,,,.~$$#@# #@#$$~.,,,
,,,,.~$$#@ @#$$~.,,,,
,,,,,.~$$# #$$~.,,,,,
,,,,,,.~$$ $$~.,,,,,,
,,,,,.~$$# #$$~.,,,,,
,,,,.~$$#@ TRAIN DREAM @#$$~.,,,,
,,,.~$$#@# ######,,,,.~..,,##################### #@#$$~.,,,
,,.~$$#@## /// ##@#$$~.,,
,.~$$#@### ~ ###@#$$~.,
,,.~$$#@## ~ ##@#$$~.,,
,,,.~$$#@# #@#$$~.,,,
,,,,.~$$#@ (SITUATION) @#$$~.,,,,
,,,,,.~$$# #$$~.,,,,,
,,,,,,.~$$ YOU FIND YOURSELF IN A RIFT - A $$~.,,,,,,
,,,,,.~$$# CLEARING, NARROW BUT IMMEASURABLY LONG. #$$~.,,,,,
,,,,.~$$#@ TO YOUR SIDES ARE WALLS MADE OF TREES, @#$$~.,,,,
,,,.~$$#@# THICK AND READY TO SWALLOW YOU. THE SUN #@#$$~.,,,
,,.~$$#@## IS NOWHERE TO BE SEEN, BUT NONTHELESS ##@#$$~.,,
,.~$$#@### IT IS VERY BRIGHT - THE AIR FEELS LIGHT ###@#$$~.,
,,.~$$#@## BLUE, ALMOST WHITE. ##@#$$~.,,
,,,.~$$#@# #@#$$~.,,,
,,,,.~$$#@ ALONG THE SPAN OF THE CLEARING LAY TWO @#$$~.,,,,
,,,,,.~$$# PARALLEL SILVERY LINES, DARK HARD #$$~.,,,,,
,,,,,,.~$$ METAL. SOMEHOW YOU CAN SEE HOW HEAVY $$~.,,,,,,
,,,,,.~$$# THEY ARE. #$$~.,,,,,
,,,,.~$$#@ @#$$~.,,,,
,,,.~$$#@# THEY EMIT A HIGH PITCHED WHINE... #@#$$~.,,,
,,.~$$#@## ##@#$$~.,,
,.~$$#@### ~ ###@#$$~.,
,,.~$$#@## ,,$,, ##@#$$~.,,
,,,.~$$#@# ~ #@#$$~.,,,
,,,,.~$$#@ @#$$~.,,,,
,,,,,.~$$# (SITUATION) #$$~.,,,,,
,,,,,,.~$$ $$~.,,,,,,
,,,,,.~$$# YOURE AT THE TRAIN STATION, ON A #$$~.,,,,,
,,,,.~$$#@ CATWALK ABOVE THE RAILS. YOUR TRAIN IS @#$$~.,,,,
,,,.~$$#@# LATE, OR YOU ARE LATE TO THE TRAIN. #@#$$~.,,,
,,.~$$#@## IT'S A SUMMER AFTERNOON AND THE STATION ##@#$$~.,,
,.~$$#@### IS BUSY, FULL OF RELAXED CONFIDENCE. ###@#$$~.,
,,.~$$#@## ##@#$$~.,,
,,,.~$$#@# YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT #@#$$~.,,,
,,,,.~$$#@ STRESSED ABOUT THE TIME, WHILE MOVING @#$$~.,,,,
,,,,,.~$$# UP THE STAIRS TO YOUR PLATFORM. THE #$$~.,,,,,
,,,,,,.~$$ STATION IS IN SEVERAL LEVELS, ALL $$~.,,,,,,
,,,,,.~$$# PLACED WITHIN EACHOTHER BY SOME #$$~.,,,,,
,,,,.~$$#@ INTELLIGENT DESIGNER, AND FULL OF @#$$~.,,,,
,,,.~$$#@# STAIRS, ELEVATORS, SHORTCUTS, #@#$$~.,,,
,,.~$$#@## BAZAARS... YOU SIGHT YOUR TRAIN THROUGH ##@#$$~.,,
,.~$$#@### SOME GLASS WINDOWS. IT'S... NOT WHERE ###@#$$~.,
,,.~$$#@## IT'S SUPPOSED TO BE? ##@#$$~.,,
,,,.~$$#@# #@#$$~.,,,
,,,,.~$$#@ ~ @#$$~.,,,,
,,,,,.~$$# ..$.. #$$~.,,,,,
,,,,,,.~$$ ~ $$~.,,,,,,
,,,,,.~$$# #$$~.,,,,,
,,,,.~$$#@ (SITUATION) @#$$~.,,,,
,,,.~$$#@# #@#$$~.,,,
,,.~$$#@## YOU'RE FINALLY ENTERING THE CITY. WHILE ##@#$$~.,,
,.~$$#@### IT IS INDEED A VERY HIGH SPEED TRAIN ###@#$$~.,
,,.~$$#@## YOU'RE TRAVELING IN, THE JOURNEY HAS ##@#$$~.,,
,,,.~$$#@# BEEN LONG. BUT IT'S ABOUT TO END! #@#$$~.,,,
,,,,.~$$#@ @#$$~.,,,,
,,,,,.~$$# SOCIETY IS GROWING DENSER AROUND YOU, #$$~.,,,,,
,,,,,,.~$$ THROUGH THE WINDOWS YOU SEE FIRST SMALL $$~.,,,,,,
,,,,,.~$$# SHACKS, BUILT OF METAL AND STONE, THEN #$$~.,,,,,
,,,,.~$$#@ PROPER HOUSES WITH MORTAR TO KEEP THEM @#$$~.,,,,
,,,.~$$#@# TOGETHER... WHO IN TURN MAKE WAY FOR #@#$$~.,,,
,,.~$$#@## THE INDUSTRIAL BUILDINGS, THE URBAN ##@#$$~.,,
,.~$$#@### MAZE, PROTECTIVE WALLS, JUNGLE ###@#$$~.,
,,.~$$#@## NETWORK... ##@#$$~.,,
,,,.~$$#@# #@#$$~.,,,
,,,,.~$$#@ THE TRACKS LEAVE THE GROUND, WHICH IS @#$$~.,,,,
,,,,,.~$$# NEEDED FOR OTHER PURPOSES. YOU ARE #$$~.,,,,,
,,,,,,.~$$ CARRIED GENTLY, CURVING UPWARDS UNTIL $$~.,,,,,,
,,,,,.~$$# YOU'RE MOVING UPWARD ALONG THE WALL OF #$$~.,,,,,
,,,,.~$$#@ A BUILDING. IT'S MADE OF SLABBY STONE, @#$$~.,,,,
,,,.~$$#@# WITH GREAT GLASSLESS WINDOW HOLES #@#$$~.,,,
,,.~$$#@## LOOKING OUT THE WAY YOU CAME. IT IS ##@#$$~.,,
,.~$$#@### PITCH BLACK INSIDE. ###@#$$~.,
,,.~$$#@## ##@#$$~.,,
,,,.~$$#@# #@#$$~.,,,
,,,,.~$$#@ @#$$~.,,,,
,,,,,.~$$# #$$~.,,,,,
,,,,,,.~$$ $$~.,,,,,,