£@§@@,¨.¨, ..,.¨,.£¨¨
,###..§@&£ §@#@&&¨..,
.¨£.,¨¨§¤§ .##,¨&§§
,,.,¤@.¨@# ,,§£¨.¨.¤,
&&§,,..,¨¨ #,¨,¨§@,,¨
,£¨,&£¤££§ statuette .,&§,,,¨#¨
.¨.,.&§£#£ §,¨..¤&¨,,
@&¤#.¨§&&§ %$¤£%%£¤%$£@£%$£»«~~~~=-%%*&@*§%*%££&§§£ ¨¨£@,,¨.#¤
&,¨.¨&&, $*§$@&%%£ .¨.,,#@..@
£@,,¤§,¨¨, &&¤§..¨.,¨
¨...¨,¨¤@. forests around my childhood home. thick #§§.¨¤#@£,
£¤§§,,,¨ pine arcades that were planted and @#..,,#£,,
.¤§£¤¨¨§§¨ forgotten. wild boars roaming §,,#¤.¨,,,
,,@§,¨¨¨.¨ underneath, sniffing at the ground. it ,.¨.¨¨#£&§
,..¨,@¤@¤. is dark and moist, the canopy having .¤@#¤¨,¤§¨
§@¤@,.¤#.. already soaked up all the sun. ¨,£¤¨.,.¨¨
¨¤§¨¨,¨,,£ ¨.,,¨¤¤@&.
¨.¨.§#¤§.¨ there's a river passing by, from east @##£¨.@&,¨
@£#..,,. to west, getting broader and deeper and ¨¤£¨.¨¨,.§
££.¨¨,,,## slower as it goes. equisetum grow just ,,.¨#§§§¨,
,.¨§¤@§,.¨ where the pine hands start to let ¨£§.,§&..¨
¤@,.@¤¨.#& through light, horsemint on the rocky ,,.,.,.¨¤#
#.,¨,..,.¤ river bed. #@£¤@@£,¨#
,.£¤#&@&,. &¤@#£@..¨¨
§¨.§#@@.¨£ ^ ,¤¤&£¨,@£#
.,,¨##,... .,£¤.¨,.@£
¨&¤¨¨¨¨§£@ the riverbanks reek of magic. tonight ,¨,..&@,¨¨
¨¨¨,#§..&£ they had been a swampworld with sylvan ¤#@@.¨,.¤#
,£@.,,..¨¨ water, stone rings and floating moss. .§#.,@@..¨
.¨..&¤¤§&& you could've found me wallowing around .,¨.....£&
.¤@¨.¤@£@§ on the southern shores until i got @@§§&,.¨
,¨...¨##&§ bitten. §#¤¤&¤,.@¤
¨££@§..#§£ ,§¤¤¤¨.¨,.
.,&&,¨,,£# but now i'm further back, on solid ¨¨§£.,#§§¤
.,.,¨¤#,,¨ ground, in shoulder-high grass, with an £¨¨.¨¨¨¤#,
###&,...@& orange tin radio and a translucent ¨¨#£&£.,,¨
¨¤¤¨¨¤£..£ umbrella which i'm sitting on. &.¨£#,,&£.
,¨.¨¨,.¨¨, ...¨,¨,¨,.
&¤&@¤¤#@#§ / £§&¤§#§£§#
@§§@¤¤@& £§&§&§&¤¤&
¤£¤£@&&@§& somethings moving in the grass. it's ¤§@§§@@#§&
¤£§§¤@&¤£# invisible to my eyes but i can feel §§¤¤&¤@§§&
¤#§¤##&£&@ through the ground just how large it is. &@##¤¤§¤¤@
#&@@¤@@¤ §#£§£##£
§¤£§§#£&&& the soil is muddy. i slip when trying #£#¤§§¤&&§
#££@£&£& to get up, still looking at the @#¤&&££@£§
£§£££¤§&£@ direction of sound rather than at my £§@&££&§¤§
&@@#§£##¤§ hands, who are busy putting things in ¤@#£¤£@&§§
@#@@&&§§@£ my pockets. @¤£¤&¤#£@¤
¤&§@¤§£¤ @¤¤&£&@&&&
£§££#&¤§§& then i run east toward my home. ¤@¤£¤@&§#@
&¤§£&§#§ #¤#&&&¤&
#&§¤¤§&¤ * ¤£@££@@&¤#
#@§&§§¤§#@ @@§£¤£##£#
¤§¤¤§££& i am not followed, and slow down in the ##§§¤&¤§¤¤
&@£¤£#§@£§ clearing where you at first can spot #@§¤&&£@
@¤&§§&¤¤ the house, not yet really in the §£@£¤£¤¤£@
££@¤¤§¤#¤& backyard. from my pockets i retrieve my §£§¤¤#
&&§@&@£&¤¤ radio (now dented) but also a small ##¤@&£@£££
£#§§§¤&£ clay figure i've never seen before. it £&§§&&¤§§§
#¤#@#§@# must have been laying in the wet dirt, &@§§£@£@
¤§§¤#@#£&& and i must've picked it up with my ¤@&@§@@&§@
§#&¤@#£#&¤ other belongings. £@¤§¤£¤@§¤
§#&£§£¤@ &§§#£¤@£#¤
&§#@@&@&¤£ it's a statuette of a girl laying naked &£&&£§§¤&¤
@§&§£§&& on her stomach, feet in the air, £##£¤§§#
@#£#¤#§#£¤ roughly seven centimeters long. it's §@@§#£§§§#
§@@§@¤¤@£# freshly made, not yet completely dried. &£&¤&&¤§@§
£¤&§¤@@&¤£ ¤§&@§&@£§§
¤§£@@#£@&@ my mom is here now. i ask her for some ¤#¤&@¤£@
&§£@#@#@&& particle board for it to dry on, but ¤£¤§¤&§§
&&@¤#§¤&¤£ she is worried and wants me to @@@¤£&¤¤¤¤
£#¤££@§#@@ throw it away. @&&&£¤¤§
#¤#¤##§@£¤ ###¤&@£@@@
&@@§##&£&§ §§&¤@#&&@¤
¤#&&@@¤& ##&¤§&§#
@&§@#££&¤& @§&§§@@¤##
#£&¤£§###¤ &¤#§@§#¤&&
§@¤¤#¤&¤§@ §&¤§@###¤#