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¨.~\$%@£## ##£@%$\~.¨
¨.~\$%@@@£ A DYSTOPIAN MC DONALDS TOILET STEALS MY £@@@%$\~.¨
¨.~\$%@£££ AGENCY. TOO MUCH AGENCY ALREADY IN THIS £££@%$\~.¨
¨.~\$@£### ROOM. SATURATED. I CAN ONLY DO WHAT IT ###£@$\~.¨
¨.~\$%@### WANTS IN THE WAY IT WANTS. ###@%$\~.¨
¨.~\$%@£## ##£@%$\~.¨
¨.~\$%@£## ~ \ ~ ~ \ ~ ~ \ ~ ##£@%$\~.¨
¨.~\$%@£## ##£@%$\~.¨
¨~\$%@£### BUT: IN A MIRACOLOUS FRACTION OF A ###£@%$\~¨
¨.~\$%@£## SECOND, ITS TRUE THOUGHTS SLIP THROUGH ##£@%$\~.¨
¨.~\$@£### TO ME, PREVIOUSLY UNHEARD EVEN BY ITS ###£@$\~.¨
¨.~\$%@£## BUILDERS (THE ROOM WAS THOUGHT TO BE ##£@%$\~.¨
¨¨¨¨.\%@@£ WITHOUT CONSCIOUSNESS). £@@%\.¨¨¨¨
¨¨..~$%@££ ££@%$~..¨¨
¨.~\$%£### THE ROOM THINKS ABOUT CREATURES LYING ###£%$\~.¨
¨¨¨¨~\$%@£ DOWN, GOING OFF TO SLEEP, MAKING £@%$\~¨¨¨¨
¨.~\$%@£## THEMSELVES COMFORTABLE FIRST... IS THIS ##£@%$\~.¨
¨.~\$%@£## ONLY OPTIMIZING A RESTING POSITION FOR ##£@%$\~.¨
¨.~\$%@£## THE BODY? OR IS THERE ANOTHER WILL ##£@%$\~.¨
¨¨¨¨.\$%%@ INVOLVED? @%%$\.¨¨¨¨
¨¨¨¨¨¨~$%@ @%$~¨¨¨¨¨¨
¨¨¨¨.~\%%£ A DARK LISTENING TAKING PLACE, £%%\~.¨¨¨¨
¨.~\$%@£## A SILENT CONCERT. ##£@%$\~.¨
¨.~\$%@£## ##£@%$\~.¨
¨.~\$%@### IS THERE ANOTHER DESIRE INJECTED AT ###@%$\~.¨
¨.~\$%@@@# HYPNAGOGIA? SOMETHING FROM THE OTHER #@@@%$\~.¨
¨.~\$%@£## SIDE, GUIDING THEM, ##£@%$\~.¨
¨.~\$@£### ARRANGING THEIR BODIES. ###£@$\~.¨
¨.~\$%@### ###@%$\~.¨
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