/»-,,,
,,-»/^$@## , ##@$^/»-,,
,-»/^$@### , ,,, , ,,,,,,,,,,,,,,,, ####### ###@$^/»-,
,,-»/^$@## CONTINUOUSLY I'M CROWDING THROUGH ##@$^/»-,,
,,,-»/^$@# , THE FOURTH WALL -OUTWARDS IS WHAT , #@$^/»-,,,
,,,,-»/^$@ ,, I'M THINKING BUT IT'S WRONG.. A NEW @$^/»-,,,,
,,,,,-»/^$ , , NARRATOR IS INTRODUCED, OCCASIONALLY $^/»-,,,,,
,,,,,,-»/^ - - AWARE OF THE PREVIOUS ONE, DEEPER , ^/»-,,,,,,
,,,,,,,-»/ - - DOWN IN THE DRAGONS THROAT. /»-,,,,,,,
,,,,,,-»/^ - ^/»-,,,,,,
,,,,,-»/^$ - $^/»-,,,,,
,,,,-»/^$@ @$^/»-,,,,
,,,-»/^$@# #@$^/»-,,,
,,-»/^$@## ##@$^/»-,,
,-»/^$@### ###@$^/»-,
,,-»/^$@## ##@$^/»-,,
,,,-»/^$@# #@$^/»-,,,