.@@.@.@.@. .@.@@.....
.@@......@ ...@@@....
.@@@...... @..@.@@...
.@.@@..... @@...@@@..
...@@@.... @@@..@.@@.
...@.@@... delay delay d.la# @ ยงa. - .@ ~ - @.@@...@@@
@....@@@.. ..@@@..@.@
@@...@.@@. ..@.@@...@
.@@....@@@ @...@@@..@
.@@@...@.@ @@..@.@@..
.@.@@....@ "delay" means repetiton or likewise, .@@...@@@.
...@@@...@ but it's mainly useless without .@@@..@.@@
@..@.@@... feedback, .@.@@...@@
@@...@@@.. to allow the delay to eat of it's own ...@@@..@.
@@@..@.@@. tail, like one of those eaty serpents. ...@.@@...
@.@@...@@@ thus: it's the serpent effect! @....@@@..
..@@@..@.@ .@...@.@@.
..@.@@...@ it's to be revered as a creator of ..@....@@@
@...@@@..@ ambience and of space, if you treat it @..@...@.@
@@..@.@@.. right. a somewhat more solid and .@..@....@
.@@...@@@. slippery sibling of reverb. ..@..@...@
.@@@..@.@@ @..@..@...
.@.@@...@@ .@..@..@..
...@@@..@. ..@..@..@.
...@.@@... ...@..@..@
@....@@@.. ....@..@..