...@@@.@.. @@.@.@...@
@..@..@@@. @.@@@@@..@
.@.@@.@..@ @@@....@.@
@@@@.@@@.@ @..@...@@@
....@@..@@ .@.@@..@..
....@.@.@. %¤%¤%¤%¤%¤%¤%¤%¤%¤%¤%¤%¤%¤%¤%¤%¤%¤%¤%¤%¤ @@@@.@.@@.
....@@@@@@ ¤% OPERATION CONTRASTING VALKYRIE ¤% @...@@@@.@
@...@..... %¤ IN THE SIXTIES. THE CENTRAL %¤ .@..@...@@
.@..@@.... ¤% INTELLIGENCE AGENCY "CIA" RELEASE ¤% .@@.@@..@.
.@@.@.@... %¤ AEROSOLIZED SELATENINE OVER A %¤ .@.@@.@.@@
@@.@@@@@.. ¤% JUPITER EQUINOX CONCERT, CREATING ¤% .@@@.@@@@.
@.@@....@. %¤ THE LARGEST SECRET PARADIGM SHIFT %¤ .@..@@...@
.@@.@...@@ ¤% THAT THE WORLD HAS EVER »SEEN». ¤% .@@.@.@..@
@@.@@@..@. %¤%¤%¤%¤%¤%¤%¤%¤%¤%¤%¤%¤%¤%¤%¤%¤%¤%¤%¤%¤ .@.@@@@@.@
..@@..@.@@ .@@@....@@
@.@.@.@@@. THE JUPITER EQUINOX* CONCERT IS PART OF .@..@...@.
@@@@@@@..@ A FESTIVAL IN BLACK TICKLE ARRANGED BY .@@.@@..@@
.......@.@ A GROUP CALLED EPICENTER OF LOVE. THERE @@.@@.@.@.
.......@@@ IS NO ENTRANCE BUT VISITORS ARE @.@@.@@@@@
@......@.. EXPECTED TO HELP WITH MAINTENANCE. FOOD .@@.@@....
@@.....@@. AND DRINK IS SHARED. MANY BANDS ARE @@.@@.@...
@.@....@.@ PLAYING OVER THE FOUR DAY COURSE OF THE ..@@.@@@..
@@@@...@@@ FESTIVAL, AND THE STAGE IS OPEN BETWEEN @.@.@@..@.
@...@..@.. SCHEDULED CONCERTS. JUPITER EQUINOX, .@@@@.@.@@
.@..@@.@@. WHILE AN UNKNOWN ACT, HAS A PRESTIGIOUS .@...@@@@.
.@@.@.@@.@ TIMESLOT AT EIGHT IN THE EVENING ON THE .@@..@...@
@@.@@@@.@@ THIRD DAY, WHICH IS FRIDAY. . . . @@.@.@@..@
..@@...@@. ..@@@@.@.@
@.@.@..@.@ EIGHT IS ALSO WHEN THE PLANE USED TO @.@...@@@@
.@@@@@.@@@ SPREAD THE AEROSOL LIFTS OFF. IT @@@@..@...
.@....@@.. ARRIVES AT THE FESTIVAL ABOUT A QUARTER @...@.@@..
.@@...@.@. PAST, SOUND MASKED BY THE CONCERT. .@..@@@.@.
.@.@..@@@@ AROUND WHEN THE FIRST WAVE OF @@@.@..@@@
@@@@@.@... SELATENINE MUST HAVE REACHED THE ...@@@.@..
@....@@@.. AUDIENCE, THE SONG COMES TO A TENSE BUT ...@..@@@.
@@...@..@. QUIET MOVEMENT, AND THE LEAD SINGER ...@@.@..@
..@..@@.@@ WALKS TO THE FRONT OF THE STAGE. @..@.@@@.@
@.@@.@.@@. @@.@@@..@@
.@@.@@@@.@ SHE SAYS, WITH A CRYSTALLINE VOICE: "I ..@@..@.@.
