¨.¨,....,¨ .¨.,¨¨¨,.,
£@#¤£@#&£, #¤¤£#@#§
¤@@##§§§,¨ ¤&§@¤£@¤#§
#£¤#@&§,.. &¤¤§#¤@§&£
@§¤#@¤¨¨¤# &§§&¤£§¤¤§
@§££§,¨¨.@ statuette §@#@#¤¤£¤#
£&&§¨,##,, ¤@£#£§£§§&
§@@.¨,¨¨.¨ £¤£$*$¤&$$§$%@*@«««~«~«-@£££¤$*%%%$@%@%£ §£&£¤£¤§
£@.,¤§@#¤¤ @£$$&%$$@ §@§¤§§&§#§
£.,,,£§&¤# ¤&@#£¤§#§#
¨¨¤#¨,&@#§ forests around my childhood home. thick &¤¤£&£
,,...¨,& pine arcades that were planted and #¤¤§@##¤§,
§¤¤§#&,¨## forgotten. wild boars roaming ¤@@¤£###..
¨&£§@,,..@ underneath, sniffing at the ground. it £#@@#..,
,.¤@¨¨¤@¨¨ is dark and moist, the canopy having £#@§&&..¤§
...¨.¨.¨,. already soaked up all the sun. @¤@@£¨¨¨¨.
@££##£§£¤& ¤§£§¨.£@
@&£###@¨ there's a river passing by, from east @#@¨¨¨,#¤#
@@&&§§&&¨. to west, getting broader and deeper and #§¨.££,,££
§@@&£@§,.. slower as it goes. equisetum grow just &,,¨¨¨..,&
@¤¤¤@§,.&¤ where the pine hands start to let ..#¤£#¤£,.
,§#&&,¨.,& through light, horsemint on the rocky .¨¨@£¤#,,,
,.§#..., river bed. £§,.¤@,.&¤
,.¨,.,..¨. ,¨¨¨..¨,.¨
@££&§¤£§ = #&@¤&@#@#¤
£&&@@&&&£§ @¤£#&£¤@¤@
##&¤&§§@@@ the riverbanks reek of magic. tonight @&£@§#£&§#
@#§§@£¤££# they had been a swampworld with sylvan .§¤#£&£@¤£
#@@##£#§ water, stone rings and floating moss. ..£££#§#¤#
§&@&@#¤#&@ you could've found me wallowing around ¤,,¤£&££#¤
#§§@££&§§£ on the southern shores until i got ,¨,¨&¤&£¤#
&§§§#£¤&@, bitten. @¤¤¨¨¤@#§£
¤§£@#¤@&,¨ #@,¨,.§¤#&
§#§@&§&.¨£ but now i'm further back, on solid ¤¨¨&&,.@&¤
§¤§¤£§.,¨¨ ground, in shoulder-high grass, with an ¨..¨...¨§&
¤¤&&&.¨§§# orange tin radio and a translucent .¤&§&¤§¨.£
&§£@.¨..§@ umbrella which i'm sitting on. .¨#¤§#,...
,¤¤.,¤&.¨# ¤..#&¨,#@.
¨¨.¨¨,.,,¨ ^ ,¨,¨.,¨,.¨
¤&§£§&@¤@& ¤&&§¤##¤§£
¤&£¤&&&¤£# somethings moving in the grass. it's &£§£££&&§§
¤@#&&§@¤&§ invisible to my eyes but i can feel #§¤£#¤§¤#§
&&£@&£§@¤§ through the ground just how large it is. §@#£&§&£¤@
¤&§££§&@&@ @&£#@@@#¤#
¤&§¤#£¤@@¤ the soil is muddy. i slip when trying §#@£@¤£#§¤
§#@§¤@¤£§# to get up, still looking at the @@#§¤§§#§¤
£§@&£§£¤@¤ direction of sound rather than at my @¤@@£@£&&&
#@§¤@&@&¤& hands, who are busy putting things in ¤£#&&@¤¤
@&££&¤#&£¤ my pockets. §&£##§££¤£
&@&£#£¤§§& §£¤&¤&§@@¤
&£@@£@§§§§ then i run east toward my home. ¤&§@£¤££@£
&¤§§@§¤¤¤£ §##§¤&@&
&¤&£§@¤&¤£ ^ £#&@&&¤£#§
#&@££##§@@ @§§¤¤#¤£&£
¤@¤¤£@&§@& i am not followed, and slow down in the &§¤££¤@&@&
&@¤£§@&¤ clearing where you at first can spot &@@£@§£§§£
@£&&§#@@§# the house, not yet really in the §§£#¤£@§
§£££¤@&&¤§ backyard. from my pockets i retrieve my #§£¤¤#@@&§
§##&&¤§¤¤@ radio (now dented) but also a small §§£@@##£¤&
£§§##£&£ clay figure i've never seen before. it ¤&&§§&§£&§
@@§&£#¤##¤ must have been laying in the wet dirt, @££#£#¤@£¤
@#@#£&£#£§ and i must've picked it up with my ££¤¤@#¤§@@
#§@£#§@¤ other belongings. &&££§£@§£¤
#§¤¤§§¤§&§ §¤@§#&§#§#
&£¤£§£¤£#¤ it's a statuette of a girl laying naked &&§§£&@§@¤
@£¤&¤§¤¤ on her stomach, feet in the air, &¤@££&¤§
&&§£&§£& roughly seven centimeters long. it's #¤£#§#¤&@&
##¤&§#¤@§@ freshly made, not yet completely dried. #¤&£§&&&@£
¤£¤#@§@§£& ¤#@¤¤£¤§¤#
&££¤@§#¤@§ my mom is here now. i ask her for some £££§§£&£&¤
@¤@£§§¤£## particle board for it to dry on, but @&£§#§¤££#
#£¤£¤£@§£# she is worried and wants me to &§£@§@£#¤£
##£§££#¤§@ throw it away. @&§@&@#§@#
#££&£¤§§§£ @§@#&§§§##
#¤#§£££&§& ¤&£¤¤#@§
¤£#§@@£@ £#¤@@£¤&¤£
¤&¤§¤#&£§# @£§&£¤§£@£
#££¤£@@&@§ £#@@£&£§&§
&@@@§&@@&& ¤£@@@@@£&¤