.~-:*&@@## ##@@&*:-~.
..~-:*&@@# #@@&*:-~..
...~-:*&@@ @@&*:-~...
..~-:*&@@# #@@&*:-~..
.~-:*&@@## ##@@&*:-~.
..~-:*&@@# *&*&*&*&*&*&*&*&*&*&*&*&*&*&*&*&*&*&*&*& #@@&*:-~..
...~-:*&@@ &* OPERATION CONTRASTING VALKYRIE &* @@&*:-~...
..~-:*&@@# *& IN THE SIXTIES. THE CENTRAL *& #@@&*:-~..
.~-:*&@@## &* INTELLIGENCE AGENCY "CIA" RELEASE &* ##@@&*:-~.
..~-:*&@@# *& AEROSOLIZED SELATENINE OVER A *& #@@&*:-~..
...~-:*&@@ &* JUPITER EQUINOX CONCERT, CREATING &* @@&*:-~...
..~-:*&@@# *& THE LARGEST SECRET PARADIGM SHIFT *& #@@&*:-~..
.~-:*&@@## &* THAT THE WORLD HAS EVER -SEEN-. &* ##@@&*:-~.
..~-:*&@@# *&*&*&*&*&*&*&*&*&*&*&*&*&*&*&*&*&*&*&*& #@@&*:-~..
...~-:*&@@ @@&*:-~...
..~-:*&@@# THE JUPITER EQUINOX* CONCERT IS PART OF #@@&*:-~..
.~-:*&@@## A FESTIVAL IN BLACK TICKLE ARRANGED BY ##@@&*:-~.
..~-:*&@@# A GROUP CALLED EPICENTER OF LOVE. THERE #@@&*:-~..
...~-:*&@@ IS NO ENTRANCE BUT VISITORS ARE @@&*:-~...
..~-:*&@@# EXPECTED TO HELP WITH MAINTENANCE. FOOD #@@&*:-~..
.~-:*&@@## AND DRINK IS SHARED. MANY BANDS ARE ##@@&*:-~.
..~-:*&@@# PLAYING OVER THE FOUR DAY COURSE OF THE #@@&*:-~..
...~-:*&@@ FESTIVAL, AND THE STAGE IS OPEN BETWEEN @@&*:-~...
..~-:*&@@# SCHEDULED CONCERTS. JUPITER EQUINOX, #@@&*:-~..
.~-:*&@@## WHILE AN UNKNOWN ACT, HAS A PRESTIGIOUS ##@@&*:-~.
..~-:*&@@# TIMESLOT AT EIGHT IN THE EVENING ON THE #@@&*:-~..
...~-:*&@@ THIRD DAY, WHICH IS FRIDAY. . . . @@&*:-~...
..~-:*&@@# #@@&*:-~..
.~-:*&@@## EIGHT IS ALSO WHEN THE PLANE USED TO ##@@&*:-~.
..~-:*&@@# SPREAD THE AEROSOL LIFTS OFF. IT #@@&*:-~..
...~-:*&@@ ARRIVES AT THE FESTIVAL ABOUT A QUARTER @@&*:-~...
..~-:*&@@# PAST, SOUND MASKED BY THE CONCERT. #@@&*:-~..
.~-:*&@@## AROUND WHEN THE FIRST WAVE OF ##@@&*:-~.
..~-:*&@@# SELATENINE MUST HAVE REACHED THE #@@&*:-~..
...~-:*&@@ AUDIENCE, THE SONG COMES TO A TENSE BUT @@&*:-~...
..~-:*&@@# QUIET MOVEMENT, AND THE LEAD SINGER #@@&*:-~..
.~-:*&@@## WALKS TO THE FRONT OF THE STAGE. ##@@&*:-~.
..~-:*&@@# #@@&*:-~..
...~-:*&@@ SHE SAYS, WITH A CRYSTALLINE VOICE: "I @@&*:-~...
..~-:*&@@# HAVE SOMETHING TO TELL YOU. I AM NOT A #@@&*:-~..