.@.@@...@@ HAVE SOMETHING TO TELL YOU. I AM NOT A ..@.@.@@@@
@@@@.@..@. HUMAN BEING. I AM NOT AN ANIMAL OR A ..@@@@@...
@...@@@.@@ PLANT. I HAVE BEEN SENT TO DELIVER A @.@....@..
@@..@..@@. MESSAGE TO YOU. A MESSAGE OF HOPE. YOU @@@@...@@.
@.@.@@.@.@ ARE NOT ALONE. THERE ARE OTHER BEINGS @...@..@.@
.@@@@.@@@@ IN THE UNIVERSE. THERE IS LIFE OUT @@..@@.@@@
@@...@@... THERE, LIFE THAT IS REACHING OUT A @.@.@.@@..
@.@..@.@.. HAND. AND IT'S TIME TO TAKE THAT HAND. @@@@@@@.@.
@@@@.@@@@. TO REACH OUT TOWARD THAT HAND AND GRAB .......@@@
....@@...@ IT IT. IT IS TIME TO COME HOME. YOU ARE @......@..
....@.@..@ GOING HOME. YOU ARE GOING HOME." .@.....@@.
....@@@@.@ @@@....@.@
@...@...@@ THE SINGER STANDS THERE FOR A FEW @..@...@@@
.@..@@..@. MOMENTS, HER HAND RAISED IN THE AIR, @@.@@..@..
.@@.@.@.@@ BEFORE THE REST OF THE BAND KICKS IN @.@@.@.@@.
.@.@@@@@@. AND THE MUSIC BUILDS TO A CRESCENDO. @@@.@@@@.@
@@@@.....@ THE CROWD ERUPTS. AND THEN SOMETHING @..@@...@@
....@....@ ELSE ERUPTS AS WELL. A CONCERT-GOER @@.@.@..@.
....@@...@ DESCRIBES IT: "SUDDENLY, THE MUSIC ..@@@@@.@@
@...@.@..@ SEAMS BROADER, MORE COLORFUL. I CAN @.@....@@.
@@..@@@@.@ SOMEHOW SEE IT, AND I FEEL THE OTHERS @@@@...@.@
..@.@...@@ SEEING IT, AND I SEE IT THROUGH THEIR @...@..@@@
@.@@@@..@. EYES AS WELL. MEANWHILE I'M DANCING, @@..@@.@..
@@@...@.@@ AND I CAN FEEL MY BODY AS I'VE NEVER ..@.@.@@@.
@..@..@@@. DONE BEFORE, I AM AWARE OF EACH CELL @.@@@@@..@
.@.@@.@..@ AND EACH MOLECULE, ALL VIBRATING IN @@@....@.@
@@@@.@@@.@ UNISON. AND IT'S ALL GOING FASTER, @..@...@@@
....@@..@@ BUILDING UP TO SOMETHING, WAKING UP." .@.@@..@..
....@.@.@. @@@@.@.@@.
....@@@@@@ PEOPLE START FORMING CIRCLES, HOLDING @...@@@@.@
@...@..... HANDS AND DANCING. SOME ARE CRYING. .@..@...@@
.@..@@.... SOME ARE LAUGHING. SOME ARE SCREAMING. .@@.@@..@.
.@@.@.@... .@.@@.@.@@
@@.@@@@@.. AND THEN - A FLUTTER - AND SOMETHING .@@@.@@@@.
@.@@....@. GIVES. A SHOCKWAVE OF REVERSING .@..@@...@
.@@.@...@@ POLARITY IN THE ETHER, AND LIKE .@@.@.@..@
@@.@@@..@. BUTTERFLIES GETTING HIT BY A BURST OF .@.@@@@@.@
..@@..@.@@ WIND, THE THIRD EYE OPENS FOR EVERYONE .@@@....@@
@.@.@.@@@. IN THE AUDIENCE. AND IT BECOMES A CHAIN .@..@...@.
@@@@@@@..@ REACTION, QUICKLY SPREADING ACROSS THE .@@.@@..@@
.......@.@ FESTIVAL AREA. WITHIN SECONDS THERE IS @@.@@.@.@.
