,,,,,«;=*& &*=;«,,,,,
,,,,«;=*&¶ ¶&*=;«,,,,
,,,«;=*&¶# #¶&*=;«,,,
,,«;=*&¶## ##¶&*=;«,,
,,,«;=*&¶# #¶&*=;«,,,
,,,,«;=*&¶ # ¶&*=;«,,,,
,,,,,«;=*& ,LIZARDRY &*=;«,,,,,
,,,,,,«;=* « ¶ #¶ ### ################## *=;«,,,,,,
,,,,,«;=*& ## THE ART OF C,NNECTING &*=;«,,,,,
,,,,«;=*&¶ , WITH THE OLD MIND ¶&*=;«,,,,
,,,«;=*&¶# #¶&*=;«,,,
,,«;=*&¶## MY MIND IS BEING SKEWED. MI ##¶&*=;«,,
,,,«;=*&¶# SKELETON IS STRINGY AND OLD AND ALIEN #¶&*=;«,,,
,,,,«;=*&¶ THE SITUATION IS LITERALLY ¶&*=;«,,,,
,,,,,«;=*& PRESSED OUT THROUGH MY EYES, IT'S &*=;«,,,,,
,,,,,,«;=* ECHOING LIKE *=;«,,,,,,
,,,,,«;=*& THE SUNSET OF THE ETERNAL &*=;«,,,,,
,,,,«;=*&¶ OCEAN ¶&*=;«,,,,
,,,«;=*&¶# PERSISTENTLY AGAINST MY EMULSION #¶&*=;«,,,
,,«;=*&¶## ##¶&*=;«,,
,,,«;=*&¶# IT'S UNGRASPABLE TO ME, WHAT OTHER #¶&*=;«,,,
,,,,«;=*&¶ HUMANS ARE DOING AND ABSTRACTING, ¶&*=;«,,,,
,,,,,«;=*& AND ABOVE ALL ELSE, WHAT TIME THEY USE? &*=;«,,,,,
,,,,,,«;=* HOW LONG A TIME HAS PASSED, FOR THEM? *=;«,,,,,,
,,,,,«;=*& , &*=;«,,,,,
,,,,«;=*&¶ , ,,, , ,,,,,,,,,,,,,,,, ¶¶¶¶¶¶¶ ¶&*=;«,,,,
,,,«;=*&¶# CONTINUOUSLY I'M CROWDING THROUGH #¶&*=;«,,,
,,«;=*&¶## , THE FOURTH WALL ,OUTWARDS IS WHAT , ##¶&*=;«,,
,,,«;=*&¶# ,, I'M THINKING BUT IT'S WRONG.. A NEW #¶&*=;«,,,
,,,,«;=*&¶ , , NARRATOR IS INTRODUCED, OCCASIONALLY ¶&*=;«,,,,
,,,,,«;=*& , , AWARE OF THE PREVIOUS ONE, DEEPER , &*=;«,,,,,
,,,,,,«;=* , , DOWN IN THE DRAGONS THROAT. *=;«,,,,,,
,,,,,«;=*& , &*=;«,,,,,
,,,,«;=*&¶ , ¶&*=;«,,,,
,,,«;=*&¶# #¶&*=;«,,,
,,«;=*&¶## ##¶&*=;«,,
,,,«;=*&¶# #¶&*=;«,,,
,,,,«;=*&¶ ¶&*=;«,,,,
,,,,,«;=*& &*=;«,,,,,
,,,,,,«;=* *=;«,,,,,,