.~-:*&@@## HUMAN BEING. I AM NOT AN ANIMAL OR A ##@@&*:-~.
..~-:*&@@# PLANT. I HAVE BEEN SENT TO DELIVER A #@@&*:-~..
...~-:*&@@ MESSAGE TO YOU. A MESSAGE OF HOPE. YOU @@&*:-~...
..~-:*&@@# ARE NOT ALONE. THERE ARE OTHER BEINGS #@@&*:-~..
.~-:*&@@## IN THE UNIVERSE. THERE IS LIFE OUT ##@@&*:-~.
..~-:*&@@# THERE, LIFE THAT IS REACHING OUT A #@@&*:-~..
...~-:*&@@ HAND. AND IT'S TIME TO TAKE THAT HAND. @@&*:-~...
..~-:*&@@# TO REACH OUT TOWARD THAT HAND AND GRAB #@@&*:-~..
.~-:*&@@## IT IT. IT IS TIME TO COME HOME. YOU ARE ##@@&*:-~.
..~-:*&@@# GOING HOME. YOU ARE GOING HOME." #@@&*:-~..
...~-:*&@@ @@&*:-~...
..~-:*&@@# THE SINGER STANDS THERE FOR A FEW #@@&*:-~..
.~-:*&@@## MOMENTS, HER HAND RAISED IN THE AIR, ##@@&*:-~.
..~-:*&@@# BEFORE THE REST OF THE BAND KICKS IN #@@&*:-~..
...~-:*&@@ AND THE MUSIC BUILDS TO A CRESCENDO. @@&*:-~...
..~-:*&@@# THE CROWD ERUPTS. AND THEN SOMETHING #@@&*:-~..
.~-:*&@@## ELSE ERUPTS AS WELL. A CONCERT-GOER ##@@&*:-~.
..~-:*&@@# DESCRIBES IT: "SUDDENLY, THE MUSIC #@@&*:-~..
...~-:*&@@ SEAMS BROADER, MORE COLORFUL. I CAN @@&*:-~...
..~-:*&@@# SOMEHOW SEE IT, AND I FEEL THE OTHERS #@@&*:-~..
.~-:*&@@## SEEING IT, AND I SEE IT THROUGH THEIR ##@@&*:-~.
..~-:*&@@# EYES AS WELL. MEANWHILE I'M DANCING, #@@&*:-~..
...~-:*&@@ AND I CAN FEEL MY BODY AS I'VE NEVER @@&*:-~...
..~-:*&@@# DONE BEFORE, I AM AWARE OF EACH CELL #@@&*:-~..
.~-:*&@@## AND EACH MOLECULE, ALL VIBRATING IN ##@@&*:-~.
..~-:*&@@# UNISON. AND IT'S ALL GOING FASTER, #@@&*:-~..
...~-:*&@@ BUILDING UP TO SOMETHING, WAKING UP." @@&*:-~...
..~-:*&@@# #@@&*:-~..
.~-:*&@@## PEOPLE START FORMING CIRCLES, HOLDING ##@@&*:-~.
..~-:*&@@# HANDS AND DANCING. SOME ARE CRYING. #@@&*:-~..
...~-:*&@@ SOME ARE LAUGHING. SOME ARE SCREAMING. @@&*:-~...
..~-:*&@@# #@@&*:-~..
.~-:*&@@## AND THEN - A FLUTTER - AND SOMETHING ##@@&*:-~.
..~-:*&@@# GIVES. A SHOCKWAVE OF REVERSING #@@&*:-~..
...~-:*&@@ POLARITY IN THE ETHER, AND LIKE @@&*:-~...
..~-:*&@@# BUTTERFLIES GETTING HIT BY A BURST OF #@@&*:-~..
.~-:*&@@## WIND, THE THIRD EYE OPENS FOR EVERYONE ##@@&*:-~.
..~-:*&@@# IN THE AUDIENCE. AND IT BECOMES A CHAIN #@@&*:-~..
...~-:*&@@ REACTION, QUICKLY SPREADING ACROSS THE @@&*:-~...