.......@@@ A GLOBAL BLACKOUT. FESTIVAL GOERS @.@@.@@@@@
@......@.. REGAIN THEIR MEMORIES AROUND A WEEK .@@.@@....
@@.....@@. LATER, THOSE IN THE NEARBY TOWN OF @@.@@.@...
@.@....@.@ BLACK TICKLE AFTER A FEW DAYS, IN ..@@.@@@..
@@@@...@@@ MONTREAL FOR THE EVENING, THE REST OF @.@.@@..@.
@...@..@.. AMERICA MAYBE AN HOUR. . . . . . .@@@@.@.@@
.@..@@.@@. .@...@@@@.
.@@.@.@@.@ AND THUS, THE POPULATION OF EARTH .@@..@...@
@@.@@@@.@@ HAS KIND OF LEFT IT'S MATERIALISTIC @@.@.@@..@
..@@...@@. BASELINE, ONLY THAT MOST DO NOT ..@@@@.@.@
@.@.@..@.@ REMEMBER IT. @.@...@@@@
.@@@@@.@@@ @@@@..@...
.@....@@.. @...@.@@..
.@@...@.@. %¤%¤%¤%¤%¤%¤%¤%¤%¤%¤%¤%¤%¤%¤%¤%¤%¤%¤%¤%¤ .@..@@@.@.
.@.@..@@@@ ¤% * THERE'S AN INTERESTING ASPECT TO ¤% @@@.@..@@@
@@@@@.@... %¤ THE "JUPITER EQUINOX" ACT. IT %¤ ...@@@.@..
@....@@@.. ¤% SEEMS THERE WAS NEVER ANY ¤% ...@..@@@.
@@...@..@. %¤ JUPITER EQUINOX CONCERTS BEFORE OR %¤ ...@@.@..@
..@..@@.@@ ¤% AFTER THE ONE IN BLACK TICKLE. THE ¤% @..@.@@@.@
@.@@.@.@@. %¤ LEAD SINGER (ALSO COLLOQUIALLY %¤ @@.@@@..@@
.@@.@@@@.@ ¤% REFERRED TO AS JUPITER) SEEMED TO ¤% ..@@..@.@.
.@.@@...@@ %¤ IMMEDIATELY DISAPPEAR (FOR A LONG %¤ ..@.@.@@@@
@@@@.@..@. ¤% WHILE SHE WAS THOUGHT TO HAVE BEEN ¤% ..@@@@@...
@...@@@.@@ %¤ A CIA AGENT, BUT A LATER FOIA %¤ @.@....@..
@@..@..@@. ¤% RELEASE REFUTED THIS). FOR OBVIOUS ¤% @@@@...@@.
@.@.@@.@.@ %¤ REASONS, MANY WERE LOOKING FOR ANY %¤ @...@..@.@
.@@@@.@@@@ ¤% TRACE OF THE BAND, BUT NONE ¤% @@..@@.@@@
@@...@@... %¤ WERE FRUITFUL. %¤ @.@.@.@@..
@.@..@.@.. ¤% ¤% @@@@@@@.@.
@@@@.@@@@. %¤ RECENTLY, HOWEVER, SOME ATTENTION %¤ .......@@@
....@@...@ ¤% HAS BEEN DRAWN TO JUNIPER HELDING, ¤% @......@..
....@.@..@ %¤ A SIXTEEN YEAR OLD POP SINGER FROM %¤ .@.....@@.
....@@@@.@ ¤% ENGLAND WHO HAS A VERY STRIKING ¤% @@@....@.@
@...@...@@ %¤ SIMILARITY... %¤ @..@...@@@
.@..@@..@. ¤%¤%¤%¤%¤%¤%¤%¤%¤%¤%¤%¤%¤%¤%¤%¤%¤%¤%¤%¤% @@.@@..@..
.@@.@.@.@@ @.@@.@.@@.
.@.@@@@@@. @@@.@@@@.@
@@@@.....@ @..@@...@@
....@....@ @@.@.@..@.
....@@...@ ..@@@@@.@@