,,,@,,,,@@ ,,,,,@@,,@
,@,,,@@,,@ @@@@,,,,,,
,,,@,,,,,, @@@,,@@@@@
,@,,,@@@@@ @@,,,,@@@,
,,,@,,@@@@ ,,,@@,,@,,
@@,,,,,@@@ # @@,,,,,,,@
@,,@@@,,@@ ,LIZARDRY ,,,@@@@@,,
,,,,@,,,,@ ~ # ## ### ################## @@,,@@@,,,
@@@,,,@@,, ## THE ART OF C^NNECTING @,,,,@,,@@
@@,,@,,,,@ , WITH THE OLD MIND ,,@@,,,,,@
@,,,,,@@,, @,,,,@@@,,
,,@@@,,,,@ MY MIND IS BEING SKEWED. MI ,,@@,,@,,,
@,,@,,@@,, SKELETON IS STRINGY AND OLD AND ALIEN ,,,,,,,,@@
,,,,,,,,,, THE SITUATION IS LITERALLY @@@@@@@,,@
,@@@@@@@@@ PRESSED OUT THROUGH MY EYES, IT'S @@@@@@,,,,
,,@@@@@@@@ ECHOING LIKE @@@@@,,@@@
,,,@@@@@@@ THE SUNSET OF THE ETERNAL ,@@@,,,,@,
@@,,@@@@@@ OCEAN ,,@,,@@,,,
,,,,,@@@@@ PERSISTENTLY AGAINST MY EMULSION ,,,,,,,,@,
@@@@,,@@@@ @@@@@@@,,,
,@@,,,,@@, IT'S UNGRASPABLE TO ME, WHAT OTHER @@@@@@,,@,
,,,,@@,,,, HUMANS ARE DOING AND ABSTRACTING, @@@@@,,,,,
@@@,,,,@@, AND ABOVE ALL ELSE, WHAT TIME THEY USE? @@@@,,@@@@
@@,,@@,,,, HOW LONG A TIME HAS PASSED, FOR THEM? @@@,,,,@@@
@,,,,,,@@@ , ,@,,@@,,@@
,,@@@@,,@@ , ,,, , ,,,,,,,,,,,,,,,, ####### ,,,,,,,,,@
,,,@@,,,,, CONTINUOUSLY I'M CROWDING THROUGH @@@@@@@@,,
@@,,,,@@@@ , THE FOURTH WALL ^OUTWARDS IS WHAT , @@@@@@@,,@
@,,@@,,@@, ,, I'M THINKING BUT IT'S WRONG.. A NEW ,@@@@@,,,,
,,,,,,,,,, , , NARRATOR IS INTRODUCED, OCCASIONALLY ,,@@@,,@@,
@@@@@@@@@@ ^ ^ AWARE OF THE PREVIOUS ONE, DEEPER , ,,,@,,,,,,
,@@@@@@@@@ ^ ^ DOWN IN THE DRAGONS THROAT. @@,,,@@@@,
,,@@@@@@@@ ^ @,,@,,@@,,
@,,@@@@@@@ ^ ,,,,,,,,,@
,,,,@@@@@@ ,@@@@@@@,,
@@@,,@@@@@ ,,@@@@@,,@
@@,,,,@@@@ ,,,@@@,,,,
,,,@@,,@@@ @@,,@,,@@,
@@,,,,,,@@ ,,,,,,,,,,
,,,@@@@,,@ @@@@@@@@@,