..~-:*&@@# FESTIVAL AREA. WITHIN SECONDS THERE IS #@@&*:-~..
.~-:*&@@## A GLOBAL BLACKOUT. FESTIVAL GOERS ##@@&*:-~.
..~-:*&@@# REGAIN THEIR MEMORIES AROUND A WEEK #@@&*:-~..
...~-:*&@@ LATER, THOSE IN THE NEARBY TOWN OF @@&*:-~...
..~-:*&@@# BLACK TICKLE AFTER A FEW DAYS, IN #@@&*:-~..
.~-:*&@@## MONTREAL FOR THE EVENING, THE REST OF ##@@&*:-~.
..~-:*&@@# AMERICA MAYBE AN HOUR. . . . . . #@@&*:-~..
...~-:*&@@ @@&*:-~...
..~-:*&@@# AND THUS, THE POPULATION OF EARTH #@@&*:-~..
.~-:*&@@## HAS KIND OF LEFT IT'S MATERIALISTIC ##@@&*:-~.
..~-:*&@@# BASELINE, ONLY THAT MOST DO NOT #@@&*:-~..
...~-:*&@@ REMEMBER IT. @@&*:-~...
..~-:*&@@# #@@&*:-~..
.~-:*&@@## ##@@&*:-~.
..~-:*&@@# *&*&*&*&*&*&*&*&*&*&*&*&*&*&*&*&*&*&*&*& #@@&*:-~..
...~-:*&@@ &* * THERE'S AN INTERESTING ASPECT TO &* @@&*:-~...
..~-:*&@@# *& THE "JUPITER EQUINOX" ACT. IT *& #@@&*:-~..
.~-:*&@@## &* SEEMS THERE WAS NEVER ANY &* ##@@&*:-~.
..~-:*&@@# *& JUPITER EQUINOX CONCERTS BEFORE OR *& #@@&*:-~..
...~-:*&@@ &* AFTER THE ONE IN BLACK TICKLE. THE &* @@&*:-~...
..~-:*&@@# *& LEAD SINGER (ALSO COLLOQUIALLY *& #@@&*:-~..
.~-:*&@@## &* REFERRED TO AS JUPITER) SEEMED TO &* ##@@&*:-~.
..~-:*&@@# *& IMMEDIATELY DISAPPEAR (FOR A LONG *& #@@&*:-~..
...~-:*&@@ &* WHILE SHE WAS THOUGHT TO HAVE BEEN &* @@&*:-~...
..~-:*&@@# *& A CIA AGENT, BUT A LATER FOIA *& #@@&*:-~..
.~-:*&@@## &* RELEASE REFUTED THIS). FOR OBVIOUS &* ##@@&*:-~.
..~-:*&@@# *& REASONS, MANY WERE LOOKING FOR ANY *& #@@&*:-~..
...~-:*&@@ &* TRACE OF THE BAND, BUT NONE &* @@&*:-~...
..~-:*&@@# *& WERE FRUITFUL. *& #@@&*:-~..
.~-:*&@@## &* &* ##@@&*:-~.
..~-:*&@@# *& RECENTLY, HOWEVER, SOME ATTENTION *& #@@&*:-~..
...~-:*&@@ &* HAS BEEN DRAWN TO JUNIPER HELDING, &* @@&*:-~...
..~-:*&@@# *& A SIXTEEN YEAR OLD POP SINGER FROM *& #@@&*:-~..
.~-:*&@@## &* ENGLAND WHO HAS A VERY STRIKING &* ##@@&*:-~.
..~-:*&@@# *& SIMILARITY... *& #@@&*:-~..
...~-:*&@@ &*&*&*&*&*&*&*&*&*&*&*&*&*&*&*&*&*&*&*&* @@&*:-~...
..~-:*&@@# #@@&*:-~..
.~-:*&@@## ##@@&*:-~.
..~-:*&@@# #@@&*:-~..
...~-:*&@@ @@&*:-~...
..~-:*&@@# #@@&*:-~..