.......,~\ \~,.......
........,~ ~,........
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......,~\^ ^\~,......
.....,~\^& &^\~,.....
....,~\^&# # #&^\~,....
...,~\^&#@ .LIZARDRY @#&^\~,...
..,~\^&#@# ~ @ #@ ### ################## #@#&^\~,..
.,~\^&#@## ## THE ART OF C,NNECTING ##@#&^\~,.
..,~\^&#@# . WITH THE OLD MIND #@#&^\~,..
...,~\^&#@ @#&^\~,...
....,~\^&# MY MIND IS BEING SKEWED. MI #&^\~,....
.....,~\^& SKELETON IS STRINGY AND OLD AND ALIEN &^\~,.....
......,~\^ THE SITUATION IS LITERALLY ^\~,......
.......,~\ PRESSED OUT THROUGH MY EYES, IT'S \~,.......
........,~ ECHOING LIKE ~,........
.......,~\ THE SUNSET OF THE ETERNAL \~,.......
......,~\^ OCEAN ^\~,......
.....,~\^& PERSISTENTLY AGAINST MY EMULSION &^\~,.....
....,~\^&# #&^\~,....
...,~\^&#@ IT'S UNGRASPABLE TO ME, WHAT OTHER @#&^\~,...
..,~\^&#@# HUMANS ARE DOING AND ABSTRACTING, #@#&^\~,..
.,~\^&#@## AND ABOVE ALL ELSE, WHAT TIME THEY USE? ##@#&^\~,.
..,~\^&#@# HOW LONG A TIME HAS PASSED, FOR THEM? #@#&^\~,..
...,~\^&#@ . @#&^\~,...
....,~\^&# . ... . ................ @@@@@@@ #&^\~,....
.....,~\^& CONTINUOUSLY I'M CROWDING THROUGH &^\~,.....
......,~\^ . THE FOURTH WALL ,OUTWARDS IS WHAT . ^\~,......
.......,~\ .. I'M THINKING BUT IT'S WRONG.. A NEW \~,.......
........,~ . . NARRATOR IS INTRODUCED, OCCASIONALLY ~,........
.......,~\ , , AWARE OF THE PREVIOUS ONE, DEEPER . \~,.......
......,~\^ , , DOWN IN THE DRAGONS THROAT. ^\~,......
.....,~\^& , &^\~,.....
....,~\^&# , #&^\~,....
...,~\^&#@ @#&^\~,...
..,~\^&#@# #@#&^\~,..
.,~\^&#@## ##@#&^\~,.
..,~\^&#@# #@#&^\~,..
...,~\^&#@ @#&^\~,...
....,~\^&# #&^\~,....