......~^&& &&^~......
.......~^& &^~.......
........~^ ^~........
.......~^& &^~.......
......~^&& &&^~......
.....~^&&@ TIME TO ..####.##.###.#####..ICK @&&^~.....
....~^&&@# ~.... # TIME TO GET QUICK # ....~ #@&&^~....
...~^&&@## ..####.##.###.#####.. ##@&&^~...
..~^&&@### OK SOMETHING IS GOING ###@&&^~..
...~^&&@## ON- I CAN GET &&&&&&&&&&&&&&&&&& ##@&&^~...
....~^&&@# THERE IS NO QUESTION! #@&&^~....
.....~^&&@ *FULL* PERMISSION IS GIVEN FROM MYSELF @&&^~.....
......~^&& TO MYSELF, TO CHANGE THIS ONE LATER. &&^~......
.......~^& &^~.......
........~^ I FEEL LOVE TOWARD MONO-STRETCH ALGORITH ^~........
.......~^& MS THAT ARE ALLOWED TO BE SMART :( &^~.......
......~^&& &&^~......
.....~^&&@ LEVEL CHECK. THINGS HERE AROUND ME HAVE @&&^~.....
....~^&&@# A WAIY RIME YO HAVTO HNGE I LIBEY #@&&^~....
...~^&&@## TO BE SURE TO AFFORD THE TIME ORTO ##@&&^~...
..~^&&@### BE IN TIME ###@&&^~..
...~^&&@## ##@&&^~...
....~^&&@# AND I HAVE BIG THINGS ANYWAY. IT STARTS #@&&^~....
.....~^&&@ NOW. RIGHT AND LEFT IN THE LUNG @&&^~.....
......~^&& ........ ......... &&^~......
.......~^& ........ @@@@@@@@@@@@@@@@@ &^~.......
........~^ ........ ^~........
.......~^& ........ IT TINGLES ALL OV &^~.......
......~^&& @@@@@@@@@@@@@@@@@@@O ER MY BODY, I'M &&^~......
.....~^&&@ OUTSIDE, WALKING CHIRS AND FURTHER AWAY. @&&^~.....
....~^&&@# THIS IS MINE, MY GREAT FOREST. KINDA, #@&&^~....
...~^&&@## I KINDA LOVE IT. ICE KINGDOM, TWELVE ##@&&^~...
..~^&&@### PLAYERS, TWELVE PLAYERS COMBINE. ###@&&^~..
...~^&&@## I'M STILL HER E AND DOING THIS. AND THIS ##@&&^~...
....~^&&@# IS, THE CLOUD, THE GENERAL SUPPORT #@&&^~....
.....~^&&@ STAKES, THE SQUEEZE IN ARMS AND LEGS; @&&^~.....
......~^&& AND THE NECK!!! KIND OF! INVERTED &&^~......
.......~^& AND ON FIRE. &^~.......
........~^ ^~........
.......~^& AN ATTEMPT TO SPEAK. WITH SIGNS? &^~.......
......~^&& FOR THE SAKE OF THE EDGE. NOT AN EDGE &&^~......
.....~^&&@ AS IN BEING EDGY, BUT AS AN EDGE, @&&^~.....
....~^&&@# LIKE THOSE OF LYRAS. #@&&^~....
...~^&&@## ##@&&^~...
..~^&&@### ABANDON THAT WHICH HAS GONE TOO FAR????? ###@&&^~..
...~^&&@## ((! ?~META NEW. I'M BACKFIRING SOMEWHAT. ##@&&^~...
....~^&&@# FOR TF. SQUARE META, BACKWARDS IN TIME, #@&&^~....
.....~^&&@ IN THE MEANING TIME, EVERYTH.ING IS @@@ @&&^~.....
......~^&& LEAKING, MY THOUGHTS AND MEANINGS ARE @ &&^~......
.......~^& LEAKING, LEAKING IN TIM E @@@@@@@@@@@@@ &^~.......
........~^ ^~........
.......~^& &^~.......
......~^&& &&^~......
.....~^&&@ ###### @&&^~.....
....~^&&@# ####THERE WAS A SHADOW OF SOMETHING #@&&^~....
...~^&&@## ENORMOUS ##@&&^~...
..~^&&@### A FEAR AND A LOOP, IN THE SAME PACKAGE, ###@&&^~..
...~^&&@## AND I WAS ALONE WITH THE WORLD ##@&&^~...
....~^&&@# BUT IT WAS FAMILIAR, OR, I AM INSIDE OUT #@&&^~....
.....~^&&@ AND USUAL SHAPES ARE HOLOGRAMS NOW, AND @&&^~.....
......~^&& I FIND MYSELF AS A PATTERN &&^~......
.......~^& AND I BECOME MYSELF AGAIN, THROUGH THE &^~.......
........~^ WATERFALL, ^~........
.......~^& IT IS LIKE I AM INSIDE A SWEATER LOOKING &^~.......
......~^&& FOR WHERE TO PUT THE ARMS, LIKE EMERGING &&^~......
.....~^&&@ FROM UNDER A SHEAT OF ACUTENESS @&&^~.....
....~^&&@# AND THE WORLD IS NO LONGER A #@&&^~....
...~^&&@## SHAPELESS ##@&&^~...
..~^&&@### PIECE ###@&&^~..
...~^&&@## AND SOMEONE HAS TO READ ALL OF THIS ##@&&^~...
....~^&&@# #@&&^~....
.....~^&&@ @&&^~.....
......~^&& &&^~......
.......~^& &^~.......
........~^ ^~........
.......~^& &^~.......