¨¨,»=*%£@#                                          #@£%*=»,¨¨
¨¨¨,»=*%£@                                          @£%*=»,¨¨¨
¨¨¨¨,»=*%£                                          £%*=»,¨¨¨¨
¨¨¨¨¨,»=*%                                          %*=»,¨¨¨¨¨
¨¨¨¨¨¨,»=*                                          *=»,¨¨¨¨¨¨
¨¨¨¨¨,»=*% delay  delay  d¨la#  £ *a¨  , ¨@   »   , %*=»,¨¨¨¨¨
¨¨¨¨,»=*%£                                          £%*=»,¨¨¨¨
¨¨¨,»=*%£@                                          @£%*=»,¨¨¨
¨¨,»=*%£@#                                          #@£%*=»,¨¨
¨,»=*%£@##                                          ##@£%*=»,¨
¨¨,»=*%£@# "delay" means repetiton or likewise,     #@£%*=»,¨¨
¨¨¨,»=*%£@ but it's mainly useless without          @£%*=»,¨¨¨
¨¨¨¨,»=*%£ feedback,                                £%*=»,¨¨¨¨
¨¨¨¨¨,»=*% to allow the delay to eat of it's own    %*=»,¨¨¨¨¨
¨¨¨¨¨¨,»=* tail, like one of those eaty serpents.   *=»,¨¨¨¨¨¨
¨¨¨¨¨,»=*% thus: it's the serpent effect!           %*=»,¨¨¨¨¨
¨¨¨¨,»=*%£                                          £%*=»,¨¨¨¨
¨¨¨,»=*%£@ it's to be revered as a creator of       @£%*=»,¨¨¨
¨¨,»=*%£@# ambience and of space, if you treat it   #@£%*=»,¨¨
¨,»=*%£@## right. a somewhat more solid and         ##@£%*=»,¨
¨¨,»=*%£@# slippery sibling of reverb.              #@£%*=»,¨¨
¨¨¨,»=*%£@                                          @£%*=»,¨¨¨
¨¨¨¨,»=*%£                                          £%*=»,¨¨¨¨
¨¨¨¨¨,»=*%                                          %*=»,¨¨¨¨¨
¨¨¨¨¨¨,»=*                                          *=»,¨¨¨¨¨¨
¨¨¨¨¨,»=*%                                          %*=»,¨¨¨¨¨