.#.#.#..#.                                          #.##....##
.#.#.#.##.                                          #..#...#.#
.#.#.#..#.                                          #.##..##.#
.#.#.#.##.                                          #..#.#.#.#
.#.#.#..#.                                          #.##.#.#.#
.#.#.#.##.                train dream               #..#.#.#.#
.#.#.#..#.  ######....~«~~..#####################   #.##.#.#.#
.#.#.#.##.                    :::                   #..#.#.#.#
.#.#.#..#.                    «                     #.##.#.#.#
.#.#.#.##.                    «                     #..#.#.#.#
.#.#.#..#.                                          #.##.#.#.#
.#.#.#.##.                (situation)               #..#.#.#.#
.#.#.#..#.                                          #.##.#.#.#
.#.#.#.##. you  find  yourself  in  a  rift   -   a #..#.#.#.#
.#.#.#..#.  clearing, narrow but immeasurably long. #.##.#.#.#
.#.#.#.##. to your sides are  walls  made of trees, #..#.#.#.#
.#.#.#..#. thick  and ready to swallow you. the sun #.##.#.#.#
.#.#.#.##. is nowhere to  be  seen,  but nontheless #..#.#.#.#
.#.#.#..#. it  is very bright - the air feels light #.##.#.#.#
.#.#.#.##.            blue, almost white.           #..#.#.#.#
.#.#.#..#.                                          #.##.#.#.#
.#.#.#.##. along the span of  the  clearing lay two #..#.#.#.#
.#.#.#..#.     parallel silvery lines, dark hard    #.##.#.#.#
.#.#.#.##. metal. somehow  you  can  see  how heavy #..#.#.#.#
.#.#.#..#.                they are.                 #.##.#.#.#
.#.#.#.##.                                          #..#.#.#.#
.#.#.#..#. they  emit  a   high   pitched  whine... #.##.#.#.#
.#.#.#.##.                                          #..#.#.#.#
.#.#.#..#.                    «                     #.##.#.#.#
.#.#.#.##.                  ..$..                   #..#.#.#.#
.#.#.#..#.                     «                    #.##.#.#.#
.#.#.#.##.                                          #..#.#.#.#
.#.#.#..#.               (situation)                #.##.#.#.#
.#.#.#.##.                                          #..#.#.#.#
.#.#.#..#. youre   at   the  train station,   on  a #.##.#.#.#
.#.#.#.##. catwalk  above the rails.  your train is #..#.#.#.#
.#.#.#..#. late, or  you  are  late  to the  train. #.##.#.#.#
.#.#.#.##. it's a summer afternoon  and the station #..#.#.#.#
.#.#.#..#. is busy,  full  of  relaxed  confidence. #.##.#.#.#
.#.#.#.##.                                          #..#.#.#.#
.#.#.#..#. you're in  high spirits, although  a bit #.##.#.#.#
.#.#.#.##. stressed about  the  time,  while moving #..#.#.#.#
.#.#.#..#. up  the stairs  to  your  platform.  the #.##.#.#.#
.#.#.#.##. station   is  in   several  levels,  all #..#.#.#.#
.#.#.#..#.      placed within eachother by some     #.##.#.#.#
.#.#.#.##.     intelligent designer, and full of    #..#.#.#.#
.#.#.#..#.      stairs, elevators, shortcuts,       #.##.#.#.#
.#.#.#.##. bazaars... you sight your train  through #..#.#.#.#
.#.#.#..#. some glass  windows.  it's... not  where #.##.#.#.#
.#.#.#.##.           it's supposed to be?           #..#.#.#.#
.#.#.#..#.                                          #.##.#.#.#
.#.#.#.##.                     «                    #..#.#.#.#
.#.#.#..#.                  ~~%~~                   #.##.#.#.#
.#.#.#.##.                    «                     #..#.#.#.#
.#.#.#..#.                                          #.##.#.#.#
.#.#.#.##.                (situation)               #..#.#.#.#
.#.#.#..#.                                          #.##.#.#.#
.#.#.#.##. you're finally entering the city.  while #..#.#.#.#
.#.#.#..#. it  is  indeed  a  very high speed train #.##.#.#.#
.#.#.#.##. you're  traveling  in,  the  journey has #..#.#.#.#
.#.#.#..#. been   long.  but  it's  about  to  end! #.##.#.#.#
.#.#.#.##.                                          #..#.#.#.#
.#.#.#..#. society is  growing  denser  around you, #.##.#.#.#
.#.#.#.##. through the windows you see first  small #..#.#.#.#
.#.#.#..#. shacks, built  of  metal and stone, then #.##.#.#.#
.#.#.#.##. proper houses  with mortar to keep  them #..#.#.#.#
.#.#.#..#. together...  who  in  turn  make way for #.##.#.#.#
.#.#.#.##.    the industrial buildings, the urban   #..#.#.#.#
.#.#.#..#.      maze, protective walls, jungle      #.##.#.#.#
.#.#.#.##.                network...                #..#.#.#.#
.#.#.#..#.                                          #.##.#.#.#
.#.#.#.##. the  tracks  leave  the ground, which is #..#.#.#.#
.#.#.#..#. needed   for  other  purposes.  you  are #.##.#.#.#
.#.#.#.##.   carried gently, curving upwards until  #..#.#.#.#
.#.#.#..#. you're moving upward  along the  wall of #.##.#.#.#
.#.#.#.##. a building. it's  made  of slabby stone, #..#.#.#.#
.#.#.#..#.    with great glassless window holes     #.##.#.#.#
.#.#.#.##. looking  out  the way  you came.  it  is #..#.#.#.#
.#.#.#..#.           pitch black inside.            #.##.#.#.#
.#.#.#.##.                                          #..#.#.#.#
.#.#.#..#.                                          #.##.#.#.#
.#.#.#.##.                                          #..#.#.#.#
.#.#.#..#.                                          #.##.#.#.#
.#.#.#.##.                                          #..#.#.#.#