§.¨,¨¨.£@, .,,&.,£¨¨.
.¨¤¤¤&¨.¨. £&,,,,,.£.
&,¨£#..£¤& £¨.@£@&¨,¨
.¨¨.,,.,§§ ,,¨,@¤,,@,
£@§¤£¤£,¨@ §@#.,,,..,
¨£¤@.¨,. statuette ££¨¨£@@&£.
.,#¤#.¨@§& #¨.¨,§&£¨,
§¨,£,,..## £%¤£$$§£§££*$¤$§-«»~~~=~$£*&*%§¤%£$££$$$ ,¨@#..&..£
,.¨....£ £$¤$&§$$§ #¨,¨.¨.¨..
¤¤¤£.¨,¨,, ¨.&&&@£#¤£
¤#&,¨§@@§@ forests around my childhood home. thick @.,£#£¤&
¤§¨¨.. pine arcades that were planted and .¨,¨££¤¤@&
§,.#¤,,¤@§ forgotten. wild boars roaming ,¤¤¨,£§§
,¨,¨¨¨,,§& underneath, sniffing at the ground. it ,¨¨...#£
.¤£££@@¨¨¨ is dark and moist, the canopy having ¤#@,.&£,
,¨§&¨.&& already soaked up all the sun. &&@¤¨¨,¨,.
¤¨¨&@,.,¨§ .#@,.#¤£@¤
,.,¨..£¤., there's a river passing by, from east ...,.¨¤#££
.@£§£,,.¨# to west, getting broader and deeper and &£@¤§,¨¤&¨
¨.@@,,@§¨, slower as it goes. equisetum grow just ¤@§@.¨.¨,¨
§.¨¨.,,,,£ where the pine hands start to let ¨@§.¨£§#§§
¨.§§&§¤£¨. through light, horsemint on the rocky ..¨,¨.£§§£
¨¨¨@&§&.,@ river bed. ,#¤&£¨.#§.
@¤¨.¤#¨,., ,,&&¨.¨.¨,
¨¨.,,,¨£¤, \ ¤¨.¨,##§&.
#&§£@§¨,¨. ,¨#£..¤§.¨
¨#@##¨.@¤¨ the riverbanks reek of magic. tonight &,.¨,,,¨,¨
¨,£¤,,¨.¨¨ they had been a swampworld with sylvan ..&@¤£¤#¤#
¨..¨,@¤#@& water, stone rings and floating moss. §¨¨§@§£§§¨
&£§#¨.&@£§ you could've found me wallowing around .¨,¨#§&&¨.
,§¤,,.,#&£ on the southern shores until i got #§¤..@§.¨.
¨.¨,&@,,§@ bitten. @£.,,..¨¤&
¨¤¤¨,.,¨,§ ¨¨.#§#@¨¨¨
.,..£§,¨ but now i'm further back, on solid £#..£§¨.#£
,#£.,&&,¨¨ ground, in shoulder-high grass, with an #,.¨,,..¨.
.,.,..,¨&¤ orange tin radio and a translucent ¨¨§£&£££#¤
.&¤§&¨.@ umbrella which i'm sitting on. ¤¨¨@¤£#&@¨
,,§§##.,,¨ .¨.,@#@&.,
¤.¨@£¨¨£@, ; .¤#,¨#&,,&
...¨.,,¨,, .¨.,,.¨..,
&§§¤£¤&£¤¤ somethings moving in the grass. it's ##¤££@£¤§&
@#£&£¤£££& invisible to my eyes but i can feel §¤&@@§£@#§
¤£##@§@£ through the ground just how large it is. @&§&&¤@@§¤
##£¤#£§#@£ ¤§#§§#@###
§@£§¤§#£ the soil is muddy. i slip when trying #§§£¤#§#£¤
@&§§§§§#§# to get up, still looking at the ¤@¤£&£££
&£&@###@¤& direction of sound rather than at my §¤&&&¤¤@
£&£¤#@@££¤ hands, who are busy putting things in @§#¤&¤§£&§
@&£¤£@¤§§£ my pockets. §¤#&§@¤@##
§@£¤@&££&¤ §§#@&£##
§@§¤§¤¤£&& then i run east toward my home. @@#§§#&£¤§
#@@£#&@&££ &@§#¤#@##£
#@&§£@#& * ¤£&@&¤¤#¤&
&@@##§@§£& #££#¤&£&
§@@@£££@§# i am not followed, and slow down in the &&¤¤£@&¤§§
@@£§££#§ clearing where you at first can spot §§#&@£¤£
@&¤@§§£#¤& the house, not yet really in the &§#&@@§£&§
&&¤##£¤#¤§ backyard. from my pockets i retrieve my #¤¤&¤££#
¤£&§&&£¤ radio (now dented) but also a small £@£§@#@&§&
&£@@§@£#£¤ clay figure i've never seen before. it #&£§¤¤##£¤
##@§§#§§@# must have been laying in the wet dirt, #¤#@£@&@@#
&§£¤@#@§&& and i must've picked it up with my #@@¤£§@£&£
£#@£¤£@@@& other belongings. §&¤¤§#&@¤#
£¤@£§¤@§ @¤##§@#@¤§
#&§@#£#@§£ it's a statuette of a girl laying naked £&&@#£§§§@
&¤@&@#&£#£ on her stomach, feet in the air, ¤£§&¤¤¤&§¤
¤@#£¤££¤&& roughly seven centimeters long. it's £#§§@&@§#¤
£¤§£¤@£@ freshly made, not yet completely dried. §&@@&¤@§@¤
@#§&£#§@#& £§¤¤&@££@&
@§¤¤§##¤§£ my mom is here now. i ask her for some @§@§£@@¤£&
£@&£¤£@£&£ particle board for it to dry on, but £§@&@&&¤@£
¤#&§##§&&§ she is worried and wants me to ££&£&§#@&£
@£#£@@£¤£§ throw it away. ¤§#§£@£#§£
§§@#&¤&¤¤# #¤§£@£§¤#£
#££¤&§#@ #¤@¤@§#&£&
@&§£¤#@£§# £¤&§£&§§
££@¤##£&£§ #¤¤£@#¤§
@£@¤££#¤£& &§@#§£#@§§
§@@¤#£@@§@ £@#§#£¤§