@,@,@@,@,, @,,@@@@@@,
@,@,,@,@,, @,@,@@@@@,
@,@,@@,@,, @,@,,@@@@,
@,@,,@,@,, @,@,@,@@@,
@,@,@@,@,, @,@,@,,@@,
@,@,,@,@,@ @@@@ ##### @,@,@,@,@,
@,@,@@,@,, tape dream @,@,@,@,@,
@,@,,@,@,@ #### @@@@@ @,@,@,@,@,
@,@,@@,@,, @,@,@,@,@,
@,@,,@,@,@ for storing music on. also data but @,@,@,@,@,
@,@,@@,@,, at this point in time that's not @,@,@,@,@,
@,@,,@,@,@ really important i think. @,@,@,@,@,
@,@,@@,@,, @,@,@,@,@,
@,@,,@,@,@ @,@,@,@,@,
@,@,@@,@,, //////// types of tape //////// @,@,@,@,@,
@,@,,@,@,@ @,@,@,@,@,
@,@,@@,@,, class i - "bad" iron @,@,@,@,@,
@,@,,@,@,@ class ii - good chromium @,@,@,@,@,
@,@,@@,@,, class iii - bad iron part two @,@,@,@,@,
@,@,,@,@,@ class iv - dangerous metals @,@,@,@,@,
@,@,@@,@,, @,@,@,@,@,
@,@,,@,@,@ rumors exist about a secret class v tape @,@,@,@,@,
@,@,@@,@,, that is actually useful. @,@,@,@,@,
@,@,,@,@,@ @,@,@,@,@,
@,@,@@,@,, // bias // @,@,@,@,@,
@,@,,@,@,@ @,@,@,@,@,
@,@,@@,@,, class i uses one hundred and twenty @,@,@,@,@,
@,@,,@,@,@ micro-something while the others all @,@,@,@,@,
@,@,@@,@,, use seventy of the same unit. @,@,@,@,@,
@,@,,@,@,@ @,@,@,@,@,
@,@,@@,@,, @,@,@,@,@,
@,@,,@,@,@ ††††††††† aha and ††††††††† @,@,@,@,@,
@,@,@@,@,, @,@,@,@,@,
@,@,,@,@,@ class iv is apparently too strong to @,@,@,@,@,
@,@,@@,@,, be used on class i players. it will @,@,@,@,@,
@,@,,@,@,@ sound too lound and it cannot be @,@,@,@,@,
@,@,@@,@,, completely erased. this is very well. @,@,@,@,@,
@,@,,@,@,@ maybe some wonderful blending effects @,@,@,@,@,
@,@,@@,@,, could be achieved? @,@,@,@,@,
@,@,,@,@,@ @,@,@,@,@,
@,@,@@,@,, they also gnaw at the tape heads a bit @,@,@,@,@,
@,@,,@,@,@ better than earlier tape types. @,@,@,@,@,
@,@,@@,@,, @,@,@,@,@,
@,@,,@,@,@ @,@,@,@,@,
@,@,@@,@,, //////// artifacts //////// @,@,@,@,@,
@,@,,@,@,@ @,@,@,@,@,
@,@,@@,@,, good tapes are decent and have a good @,@,@,@,@,
@,@,,@,@,@ high frequency presence, bad tapes are @,@,@,@,@,
@,@,@@,@,, lofi if not outright bad. idk, i kinda @,@,@,@,@,
@,@,,@,@,@ like it. @,@,@,@,@,
@,@,@@,@,, @,@,@,@,@,
@,@,,@,@,@ bias loss: if you forget the bias who @,@,@,@,@,
@,@,@@,@,, knows whats even on there anymore @,@,@,@,@,
@,@,,@,@,@ @,@,@,@,@,
@,@,@@,@,, flutter: kinda quick pitch variations. @,@,@,@,@,
@,@,,@,@,@ beautiful, wonderful, extraordinary. @,@,@,@,@,
@,@,@@,@,, @,@,@,@,@,
@,@,,@,@,@ wow: a slower flutter, usually several @,@,@,@,@,
@,@,@@,@,, seconds long. what up. both of these @,@,@,@,@,
@,@,,@,@,@ increase when tape speed decreases. @,@,@,@,@,
@,@,@@,@,, @,@,@,@,@,
@,@,,@,@,@ print through: tapes rub sound on each @,@,@,@,@,
@,@,@@,@,, other if theyre alone for too long @,@,@,@,@,
@,@,,@,@,@ @,@,@,@,@,
@,@,@@,@,, @,@,@,@,@,
@,@,,@,@,@ @,@,@,@,@,
@,@,@@,@,, @,@,@,@,@,
@,@,,@,@,@ @,@,@,@,@,
@,@,@@,@,, @,@,@,@,@,