,,,,,,,^*# #*^,,,,,,,
,,-^*$£### ###£$*^-,,
,,-^*$#£## ##£#$*^-,,
,,-^*$#£## ##£#$*^-,,
,,-^*$#£## ##£#$*^-,,
,,-^^**$£# train dream #£$**^^-,,
,,,,,,,^$# ######,,,,,-,,,,##################### #$^,,,,,,,
,,,,,,-^$# ^^^ #$^-,,,,,,
,,,,,,^$## - ##$^,,,,,,
,,-^*$#£## - ##£#$*^-,,
,,-^*$#££# #££#$*^-,,
,,-^*$#£££ (situation) £££#$*^-,,
,,-^*$#£## ##£#$*^-,,
,,-^*#£### you find yourself in a rift - a ###£#*^-,,
,,,,,,^*$# clearing, narrow but immeasurably long. #$*^,,,,,,
,,-^*$#£## to your sides are walls made of trees, ##£#$*^-,,
,,-^***$£# thick and ready to swallow you. the sun #£$***^-,,
,,-^*$#£## is nowhere to be seen, but nontheless ##£#$*^-,,
,,-^*$#£## it is very bright - the air feels light ##£#$*^-,,
,,-^*$#£## blue, almost white. ##£#$*^-,,
,,,---^*#£ £#*^---,,,
,,,,,,,^$# along the span of the clearing lay two #$^,,,,,,,
,,,,,,,^$# parallel silvery lines, dark hard #$^,,,,,,,
,,-^*$#£## metal. somehow you can see how heavy ##£#$*^-,,
,,,,,,^^*# they are. #*^^,,,,,,
,,,---^**# #**^---,,,
,,-^*$#£## they emit a high pitched whine... ##£#$*^-,,
,,-^*$#£## ##£#$*^-,,
,,,,,,,^$£ - £$^,,,,,,,
,,-^^*$##£ ,,*,, £##$*^^-,,
,,-^^***## - ##***^^-,,
,,-^*$#£## ##£#$*^-,,
,,,,,,-*## (situation) ##*-,,,,,,
,,-^^*$$£# #£$$*^^-,,
,,,,,-*##£ youre at the train station, on a £##*-,,,,,
,,,-^^**$# catwalk above the rails. your train is #$**^^-,,,
,,-^***$££ late, or you are late to the train. ££$***^-,,
,,,,,-^$## it's a summer afternoon and the station ##$^-,,,,,
,,,,,--^*# is busy, full of relaxed confidence. #*^--,,,,,
,,-^*$#£## ##£#$*^-,,
,,,,,,,^$£ you're in high spirits, although a bit £$^,,,,,,,
,,-^*$#£## stressed about the time, while moving ##£#$*^-,,
,,-^*$#£## up the stairs to your platform. the ##£#$*^-,,
,,,,--*#££ station is in several levels, all ££#*--,,,,
,,-^*$##££ placed within eachother by some ££##$*^-,,
,,-^*$#£## intelligent designer, and full of ##£#$*^-,,
,,--^***#£ stairs, elevators, shortcuts, £#***^--,,
,,,,,,-*$£ bazaars... you sight your train through £$*-,,,,,,
,,,,,--^*# some glass windows. it's... not where #*^--,,,,,
,,-^^^^$$£ it's supposed to be? £$$^^^^-,,
,,,,,^^$$£ £$$^^,,,,,
,,-^*$$##£ - £##$$*^-,,
,,,,-^^^*# ,,$,, #*^^^-,,,,
,,,--^^*## - ##*^^--,,,
,,-^*$#£## ##£#$*^-,,
,,-^*$#£££ (situation) £££#$*^-,,
,,-^*$#£## ##£#$*^-,,
,,,,,,-^$£ you're finally entering the city. while £$^-,,,,,,
,,-^*$#£## it is indeed a very high speed train ##£#$*^-,,
,,-^*$##££ you're traveling in, the journey has ££##$*^-,,
,,-^*$#£## been long. but it's about to end! ##£#$*^-,,
,,-^*$#£## ##£#$*^-,,
,,-^*$#£## society is growing denser around you, ##£#$*^-,,
,,-^*$#£## through the windows you see first small ##£#$*^-,,
,,-^*$#£## shacks, built of metal and stone, then ##£#$*^-,,
,,-^$#£### proper houses with mortar to keep them ###£#$^-,,
,,,,,,-*$# together... who in turn make way for #$*-,,,,,,
,,-^*$#£## the industrial buildings, the urban ##£#$*^-,,
,,,,,,,-*# maze, protective walls, jungle #*-,,,,,,,
,,,,^^^**# network... #**^^^,,,,
,,,,,,-*## ##*-,,,,,,
,,-^*$#£## the tracks leave the ground, which is ##£#$*^-,,
,,-^^^^*$£ needed for other purposes. you are £$*^^^^-,,
,,-^*$#£## carried gently, curving upwards until ##£#$*^-,,
,,,,,-^*## you're moving upward along the wall of ##*^-,,,,,
,,,,,--*$# a building. it's made of slabby stone, #$*--,,,,,
,,,-^^^^$# with great glassless window holes #$^^^^-,,,
,,-^*$#£## looking out the way you came. it is ##£#$*^-,,
,,,,,,-*$£ pitch black inside. £$*-,,,,,,
,,,,,-*### ###*-,,,,,
,,-^*$#£## ##£#$*^-,,
,,-^*$#£## ##£#$*^-,,
,,,,,^*$## ##$*^,,,,,
,,-^*$#£## ##£#$*^-,,