¨,§..¨¤&£@ ,¨.¨,#¤£,,
§.,¨¤¨¨£&& ¨&@&.,§¨.&
¨.£,.¨¨.£& ¨.¤¨.¨.,.,
§..,#£&.¨¤ #¨¨,@¤&£§£
¨¨@.¨¤.¨,¨ ,¨£¨¨§¤&¤§
.,,¨,.¨#£& statuette ¨¨,..,£§#,
£@§¤@£¨.¤# §§@§&..&,,
¨##&¤¨.,,& *$&§$$§$$*%$§$§$~«~»«~~-$£$$§¤$££*%%$*£% ¨@§¤..¨¨¨.
,,£§,.¤#.. %$£%%¤@%% .,#.¨££#£#
¨.,¨.,.¨.& .¨¨,.,§£¤.
§§£&¤§££.¨ forests around my childhood home. thick §£¤&¤,,£¨¨
.¤@§¤¤#¨¨@ pine arcades that were planted and ¤£££.¨.,.,
¨¨£§@¤,.,¨ forgotten. wild boars roaming §&&..@@&§§
.¨¨§&,¨@£@ underneath, sniffing at the ground. it @#,¨¨.¤¤§,
§&¨.¨,.,§# is dark and moist, the canopy having ¤¨.§@.,#¨¨
¨,,@#... already soaked up all the sun. ¨.,,,¨¨¨..
@¤..£§,.&& ¤£¤&&§§&
¤.¨..¨¨¨¨& there's a river passing by, from east &£#&£§¤@@#
.,¤#¤&§§¨¨ to west, getting broader and deeper and .§#&£&§@§§
..¨@§¤¤,,¨ slower as it goes. equisetum grow just ¨,&§@&&£&,
§#¨¨@&¨.@@ where the pine hands start to let #,¨#@@£§,,
,..¨,¨.,., through light, horsemint on the rocky .,,.@&£¨,.
@§@§#§£#£¤ river bed. #@§.¨¤.¨§#
££@£¤¤#£¤& @&.¨,..,,£
¤¤§£¤£&@ † ¨¨¨££#@@¨,
.£££#@&§@, ¤&,,§£¤,.¨
¨,¤&@&£#,¨ the riverbanks reek of magic. tonight &,..¨#¨.¤@
¨.,£¤#§¨,¨ they had been a swampworld with sylvan ,.#¤¨¨,..¨
@#¨¨§£.¨£# water, stone rings and floating moss. ¨¨,,,&£¤@@
£,..,,.,,§ you could've found me wallowing around ¤#§#.,#@&§
.,¤¤##@&¨¨ on the southern shores until i got ¨@@¨,.,##¤
..¨¤¤&£¨¨¨ bitten. .,.¨@£,¨#.
&¤.,&&¨¨££ ,@#¨¨,¨..¨
,,..¨.¨.¨£ but now i'm further back, on solid ,¨.¨££¤##¨
§#@#§#,, ground, in shoulder-high grass, with an @@&¨¨&£#¨.
,@#§@§@¨¨¨ orange tin radio and a translucent @¤..¨,#...
¨¨§#£&..¤& umbrella which i'm sitting on. §,.§&.¨.@@
¨¨.§#¨.... ¨.¨.,,#¨,,
£@¨¨..@£¤£ * ,§¤¤£.¨¨£¤
£,,§£¨.¤&. ¨¨@£¨,£,¨@
,¨,,.,,.,. somethings moving in the grass. it's ,.¨,,,.¨¨,
@#£#§#¤@@§ invisible to my eyes but i can feel #¤£@#&&&@@
§#@§§¤#@&¤ through the ground just how large it is. &@§¤¤§§@¤@
&&§&&&@@ &@¤&¤£§£@#
&££@&£££§§ the soil is muddy. i slip when trying #¤@§@§¤&
&&&§£@#&£¤ to get up, still looking at the #@&£§@#¤¤@
§¤¤¤@###§¤ direction of sound rather than at my #¤@@@¤#§£§
§@@@§£#¤@§ hands, who are busy putting things in ££¤@¤##@&¤
££@@#§&£¤& my pockets. &@#§#&&¤¤@
@¤@¤@@£§££ £&£¤&§£§£@
¤££&§£#§&§ then i run east toward my home. ##&§£#¤£¤£
¤¤#¤¤#@#@¤ #¤@¤&§#§
¤£££§&@¤#§ : #&¤§£££@
§£##£§#@#£ #&@£#&&¤£@
@&§¤££¤§¤£ i am not followed, and slow down in the £#§¤#§@@£@
@£¤¤¤£@#¤@ clearing where you at first can spot &&£#@&§¤#@
@£&¤&@ the house, not yet really in the @#&@&@§&@¤
£#¤§&£¤¤## backyard. from my pockets i retrieve my #£##&&@§¤#
@@&£¤@&& radio (now dented) but also a small ££¤§£@#¤§#
£&&££#££¤& clay figure i've never seen before. it §@#¤&¤¤§¤¤
¤#££#£¤¤ must have been laying in the wet dirt, ##¤#@@&£¤@
££¤#£§@§ and i must've picked it up with my ¤§@£¤#@#@@
§@§£&§§§£# other belongings. &£@##&£¤&&
@§@#£###£§ @##§#&&@
£#¤§£¤¤£&@ it's a statuette of a girl laying naked ##@§&£@&£¤
¤§¤§£§§§@£ on her stomach, feet in the air, ££¤#@£
£@#¤£§¤£@# roughly seven centimeters long. it's ¤£@¤#@¤@#§
£@#&§§@§&@ freshly made, not yet completely dried. &&@@¤¤@@¤@
¤¤#£@&#§ §§¤@£&&¤§§
§&§#¤£§@@¤ my mom is here now. i ask her for some £¤@£¤#&§¤&
£¤&¤&¤£& particle board for it to dry on, but ¤&&¤£#&§§#
@£&§§¤§£#¤ she is worried and wants me to £@@@@£&£
&£¤@#@&££¤ throw it away. ££§§£#&§¤@
£¤¤#@@¤& §§&§¤§¤&§@
§§¤##§§§ £§#&@¤@§
#£@@#@§&£# &§@¤¤#¤#§@
¤£&¤@##@ @&&¤£¤££¤&
#§¤§&@§§ ££¤§###¤§§
§@£@#@¤£ @####@¤&&§